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small rooms in which you will see installations and projections. The wall wraps
around the rooms and binds the ensemble into a long irregular structure. Over it
floats a roof suspended on cables from the ceiling of the cavernous room in the
old warehouse at the far end of the Arsenale where the Station sits. Outside the
warehouse lies a rough garden. Work from the Station will spill into it.
The Station itself will be filled with objects, part-objects, paintings, images,
screens. Around them a variety of benches, tables and small structures take their
place. It will be possible to bathe in the Station and powder one's nose. The
Station in other words becomes a place to stop, to contemplate, to listen and see,
to rest and refresh, to talk and exchange. For it will be completed by the presence
of people and a programme of events. Performances, concerts, lectures,
readings, film programmes, parties, the events will multiply. They define the
Station as much as its solid objects do. But all kinds of things will continue to be
added to the Station OVer the course of the summer and fall. People will leave
things behind, tal