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d'art moderne de la Ville de Paris. Among the many exhibitions and events he has co�curated are<br />

Manifesta I, Rotterdam (1996), Cities on the Move, Secession, Vienna (1997, and touring), the<br />

Berlin Biennale (1998), Utopia Station, Venice Biennale (2003), and the Moscow Biennale (2005).<br />

Volume 1 of his collected interviews was published in 2003.<br />

Helio Oiticica (1937-80) was a Brazilian artist who worked in Rio de Janeiro and New York Like<br />

Lygia Clark, he moved from neo-concretism in the 1950s to participatory works in the late 1960s<br />

involving 'sensOlial' objects and installation structures, parangole capes worn by samba dancers,<br />

and environments which placed gallery visitors in material conditions evoking Latin American<br />

shanty town existence. Retrospectives include Witte de With, Rotterdam (1992, and touring).<br />

Adrian Piper is a New York-based artist and philosopher. After participating in the beginnings of<br />

New York conceptualism in the 1960s, from 1970 she developed a 'catalytic' form of intervention<br />

in public or group situations to involve others in the questioning of perceptions derived from<br />

unchallenged notions of race, gender or class. Retrospectives include the New Museum of<br />

Contemporary Art, New York (2000).<br />

Jacques Ranciere is a French philosopher who first came to prominence as a co�author, with Louis<br />

Althusser and others, of Lire Le capital (1965; Reading Capita!. 1979). In the early 1970s he<br />

abandoned Althusser's form of Marxism and began to reflect upon the social and historical<br />

constitution of knowJedges. Since the late 1990s he has investigated the political and its<br />

relationship to aesthetics within western culture. His bool

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