Felix Guattari (1930-92) was a French psychoanalyst and political activist who was a central figure in the events of May 1968. Best known for his collaborations with the philosopher Gilles Deleuze, Capitalisme et schizophrenie. 1. L'anti-Oedipe (1972; Anti-Oedipus, 1983); lI. Mille plateaux (1980; A TllOusand Plateaus, 1987), and Qu'est-ce que /a philosophie?, 1991; What is Philosophy?, 1996), he developed his own social, psychoanalytic and ecologically based theories published in C1Jaosmose (1992; Chaosmosis, 1995), Chaosophy (1995) and Soft Subversions (1996). Thomas Hirschhorn is a Swiss-born artist based in Paris, whose anti-aesthetic assemblages, monuments, altars and ldosks, using low-grade everyday materials, invite a questioning of the place of art in community and the contemporary status of the monument. Major projects include Bataille Monument, Documenta 11, Kassel (2002), Musee Precaire A/binet, Laboratoires d'Aubervilliers (2004), and Utopia, Utopia, Institute of Contemporary Art, Boston (2005). Carsten Holler is a Belgian-born artist based in Sweden. With a doctorate in phytopathology, he uses his scientific training to make investigatory installations and artworks that actively engage vieWers' perceptions and physiological reactions to environments and stimuli. Major solo exhibitions include Sanatorium, Kunst-Werke, Berlin (1999), New World, Moderna Museet, Stockholm (1999), Fondazione Prada, Milan (2000) and One Day One Day, Fargfabriken, Stockholm (2003). Allan Kaprow (1927-2006) was an American artist best known as the inventor of the Happening in 1959, a term he abandoned in 1967, after which he explored other participatOlY models. The range of his early 1960s works is documented in his Assemblages, Environments and Happenings (1966); his writings are coHected in Essays on the Bluning of Art and Life (1993). An important early group show was Environments, Situations, Spaces, Martha Jackson Gallery, New York (1961). Retrospectives include Haus der Kunst, Munich (2006). Lars Bang Larsen is a Danish critic and curator based in Frankfurt am Main and Copenhagen. A contributor to journals such as Documents sur ['art.frieze and Artforum, he co-curated Momentum - Nordic Festival of Contemporary Art (1998), Fundamentalisms of the New Order (Charlottenberg, 2002), The Invisible lnsurrection ofa Million Minds (Bilbao, 2005) and Populism (Vilnius, Oslo, Amsterdam, Frankfurt, 2005). Jean-Luc Nancy is a French philosopher among whose central reference points are the ideas of Georges Batail!e, Maurice Blanchot, Jacques Derrida and Friedrich Nietzsche. His key works include Le TItre de la Lettre (with Phllippe Lacoue-Labarthe, 1973; Tile Title of the Letter: A Reading of Lacan, 1992), Le communaute desoeuvree (1986; The lnoperative Community, 1991 ), Le retrait du politique (with Philippe Lacoue-Labarthe, 1997; Retreating the Political, 1997) and £tre singlliier p/wie/ (2000; Being Singular Plural, 2000). Molly Nesbit is Professor of Art at Vassar College, Poughkeepsie, New York, and has also taught at the University of Callfornia, Berkeley, and Barnard ColJege, Columbia University. A contributing editor of Artforum, she is the author of Atget's Seven Albums (1992) and Their Common Sense (2000). She was a co-curator of Utopia Station, Venice Biennale (2003). Hans Ulrich Gbrist is a Swiss curator who is Co-Director of Exhibitions and Programmes at the Serpentine Gallery, London. From 1993 to 2005 he ran the 'Migrateurs' programme at the Musee 198/ /BlOGRAPHlCAL NOTES
d'art moderne de la Ville de Paris. Among the many exhibitions and events he has co�curated are Manifesta I, Rotterdam (1996), Cities on the Move, Secession, Vienna (1997, and touring), the Berlin Biennale (1998), Utopia Station, Venice Biennale (2003), and the Moscow Biennale (2005). Volume 1 of his collected interviews was published in 2003. Helio Oiticica (1937-80) was a Brazilian artist who worked in Rio de Janeiro and New York Like Lygia Clark, he moved from neo-concretism in the 1950s to participatory works in the late 1960s involving 'sensOlial' objects and installation structures, parangole capes worn by samba dancers, and environments which placed gallery visitors in material conditions evoking Latin American shanty town existence. Retrospectives include Witte de With, Rotterdam (1992, and touring). Adrian Piper is a New York-based artist and philosopher. After participating in the beginnings of New York conceptualism in the 1960s, from 1970 she developed a 'catalytic' form of intervention in public or group situations to involve others in the questioning of perceptions derived from unchallenged notions of race, gender or class. Retrospectives include the New Museum of Contemporary Art, New York (2000). Jacques Ranciere is a French philosopher who first came to prominence as a co�author, with Louis Althusser and others, of Lire Le capital (1965; Reading Capita!. 1979). In the early 1970s he abandoned Althusser's form of Marxism and began to reflect upon the social and historical constitution of knowJedges. Since the late 1990s he has investigated the political and its relationship to aesthetics within western culture. His bool
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Roland Barthesl I Joseph Beuysl/Nic
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Documents of Contemporary Art
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Documents of Contemporary Art In re
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THEORETICAL FRAMEWORKS Umberto Eco
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Claire Bishop Introduction/ /Viewer
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media in the form of reality televi
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culture by those subjugated to its
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onto solid ground: 3 For a detailed
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Umberto Bco The Poetics of the Open
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dialectics between the work of art
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Henri Pousseur cited by Umberto Eco
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the necessary and the univocal is a
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the more true of poetic works that
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same sense that a debate is 'open'.
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and sensation - in short, an empiri
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the objects which are actually perc
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fact, to use Einstein's words, pres
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to a continuous generation of inter
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'enjoyment' of a work of art repres
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e found in ordinary culture is tyra
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meaning (the 'message' of the Autho
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Peter Burger The Negation of the Au
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talents, though with the proviso th
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that would have consequences within
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false sublation of autonomous art.'
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Jean-Luc Nancy The Inoperative Comm
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the stumbling block to thinking of
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unknown to Lenin, Stalin and Trotsk
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irreparable) rupture in this commun
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us, community has never taken place
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have imagined their death reabsorbe
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peculiar gesture - the impossibilit
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This is why community cannot arise
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Georges BataHle, Oeuvres Completes,
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nomadism practised by populations t
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case its being surpassed, it tells
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is also the thought of what is rela
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Root identity - is founded in the d
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the possible 'far from the equilibr
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the planet is going through - such
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It is having to negotiate the relat
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a fantastical poetry made from the
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distance then replaces provocative
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throughout society.' Through this d
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in their own ways, the great fresco
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ARTISTS' WRITINGS Guy Debord Toward
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a city would tend to induce a singl
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diminish, while the share of those
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for fighting, on the level of the p
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fulfils neither its implications no
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Helio Oiticica Dance in My Experien
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this structure and vice-versa with
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invited to walk through the tonal d
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what's great is this diversity of p
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stimulates it, in an erotic way too
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who reaches, more and more profound
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Graciela Carnevale Project for the
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ese eaple are t e � ctors� ere
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11:20 a.m. The discussion expands:
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Joseph Beuys and Dirk Schwarze, Rep
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Joseph l3euys I Am Searching for Fi
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Collective Actions Ten Appe(m:mces/
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around the names of the events depi
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lack culture. This first part of th
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dialogues with anywhere from one to
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Group Materia! On Democracy// 1990
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people discussing their relation to
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project which took place in 1993. T
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and intellectual communities reveal
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is documented in the book Transnaci
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from providing a programme or metho
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