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Index Adorno, Theador 184 Althusser, Louis 160 Amaral, Tarsila do 113 Andersen, Traels 176, 178, 179, 183 Andrade, Oswaldo de 113 Aragon, Louis, 86 Arendt, Hanna1l 70n Aristotle 28, 32, 72 Artaud, Antonin 11 Bach, Johann Sebastian 21. 133 Badiou, Alain 70n Baker, George 54 Bal
Defert, Daniel 156 Deleuze, Gilles 70n, 154, 190 Deleuze, Gilles, and GUattari, Felix 15� 16, 71, 73 Deller,jeremy, 146�7 Derrida, jacques 17n, 54 Descartes, Rene 64 Dijkstra, Rineke 91 Dimitrijevic, Braco 163 Dordevic, Goran 142n Duarte, Rogerio 117n Duchamp, Marcel 50, 150, 166, 191, 194 Dufour, Kirsten 181, 183 Durand, Gilbert 166 Durham, Jimmie 188 Dyc!
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Roland Barthesl I Joseph Beuysl/Nic
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Documents of Contemporary Art
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Documents of Contemporary Art In re
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THEORETICAL FRAMEWORKS Umberto Eco
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Claire Bishop Introduction/ /Viewer
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media in the form of reality televi
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culture by those subjugated to its
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onto solid ground: 3 For a detailed
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Umberto Bco The Poetics of the Open
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dialectics between the work of art
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Henri Pousseur cited by Umberto Eco
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the necessary and the univocal is a
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the more true of poetic works that
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same sense that a debate is 'open'.
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and sensation - in short, an empiri
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the objects which are actually perc
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fact, to use Einstein's words, pres
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to a continuous generation of inter
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'enjoyment' of a work of art repres
Page 44 and 45:
e found in ordinary culture is tyra
Page 46 and 47:
meaning (the 'message' of the Autho
Page 48 and 49:
Peter Burger The Negation of the Au
Page 50 and 51:
talents, though with the proviso th
Page 52 and 53:
that would have consequences within
Page 54 and 55:
false sublation of autonomous art.'
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Jean-Luc Nancy The Inoperative Comm
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the stumbling block to thinking of
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unknown to Lenin, Stalin and Trotsk
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irreparable) rupture in this commun
Page 64 and 65:
us, community has never taken place
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have imagined their death reabsorbe
Page 68 and 69:
peculiar gesture - the impossibilit
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This is why community cannot arise
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Georges BataHle, Oeuvres Completes,
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nomadism practised by populations t
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case its being surpassed, it tells
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is also the thought of what is rela
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Root identity - is founded in the d
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the possible 'far from the equilibr
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the planet is going through - such
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It is having to negotiate the relat
Page 88 and 89:
a fantastical poetry made from the
Page 90 and 91:
distance then replaces provocative
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throughout society.' Through this d
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in their own ways, the great fresco
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ARTISTS' WRITINGS Guy Debord Toward
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a city would tend to induce a singl
Page 101 and 102:
diminish, while the share of those
Page 103 and 104:
for fighting, on the level of the p
Page 105 and 106:
fulfils neither its implications no
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Helio Oiticica Dance in My Experien
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this structure and vice-versa with
Page 111 and 112:
invited to walk through the tonal d
Page 113 and 114:
what's great is this diversity of p
Page 115 and 116:
stimulates it, in an erotic way too
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who reaches, more and more profound
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Graciela Carnevale Project for the
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ese eaple are t e � ctors� ere
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11:20 a.m. The discussion expands:
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Joseph Beuys and Dirk Schwarze, Rep
Page 127 and 128:
Joseph l3euys I Am Searching for Fi
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Collective Actions Ten Appe(m:mces/
Page 131 and 132:
around the names of the events depi
Page 133 and 134:
lack culture. This first part of th
Page 135 and 136:
dialogues with anywhere from one to
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Group Materia! On Democracy// 1990
Page 139 and 140:
people discussing their relation to
Page 141 and 142:
project which took place in 1993. T
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and intellectual communities reveal
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is documented in the book Transnaci
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from providing a programme or metho
Page 149 and 150:
from the outset because there seeme
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Rirkrit Tiravcmija No Ghosts in the
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and space continuum which has been
Page 155 and 156: were slowly shipped to Vienna. As t
Page 157 and 158: with works of art. I can seize thei
Page 159 and 160: computers and space for working. Ma
Page 161 and 162: CRITICAL AND CURATORIAL POSITIONS N
Page 163 and 164: Once it had been elevated to the st
Page 165 and 166: Conviviality ami encollnters A work
Page 167 and 168: stylistic, thematic or iconographic
Page 169 and 170: are quite happy to create modus viv
Page 171 and 172: correspond to a relational world fo
Page 173 and 174: 8 Georges Bataille, 'L'Apprenti sor
Page 175 and 176: subject's interaction with culture
Page 177 and 178: alternative to authoritarian societ
Page 179 and 180: according to Nielsen, socially irra
Page 181 and 182: The public bath and sauna were inst
Page 183 and 184: of activism. They worked with squat
Page 185 and 186: Troels Andersen - and together they
Page 187 and 188: picture, then I shall portray it as
Page 189 and 190: The Utopia Station in Venice, the c
Page 191 and 192: invitation to self-organize speaks
Page 193 and 194: critical' deviCes of Marcel Broodth
Page 195 and 196: international team led by Okwui Enw
Page 197 and 198: society of extras, where everyone f
Page 199 and 200: work was included in Global Concept
Page 201 and 202: d'art moderne de la Ville de Paris.
Page 203 and 204: 1990. 157-8 (oJlective Actions, Kol
Page 205: Laddaga, ReinaJdo, Estetica de fa e
Page 209 and 210: Ray, Charles 88 Reagan, Ronald 135
Page 211: 'i/ildm J)/(isj.ano '(,:kii:8 :1'::
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