Diseño sin Fronteraswith an encompassing view of Design and its possibleapplications to Education. The general objective is to empower professionalsto conceive, <strong>de</strong>velop and evaluate didactic materialsin situations of formal and non-formal education,involving different production supports. The specificobjectives are: Provi<strong>de</strong> strategies, in light of Design methodologies,for constructing concrete and visual didactic materials. Provi<strong>de</strong> theoretical knowledge that supports discussionson issues of Design and Education. Provi<strong>de</strong> theoretical and practical knowledge abouttechnicians, materials, supports, etc., for elaboratingconcrete and virtual objects. Provi<strong>de</strong> basic knowledge about resources offered bythe new information and communication technologiesapplied in didactic materials. Work on <strong>de</strong>veloping the creativity of participants. Contribute towards an expansion of visual literacy ofparticipants. Characterize Design as a field of interdisciplinaryknowledge. Present and discuss the ‘Design in Situations ofTeaching-Learning’ line of work.The theoretical and practical content of the subjects shall beworked throughout the course aimed at arousing reflectionson didactic material, addressing their functions, possibilitiesfor <strong>de</strong>velopment, content, applications, configuration process,applicability, among other aspects. Besi<strong>de</strong>s the on-site lectureclasses for establishing a foundation, with visual support, thelist of subjects below also encompasses workshop activitiesand <strong>de</strong>velopment of objects from a methodology in Designperspective.3. Course ModulesDespite the initial conviction of this Design potential, we seekto spotlight it throughout <strong>de</strong>velopment of this course. For such,we have outlined an ample panorama on issues that somehowinfluence the teaching-learning process as a project in the fieldof Design, as well as new technologies, visual culture, image andlanguage. Based on the i<strong>de</strong>as of authors who addressed theseissues, we have articulated thoughts that will serve as a theoreticalbasis for stu<strong>de</strong>nts.The subjects are divi<strong>de</strong>d into five modules, which are: Designin situations of teaching)- learning, Creativity, Visual Culture,New Technologies and Scientific Research Methodology. Theconcept map of the course ‘Design of Didactic Materials: a multidisciplinaryexperience’ shows the nodules and the disciplines.Figure 1: Conceptual map: the subjects are divi<strong>de</strong>d into five modulesModule 1 – Design in situations of teaching-learning: consists ofreflections of an analyticalcritical, reflexive-theoretical nature.Essentials of Design based on historical, philosophical, sociologicaland economic paradigms that constitute the field of Design.Design as a body of knowledge. History of Design: Design concepts,theories, institutions and activities from the 18th Century to ourday and age. Means of organizing the production and promotionof Design in the world and in Brazil, instances of legitimatization,possible implications of historical <strong>de</strong>velopment for social practices.Interdisciplinary relations between Design and Education.Interdisciplinary attitu<strong>de</strong> as conception inherent to the field ofDesign and its interface with the fields of knowledge.Module 2 – Creativity: consists of the conceptualization of creation,innovation and creativity.Creative processes and their exploration inDesign. Development and practical application of creative processes.Module 3 – Visual Culture: the <strong>de</strong>signer’s social responsibilityas a producer and creator of functional, communication an<strong>de</strong>sthetic systems will be discussed, based on an analysis ofinstructions, objects, practices, values and beliefs that arethe resources through which a social structure is produced,reproduced and contested for its visual look.Module 4 – New technologies: encompasses issues ofInformation Design. Digital Interface Design. Informationalergonomics. Potential of new technologies within the scopeof teachinglearning.Development of critical analyses on theuse of new technologies in Education. Possibilities and resourcesavailable in the field of new communication and information technologiesfor use in didactic material projects: site, blog, educationalobject, animations, collaborative resources, multimedia resources,virtual learning environment, games, presentation on digitalsupports, among others.Module 5 – Scientific Research Methodology: consists of the conceptualcharacterization of the knowledge process, scientific methods.Relations between science and technology. Scientific research,typology / classification, methods and techniques for collectingdata. Elaboration and execution of aca<strong>de</strong>mic and scientificdidactic work based on theoretical-methodological essentials andon Brazilian Association of Technical Norms standards.51
MX Design Conference 2011We can also say that the practice of Design in Teaching-LearningSituations enables <strong>de</strong>signers to <strong>de</strong>al with complex problems.In this particular point, the formation of interdisciplinary teamsis indispensable, since they provi<strong>de</strong> for the creation of efficienteducational artifacts, promoting and sustaining educationalrelations, providing dialogue between the teacher and stu<strong>de</strong>ntin the teaching-learning process.4. Final consi<strong>de</strong>rationsLDBEN, law no. 9.394/96, art. 26, § 2, stipulates that the teachingof art is an obligatory curricular component at the diverse levelsof basic education, promoting the cultural <strong>de</strong>velopment of thestu<strong>de</strong>nts. It will observe the following gui<strong>de</strong>lines: the contentwill be distributed among the various gra<strong>de</strong>s and levels of basiceducation by the schools, and it will obligatorily encompass: a)music, theater and dance; b) visual arts and <strong>de</strong>sign; c) artistic,cultural and architectural heritage (Brazil, 2009).The course being offered can also enable the offer of contentrelated to visual literacy as complementary education. Studieshave shown that for people to be taught visual literacy, they needto un<strong>de</strong>rgo a methodological visual experience that inclu<strong>de</strong>sexplorations, analyses and <strong>de</strong>finition with the objective of enablingan increase in their capacity to un<strong>de</strong>rstand the visual experience.This should find a place of reference within the heart of the school.This is a theme of recent interest in the school environmentand is lacking in practical and theoretical collaborations.It brings new <strong>de</strong>mands in relation to the formation ofteachers in the diverse languages mentioned. Design, asan area related to visual culture, can be part of this experience.This thus presents the union of three pillars: Design,Visual Culture and Technology, as the three conditionsof knowledge that come from society for education andpresent by <strong>de</strong>fault of formative intellectual processes.ReferencesBRASIL. Lei <strong>de</strong> Diretrizes e Bases da Educação Nacional: Lei no9.394, <strong>de</strong> 20 <strong>de</strong> <strong>de</strong>zembro <strong>de</strong> 1996. Brasília, 1996. Disponívelem: .BONSIEPE, G. Design, Cultura e Socieda<strong>de</strong>. São Paulo: Blucther,2011.BUXTON, B. Sketching User Experiences: Getting the DesignRight and the Right Design. São Francisco: MorganKaufman, 2007.Luiz Antonio L. (org.). Conceitos-chave em <strong>de</strong>sign. Rio <strong>de</strong>Janeiro: Ed. PUC-Rio: Novas Idéias, 2008.COUTO, R. M. Escritos sobre Ensino <strong>de</strong> Design no Brasil. 1. ed.Rio <strong>de</strong> Janeiro: Rio Book’s, 2008. v. 1. 96 p.DONDIS. D. A. Sintaxe da linguagem visual. São Paulo: MartinsFonseca, 2003.ENGELHARDT, Y. The language of graphics: a framework forthe analysis of the syntax and meaning in maps, charts anddiagrams. Amsterdã: illc-publications, 2002.FONTOURA, A. M. EDADE – Educação <strong>de</strong> crianças e jovensatravés do <strong>de</strong>sign. Tese (Doutorado em Engenharia daProdução) – Programa <strong>de</strong> Pós-Graduação em Engenharia daProdução, UFSC, 2002, 337 p.FUENTES, R. A Prática do <strong>de</strong>sign gráfico. Uma metodologiacriativa. São Paulo: Edições Rosari, 2006.LUPTON, E; MILLER J. A. ABC da Bauhaus. São Paulo: Cosac Naify,2010.MANZINI, E. V. C. O <strong>de</strong>senvolvimento <strong>de</strong> produtos sustentáveis:os requisitos ambientais dos produtos industriais. São Paulo:EDUSP, 2002.MEGGS, Phillip. História do <strong>de</strong>sign gráfico. São Paulo. CosacNaify, 2009.MOGGRIDGE, B. Design ing Interection, s. Cambridge: MIT Press,2007MORVILLE, P. Ambient findability. O´Reilly, 2005.MORAN J. M, MASETTO M, BEHRENS M. Novas tecnologias emediação pedagógica. 7ª ed. São Paulo: Papirus; 2003.PORTUGAL, C.; COUTO, R. M. S. Design in Situations of Teachingand Leering a case study. In: EDULEARN10 - InternationalConference on Education and New Learning Technologies.Barcelona, 2010.STRAUB, Ericson; CASTILHO, Marcelo. Conexões: como os<strong>de</strong>signers conectam experiência, intuição e processo emseus projetos. São Paulo: Infolio. 2010.SHEDROFF, N. Information interaction Design: a unified fieldtheory of Design. Disponível em: .SPENCE, R. Information Visualization: Design for Interection, .New Jersey: Prentice Hall, 2007.SUDIJC, Deyan. Linguagem das coisas. Rio <strong>de</strong> Janeiro: Intrinseca, 2009.TUFTE, E. The visual display of quantitative information. Cheshire,Connectictut: Graphics Press, 2002. 200p.VALENTE, J. A.; MAZZONE,J.; BARANAUSKAS, M. C. (org).Aprendizagem na era das tecnologias digitais. São Paulo: Cortez/FAPESP, 2007.52
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