5E - IIS-Newton

J. Keats Vol. 2 p. 83-84
Ode on a Grecian Urn Vol. 2 p. 84-87
La Belle Dame Sans Merci Vol. 2 p. 88-90
The Romantic Novel Vol. 2 p. 91-92
E. Burke From “A Philosophical Enquiry into the Origin of our Ideas of the sublime and
beautiful”: “The Sublime as the Source of Gothic Horror” Vol.2 p. 96
M. Butler From “Romantics, Rebels and Reactionaries” – “The Meaning of Romantic - 1
photocopy
J. Austen Vol. 2 p. 97-98
From “Pride and prejudice”
Hunting for a Husband Vol. 2 p. 99-101
M Shelley Vol.2 p.102-103
From “Frankenstein”: The Creation of the Monster Vol. 2 p. 104-105
From “Frankenstein”: An Outcast of Society Vol. 2 p. 106-108
Walter Scott Vol. 2 p. 109-110
THE VICTORIAN AGE
History and society Vol. 2 p. 134-135; 138-140
Culture Vol.2 p. 144-145; 148
Victorian Literature
The Victorian novel Vol. 2 p. 152-153; 155-157
C. Dickens Vol.2 p.158-159
From “Oliver Twist”
Oliver is Taken to the Workhouse Vol.2 p. 160-162
From “Hard Times”
A Classroom’s Definition of a Horse Vol.2 p. 163-165
Coketown Vol.2 p. 311-312
R.L. Stevenson Vol. 2 p. 214-216
From “The Strange Case of Dr Jekyll and Mr. Hyde”
Jekyll Turns Into Hyde Vol.2 p. 217-219
Jekyll Can No Longer Control Hyde Vol. 2 p. 219-221
O. Wilde Vol. 2 p. 232-234
From “The Picture of Dorian Gray”
The Preface Vol.2 p. 235-236
Life as the Greatest of the Arts Vol.2 p. 236-239
From “The Importance of Being Earnest” Vol. 2 p. 241-242
When the Girls Realize They Are Both Engaged to Earnest Vol. 2 p. 242-245
Simulazione terza prova 5 E dic 2012