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Onafhankelijk magazine van Tilburg University

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‘I donated that kidney<br />

out of anarchy’<br />

What drives successful people? That’s what Univers wants<br />

to find out in the section passion, fear & faith. <strong>Tilburg</strong> graduate<br />

Anton Dautzenberg’s national break-through was<br />

with his novel Samaritaan (Samaritan), about the donation<br />

of his kidney to a stranger.<br />

At a table outside of café ‘Weemoed’ (Dutch for<br />

‘Melancholy’), Anton Dautzenberg is giving his<br />

interviews for the day. “Don’t believe everything he<br />

says”, the person before me tells me as he leaves.<br />

Dautzenberg revealed to him that the blessed<br />

<strong>Tilburg</strong> priest Peerke Donders whispered in his ear that he had<br />

to donate a kidney.<br />

Dautzenberg and the truth: this has been an issue since the<br />

writer from <strong>Tilburg</strong> and graduate of <strong>Tilburg</strong> <strong>University</strong> published<br />

a series of fake interviews in a TV-guide. Dautzenberg pretended<br />

to have interviewed front man Lemmy Kilmister of the metal<br />

band Motörhead about the economic crisis. Lemmy compared<br />

the crisis to a vagina, but the broadcasting company VPRO still<br />

took the interviews deadly serious. And that while the editors<br />

themselves had asked for an absurdistic approach. Dautzenberg<br />

sees it as a compliment that they fell for it.<br />

Now, his autobiographical novel Samaritaan is out (named after<br />

the biblical ‘good Samaritan’), and everyone is wondering if<br />

Dautzenberg actually donated a kidney to a complete stranger<br />

just for kicks, like the main character.<br />

Why do you write? “It’s difficult to answer that question. I think<br />

that I want to channel the unrest. There’s a lot of unrest in my<br />

mind. I don’t feel like I have anything to say.”<br />

Really? Dautzenberg smiles. “You’re right, if you really don’t have<br />

the idea that you have anything to say that other people would<br />

like to hear, you wouldn’t publish. But publishing is not my first<br />

goal. I like reading better than writing, even though writing is not<br />

unpleasant. Would you like something to drink?”<br />

Anton up until now<br />

Anton Dautzenberg (1967) studied<br />

Economics at <strong>Tilburg</strong> <strong>University</strong><br />

and later Language and Literature.<br />

He worked for an environmental<br />

consultancy company, but felt<br />

extremely lonely due to his<br />

extreme shyness. Later on, he<br />

started a commercial text writing<br />

company with a partner. Apart<br />

from that, he is a writer and a<br />

poet. He became well known in<br />

<strong>Tilburg</strong> under the pseudonym Troy<br />

Titane. He drew absurd cartoons,<br />

Dautzenberg owns a commercial text writing company with a<br />

partner. He doesn’t like artists who ‘revel in artistry’ but get nothing<br />

done. He ‘works’ three or four days a week, in order to pay<br />

his way as a literary writer. Because that’s what he loves to do.<br />

You say: ‘That’s what I love to do’. That sounds different than<br />

that you have to do it because of that ‘unrest’. “My heart lies<br />

with literature, with music, with film. But apparently I can’t make<br />

music and films. I regard music superior, because it’s more abstract.<br />

I can be completely jealous of beautiful music. I recently<br />

heard an experimental band in Pop Center 013. They played a<br />

track that lasted an hour and in which they let go of all the rules<br />

of metal music. At the end, most people had left the hall, but I<br />

was deeply moved. I like it when people let go of the idiom.”<br />

At the end of last year, Dautzenberg published a collection of<br />

stories which even alarmed his own friends. In one story, a boy<br />

receives a box with two boxing negroes in it. In another story, a<br />

girl survives in the desert by drinking her father’s semen. His new<br />

Samaritaan is the first novel ever to have been written completely<br />

in dialogues, says Dautzenberg. They are conversations<br />

about his kidney donation with doctors, friends, psychologists,<br />

and even the kidney itself.<br />

This letting go of rules, do you do that yourself in your<br />

writing? “I try to, but in language you can never entirely escape<br />

from the everyday meaning of language. I try to step outside of<br />

the moral, go outside the box. I recognize a lot in surrealist films.<br />

After I first saw Fellini’s Otte e mezzo, I didn’t speak for hours.<br />

Maybe that’s because to me, life also isn’t linear. I play chess<br />

wrote dark poems and satirical<br />

columns, and was awarded the<br />

title ‘night mayor of <strong>Tilburg</strong>’ for<br />

his role in the nightlife and the<br />

cultural life.<br />

In 2010, he published a collection<br />

of stories called Vogels met zwarte<br />

poten kun je niet vreten (You can’t<br />

devour birds with black feet)<br />

under his own name. Last month,<br />

his novel Samaritaan (Samaritan)<br />

was published.<br />

Passion, fear & faith .23<br />

Univers 21 12 april mei 2011

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