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This is the beginning of my commute to work. It’s<br />

basically the same everyday. Same bike path.<br />

Same clocks. Same tension. No matter how early<br />

I leave home. But this is only the beginning of my<br />

trip. Before I get to work and get home again,<br />

I’ll spend approximately two and a half hours on<br />

the road. I’ll spend just a little more than exactly<br />

that same amount of time with my family today –<br />

between the time I wake up and go to bed again.<br />

So what is a commute?<br />

As a means of investigating this question, the following<br />

text focuses upon commuter trains and<br />

the mobilities occurring in and around them. It is<br />

anchored in empirical observations I have made<br />

over the past six years on my own commute between<br />

Lund and Helsingborg. But it is also a result<br />

of more recent theoretical questions I have been<br />

working on concerning the routines of daily life<br />

and mobility.<br />

“To travel as a commuter”<br />

Commuting by train is not a phenomenon that<br />

many people regard very highly, if you ask them.<br />

They may speak appreciatively of being able to<br />

bike or walk to the train, of getting fresh air, and<br />

perhaps even a little exercise. But press them on<br />

their experiences of commuter trains, and one<br />

88 Commute<br />

enters a realm of frustrating delays, crowded<br />

cars, obnoxious passengers, and uncomfortable<br />

proximities. From this perspective, the commute<br />

is a “necessary evil” of sorts, whose negative reputation<br />

has long been reinforced and further<br />

denigrated by a prevalent flora of popular representations<br />

found in films and books in which<br />

commuting works as the ultimate symbol of drudgery:<br />

a space of flow inhabited by ashen grey and<br />

alienated faces, staring blankly into nothingness.<br />

This is a morally charged genre of popular folklore<br />

in which train lines are all too easily likened<br />

to zones of transit in which machines transport<br />

the empty husks of humanity, so ravaged by the<br />

pressures of work and the intensities of the rat<br />

race that their bodies are hardly capable of registering<br />

the impulses to which they are exposed. 1<br />

The train is here not only a means of transportation,<br />

but also a jungle of micro-mobilities in which<br />

the social order and the sanctity of one’s own<br />

identity are ever threatened and on the brink of<br />

oblivion, as bodies are jammed together, jarred<br />

around, intermixed, and hurled forward along the<br />

trajectory of the tracks. This is the commute as<br />

“life on the go”, mobility as misery.<br />

But to the extent that the commute has been so<br />

readily aligned with the rat race, it has also been<br />

understood as much more than just an arena of

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