ortak_miras1

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Common Heritage 118 Ortak Miras Kavalın bir çeşitlemesi olan düdük/tüydük de, özellikle Türkmenlerin yaşadığı alanlarda yaygın olarak bilinen üflemeli bir çalgıdır. Dilli ve dilsiz tabir edilen şekilleri vardır. Dilli çeşitleri insan sesine yakınlığı sebebiyle solo şarkı ve türkülere eşlik etmede uygundur. Diğer taraftan telli sazların skalalarına uygun olmaları, onların grup icralarında da kullanılmalarını mümkün kılar. Türkmenistan’da bahşılar, hikâye anlatımlarında ve deyiş söylemelerinde dutar yanında “tüydük” de kullanırlar. Günümüzde bu ortaklığın en belirgin örneklerinden birini Denizli’nin Çameli yöresinde “çam düdüğü” denilen, gerek yaylalarda çobanlık yaparken, gerekse açık ve kapalı mekânlarda toplu eğlence törenleri sırasında türkü ve oyunlara eşlik eden çalgıda görebiliriz.Aynı ortaklığın göstergelerinden biri de sipsidir. Araştırmalara göre, çok eski bir Türkçe kelime olan sipsi, nefesli sazların atası ve en doğalıdır (Ögel, 1987a:445). İnce, küçük anlamına gelmektedir.Teke yöresinin karakteristik çalgısı olarak bilinen ve halk müziği aletlerinin önemli parçalarından birini teşkil eden sipsi, genellikle kamıştan yapılır ve iki parçalıdır. Boğaz, gurbet, teke, zeybek havalarına eşlik eder. Sipsi, Kazakistan’da “sıbızgı” adıyla bilinir ve çoban havalarının icra edildiği alettir. Nefesli-üflemeli çalgılardan biri olan “ney” ise, özellikle İslamiyet’in kabulünden sonra ortaya çıkan sosyo-kültürel değişimlere uygun olarak Tekke-Tasavvuf kültür çevrelerindeki dini-mistik icralarda kullanılan yaygın bir alettir. Kamıştan yapılmış basit görünümlü bir alet olmasına rağmen nefesli sazların en gelişmiş örneklerinden biridir. Mevlana’nın insanı anlattığı ünlü mesnevisine başlarken “dinle neyden” demesinin gösterdiği üzere, sesi ve yapısı itibarıyla insanın sembolü olarak da anlam kazanmıştır. Diğer müzik aletlerinde “çalmak” fiili kullanılırken, ney için “üflemek” tabirinin kullanılması, mistik ve mecazî bir anlamın yansımasıdır. Kaynağını İslam’da Allah’ın insanı yaratırken ruhu üflemiş olmasından alır. Bu bağlamda ney, çıkardığı deruni ve uhrevi seslerle, insanı başka bir dünyaya davet etmektedir. Tarihi çok eskilere dayanan ve bugün bütün dünyada Türk sazı olarak tanınan ney, halen tasavvuf musikisinin ve Mevlevi semalarının en önemli unsurudur. Aynı anlam ve işlevleriyle Türk dünyasında Türk-İslam kültürünün temel göstergelerinden biridir. Anadolu’da “tulum” veya “tulum-zurna” denilen diğer bir nefesli-üflemeli çalgı da Türk ortak müzik kültürünün örneklerindendir. Delinmeden ve bozulmadan çıkarılmış bir koç veya oğlak tulumunun boyun kısmı tıkanarak, kollardan birine bir ağızlık, diğerine bir “çifte” (nefesli halk sazı) takılarak yapılır (Özbek, 1975: 92). Kökeni milattan önceki yüzyıllara kadar uzanır. Anadolu’daki çift-düdük şekline benzer bir örnek, Macaristan’daki kazılarda ortaya çıkmış ve Avar Türklerine ait olduğu tespit edilmiştir. Aynı çalgı örnekleri and a dominant influence as well. As a matter of fact, the datas obtained from the researches carried out today indicate that kaval belongs to Turks. In the graves revealed by archaeological excavations, in a region between Altay and Ural mountains, “çifte kaval” also called “öteçkin and made of bone was also found beside many items belonging to the shepherd culture. In Anatolia, the one known as “çığırtma, cırıtma” and made from the wing bone of the eagles is probably the same work of common culture. Çığırtma is easy to play and the its sound is lilting. In this respect, it is given preference over kaval . Sometimes it can also be made of wood. As the shepherds do, the instrument is placed into a small intestine. Once the intestine gets thoroughly dry, then it encases the instrument. It helps preventing these thin and delicate tool from cracking and breaking . But the wooden çığırtmas don’t have the same sound as the one made of bone have. That has a deafening tone. The çığırtma is often performed for lilts and during special performances in that region. There is no doubt that such examples are the oldest common civilization products of the Turks. Today, kaval is widely used in almost all parts of the Turkish land with all its varieties. In the Kazakhs “Sıbızgı”, in Kyrgyz “çoor-çöğür”, in Uzbeks “nay”, in Turkmen “ tillitüytük, goşatilli tüydük”, in Azerbaijan “tütek, balaman”, in Bashkorts “kuray” and in Altais “şogur” (Ögel, 1987a: 446-463) are varieties of the kaval in different geographical regions. In those regions, it can be seen that the varieties of pipe (tongue and without tongue) are also called he dumb are also called kaval. It can be performed together with the solo or all the instruments in a group. During all renders, the tone of kaval does not lose its own characteristics and maintain its clarity. Researchers have identified a variety of kaval melodies.some of them can be classified as follows: “yüksek hava, aman havası, senir havaları, suya indirme havası (karakoyun havası), zeybek havası, hollu havası, çan havası, telez otlatma havası” (Türker, 2007: 355-356) The pipe, a variation of kaval, is also a wind nstrument widely known especially in the areas where Turkmens live. There are forms that are said to be tongue and without tongue. Due to its affinity to human voice, tongue varieties are suitable for solo singing and accompaniment to Turkish songs. On the other hand, their suitability for the scales of string instruments, makes them available to be used in group performances. Bahşıs (In ancient and new Turkish dialects, it is a term which means “priest, clerk, doctor, poet”.) in Turkmenistan use “tüydük (an ordinary flute generally used by sepherds)” beside the “dutar (a twin string instrument, made of mulberry tree, in the shape of pear, most widely spread among Kyrgyz,Tajik and Uzbek Turks)” for the narrative of the story and the sayings. Today, we can see one of the most prominent examples of this commonality in an in-
Müzik Kültürü Music Culture 119
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Aynı dil, aynı kültür, aynı ta
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Medeniyet, insanlığın ortak mira
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Doç. Dr. Gülin ÖĞÜT EKER Bilge
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Common Heritage 10 Ortak Miras Kole
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Ortak Miras Common Heritage 12
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Common Heritage 14 Ortak Miras ğü
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Common Heritage 16 Ortak Miras kile
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Vitas sum quasped quassintiae nos e
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Common Heritage 20 Ortak Miras tün
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Common Heritage 22 Ortak Miras ği/
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Common Heritage 24 Ortak Miras da a
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Common Heritage 26 Ortak Miras kun
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Common Heritage 28 Ortak Miras geli
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Common Heritage 30 Ortak Miras sert
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Common Heritage 32 Ortak Miras Budi
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Common Heritage 34 Ortak Miras ve k
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Common Heritage 36 Ortak Miras ve k
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Prof. Dr. Ali DUYMAZ Bilge Yapım B
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Common Heritage 40 Ortak Miras Osma
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Common Heritage 42 Ortak Miras ya,
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Common Heritage 44 Ortak Miras Vita
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Common Heritage 46 Ortak Miras dere
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Common Heritage 48 Ortak Miras göz
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Common Heritage 50 Ortak Miras yeme
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Common Heritage 52 Ortak Miras nın
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Doç. Dr. Gülin ÖĞÜT EKER Bilge
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Common Heritage 56 Ortak Miras Balk
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Common Heritage 60 Ortak Miras ilet
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Common Heritage 62 Ortak Miras semb
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Common Heritage 64 Ortak Miras Bay
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Page 72 and 73: Prof. Dr. Olcobay KARATEV Bilge Yap
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Page 88 and 89: Prof. Dr. Metin EKİCİ Bilge Yapı
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Page 112 and 113: Prof. Dr. Mustafa ARSLAN Bilge Yap
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Page 128 and 129: Dr. Pınar KARATAŞ Bilge Yapım Va
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Page 148 and 149: M.Muhtar KUTLU Bilge Yapım Doğay
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Page 164 and 165: Öğr.Gör.Dr. Ulanbek ALİMOV Bilg
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Common Heritage 170 Ortak Miras oyu
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Common Heritage 172 Ortak Miras yar
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Common Heritage 174 Ortak Miras buz
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Common Heritage 176 Ortak Miras sey
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Doç. Dr. Fatma KOÇ - Doç. Dr. Em
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Common Heritage 180 Ortak Miras Far
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Common Heritage 182 Ortak Miras cak
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Common Heritage 184 Ortak Miras hay
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Common Heritage 186 Ortak Miras Çi
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Common Heritage 188 Ortak Miras nı
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Common Heritage 192 Ortak Miras Ara
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Common Heritage 194 Ortak Miras kü
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Common Heritage 196 Ortak Miras olu
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Common Heritage 198 Ortak Miras gö
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Common Heritage 200 Ortak Miras nin
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Common Heritage 202 Ortak Miras I,
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Fot.26: Azarbaycan ay ve yıldız m
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Fot. 29: Koncu Kumaş alt kısmı d
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Common Heritage 208 Ortak Miras gel
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Common Heritage 210 Ortak Miras jel
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Common Heritage 212 Ortak Miras old
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Common Heritage 214 Ortak Miras •
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Prof. Dr. Salahaddin BEKKİ Bilge Y
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Common Heritage 218 Ortak Miras Hal
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Common Heritage 220 Ortak Miras tü
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Common Heritage 222 Ortak Miras yap
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Common Heritage 224 Ortak Miras lad
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Common Heritage 226 Ortak Miras tuz
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Common Heritage 228 Ortak Miras has
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Common Heritage 232 Ortak Miras Şa
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Common Heritage 234 Ortak Miras nin
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Prof. Dr. Fuzuli BAYAT Bilge Yapım
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Common Heritage 238 Ortak Miras Tas
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Common Heritage 240 Ortak Miras şi
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Common Heritage 242 Ortak Miras sem
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Common Heritage 246 Ortak Miras Mec
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Common Heritage 248 Ortak Miras Mec
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Common Heritage 254 Ortak Miras nul
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Common Heritage 256 Ortak Miras Mah
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Common Heritage 258 Ortak Miras vah
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Mustafa AKSOY Bilge Yapım Bir tak
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Common Heritage 262 Ortak Miras Mot
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Common Heritage 264 Ortak Miras rü
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Common Heritage 268 Ortak Miras Baz
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Common Heritage 272 Ortak Miras sor
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Common Heritage 276 Ortak Miras da
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Common Heritage 278 Ortak Miras kü
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Common Heritage 280 Ortak Miras şa
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Pervin ERGUN Bilge Yapım En yaygı
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Common Heritage 284 Ortak Miras Tü
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Common Heritage 286 Ortak Miras Ü
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Common Heritage 288 Ortak Miras cih
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Common Heritage 292 Ortak Miras yo
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Common Heritage 294 Ortak Miras “
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Common Heritage 296 Ortak Miras olm
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Common Heritage 298 Ortak Miras sı
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Common Heritage 302 Ortak Miras lam
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Common Heritage 304 Ortak Miras tir
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Common Heritage 308 Ortak Miras oca
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Common Heritage 310 Ortak Miras ve
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Prof. Dr. Nebi ÖZDEMİR Bilge Yap
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Common Heritage 314 Ortak Miras Di
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Common Heritage 316 Ortak Miras ço
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Common Heritage 322 Ortak Miras Eve
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Common Heritage 324 Ortak Miras Vit
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Common Heritage 326 Ortak Miras Öz
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Common Heritage 328 Ortak Miras “
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Prof. Dr. Ali BORAN Bilge Yapım Ge
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Common Heritage 336 Ortak Miras Ana
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Common Heritage 338 Ortak Miras Kar
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Common Heritage 340 Ortak Miras des
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Common Heritage 344 Ortak Miras kez
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Common Heritage 346 Ortak Miras tü
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Common Heritage 350 Ortak Miras mim
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Common Heritage 354 Ortak Miras Cam
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Common Heritage 356 Ortak Miras sar
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Common Heritage 358 Ortak Miras bü
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Doç. Dr. Hikmet ATİK, Doç. Dr. M
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Common Heritage 362 Ortak Miras Tar
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Common Heritage 364 Ortak Miras yet
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Common Heritage 366 Ortak Miras mı
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Common Heritage 368 Ortak Miras bun
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Common Heritage 372 Ortak Miras lû
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Common Heritage 378 Ortak Miras mu
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Prof. Dr. Nebi ÖZDEMİR Bilge Yap
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Common Heritage 384 Ortak Miras le
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Common Heritage 388 Ortak Miras dı
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Common Heritage 392 Ortak Miras kı
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Common Heritage 394 Ortak Miras Yö
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summer range are performed especial
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Common Heritage 398 Ortak Miras gez
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Doç. Dr. Nebi ÖZDEMİR Bilge Yap
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Common Heritage 402 Ortak Miras Eğ
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Common Heritage 404 Ortak Miras lez
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Common Heritage 406 Ortak Miras tal
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Common Heritage 410 Ortak Miras ağ
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Common Heritage 412 Ortak Miras ort
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Common Heritage 416 Ortak Miras öz
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Prof. Dr. Ali DUYMAZ Bilge Yapım M
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Common Heritage 422 Ortak Miras ara
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Common Heritage 424 Ortak Miras Dah
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Common Heritage 428 Ortak Miras sav
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Common Heritage 430 Ortak Miras yat
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Common Heritage 432 Ortak Miras has
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Common Heritage 434 Ortak Miras bal
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Common Heritage 436 Ortak Miras ell
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Aysen SOYSALDI Bilge Yapım Bir etn
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Common Heritage 440 Ortak Miras Ort
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Common Heritage 442 Ortak Miras dik
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Common Heritage 448 Ortak Miras Pro
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Common Heritage 450 Ortak Miras sat
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Common Heritage 456 Ortak Miras bul
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Common Heritage 458 Ortak Miras tan
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Common Heritage 462 Ortak Miras Fot
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Common Heritage 466 Ortak Miras çe
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Dr. Şirin YILMAZ Bilge Yapım kül
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Common Heritage 470 Ortak Miras Kü
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Common Heritage 472 Ortak Miras ola
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Common Heritage 474 Ortak Miras hâ
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Common Heritage 476 Ortak Miras bu
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Common Heritage 480 Ortak Miras dir
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Common Heritage 482 Ortak Miras civ
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Common Heritage 484 Ortak Miras Dok
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Common Heritage 486 Ortak Miras İs
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Common Heritage 488 Ortak Miras yap
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Common Heritage 490 Ortak Miras yo
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Common Heritage 492 Ortak Miras zen
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Yrd. Doç. Dr. Zehra KADERLİ Bilge
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Common Heritage 496 Ortak Miras İn
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Common Heritage 498 Ortak Miras Tar
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Common Heritage 500 Ortak Miras man
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Common Heritage 502 Ortak Miras Ort
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Prof. Dr. Ali DUYMAZ Bilge Yapım C
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Common Heritage 508 Ortak Miras İs
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ancılaştırırken “odlu” söz
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kadar fakir olsa da var eyler” di
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Common Heritage 516 Ortak Miras ruh
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de tümüyle değerlendiremeyiz. An
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zengin fakir ayrımı gözetilmeksi
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