ortak_miras1

Common Heritage
366
Ortak Miras
mış kıtaların birbirine yapıştırılıp tutturulması ile oluşan ve
tomar (rulo) halinde sarıldıktan sonra deriden yapılmış bir
mahfazayla korunan hat eserleridir.
4. Levha: Osmanlılarda usta hattatlarca hüsn-i hatla yazılıp
çerçevelenerek çeşitli mekânlardaki duvarlarda ve koleksiyonlarda
yer alan önemli eserelerdir. Böylece değerli eserlerin
hem okunması hem de seyredilmesine imkân sağlamıştır.
5. Hilye: Kültürümüzde ilk örnekleri Hâfız Osman tarafından
yazılan hilyeler, Hz. Peygamber’in fiziki ve ahlaki vasıflarını
kelimelerle anlatan levhalardır.
6. Cami Yazıları: Camilerde bir süsleme ve güzel görüntü
oluşturmak gayesiyle mihrap, minber ve duvar gibi farklı
yerlere yazılan ayetler bulunmaktadır. Bu yazılar bazen
mermere bazen de çinilere işlenerek uygulanmaktadır.
Cami duvarını veya kubbe kasnağını çepeçevre saran kuşak
yazısıyla kubbeyi ve yarım kubbeleri doldurup süsleyen
kubbe yazısı da hep celî sülüsle yazılır.
7. Kitabeler: Cami, medrese, tekke, mektep, han, çeşme,
kale, mezar taşı, hamam, sebil, kütüphane gibi herhangi bir
âbidenin ekseriya dış, bazan da iç cephesinde yer alan veya
nişan taşı, mezar taşı gibi bir dikilitaş üzerindeki yazılara kitabe
denmektedir. Çoğunlukla, bulunduğu bina veya adına
dikildiği şahısla ilgili bilgiler ihtiva eden kitabelerin metinleri,
devrin şairlerince kaleme alınır, sonra da bir hat üstadına
examples of hadith prints written in calligraphy.
Other types we can include in this group are the divans (In
Persian, Turkish and other languages the term diwan (divan)
came to mean a collection of poems by a single author,
as in selected works) and poetry books, as well as the widest
sections of non-religious writing books. Some of these
works of art are confronted as embellished with miniature
paintings depicting the reported events.
2. Murakka’: It is basically called “album” that prepared by
gathering and binding decorated kıtas (particular single
page calligraphic composition) in various forms.
3. Tomar: They are the calligraphic works of art, formed by
sticking and fixing the kıtas together that are unstuck to
rectangular pasteboard and that are protected by a carefully
produced leather sheat after being wrapped in rolls.
4. Levha: (panels) Those are the precious objects which
are written and framed by craftsmen in hüsn-i hat and displayed
on walls and in collections in various places in Ottoman
period. Thus, it makes it possible to read and look at
precious works.
5. Hilye: The first examples of our culture are the ones
written by Hafiz Osman, they are the plates that describe
the physical and moral characteristic of the Prophet Muhammed.
6. Writings in Mosque: There are verses written in different
interior places of mosques, such as mihrab (prayer niche
showing the direction to Mecca), pulpit and wall in order
to create an ornamentation and a beautiful image. These
texts are sometimes applied to marbles and sometimes to
tiles. Along with the girdle text that encircling around both
the mosque wall and the rim of dome and the dome text
spreading over and adorning the half domes are always
written in jalî thuluth script.
7. Inscrıptıons: The texts that existing especially exterior
but also interior of any monuments such as mosque, madrasah,
tekke (dervish lodge), school, inn, fountain, castle,
tombstone, bath, water dispenser, library, or, the ones
written on engraving stone, a tombstone, on an obelisk is
called Inscription. Chiefly, texts of incriptions that contain
information about the building in which they are located
or about the personalities for whom they are erected, have
firstly been written down by poets of that period, then been
written in by a master of calligraphy. With the help of Ebced
(“Abjad (Numerological) Calculations”, a method, based on
the assumption that each letter in the Arabic alphabet indicates
a numerological value, specifying a year in which an