LATE BEETHOVEN LATE BEETHOVEN - Luisa Guembes-Buchanan

21 Dylan Thomas, The Poems ed., Daniel Jones, (London, 1971),
no. 162, pp. 207- 9.
22 Kindermann, Beethoven p. 310.
23 Ibid., p. 219.
24 Kastner-Kapp, Ludwig van Beethovens sämtliche Briefe ed., E.
Kastner, (Leipzig: Hesse & Becker, 1910), no. 963 trans., Emily
Anderson’s The Letters of Beethoven (London: Macmillan,
1961), no. 1015.
25 Donald Tovey, A Companion to Beethoven’s Pianoforte Sonatas
(The Associated Board of the R. A. M. and The R. C. M.,
1931), p. 231.
26 Charles Rosen, Beethoven’s Piano Sonatas (New Haven and
London: Yale University Press, 2002), p. 235.
27 Cooper, Beethoven pp. 190 - 191.
28 Kindermann, Beethoven p. 227.
29 William Drabkin, “The Songs and the Sketches for the Allegro
molto from Beethoven’s op. 110”, Beethoven Forum, vol. 14,
no. 1, p. 72.
30 Cooper, Beethoven p. 195.
31 Edward T. Cone, Music: A View from Delft. (Chicago &
London: University of Chicago Press, 1989), p. 129.
32 Charles Rosen, The Classical Style (New York, London: W.W.
Norton, 1972), p. 225.
33 Kindermann, Beethoven p. 233.
34 Ibid., p. 257.
35 Thomas Mann, Doctor Faustus trans. John E. Woods, (New
York: Vintage International, 1999), p. 60.
36 Karl Geiringer, “The structure of Beethoven’s Diabelli
Variations” Musical Quarterly, I (1964), p. 498.
64
37 Maynar Solomon, Beethoven (New York: Schirmer Books,
1977), p. 305.
38 William Kindermann, Beethoven’s Diabelli Variations (Oxford:
Oxford University Press, 1987), p. 69.
39 Kindermann, Beethoven p. 260.
40 Maynard Solomon, Late Beethoven: Music, Thought,
Imagination (Berkeley and London: University of California
Press, 2003), p. 23.
41 William Kindermann, “The Great and the Small, the Tiny and
the Infinite”, Musik und Biographie (Würzburg: Königshausen
& Neumann, 2004), p. 212.
42 Theodor W. Adorno, Beethoven: The Philosophy of Music
trans. Edmund Jephcott, (California: Stanford University Press,
1998), p. 130.
43 Wilfrid Mellers, Beethoven and the Voice of God (London:
Oxford University Press, 1983), p. 412.
44 William Kindermann, “The piano music: concertos, sonatas,
variations, small forms”, The Cambridge Companion
to Beethoven ed. Glenn Stanley, (Cambridge: Cambridge
University Press, 2000), p. 126.
45 William Kindermann, “The Great and the Small, the Tiny and
the Infinite”, Musik und Biographie (Würzburg: Königshausen
& Neumann, 2004), p. 204.
46 Scott Burnham, “The four ages of Beethoven: critical reception
and the canonic composer”, The Cambridge Companion to
Beethoven ed. G. Stanley, (Cambridge: Cambridge University
Press, 2000), p. 291.