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�<br />

Early Doors<br />

In reality, commercial recording studios are<br />

never wholly finished, but Matthews could be<br />

<strong>for</strong>given <strong>for</strong> wanting to get going. All it took<br />

was a little outside intervention – mixing <strong>for</strong>mer<br />

Fame Academy winner David Sneddon at the end<br />

of 2006, as it happened. “I was in the hardware<br />

department of Jewsons when they called,” notes<br />

a still smiling Matthews. “The live room was still<br />

a carcass at that stage, and they brought their<br />

own Pro Tools rig, because we didn’t have one<br />

at the time, but that’s what made me go and get<br />

the Genelec 1038Bs when I did – quite prematurely.<br />

They did a white noise test that was specifically<br />

calibrated <strong>for</strong> the Genelecs, and we had an<br />

unprecedented response <strong>for</strong> the monitoring.<br />

“So we did David’s stuff, which was good fun,<br />

and then the following year we kind of opened<br />

the doors, as it were, but nothing <strong>for</strong>mal to<br />

advertise the fact that we had started – just a<br />

couple of bookings from people, saying that they<br />

wanted to come and work here.”<br />

Over time, plans <strong>for</strong> the studio had necessarily<br />

changed, from being purely personal to<br />

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MONKEY PUZZLE HOUSE TO THE MANOR BARN<br />

commercial, and incorporating residential<br />

accommodation: “I already had two twin rooms<br />

upstairs at one end of the studio, in order that<br />

the people I was working with had somewhere<br />

to sleep when they came to stay, but now what’s<br />

happened is that people who are booking <strong>for</strong><br />

four weeks or longer are asking <strong>for</strong> their own<br />

individual rooms... They want a double bed so<br />

their wife can come with them, and so on; that’s<br />

something I didn’t really think about because I<br />

was never going to run this studio commercially."<br />

Finally Making It<br />

Super-successful independent Brit prog-rockers<br />

Porcupine Tree had just left the building (at time<br />

of writing) – satisfyingly satisfied, too. And the<br />

Porcupines aren’t the only ‘residing’ notable<br />

names to sing Monkey House Puzzle’s praises:<br />

“One of the last sessions that we did here was the<br />

Whybirds with Elliot Mazor; it was good to have<br />

him come over here from America and choose this<br />

studio, because he’s a really prestigious producer,<br />

and he really loved the place – the acoustics, and<br />

the whole working environment. He has vowed to<br />

come back, which, bearing in mind that he built<br />

Neil Young’s studio in northern Cali<strong>for</strong>nia and has<br />

his own studio in New York, is quite special.”<br />

High praise indeed; success can, of course,<br />

breed success, as Matthews knows only too<br />

well. Fortunately <strong>for</strong> him, Monkey Puzzle House<br />

is on a roll of sorts: “We’ve been at 100% since<br />

August last year – that’s weekends as well, bar<br />

a week off at Christmas; then there’s a charge<br />

<strong>for</strong> accommodation as well, so it’s not bad – not<br />

making a dent in my mortgage, but only because<br />

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I never finished the building off, plus a few other<br />

things that I’m trying to invest in as well. I was<br />

going to run everything through tape, but the<br />

money is just not there. I’ve got staircases stuffed<br />

with two-inch tapes underneath them with the<br />

prospect of using it again, but I don’t even have<br />

a two-inch tape machine here! It’s going to be an<br />

acquisition soon, because, hopefully, the budgets<br />

are becoming a bit more proportionate to the rest<br />

of the facilities that are here.”<br />

Ironically, maybe Matthews’ Monkey Puzzle<br />

House might ultimately benefit from the demise<br />

of those classic studios of yesteryear and beyond:<br />

“The big studios closing is a massive shame, and<br />

the main change <strong>for</strong> us would be that we might<br />

be able to nudge the rates up a little... It’s quite sad,<br />

really, but it’s just an indication of the budgets that<br />

are out there – the revenue that’s being generated<br />

by the whole swing round from a tour being there<br />

to promote a record, to a record existing as a nonprofit-making<br />

medium to promote a tour, which<br />

doesn’t bode well. But you’ve still got to record it;<br />

you’re just going to try and do it proportionately<br />

to what your takings are going to be.”<br />

For now, though, Matthews and Monkey<br />

Puzzle House engineer extraordinaire Tom Peters<br />

– Matthews’ reliable right-hand man since 2004,<br />

be<strong>for</strong>e the studio building even existed – clearly<br />

have their work cut out. �<br />

...................................<br />

INFORMATION<br />

Monkey Puzzle House<br />

� +44 (0) 1359 245050<br />

� www.monkeypuzzlehouse.com<br />

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