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machine, offering 44 times the<br />

power of a UAD-1 card!<br />

Installing<br />

The UAD-2 cards are PCI-express<br />

and should fit any compatible<br />

Mac or PC motherboard,<br />

although a good read of<br />

recommended systems on the<br />

UA website is advised, especially<br />

if fitting multiple cards, as these<br />

can draw more power, and those<br />

with cheaper PCs might not<br />

have a big enough power supply<br />

to provide enough to keep the<br />

cards running smoothly.<br />

Easy to follow instructions<br />

are included within the everincreasing-in-size<br />

packaging<br />

with all the software needed, but as ever<br />

it’s always best to check <strong>for</strong> a new software<br />

version direct with the manufacturer website.<br />

A quick download later and the software was<br />

in, an important point being here not to charge<br />

in like most do and ignore the large lettered<br />

‘Read me First’ booklet. The software has to be<br />

installed first. Fitting was a synch in my 8-core<br />

Mac, alongside my existing two UAD-1 cards.<br />

NEW PLUG-INS<br />

Some of the new plug-in releases from UAD are the<br />

Harrison 32C EQ and the Little Labs IBP (In-Between-<br />

Phase) alignment tool. The Harrison 32C was made in<br />

conjunction with the Harrison Consoles LTD and Producer<br />

/Engineer Bruce Swedien, famed <strong>for</strong> one of the best<br />

selling albums of all time, Thriller by Michael Jackson.<br />

The 32C plug-in was modelled on his personal 3232c Series<br />

Harrison console, recreating the console’s four overlapping<br />

Parametric bands, each with fully sweepable gain and<br />

frequency controls, but without the usual Q or width<br />

control, as special circuitry was developed by Harrison<br />

to automatically adjust the effective bandwidth, a kind<br />

of no-brainer <strong>for</strong> EQ, as you dial in more amplitude the<br />

sharper it gets. I found it very different to other types of<br />

EQ, and certainly gives it a unique character to shaping<br />

sound. Hi and Low pass filters as well as a switchable low<br />

band shelf/peak enable a versatile and smooth operation<br />

<strong>for</strong> fitting audio into a mix; while there are added power,<br />

gain, and phase reverse switches <strong>for</strong> extra control. For<br />

the less bothered by exact emulation is an SE version<br />

developed by UA <strong>for</strong> higher plug-in counts.<br />

Booting my Mac brought the new UAD<br />

Meter and Control Panel software to life, the<br />

meter showing both UAD-1 and UAD-2 cards’<br />

usage at a glance with a big blue bypass button<br />

<strong>for</strong> each card, program memory, and DSP usage<br />

meters. The UAD-2 card has program memory as<br />

well as RAM memory <strong>for</strong> certain plug-ins, so it’s<br />

easy to see at a glance how close to the overload<br />

edge you are. Note that the UAD-2 has enhanced<br />

load balancing routines so it uses maximum usage<br />

of available DSP in multi-card systems, unlike the<br />

UAD-1 which will always load the next plug-in into<br />

the card with most space.<br />

The control panel is a separate window with<br />

tabbed pages of detailed system in<strong>for</strong>mation<br />

and configuration of installed cards and plug-ins.<br />

Here I could see all the plugins<br />

and the authorisation<br />

status, a bit like the Powercore<br />

Plug-in window, but clearer.<br />

Each plug-in can be activated<br />

<strong>for</strong> use on a demo period of<br />

14 days or bought via a direct<br />

link to their online store.<br />

The new UAD-2 software<br />

means all my existing plugins<br />

had to be re-authorised<br />

to run on the UAD-2. But this<br />

is free, and a very simple<br />

affair as a big authorise plugs<br />

button is provided which<br />

links direct to your online<br />

UAD account and downloads<br />

a new authorisation file.<br />

Strangely, you have to<br />

drag the downloaded authorisation file to the<br />

control panel in the dock. This fooled me at first,<br />

The 4K Buss Compressor.<br />

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universal audio uad-2<br />

as I was dragging it to the control panel itself,<br />

which I would have thought to be more logical.<br />

The control panel also has Help and Support<br />

links <strong>for</strong> each plug-in, manuals, online help,<br />

etc, as well as more detailed system usage<br />

showing a graphical image of each card, while<br />

the configuration window is there with various<br />

parameter settings than can be tweaked <strong>for</strong> each<br />

specific host program, e.g. Logic, Cubase, etc.<br />

Note there is now a new window <strong>for</strong> Pro Tools<br />

users to set buffer settings.<br />

Plug-ins<br />

As each program uses plug-ins differently –<br />

notably Logic has a process that releases plug-ins<br />

when not in use, which is fantastic <strong>for</strong> saving<br />

power, but a bit of a headache <strong>for</strong> DSP systems,<br />

hence why some UAD-1 card owners had issues<br />

with clicks, especially with the 8-core Mac Pro.<br />

Fortunately I never had this issue, and UA seems<br />

to have a good support team at hand to help with<br />

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AUDIO MEDIA MAY <strong>2009</strong> 39<br />

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