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monitors <strong>2009</strong><br />

PMC++++PMC++++PMC++++PMC++++PMC++++PMC++++P<br />

Client List<br />

Broadcast/Recording/<br />

Mastering/Post<br />

BBC TV<br />

BBC Radio 1, 2, 6<br />

BBC Maida Vale<br />

Metropolis Studios<br />

& Mastering<br />

Teldex, Berlin<br />

Hospital HDTV<br />

Broadcast Studios<br />

The University<br />

of Music, Düsseldorf<br />

The Soundmasters<br />

Fluid Mastering<br />

Spirit Studios<br />

Red-TX OBs<br />

Moving Picture Company<br />

Piccadilly Radio, Manchester<br />

Capitol Radio, London<br />

Emil Berliner/<br />

Deutsche Grammophon<br />

RTL<br />

ORF<br />

NFL (National<br />

Football League, USA)<br />

TSR<br />

Sony BMG<br />

Formula 1<br />

EMI<br />

Universal Music Group<br />

Dolby<br />

Google<br />

Digidesign<br />

EMI<br />

Siemens<br />

Clients/Artists<br />

Prince<br />

Kraftwerk<br />

and newly developed proprietry<br />

amplifi cation. A TB25.1-SA or DB5.1-SA<br />

surround monitoring system with the<br />

Active TLE1S handling the .1 effects<br />

channel is a potent and precise tool <strong>for</strong><br />

the audio professional. These compact<br />

systems are currently in service with<br />

quality conscious post production,<br />

mastering, and broadcast fi elds<br />

worldwide.<br />

PMC’s ATL Technology (Advanced Transmission Line)<br />

Coldplay<br />

Peter Gabriel<br />

Ben Zander<br />

Stevie Wonder<br />

Robbie Williams<br />

Brian May<br />

Francis Rossi<br />

Tori Amos<br />

Underworld<br />

Crystal Method<br />

Tony Bennett<br />

John Rutter<br />

Film<br />

Dennis Sands<br />

John Debney<br />

Hans Zimmer,<br />

Remote Control Studios<br />

Trevor Morris<br />

TB2S-A 5.1 Surround System<br />

with TLE1S Subwoofer<br />

ATL has taken loudspeaker design to new levels, by using a cabinet construction and<br />

highly specifi ed drive unit and crossover components. The PMC ATL design has enormous<br />

benefi ts compared to sealed and ported models available elsewhere. The main driver is<br />

placed at one end of a long tunnel (the transmission line), which is heavily damped with<br />

PMC’s proprietary absorbent acoustic material. This material is exactly specifi ed to soak<br />

up the upper bass frequencies, which radiate from the rear of the main driver. The lowest<br />

frequencies emerge in phase from the large vent at the end of the line, effectively acting as<br />

a second driver. The air pressure behind the main driver is maintained controlling the driver<br />

in a vice like grip over a wide frequency range, which eradicates spurious cone movement<br />

that would lead to distortion. The upper bass and midrange is entirely transparent as it is<br />

not masked by harmonic distortion residing in the very low frequencies, which is a feature of<br />

less sophisticated designs. ATL produces higher SPLs and lower bass extension than any<br />

other design of a similar size, even if identical drivers were used. The frequency response<br />

also remains consistent regardless of volume. Neither late night listening, nor prolonged<br />

monitoring sessions have to be conducted at high volumes to achieve maximum bass<br />

response – ideal <strong>for</strong> the home and professional alike.<br />

Philosophy<br />

PMC’s design philosophy is quite a<br />

simple one, to design the ideal monitoring<br />

solution with the highest resolution<br />

possible without colouration and distortion.<br />

This supreme level of resolution<br />

is derived through unequalled R&D into<br />

(ATL) Advanced Transmission Line<br />

Loudspeaker design and drive<br />

unit technology.<br />

Also PMC’s close association with<br />

principle engineers has allowed<br />

development of innovative solutions <strong>for</strong> the<br />

latest recording techniques and changing<br />

monitoring environments. The design<br />

team has a clear vision of what must be<br />

achieved, there<strong>for</strong>e all of the PMC range is<br />

voiced identically, from the DB 1S+ through<br />

to the BB 5 XBD-A. The balance is neutral<br />

and dynamic with wide dispersion, making<br />

image placement pin point over a huge<br />

listening window. The PMC user is one<br />

which is pioneering in their fi eld, and will<br />

not settle <strong>for</strong> less than the best.<br />

CONTACT DETAILS<br />

PMC Ltd<br />

43-45 Crawley Green Road<br />

Luton, Bed<strong>for</strong>dshire LU20AA UK<br />

t +44(0) 870 444 1044<br />

f +44(0) 870 444 1045<br />

e Sales@promonitor.co.uk<br />

w www.pmc-speakers.com<br />

PMC USA HQ<br />

17971 Sky Park Circle Drive<br />

Suite G, Irvine, Cali<strong>for</strong>nia 92614 USA<br />

t +1 949 861 3350<br />

f +1 949 861 3352<br />

e sales@pmc-speakers.us<br />

w www.pmc-speakers.com<br />

THE INTERNATIONAL AUDIO MONITORS BUYER’S GUIDE 23

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