THE YES MEN AND ACTIVISM IN THE INFORMATION ... - Index of
THE YES MEN AND ACTIVISM IN THE INFORMATION ... - Index of
THE YES MEN AND ACTIVISM IN THE INFORMATION ... - Index of
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[in this case, corporate culture] when the form <strong>of</strong> the artwork and the persona <strong>of</strong> the artist is<br />
effectively another expression <strong>of</strong> that very thing?” 141 While RTMark was able to find a happy<br />
medium between their message and the ideas they were subverting, as the Yes Men, Vamos and<br />
Servin have appropriated too much <strong>of</strong> their target’s messages.<br />
The Yes Men affirm the tenets <strong>of</strong> their targets to the point <strong>of</strong> ridicule, yet they also rely<br />
on public disapproval <strong>of</strong> their work by the entities they attack. Vamos and Servin have noted<br />
that opposition is the key to their success. If their target does not complain loudly in the public<br />
eye, their work is impotent since it is only when the target disapproves and gets angry that their<br />
message succeeds. In this way, GWBush.com was the only stunt that was successful, because it<br />
caused George W. Bush public embarrassment when he impetuously announced that there should<br />
be limits to freedom. The Yes Men explain this need for disapproval themselves: GWBush.com<br />
worked so well because Bush retaliated in a very angry, vocal way. When the group attempted to<br />
do the same with then-New York mayor Rudy Giuliani, the website fizzled away without<br />
making an impact, because Giuliani ignored it and never acknowledged the website publicly. 142<br />
The WTO at first retaliated to Gatt.org with cease and desist letters and harsh words. When this<br />
only fueled the Yes Men’s fire, the WTO quickly learned to back <strong>of</strong>f, making the Yes Men’s<br />
tactics impotent.<br />
141 Nino Rodriguez, “Subject: net.art,” Rhizome, December 23, 1999, http://rhizome.org/print.rhiz?1610, accessed<br />
November 11, 2003.<br />
142 Bonanno, 15.<br />
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