THE YES MEN AND ACTIVISM IN THE INFORMATION ... - Index of

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VITA Lani Boyd was raised in Baton Rouge, Louisiana. She received a Bachelor <strong>of</strong> Fine Arts degree in graphic design from Louisiana State University in 2002. While completing her master’s degree in art history at LSU, she presented a paper on graphic design and its appropriation by corporate culture at the 2004 Interactive Media Forum held at Miami University in Oxford Ohio. She currently teaches art history at Southern University, and will begin law school at the Paul M. Hebert Law Center at LSU in the fall. 74
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THE YES MEN AND ACTIVISM IN THE INF
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TABLE OF CONTENTS ACKNOWLEDGEMENTS
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INTRODUCTION “The Master’s tool
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of RTMark (pronounced “artmark”
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“paradox of incommunicability,”
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The BLO, SimCopter, and the Emergen
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at least embarrass, large corporati
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undermine, focusing on channeling c
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Another tactic employed by RTMark,
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freedom.” 27 This remark was wide
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on the web, and on television, in o
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attle with the WTO, this one mimick
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In 2000, the Yes Men received an em
Page 27 and 28: Vernon Ellis, the International Cha
Page 29 and 30: een including 20% ‘post-consumer
Page 31 and 32: Furthermore, Jude Finisterra (whose
Page 33 and 34: ears. No violent or strong audience
Page 35 and 36: and therefore may make their action
Page 37 and 38: The Art of Parody From Jonathan Swi
Page 39 and 40: Treating Others As We Would Like To
Page 41 and 42: the images surrounding it. In the w
Page 43 and 44: constructed nature of media represe
Page 45 and 46: habits of perception.” 80 Joseph
Page 47 and 48: public spectacles, and press covera
Page 49 and 50: of their earlier Sexism Rears Its U
Page 51 and 52: the children who see the ads every
Page 53 and 54: along with the works of Rodriguez d
Page 55 and 56: available in print form but widely
Page 57 and 58: hierarchies and the rigid structure
Page 59 and 60: The Instant Information Age What ma
Page 61 and 62: according to Debord, has stripped u
Page 63 and 64: hands of the white, Anglo-Saxon est
Page 65 and 66: appeared in public, as well as in c
Page 67 and 68: into submission by a barrage of med
Page 69 and 70: Their feature film, The Yes Men, is
Page 71 and 72: BIBLIOGRAPHY Aaron, Kenneth. “The
Page 73 and 74: Electronic Disturbance Theater. “
Page 75 and 76: Myerson, Sylvie. “The Art of Conf
Page 77: World Trade Organization. “WTO DG
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