THE YES MEN AND ACTIVISM IN THE INFORMATION ... - Index of

More documents

Recommendations

Info

“Johnathan Swift.” Books and Writers, http://www.kirjasto.sci.fi/jswift.htm (accessed March 2, 2005). Jordan, Tim and Paul A. Taylor. Hacktivism and Cyberwars: Rebels With a Cause? New York: Routledge, 2004. Klein, Naomi. Fences and Windows: Dispatches from the Front Lines of the Globalization Debate. New York: Picador USA, 2002. Klein, Naomi. No Logo. London: Flamingo, 2001. Kopper, Hilmar. “1+1=3.” 1999, Deutsche Guggenheim, http://www.deutsche-bankkunst.com/guggenheim/e (accessed February 20, 2005). Lewallen, Constance M. and Steve Seid. Ant Farm:1968-1978. Berkeley: University of California Press, 2004. Liestøl, Gunnar, Andrew Morrison ,and Terje Rasmussen, eds. Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains. Cambridge, Mass.: MIT Press, 2003. Lippard, Lucy R. Get The Message? A Decade Of Art For Social Change. New York: E.P. Dutton, Inc., 1984. Levinson, Paul. Digital McLuhan: A Guide to the Information Millennium. New York: Routledge, 1999. Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge, MA: Harvard University Press, 1989. Marshall, Peter. A History of Anarchism. London: Fontana Press, 1992. http://http://catless.ncl.ac.uk/Obituary/debord.html (accessed September 9, 2004). McCaughey, Martha and Michael D. Ayers, ed. Cyberactivism: Online Activism in Theory and Practice. New York: Routledge, 2003. McLuhan, Marshall and Bruce Powers. The Global Village: Transformation in World Life and Media in the Twenty-First Century. New York: Oxford University Press, 1989. McLuhan, Marshall and Quentin Fiore. The Medium is the Massage. New York: Bantam Books, Inc., 1967. 70
Myerson, Sylvie. “The Art of Confusion: An Interview with RTMark’s Frank Guerrero,” In These Times 26, (2002), http://www.inthesetimes.com/issue/26/09/culture3.shtml (accessed March 26, 2005). Passavant, Paul A. and Jodi Dean, eds. Empire’s New Clothes: Reading Hardt and Negri. New York: Routledge, 2004. Penny, Simon, ed. Critical Issues in Electronic Media. Albany: State University of New York Press, 1995. Osborne, Peter, ed. Conceptual Art: Themes and Movements. New York: Phaidon Press, 2002. Ouellette, Laurie. “Will the Revolution Be Televised? Camcorders, Activism, and Alternative Television in the 1990s.” In Transmission: Toward a Post-Television Culture, edited by Peter d’Agostino and David Tafler, 165-188. Thousand Oaks, CA: Sage Publications, Inc., 1995. Roddy, Dennis. “Liar’s Poker.” Pittsburgh Post-Gazette (December 12, 2004). Rodriguez, Nino. “Subject: net.art.” Rhizome, December 23, 1999, http://rhizome.org/print.rhiz?1610 (accessed November 11, 2003). RTMark. “Bush Requests ‘Limits To Freedom’.” Press release issued May 26, 1999, http://www.rtmark.com/bushpr2.html (accessed February 20, 2005). RTMark. “A Letter From Verio.” RTMark, http://www.rtmark.com/verio.html (accessed March 27, 2005). RTMark. “Gatt.org Press Release (Doha).” RTMark, http://www.rtmark.com/gattverio1.html (accessed March 27, 2005). RTMark. “Globalization and Global Resistance.” RTMark, http://www.rtmark.com/globalization.html (accessed February 20, 2005). RTMark. “GWBush.com Press.” RTMark, http://www.rtmark.com/pressgwb.html (accessed March 27, 2004). RTMark. “Sabotage and the New World Order.” RTMark, Nov. 26, 2000, http://www.rtmark.com/arse.html (accessed March 27, 2005). Rush, Michael. New Media in Late Twentieth Century Art. New York: Thames and Hudson, Inc., 1999. 71
Page 1 and 2:
THE YES MEN AND ACTIVISM IN THE INF
Page 3 and 4:
TABLE OF CONTENTS ACKNOWLEDGEMENTS
Page 5 and 6:
INTRODUCTION “The Master’s tool
Page 7 and 8:
of RTMark (pronounced “artmark”
Page 9 and 10:
“paradox of incommunicability,”
Page 11 and 12:
The BLO, SimCopter, and the Emergen
Page 13 and 14:
at least embarrass, large corporati
Page 15 and 16:
undermine, focusing on channeling c
Page 17 and 18:
Another tactic employed by RTMark,
Page 19 and 20:
freedom.” 27 This remark was wide
Page 21 and 22:
on the web, and on television, in o
Page 23 and 24: attle with the WTO, this one mimick
Page 25 and 26: In 2000, the Yes Men received an em
Page 27 and 28: Vernon Ellis, the International Cha
Page 29 and 30: een including 20% ‘post-consumer
Page 31 and 32: Furthermore, Jude Finisterra (whose
Page 33 and 34: ears. No violent or strong audience
Page 35 and 36: and therefore may make their action
Page 37 and 38: The Art of Parody From Jonathan Swi
Page 39 and 40: Treating Others As We Would Like To
Page 41 and 42: the images surrounding it. In the w
Page 43 and 44: constructed nature of media represe
Page 45 and 46: habits of perception.” 80 Joseph
Page 47 and 48: public spectacles, and press covera
Page 49 and 50: of their earlier Sexism Rears Its U
Page 51 and 52: the children who see the ads every
Page 53 and 54: along with the works of Rodriguez d
Page 55 and 56: available in print form but widely
Page 57 and 58: hierarchies and the rigid structure
Page 59 and 60: The Instant Information Age What ma
Page 61 and 62: according to Debord, has stripped u
Page 63 and 64: hands of the white, Anglo-Saxon est
Page 65 and 66: appeared in public, as well as in c
Page 67 and 68: into submission by a barrage of med
Page 69 and 70: Their feature film, The Yes Men, is
Page 71 and 72: BIBLIOGRAPHY Aaron, Kenneth. “The
Page 73: Electronic Disturbance Theater. “
Page 77 and 78: World Trade Organization. “WTO DG
show all

THE YES MEN AND ACTIVISM IN THE INFORMATION ... - Index of

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?