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SONIC THE HEDGEHOG – STILL UNSTOPPABLE! - Kazachok

SONIC THE HEDGEHOG – STILL UNSTOPPABLE! - Kazachok

SONIC THE HEDGEHOG – STILL UNSTOPPABLE! - Kazachok

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International<br />

<strong>Kazachok</strong>: Would you introduce Studio 100 for<br />

our readers?<br />

Marie-Laure Marchand : Hans Bourlon and<br />

Gert Verhulst started Studio 100 in Belgium in<br />

1996 and have had the same motto ever since:<br />

entertaining children and families thanks to a<br />

360 ° approach.<br />

Nowadays, Studio 100 employs 1,000 people in<br />

its own production studios where it produces<br />

TV programs and movies for children.<br />

Little by little the company’s scope widened to<br />

encompass producing numerous yearly live<br />

theatrical and musical shows adapted after its<br />

leading properties. The shows are extremely<br />

successful and usually sell out.<br />

The company also opened various departments<br />

under its own label: publishing, DVD,<br />

video games, music and merchandising. Thus,<br />

it launches some 870 licensed products each<br />

year that are labeled Studio 100. However, the<br />

company also signs licensing deals for certain<br />

categories.<br />

Finally, the group owns 5 theme parks called<br />

Plopsaland that are dedicated to showcasing<br />

our different properties. There are 3 parks<br />

located in Belgium, 1 in the Netherlands and<br />

1 in Germany.<br />

A number of properties are very established<br />

and active locally such as Plop the Gnome; K3<br />

a teenager band of 3 female singers; super<br />

heroin Megamindy; or House of Anubis, a<br />

successful teenager series, etc.<br />

K.: Are these properties present on international<br />

markets?<br />

M-L.M.: After becoming a major figure in<br />

the Benelux, Studio 100’s goal is to develop<br />

60 <strong>Kazachok</strong> Licensing Mag’ Janvier - Mars 12<br />

interview<br />

Marie-Laure<br />

Marchand<br />

Studio 100’s International Licensing Manager<br />

Marie-Laure Marchand was appointed by Studio 100<br />

to handle the studio’s properties internationally to the<br />

exception of Benelux, Germany, Austria and Switzerland<br />

that are directly managed by local offices and the territories that Planeta Junior handles<br />

for Maya the Bee, Vic the Viking and Heidi.<br />

The team she leads focuses particularly on Eastern Europe, the Middle East and Latin<br />

America. Marie-Laure also handles a number of multi-territory deals. Let’s have a look<br />

at a company that is expanding...<br />

internationally.<br />

The House of Anubis is a perfect illustration of<br />

our globalization. We kept the series’ concept<br />

but shot new episodes in German and English<br />

with local talent for Germany and the US. The<br />

method proved very successful.<br />

We have already produced 3 seasons for<br />

Germany where a full-length film will premiere<br />

in April 2012.<br />

Nickelodeon developed the<br />

series for the US and international<br />

markets. Season<br />

1 began successfully<br />

running on Nick US back<br />

in January 2011 as well as<br />

all in the territories where<br />

the network broadcasts<br />

internationally. Season<br />

2 will begin running by<br />

the beginning of 2012.<br />

interviewed by V.G.<br />

Nickelodeon handles the licensing rights for<br />

the English-speaking territories and Studio<br />

100 handles the rest of the world. Up to date we<br />

already have some 30 licensing partners.<br />

K.: How did Studio 100 get involved in<br />

animation?<br />

M-L.M.: One of Studio 100’s goals is to ensure<br />

its properties exist lastingly in all fields and one<br />

of the ways of achieving this goal was adapting<br />

them as animation series. When Studio 100

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