SONIC THE HEDGEHOG – STILL UNSTOPPABLE! - Kazachok
SONIC THE HEDGEHOG – STILL UNSTOPPABLE! - Kazachok
SONIC THE HEDGEHOG – STILL UNSTOPPABLE! - Kazachok
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International<br />
<strong>Kazachok</strong>: Would you introduce Studio 100 for<br />
our readers?<br />
Marie-Laure Marchand : Hans Bourlon and<br />
Gert Verhulst started Studio 100 in Belgium in<br />
1996 and have had the same motto ever since:<br />
entertaining children and families thanks to a<br />
360 ° approach.<br />
Nowadays, Studio 100 employs 1,000 people in<br />
its own production studios where it produces<br />
TV programs and movies for children.<br />
Little by little the company’s scope widened to<br />
encompass producing numerous yearly live<br />
theatrical and musical shows adapted after its<br />
leading properties. The shows are extremely<br />
successful and usually sell out.<br />
The company also opened various departments<br />
under its own label: publishing, DVD,<br />
video games, music and merchandising. Thus,<br />
it launches some 870 licensed products each<br />
year that are labeled Studio 100. However, the<br />
company also signs licensing deals for certain<br />
categories.<br />
Finally, the group owns 5 theme parks called<br />
Plopsaland that are dedicated to showcasing<br />
our different properties. There are 3 parks<br />
located in Belgium, 1 in the Netherlands and<br />
1 in Germany.<br />
A number of properties are very established<br />
and active locally such as Plop the Gnome; K3<br />
a teenager band of 3 female singers; super<br />
heroin Megamindy; or House of Anubis, a<br />
successful teenager series, etc.<br />
K.: Are these properties present on international<br />
markets?<br />
M-L.M.: After becoming a major figure in<br />
the Benelux, Studio 100’s goal is to develop<br />
60 <strong>Kazachok</strong> Licensing Mag’ Janvier - Mars 12<br />
interview<br />
Marie-Laure<br />
Marchand<br />
Studio 100’s International Licensing Manager<br />
Marie-Laure Marchand was appointed by Studio 100<br />
to handle the studio’s properties internationally to the<br />
exception of Benelux, Germany, Austria and Switzerland<br />
that are directly managed by local offices and the territories that Planeta Junior handles<br />
for Maya the Bee, Vic the Viking and Heidi.<br />
The team she leads focuses particularly on Eastern Europe, the Middle East and Latin<br />
America. Marie-Laure also handles a number of multi-territory deals. Let’s have a look<br />
at a company that is expanding...<br />
internationally.<br />
The House of Anubis is a perfect illustration of<br />
our globalization. We kept the series’ concept<br />
but shot new episodes in German and English<br />
with local talent for Germany and the US. The<br />
method proved very successful.<br />
We have already produced 3 seasons for<br />
Germany where a full-length film will premiere<br />
in April 2012.<br />
Nickelodeon developed the<br />
series for the US and international<br />
markets. Season<br />
1 began successfully<br />
running on Nick US back<br />
in January 2011 as well as<br />
all in the territories where<br />
the network broadcasts<br />
internationally. Season<br />
2 will begin running by<br />
the beginning of 2012.<br />
interviewed by V.G.<br />
Nickelodeon handles the licensing rights for<br />
the English-speaking territories and Studio<br />
100 handles the rest of the world. Up to date we<br />
already have some 30 licensing partners.<br />
K.: How did Studio 100 get involved in<br />
animation?<br />
M-L.M.: One of Studio 100’s goals is to ensure<br />
its properties exist lastingly in all fields and one<br />
of the ways of achieving this goal was adapting<br />
them as animation series. When Studio 100