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Inside the Mind of BTK

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96 INSIDE THE MIND OF <strong>BTK</strong><br />

yearned to apply, but knew that if <strong>the</strong>y ran a fingerprint check on him<br />

<strong>the</strong>y might stumble on a print he’d left behind at one <strong>of</strong> his crime<br />

scenes, which police had collected but never made public.<br />

David Berkowitz (aka Son <strong>of</strong> Sam) had a bit <strong>of</strong> this same type <strong>of</strong><br />

confused love-hate relationship with police festering inside him. On<br />

April 17, 1977, after shooting ten people and killing five, he pumped<br />

four .44-caliber bullets into two Bronx teenagers necking in a Mercury<br />

Montego. The event marked <strong>the</strong> latest chapter in his pa<strong>the</strong>tic,<br />

senseless murder spree. But what made this one different was that<br />

before fleeing <strong>the</strong> scene, he left a note behind, marking <strong>the</strong> first time<br />

he’d felt compelled finally to reach out to <strong>the</strong> world and explain who<br />

he was. The note was addressed to Joseph Borrelli, <strong>the</strong> Bronx police<br />

captain who had been investigating Berkowitz’s earlier homicides.<br />

In <strong>the</strong> note, which has become one <strong>of</strong> <strong>the</strong> most infamous examples<br />

<strong>of</strong> <strong>the</strong> workings <strong>of</strong> a deranged homicidal mind, he wrote, “I am<br />

deeply hurt by your calling me a woman hater. I am not. But I am a<br />

monster. I am <strong>the</strong> ‘Son <strong>of</strong> Sam.’ . . . When fa<strong>the</strong>r Sam gets drunk he<br />

gets mean. He beats his family. Sometimes he ties me up in <strong>the</strong> back<br />

<strong>of</strong> <strong>the</strong> house. O<strong>the</strong>r times he locks me in <strong>the</strong> garage. Sam loves to<br />

drink blood. ‘Go out and kill,’ commands Fa<strong>the</strong>r Sam.”<br />

<strong>BTK</strong> penned loosely similar-sounding rants to police, hinting at<br />

<strong>the</strong> dark, unstoppable forces that dwelled within him. But <strong>the</strong> more I<br />

thought about it, I realized that part <strong>of</strong> <strong>the</strong> key to influencing his<br />

behavior was getting a better understanding <strong>of</strong> whom he was really<br />

thumbing his nose at when he wrote his communiqués. Was he directing<br />

his taunts at a specific <strong>of</strong>ficer whose identity only he knew? Or<br />

were <strong>the</strong> police merely some ambiguous, fuzzy concept inside his troubled<br />

mind, a collection <strong>of</strong> faceless, nameless men in blue? If <strong>the</strong> latter<br />

were <strong>the</strong> case, I wondered why we couldn’t provide him with a single<br />

image he could latch on to. Because if we could begin to control <strong>the</strong><br />

mental picture he maintained <strong>of</strong> <strong>the</strong> police, we might just have a<br />

chance <strong>of</strong> controlling him.<br />

Which is exactly where our so-called super-cop would enter <strong>the</strong><br />

picture. He would become <strong>the</strong> face that <strong>the</strong> UNSUB would picture<br />

whenever he thought <strong>of</strong> <strong>the</strong> police. He would become, in a sense,<br />

<strong>BTK</strong>’s partner in crime, <strong>the</strong> devoted acolyte who tracked every move<br />

<strong>the</strong> killer made. The trick, <strong>of</strong> course, would be to locate someone<br />

whom <strong>BTK</strong> could not only identify with but also feel comfortable<br />

opening up to, <strong>the</strong> kind <strong>of</strong> law enforcement pr<strong>of</strong>essional who could<br />

begin to harness <strong>BTK</strong>’s self-inflated sense <strong>of</strong> his own importance,

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