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Inside the Mind of BTK

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108 INSIDE THE MIND OF <strong>BTK</strong><br />

him those photos and his defense attorney will say he’s unstable and<br />

only <strong>of</strong>fered up what he saw in <strong>the</strong> pictures.<br />

“Don’t trick him to try to play games because he’s enough <strong>of</strong> a<br />

police buff to know what’s going on. Be rested and ready for a long<br />

interview. You want him to be <strong>the</strong> one who fades out. In <strong>the</strong> end, he<br />

may be looking for some sort <strong>of</strong> face-saving scenario. Don’t bring up<br />

his killing <strong>of</strong> young children because he doesn’t want to be known as<br />

a child killer. That’s not a healthy reputation to have in prison. Get<br />

him thinking that maybe he was in a trance when he committed his<br />

murders. If he’s arrogant, <strong>the</strong>n be very nonchalant. Let him speak in<br />

<strong>the</strong> third person, if he wants.<br />

“At <strong>the</strong> same time as your interview, you need to be performing a<br />

simultaneous search <strong>of</strong> his residence. If he gets tipped <strong>of</strong>f in advance<br />

that this is what you’re going to do, he won’t destroy his stash, but he<br />

will move it. Drill it into his head that you’re not going to stop going<br />

until you solve this case because you know it is solvable. What you<br />

want is for him to become extremely rigid. That’s going to mean he’s<br />

losing control and you’re gaining control.”<br />

As I spoke, Pierce Brooks walked into <strong>the</strong> conference room and<br />

took a seat at <strong>the</strong> table. A veteran LAPD homicide detective, Brooks<br />

was something <strong>of</strong> a legend, made famous for his role in Joseph<br />

Wambaugh’s crime classic The Onion Field. For years, Brooks used to<br />

pour over out <strong>of</strong> town newspapers searching for violent crimes that<br />

might be similar to cases he was investigating in Los Angeles. After<br />

coming to <strong>the</strong> FBI, he’d begun developing a computer program, known<br />

as VICAP. The idea was for police around <strong>the</strong> nation to enter data from<br />

open cases into a centralized computer, allowing cops to better track<br />

violent crimes where <strong>the</strong> same UNSUB might be responsible.<br />

When Brooks heard me talking about interrogation techniques,<br />

he said in his strained, whisper-like voice: “Be ready to go with <strong>the</strong><br />

polygraph at <strong>the</strong> right moment. But be careful. Do it <strong>the</strong> wrong way<br />

and you might just get an inconclusive unless <strong>the</strong> questions are<br />

designed in a way that will be more distressing to him. For instance,<br />

<strong>the</strong> killing may not upset him, but <strong>the</strong> fact that he was soiled by <strong>the</strong><br />

victim’s blood could cause a reaction. He may respond to <strong>the</strong> Bright<br />

case because he screwed up. In <strong>the</strong> Otero case, he might respond<br />

more to <strong>the</strong> boy because he feels bad about him. Don’t expect him<br />

to break down.”<br />

I had to force myself not to interrupt Brooks. Walker looked at me<br />

and grinned. He knew how I felt about polygraphs. I hated <strong>the</strong>m, espe-

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