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Inside the Mind of BTK

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My Lifelong Hunt for <strong>BTK</strong> 29<br />

But he also left some things to chance. If his intended victim<br />

wasn’t available, he would strike <strong>the</strong> next best target he could find. On<br />

several occasions, it appeared he had difficulty controlling his victims.<br />

And he was hardly <strong>the</strong> neatest killer I’d encountered, leaving behind<br />

semen near <strong>the</strong> bodies <strong>of</strong> two <strong>of</strong> his kills.<br />

Then <strong>the</strong>re was his peculiar way <strong>of</strong> posing his victims. I’d never<br />

come across ano<strong>the</strong>r killer who did it <strong>the</strong> way he did. He primped and<br />

preened <strong>the</strong> bodies in erotic positions, clothing, and bindings as fuel<br />

for his masturbatory fantasies. But he had also laid out and displayed<br />

nearly all <strong>the</strong> bodies <strong>of</strong> his victims—except for Kathy Bright, who died<br />

<strong>of</strong> stab wounds—for <strong>the</strong> investigators who arrived at his crime scenes<br />

long after he’d fled.<br />

It was as if he positioned <strong>the</strong> corpses <strong>the</strong> way a florist might<br />

arrange flowers. He wanted to shock, yet his visual statements were<br />

also fairly tame and modest—at least in terms <strong>of</strong> <strong>the</strong> work I’d seen<br />

o<strong>the</strong>r sociopathic serial killers leave behind. Compared to those maniacs<br />

who left severed heads propped up on TV sets or <strong>the</strong>ir victims<br />

spread-eagled on <strong>the</strong> floor with various objects inserted into <strong>the</strong>ir<br />

vaginas or rectums, UNSUB was downright juvenile and s<strong>of</strong>t core.<br />

Never<strong>the</strong>less, he used his victims as inanimate props, posing <strong>the</strong>m to<br />

resemble a scene out <strong>of</strong> <strong>the</strong> pages <strong>of</strong> a detective magazine, leaving<br />

<strong>the</strong>m out in <strong>the</strong> open so that <strong>the</strong> first person to discover <strong>the</strong> body<br />

would practically trip over it when entering <strong>the</strong> front door <strong>of</strong> <strong>the</strong> victim’s<br />

home.<br />

Without a doubt, <strong>BTK</strong> was a sadist who inflicted unfathomable<br />

horrors upon his victims. Yet he also differed from all <strong>the</strong> o<strong>the</strong>r sexual<br />

sadists I’d studied, guys who needed to inflict physical torture in<br />

order to be sexually satisfied. He got <strong>of</strong>f by employing a form <strong>of</strong> torture<br />

that was predominantly mental, not physical. Although he seemed<br />

obsessed with physical torture, it wasn’t part <strong>of</strong> what’s referred to as<br />

his “signature,” which is what a killer must do to satisfy himself psychologically.<br />

<strong>BTK</strong>’s signature was bondage—not physical torture.<br />

<strong>BTK</strong> never penetrated any <strong>of</strong> his victims. It would have been easy<br />

to interpret this type <strong>of</strong> behavior as though he were trying to say You’re<br />

not even good enough for me to rape. But I knew better.<br />

His decision to not rape his victims or engage in necrophilia actually<br />

told me that despite <strong>BTK</strong>’s sexual obsessions, deep inside his mind<br />

he felt hopelessly inadequate. His opinion <strong>of</strong> himself was so low—and<br />

his fear <strong>of</strong> women so great—that he could never bring himself to<br />

thrust himself so intimately into any <strong>of</strong> his victims. They were used

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