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Inside the Mind of BTK

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My Lifelong Hunt for <strong>BTK</strong> 71<br />

detectives who could endure only a few minutes <strong>of</strong> <strong>the</strong>se recordings<br />

before wincing and quickly exiting <strong>the</strong> room, shaking <strong>the</strong>ir head.<br />

I once worked a case involving two truly savage murderers who<br />

used sound as a way to relive <strong>the</strong>ir killings. Lawrence Bittaker, convicted<br />

<strong>of</strong> assault with a deadly weapon, and rapist Roy Norris became<br />

pals while incarcerated at <strong>the</strong> California Men’s Colony at San Luis<br />

Obispo. Shortly before <strong>the</strong>ir release from prison, <strong>the</strong>y hatched a plan<br />

to kill teenage girls, one for every “teen” year from thirteen to nineteen.<br />

They yearned to record <strong>the</strong>ir crimes on audiotape. By June 1979,<br />

<strong>the</strong>y’d purchased an old Ford van, nicknamed “Murder Mack,” and set<br />

out to fulfill <strong>the</strong>ir dark fantasy.<br />

In quick succession during that summer, <strong>the</strong>y brutally raped, tortured,<br />

and killed four young girls. When police finally caught up with<br />

<strong>the</strong>m, <strong>the</strong>y quickly discovered <strong>the</strong> duo’s collection <strong>of</strong> audiotapes. I’ll never<br />

forget <strong>the</strong> afternoon I listened to one <strong>of</strong> <strong>the</strong>ir cassettes in preparation for<br />

an interview that I and a female agent did with Bittaker, who was sentenced<br />

to death for his crimes and sent to San Quentin State Prison.<br />

During <strong>the</strong> recording, his cohort was driving <strong>the</strong> van while Bittaker—whose<br />

nickname was “Pliers” because this was his favorite<br />

instrument <strong>of</strong> torture—scripted <strong>the</strong> frightened, moaning fourteenyear-old<br />

girl, telling her exactly what he wanted her to say as he slowly<br />

mutilated her. Just as <strong>the</strong> <strong>BTK</strong> posed his victims in order to see <strong>the</strong>ir<br />

bodies in his imagination, Bittaker needed to hear just <strong>the</strong> right combination<br />

<strong>of</strong> words in order to keep his victims alive within his head.<br />

The afternoon we finally sat down with this sad excuse for a<br />

human being in a San Quentin interview room, he was more than<br />

happy to spill his guts to us. The only glitch was that he refused to look<br />

at my female colleague when she asked him questions. That was how<br />

much he hated women. By <strong>the</strong> time our session was over, he was sobbing.<br />

Of course, his tears were for himself—not his victims.<br />

Walking back to my car through <strong>the</strong> moonbeam-lit cemetery, I<br />

caught myself thinking about <strong>the</strong> letter <strong>BTK</strong> sent to police in October<br />

1974. In it, he wrote, “Since sex criminals do not change <strong>the</strong>ir M.O. or<br />

by nature cannot do so, I will not change mine.”<br />

I could only assume that he’d written this out <strong>of</strong> ignorance,<br />

because every criminal justice student with even <strong>the</strong> slightest bit <strong>of</strong><br />

frontal lobe activity knows that killers do change <strong>the</strong>ir MO. It is <strong>the</strong>ir<br />

most malleable and fluid quality, a skill that is constantly evolving and<br />

changing to <strong>the</strong> point <strong>of</strong> perfection.

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