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Sons and Lovers - Daimon Club

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"Such rot! there isn't a grain of intelligence in it. Nobody with<br />

more gumption than a grasshopper could go <strong>and</strong> sit <strong>and</strong> listen."<br />

And to Miriam he said, with much scorn of Annie <strong>and</strong> the others:<br />

"I suppose they're at the 'Coons'."<br />

It was queer to see Miriam singing coon songs. She had a straight<br />

chin that went in a perpendicular line from the lower lip to the turn.<br />

She always reminded Paul of some sad Botticelli angel when she sang,<br />

even when it was:<br />

"Come down lover's lane<br />

For a walk with me, talk with me."<br />

Only when he sketched, or at evening when the others were at<br />

the "Coons", she had him to herself. He talked to her endlessly<br />

about his love of horizontals: how they, the great levels of sky<br />

<strong>and</strong> l<strong>and</strong> in Lincolnshire, meant to him the eternality of the will,<br />

just as the bowed Norman arches of the church, repeating themselves,<br />

meant the dogged leaping forward of the persistent human soul,<br />

on <strong>and</strong> on, nobody knows where; in contradiction to the perpendicular<br />

lines <strong>and</strong> to the Gothic arch, which, he said, leapt up at heaven <strong>and</strong><br />

touched the ecstasy <strong>and</strong> lost itself in the divine. Himself, he said,<br />

was Norman, Miriam was Gothic. She bowed in consent even to that.<br />

One evening he <strong>and</strong> she went up the great sweeping shore<br />

of s<strong>and</strong> towards Theddlethorpe. The long breakers plunged <strong>and</strong> ran<br />

in a hiss of foam along the coast. It was a warm evening.<br />

There was not a figure but themselves on the far reaches of s<strong>and</strong>,<br />

no noise but the sound of the sea. Paul loved to see it clanging<br />

at the l<strong>and</strong>. He loved to feel himself between the noise of it<br />

<strong>and</strong> the silence of the s<strong>and</strong>y shore. Miriam was with him.<br />

Everything grew very intense. It was quite dark when they<br />

turned again. The way home was through a gap in the s<strong>and</strong>hills,<br />

<strong>and</strong> then along a raised grass road between two dykes. The country<br />

was black <strong>and</strong> still. From behind the s<strong>and</strong>hills came the whisper<br />

of the sea. Paul <strong>and</strong> Miriam walked in silence. Suddenly he started.<br />

The whole of his blood seemed to burst into flame, <strong>and</strong> he could<br />

scarcely breathe. An enormous orange moon was staring at them<br />

from the rim of the s<strong>and</strong>hills. He stood still, looking at it.<br />

"Ah!" cried Miriam, when she saw it.<br />

He remained perfectly still, staring at the immense <strong>and</strong> ruddy<br />

moon, the only thing in the far-reaching darkness of the level.<br />

His heart beat heavily, the muscles of his arms contracted.<br />

"What is it?" murmured Miriam, waiting for him.<br />

He turned <strong>and</strong> looked at her. She stood beside him, for ever<br />

in shadow. Her face, covered with the darkness of her hat, was watching<br />

him unseen. But she was brooding. She was slightly afraid--deeply<br />

moved <strong>and</strong> religious. That was her best state. He was impotent

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