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Sons and Lovers - Daimon Club

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"You've got to carry forward her living, <strong>and</strong> what she had done,<br />

go on with it."<br />

But he did not want to. He wanted to give up.<br />

"But you can go on with your painting," said the will in him.<br />

"Or else you can beget children. They both carry on her effort."<br />

"Painting is not living."<br />

"Then live."<br />

"Marry whom?" came the sulky question.<br />

"As best you can."<br />

"Miriam?"<br />

But he did not trust that.<br />

He rose suddenly, went straight to bed. When he got inside<br />

his bedroom <strong>and</strong> closed the door, he stood with clenched fist.<br />

"Mater, my dear---" he began, with the whole force of his soul.<br />

Then he stopped. He would not say it. He would not admit that he<br />

wanted to die, to have done. He would not own that life<br />

had beaten him, or that death had beaten him. Going straight to bed,<br />

he slept at once, ab<strong>and</strong>oning himself to the sleep.<br />

So the weeks went on. Always alone, his soul oscillated,<br />

first on the side of death, then on the side of life, doggedly.<br />

The real agony was that he had nowhere to go, nothing to do,<br />

nothing to say, <strong>and</strong> WAS nothing himself. Sometimes he ran down<br />

the streets as if he were mad: sometimes he was mad; things weren't<br />

there, things were there. It made him pant. Sometimes he stood<br />

before the bar of the public-house where he called for a drink.<br />

Everything suddenly stood back away from him. He saw the face<br />

of the barmaid, the gobbling drinkers, his own glass on the slopped,<br />

mahogany board, in the distance. There was something between him<br />

<strong>and</strong> them. He could not get into touch. He did not want them;<br />

he did not want his drink. Turning abruptly, he went out.<br />

On the threshold he stood <strong>and</strong> looked at the lighted street.<br />

But he was not of it or in it. Something separated him.<br />

Everything went on there below those lamps, shut away from him.<br />

He could not get at them. He felt he couldn't touch the lamp-posts,<br />

not if he reached. Where could he go? There was nowhere to go,<br />

neither back into the inn, or forward anywhere. He felt stifled.<br />

There was nowhere for him. The stress grew inside him; he felt he<br />

should smash.

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