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AUCTIONS<br />

BLOOMSBURY<br />

LONDON<br />

MaNuscripts, autOgraph Letters & epheMera,<br />

cONtiNeNtaL & eNgLish Literature<br />

aND MODerN First eDitiONs<br />

chiLDreN’s & iLLustrateD BOOKs aND private press<br />

Thursday 27th October 2011


iNterNatiONaL DepartMeNts<br />

BLOOMSBURY AUCTIONS LONDON<br />

<strong>Bloomsbury</strong> House,<br />

24 Maddox Street,<br />

London, W1S 1PP<br />

Tel: +44 (0) 20 7495 9494<br />

Fax: +44 (0) 20 7495 9499<br />

info@bloomsburyauctions.com<br />

www.bloomsburyauctions.com<br />

DREWEATTS DONNINGTON PRIORY<br />

Donnington, newbury,<br />

Berkshire, RG14 2Je<br />

Tel: +44 (0) 1635 553 553<br />

Fax: +44 (0) 1635 553 599<br />

donnington@dnfa.com<br />

www.dnfa.com/donnington<br />

DREWEATTS BRISTOL<br />

St. John’s Place, Apsley Road<br />

Clifton, Bristol BS8 2ST<br />

Tel: +44 (0) 117 973 7201<br />

Fax: +44 (0) 117 973 5671<br />

bristol@dnfa.com<br />

www.dnfa.com/bristol<br />

BLOOMSBURY AUCTIONS ROME<br />

Palazzo Odescalchi<br />

Piazza SS. Apostoli 80, 00187 Roma<br />

Tel: +39 06 679 1107<br />

Fax: +39 06 679 23 077<br />

rome@bloomsburyauctions.com<br />

www.bloomsburyauctions.com<br />

BOOKS & MAnUSCRiPTS<br />

rupert powell Deputy Chairman<br />

Dido arthur Senior Book Specialist<br />

Max hasler Junior Book Specialist<br />

Michael heseltine (Consultant) Book Specialist<br />

hannah usher Book Specialist<br />

simon Luterbacher Manuscripts Specialist<br />

clive Moss Book Specialist<br />

Justin phillips Continental Specialist<br />

PiCTUReS AnD MAPS<br />

robert hall Senior Specialist<br />

richard carroll Junior Specialist<br />

MODeRn & COnTeMPORARY ART<br />

& PRinTS<br />

alexander hayter International Head of Contemporary Art<br />

Mary Mccarthy Urban & Contemporary Art<br />

shane Xu Modern & Contemporary Art Administrator<br />

ross thomas Junior Cataloguer<br />

ASiAn CeRAMiCS & WORKS OF ART<br />

clive stewart-Lockhart Deputy Chairman<br />

CLOCKS & SCienTiFiC inSTRUMenTS<br />

Leighton gillibrand Director<br />

COUnTRY SPORTinG<br />

geoffrey stafford charles Director<br />

charlie Murphy Specialist<br />

DeCORATive ARTS<br />

David rees Director<br />

enGLiSH & COnTinenTAL CeRAMiCS<br />

geoffrey stafford charles Director<br />

FURniTURe<br />

cristian Beadman Associate Director, Furniture & Works of Art<br />

Ben Millerchip-Brown Associate Director, Furniture & Carpets<br />

emma terry Specialist<br />

JeWeLLeRY, SiLveR, WATCHeS<br />

& OBJeCTS OF veRTU<br />

James Nicholson International Head of Department<br />

David rees Director, Silver & Objects of Vertu<br />

ian pickford Silver Consultant<br />

BethWest Specialist<br />

CLOCKS & SCienTiFiC inSTRUMenTS<br />

Leighton gillibrand Director<br />

FURniTURe & ORienTAL CARPeTS<br />

Kate hannah Cataloguer<br />

richard Madley Director<br />

MeDALS & MiLiTARiA<br />

Malcolm claridge Specialist<br />

PiCTUReS<br />

Mary Mccarthy Urban & Contemporary Art<br />

SiLveR & JeWeLLeRY<br />

John Kelly Specialist<br />

BOOKS & MAnUSCRiPTS<br />

Fabio Massimo Bertolo Head of Department, Auction Manager<br />

silvia Ferrini Senior Book Specialist & Office Manager<br />

19th & 20th CenTURY ART<br />

Luca santori Head of Department<br />

OLD MASTeR PAinTinGS<br />

valentina ciancio Head of Department<br />

adele coggiola Junior specialist / Administrator<br />

MODeRn & COnTeMPORARY ART<br />

georgia Bava Head of Department<br />

JeWeLLeRY, SiLveR & WATCHeS<br />

andrea ansuini Head of Department<br />

claudia pozzati Administrator<br />

PHOTOGRAPHS<br />

sarah Wheeler Specialist<br />

John cumming (Consultant)<br />

POSTeRS<br />

richard Barclay (Consultant)<br />

ADMiniSTRATiOn<br />

graham argue Saleroom Assistant<br />

robert cain Saleroom Assistant<br />

steve cain Saleroom Manager<br />

scott harvey Art Director<br />

craig Millar IT<br />

Julia Owen Accounts<br />

elio stolz Photography<br />

Kate todd Administrator<br />

abbie Barker Reception<br />

Domoni Mainstone Reception<br />

Donovan potgieter Shipping<br />

alec shepherd Shipping<br />

poppy Walker Marketing Manager<br />

PiCTUReS<br />

clive stewart-Lockhart Deputy Chairman<br />

James James-crook Modern British & Irish Paintings & Sculpture<br />

archie parker Associate Director<br />

Wine<br />

Bruce cairnduff (Consultant)<br />

charlie Murphy Specialist<br />

ADMiniSTRATiOn<br />

Brenda adams Associate Director, Client Accounts<br />

helen Newton Administrator<br />

tori Billington Marketing Assistant<br />

Kathy James Administrator<br />

rita Lauer Saleroom Assistant<br />

Nick Mann Saleroom Assistant<br />

adam Martin Saleroom Assistant<br />

Matthew Martin Photography Assistant / Receptionist<br />

Dave pincott Photographer<br />

ruth rackham Senior Administrator & Valuations Coordinator<br />

gyula sirok Saleroom Assistant<br />

STeAM MODeL enGineeRinG<br />

Michael Matthews Specialist (Consultant)<br />

TOYS, COLLeCTABLeS,<br />

RAiLWAYAnA & BOOKS<br />

peter rixon Associate Director<br />

ADMiniSTRATiOn<br />

samantha taylor Administrator<br />

sara Lucas SaleroomAssistant<br />

sara Martineau Photographer<br />

eve Karbowiak Photographer<br />

PHOTOGRAPHS<br />

silvia Berselli (Consultant)<br />

Marica rossetti Administrator<br />

Fine & RARe WineS<br />

andrea ansuini Head of Department<br />

Franco Maria ricci (Consultant)<br />

claudia pozzati Administrator<br />

ADMiniSTRATiOn<br />

Debora Bifolco Accounts<br />

viola Marzoli Marketing<br />

claudio vennarini Saleroom Manager, Packaging and Shipping


Free live online bidding for this sale:<br />

www.the-saleroom.com<br />

there is no surcharge<br />

for using this service<br />

Visit our website for current catalogues, colour<br />

illustrations of major lots and a word search service:<br />

www.bloomsburyauctions.com<br />

Buyer’s premium is charged per lot at 22% of the hammer<br />

price up to £300,000, and 12% on the hammer price in<br />

excess of £300,000<br />

Front cover: lot 86 | Back cover: lot 456<br />

www.liveauctioneers.com<br />

there is a 3% surcharge<br />

for using these services<br />

AUCTIONS<br />

BLOOMSBURY<br />

LONDON<br />

MANUSCRIPTS, AUTOgRAPH<br />

LETTERS & EPHEMERA,<br />

CONTINENTAL & ENgLISH<br />

LITERATURE AND<br />

MODERN FIRST EDITIONS<br />

CHILDREN’S & ILLUSTRATED<br />

BOOKS AND PRIVATE PRESS<br />

Thursday 27th October 2011, 10.30am<br />

Sale No. 35848 | 35851<br />

Session I at 10.30am lots 1- 259<br />

Session II at 2.00pm lots 260- 624<br />

specialist - Manuscripts and english Literature<br />

Simon Luterbacher<br />

sluterbacher@bloomsburyauctions.com<br />

specialist - continental Literature<br />

Justin Phillips<br />

jphillips@bloomsburyauctions.com<br />

specialist - children’s Books<br />

Clive Moss<br />

cmoss@bloomsburyauctions.com<br />

specialist - illustrated Books and private press<br />

Dido Arthur<br />

darthur@bloomsburyauctions.com<br />

viewing<br />

Tuesday 25th October<br />

9.30am - 5.30pm<br />

Wednesday 26th October<br />

9.30am - 8.00pm<br />

Thursday 27th October<br />

from 9.30am<br />

Catalogues £15 ($23, €17)<br />

<strong>Bloomsbury</strong> auctions<br />

<strong>Bloomsbury</strong> House<br />

24 Maddox Street, London W1S 1PP<br />

t +44 (0) 20 7495 9494<br />

f +44 (0) 20 7495 9499<br />

info@bloomsburyauctions.com<br />

www.bloomsburyauctions.com


IMPORTANT NOTICES<br />

Please see Conditions of Business and Conditions of Sale at the back of this catalogue<br />

<strong>Bloomsbury</strong> <strong>Auctions</strong> is a trading name of greenfield <strong>Auctions</strong> Limited. greenfield <strong>Auctions</strong> Limited is registered in England,<br />

company number: 07546217, registered office: 10A Mount Ephraim, Tunbridge Wells, Kent TN4 8AS.<br />

Description and Condition of Lots<br />

Prospective buyers must satisfy themselves concerning the condition of<br />

the goods and the matters referred to in the catalogue description, in<br />

accordance with section 6 of the Conditions of Sale and Business. Solely<br />

as a convenience, <strong>Bloomsbury</strong> <strong>Auctions</strong> may provide condition reports.<br />

Many items are of an age or nature which precludes their being in perfect<br />

condition and some descriptions in the catalogue, or given by way of<br />

condition report (made either orally or in writing), make reference to<br />

damage and/or restoration. We provide this information for guidance<br />

only and the absence of such a reference does not imply that an item is<br />

free from defects or restoration, nor does a reference to particular defects<br />

imply the absence of any others.<br />

Collation of Books<br />

If, on collation, any NAMED items in this catalogue prove defective, in<br />

text or illustration, the purchaser may reject the lot provided he returns<br />

it within fourteen days stating the defect in writing. This however will<br />

not apply in the case of un-named items, periodicals, autograph letters,<br />

manuscripts, music, maps, atlases, prints or drawings, nor in respect of<br />

damage to bindings, stains, foxing, marginal wormholes or other defects<br />

not affecting the completeness of the text, nor in respect of lack of list<br />

of plates, inserted advertisements, cancels or subsequently published<br />

volumes, supplements, appendices or plates or error in the enumerating<br />

of the plates, nor in respect of defects mentioned in the catalogue or<br />

announced at the time of sale.<br />

Storage Charges<br />

Purchasers are advised that a storage charge of £1.00 per lot per day may<br />

be levied on all purchases not cleared within five working days of the sale.<br />

Commission Bids<br />

<strong>Bloomsbury</strong> will execute bids on your behalf if you are unable to attend<br />

the sale. Commission or absentee bids are accepted either directly at<br />

reception, or can be sent by post, fax, email, telephone or via the website:<br />

www.bloomsburyauctions.com. <strong>Bloomsbury</strong> will add these bids to the<br />

auctioneers’ sale book and will undertake to purchase the lots on your<br />

behalf as cheaply as allowed by other bids and reserves. <strong>Bloomsbury</strong><br />

does not accept liability for failing to execute commission bids, or for any<br />

errors or omissions.<br />

Shipping<br />

<strong>Bloomsbury</strong><strong>Auctions</strong> can accommodate shipping for certain items, please<br />

contact our Cashiers Department formore information. International<br />

Buyers are responsible for all import/export duties and taxes. An invoice<br />

stating the actual purchase price will accompany all international<br />

purchases.<br />

export Licences<br />

A licence from the Museums, Libraries & Archives Council will be required<br />

before items of certain kinds may be exported from the United Kingdom.<br />

Any item containing ivory will require a CITES licence before it can be<br />

exported from the EU.<br />

Payment<br />

Payment will be accepted, if you are a successful bidder, by debit card<br />

issued by a UK bank, in cash up to £12,000 (subject to relevant money<br />

laundering regulations), by bank transfer direct into our bank account,<br />

Bank Details: Natwest, 214 High Holborn, London WC1V 7BX. Account<br />

Name: <strong>Bloomsbury</strong> <strong>Auctions</strong> Clients Limited. A/C: 26702975 Sort Code:<br />

60-30-06 BIC: NWBK gB 2L IBAN: gB82 NWBK 6030 0626702975 or by<br />

all major UK issued credit cards registered to a UK billing address with<br />

the exception of American Express and Diners Club. A surcharge of 3%<br />

is payable on all payments made by credit card. This surcharge does not<br />

apply to debit card payments. Payment may also be made by Sterling<br />

personal cheques drawn on a UK bank account but <strong>Bloomsbury</strong> regrets<br />

that purchases paid for by this method cannot be collected until your<br />

cheque has cleared.<br />

the symbol u following a lot number indicates that <strong>Bloomsbury</strong><br />

auctions has a financial interest, direct or indirect, in the lot in question,<br />

above & beyond the seller’s commission or buyer’s premium.<br />

Artist’s Resale Rights (“Droit de Suite”)<br />

Lots marked with an delta symbol (δ) are subject to theArtist’s<br />

Resale Right Law.The buyer agrees to pay <strong>Bloomsbury</strong><strong>Auctions</strong> an<br />

amount equal to the resale royalty and we will pay such amount to<br />

the artist’s collecting agent. Resale royalty applies where the<br />

Hammer price is 1,000 Euros or more and the amount cannot be<br />

more than 12,500 Euros per lot.The amount is calculated as follows:<br />

Royalty For the portion of the Hammer Price (in euros)<br />

4.00% up to 50,000<br />

3.00% between 50,000.01 and 200,000<br />

1.00% between 200,000.01 and 350,000<br />

0.50% between 350,000.01 and 500,000<br />

0.25% in excess of 500,000<br />

Invoices will, as usual, be issued in Pounds Sterling. For the purposes of<br />

calculating the resale royalty the Pounds Sterling/ Euro rate of exchange<br />

will be the European Central Bank reference rate on the day of the sale.<br />

vAT v<br />

Zero-rated items such as books, unframed maps and albums are not<br />

subject to VAT on the buyer’s premium. Eligible items such as manuscripts,<br />

prints, photographs, drawings, framed maps, paintings, pens and<br />

other objects are subject to VAT on the buyer’s premium as part of the<br />

auctioneers margin scheme at a rate of 20%. This will be invoiced at a rate<br />

inclusive of premium and VAT. Lots with an asterisk (*) in the catalogue are<br />

subject to VAT on the hammer price as well as the buyer’s premium. Lots<br />

marked with a double asterisk (**) have been imported from outside the<br />

EU to be sold at auction, and therefore the buyer must pay the import at<br />

a rate of 5% on the hammer and 20% on the buyer’s premium.<br />

valuations<br />

v<br />

We undertake valuations for Probate and Insurance, fees being agreed by<br />

prior arrangement. If items are subsequently consigned for sale, the fees<br />

will be refunded.<br />

Annual Catalogue Subscriptions<br />

Full Subscription<br />

(approx. 60 sales) UK and Europe £500, USA and elsewhere £550<br />

London Book Sales Only<br />

(approx. 30 sales) UK and Europe £250, USA and elsewhere £300<br />

All Book Sales<br />

(approx. 35 sales) UK and Europe £290, USA and elsewhere £340<br />

All Maps & Atlases<br />

(approx. 2 sales) UK and Europe £20, USA and elsewhere £30<br />

London Visual Arts Sales Only<br />

(approx. 10 sales) UK and Europe £100, USA and elsewhere £150<br />

All Visual Arts Sales<br />

(approx. 16 sales) UK and Europe £160, USA and elsewhere £200<br />

All Photographs Sales<br />

(approx. 4 sales) UK and Europe £40, USA and elsewhere £60<br />

Opening hours: We are open Monday to Friday 9.30am to 5.30pm<br />

Online Bidding It is possible to bid live during the auction via the<br />

internet, at www.the-saleroom.com For more details on<br />

the-saleroom.com please call +44 20 7420 6691 or email<br />

support@atgmedia.com


AUCTIONS<br />

BLOOMSBURY<br />

LONDON<br />

MANUSCRIPTS, AUTOgRAPH LETTERS & EPHEMERA,<br />

CONTINENTAL & ENgLISH LITERATURE<br />

AND MODERN FIRST EDITIONS<br />

CHILDREN’S & ILLUSTRATED BOOKS<br />

AND PRIVATE PRESS<br />

Thursday 27th October 2011, 10.30am


❦ Illuminated, Continental & Other Manuscripts Lots 1-35<br />

❦ English Manuscripts, Autograph Letters & Ephemera Lots 36-197<br />

❦ Continental Literature and History Lots 198-259<br />

❦ English Literature and History Lots 260-364<br />

❦ Modern First Editions Lots 365-404<br />

❦ Children’s Books and Juvenilia Lots 405-453<br />

❦ Illustrated Book, Prints and Original Artwork Lots 454-550<br />

❦ Private Press and Limited Editions Lots 551-624


All lots are offered subject to the Conditions of Sale and Business printed in this catalogue, and reserves.<br />

❦ Illuminated, Continental & Other Manuscripts<br />

Lot 1 Lot 2<br />

1. Bible, Latin, s i n g l e l e a f, t h e e n d o f Ba r u c h 5 a n d B e g i n n i n g<br />

o f Ba r u c h 6, t h e’epistola Je r e m i a e’, illuminated manuscript on<br />

vellum, double column, 50 lines, written in black ink in a fine gothic<br />

bookhand, heading in red and blue, 6-line inital P with marginal<br />

decoration extending over most of inner and part of lower border,<br />

in blue, red, gold and white, very slight marking, framed and<br />

glazed, 285 x 192 mm., [Paris, c. 1250]. £750 - £1,000<br />

2. Psalter, s i n g l e l e a f, pa rt s o f psalms 141 a n d 142, illuminated<br />

manuscript on vellum, 17 lines, written in black ink in a fine gothic<br />

liturgical hand, 3-line initial ‘d’ in gold on a blue, red and white<br />

ground, both sides with three-quarter bar-borders in red, blue,<br />

gold and white, including versal initials in gold, and ending in<br />

gold beast-heads, little marking, in a card mount, 150 x 110 mm.,<br />

[Southern Netherlands, c.1300]. £700 - £900<br />

3. Bible, Latin, s i n g l e l e a f, ec c l e s i a s t i c u s 11 a n d t h e B e g i n n i n g<br />

o f ec c l e s i a s t i c u s 12, illuminated manuscript on vellum, 46<br />

lines, double column, written in dark brown ink, in a fine gothic<br />

bookhand, heading in blue, gold and red, two 2-line initials with<br />

borders extending over inner margins, in blue, red, gold and white,<br />

very slight fraying to right-hand margin, marking, framed and<br />

glazed, 295 x 200 mm., [Paris, late thirteenth century].<br />

£600 - £800<br />

Lot 3<br />

BLOOMSBURY AUCTIONS<br />

5


6<br />

4. Psalter, t w o l e av e s, illuminated manuscript on vellum, 12 lines,<br />

written in black ink in a very fine gothic liturgical hand, both ff.<br />

with two-line initials in gold, with decoration in gold, blue and<br />

pink exteending over left-hand, and into upper and lower margins,<br />

several one-line initials and line-fillers in gold, blue and pink,<br />

framed and glazed, 90 x 65 mm., [North France, first half of the<br />

fourteenth century]. £700 - £900<br />

BLOOMSBURY AUCTIONS<br />

Lot 5<br />

Lot 4<br />

5. St. John the Baptist, St. Anthony, s i n g l e l e a f f r o m a Bo o k<br />

o f ho u r s, illuminated manuscript on vellum, with two small<br />

miniatures of saints, on recto St John the Baptist, a three-quarter<br />

length image of the saint in a brown robe, pointing at a lamb resting<br />

on a book in his other hand, in a landscape, on verso St Anthony, a<br />

half length image wearing a brown and blue habit, on a gold and<br />

blue ground, 18 lines of text in dark brown ink in a gothic liturgical<br />

hand, headings in blue, one 2-line initial in gold on a red ground,<br />

both sides with border in fore-edge margin of foliage and flowers in<br />

green, blue and white on a dark red and gold ground, little spotted<br />

and marked, framed and glazed, 150 x 100 mm., [North France, c.<br />

1480]. £1,000 - £1,500


Lot 6<br />

6. Pentecost, s i n g l e l e a f f r o m a Bo o k o f ho u r s, illuminated manuscript on vellum, large miniature<br />

of Pentecost, the Virgin kneeling at prayer, surrounded by seven apostles, with more just visible in the<br />

background, the Holy Ghost above, in an architectural setting, with three lines of text below, in a gothic<br />

liturgical hand, with a full border of naturalistic foliage, flowers and fruits on a yellow ground, with<br />

a bird on one side and a monkey playing a dulcimer (?) below, framed and glazed, 155 x 110 mm.,<br />

[Southern Netherlands, ?Bruges, c.1500]. £4,000 - £6,000<br />

BLOOMSBURY AUCTIONS<br />

7


8<br />

BLOOMSBURY AUCTIONS<br />

Lot 7<br />

7. Prayers.- or a i s o n a di e u & a u x an g e s, illuminated manuscript<br />

on vellum, in French, 4 ff., last black but for traces of ruling on<br />

recto, 21 lines, written in black ink in an elegant book hand, two<br />

2-line initials in gold, on red and gold background, with marginal<br />

pen-and-ink decoration in blue, similar full border on last p.<br />

incorporating human and animal heads, headings in red, saltireshaped<br />

acrostic on last p. also in red, some soiling, later red<br />

morocco, little rubbed, 200 x 155 mm., ?France, early seventeenth<br />

century]. £300 - £500<br />

8. Laon Abbey.- ag r e e m e n t B e t w e e n willi a m, lo r d a n d<br />

?ch a m B e r l a i n o f lao n a n d t h e aBB o t o f st. ma rt i n’s aBB e y<br />

o f lao n, manuscript in French, 36 lines, torn at head with some<br />

loss, some worming, soiled, browned, folds, inscribed: “Phillipps<br />

36600”, 274 x 527mm., 1394. £150 - £200<br />

9. French Tithes.- [re g i s t e r o f a r r e a r s f r o m a l a r g e fr e n c h<br />

t i t h e r e n ta l], manuscript in French, on vellum, bifolium from a<br />

larger work (complete in itself), folds, some staining, slightly soiled<br />

and browned, 520 x 325mm., 1469/70 - 1488/89. £200 - £300<br />

*** Part of a register of arrears of tithes; mentions barns of the<br />

Count of Blois.<br />

10. De Medici (Carlo di Gabriello) le t t e r to ag o s t i n o d e l<br />

ne r o, vi c e tr e a s u r e r, in ma c e r ata, 1p. with conjugate blank<br />

and address panel, 4to, Florence, 6th August 1532, asking his<br />

correspondent to provide Filippo Istrozi with the evidence he is<br />

seeking on behalf of Gerardo da Sossoferato, who is charged with<br />

the murder of Pierantonio delli Desideri, Gerardo being a good<br />

friend of the writer, and is a good and deserving man who merits<br />

compassion, folds, browned. £200 - £300<br />

11. Crusades.- essicacissima e s s o rtat i o n e d’i n c e rt au t o r e c o n t r a<br />

g l’i n f i d e l i a l l i pr i n c i p i ch r i s t i a n i, manuscript in Italian, 10pp.,<br />

corners stained slightly obscuring some lettering but overall still<br />

legible, repaired, 4to, [late sixteenth century]. £500 - £700<br />

*** An exhortation to Crusade against the Turks.<br />

12. De Leyva (Antonio Luis, Prince of Ascoli) le t t e r o f<br />

c o m m e n d at i o n f r o m t h e p r i n c e o f as c o l i in fav o u r o f fa B r i c i o<br />

Bi a n c o, gentleman of Milan, 1p. with conjugate blank, in Spanish,<br />

4to, Brussels, 10th November 1592, who has served the king [Philip<br />

II of Spain] in Flanders and the kingdom of France, and specially in<br />

the relief of Paris, with his arms and his horses, at his own cost and<br />

as a soldier of fortune [mercenary], without taking a salary from the<br />

king, browned, folds; and another letter in Spanish, folio (2).<br />

£200 - £300<br />

Lot 13<br />

13. Bible, Hebrew. [ge n e s i s & sh o vav i m tat (t h e to r a h p o rt i o n s<br />

o f t h e Bo o k o f ex o d u s)], manuscript in Hebrew, c. 280pp.,<br />

extensively wormed, stained and browned, some ff. friable, lacks<br />

covers, 4to, ?Yemen, [late sixteenth century]; sold not subject to<br />

return. £500 - £700<br />

14. Ludwig (Prince of Anhalt-Köthen, poet and literary leader,<br />

1579-1650) co m m i s s i o n f r o m lu d w i g, pr i n c e o f an h a lt-kö t h e n<br />

to Jo h a n sc h ö n e, a s ma J o r o f a co m pa n y o f fo o t, D.s. “Ludwig,<br />

manuscript in German, paper seal, folds, browned, 190 x 325mm.,<br />

October 1631; and another, a letter by Peter Ferdinand Deurer<br />

(painter, 1777-1844) to Bertel Thorvaldsen (sculptor, 1770-1844),<br />

in Rome, v.s., v.d. (2). £200 - £300<br />

15. Ferdinand III (Holy Roman Emperor, 1608-57) le t t e r<br />

s i g n e d “fe r d i n a n d” to t h e Bu r g e r m a s t e r a n d a l d e r m e n o f t h e<br />

Bo h e m i a n m i n i n g t o w n Bu d w e i s, 2pp. with conjugate blank and<br />

address panel, in German, folio, 5th September 1639, with regard<br />

to providing help for leopold Wilhelm, Erzerzog zu Österreich, on<br />

his journey, browned, folds. £200 - £300


16. Rupert (Prince and Count Palatine of the Rhine and duke of<br />

Cumberland, 1619-82) official l e t t e r o f c o n d o l e n c e s u B s c r i B e d<br />

“ru p r e c h t”, a s ‘pfa lt z-g r a f f B e y rhe i n, he rt z o g in Bay e r n ’,<br />

to fri e d r i c h wilh e l m, el e c to r o f Bra n d e n B u r g, (“th e gre at<br />

el e c to r”), 2pp., in German, folio, Whitehall, 16th January 1675,<br />

after receiving news on 14 January 1675 of the premature death<br />

of his eldest son Karl Emil, Kurprinz von Brandenburg on 29<br />

November 1674, corner torn without loss of text, water-stained,<br />

folds, browned; and another letter to Rupert from an unidentified<br />

lady, n.d. [c. 1655-60], v.s., v.d. (2). £300 - £400<br />

17. Logic at St. Omer.- De Langhe Jacobo Josepho, student<br />

at the College of the Society of Jesus at St. Omer) co m m e n ta r i<br />

& di s p u tat i o n e s... ad usum studiosarum Juventutis ad logicam<br />

preparandum, Dictatae á R.P. Loys rhetorices professore,<br />

manuscript in Latin, title and 174pp., slightly browned, modern<br />

bookplate, original vellum, yellowed, sm. 4to, St. Omer, 1st March<br />

1730. £200 - £300<br />

Lot 18<br />

18. Perfume.- Ogier (Maurice Ferrande) le pa r f u m e u r ro ya l...,<br />

manuscript in French, title and 167pp., small hole in title, browned<br />

throughout, boards covered in old vellum, soiled, sm. 4to, 1737.<br />

£200 - £300<br />

19. Aretino (Pietro, Italian playwright, poet and satirist, 1492-<br />

1556) [la si r e n a; marfisa; an g e l i c a], manuscript poetry in<br />

Italian, 170pp., in a neat Italic hand, some ff. slight evidence of<br />

damp, slightly browned throughout, new endpapers, ?eighteenth<br />

century vellum, gilt, folio, [eighteenth century]. £200 - £250<br />

20. Genealogy.- ca s a d i au s t r i a, manuscript in Italian, c. 660pp.,<br />

4ff. later notes, browned, Phillipps Ms 5747, bookplate of Lord<br />

North on front pastedown, later half vellum, soiled, edges uncut,<br />

sm. 4to, [eighteenth century]. £400 - £600<br />

21. Thomas (Saint, of Villanova, 1488-1555) & Nicholas<br />

Carmelite. sy n o p s i s va r i a r u m re s o l u t i o n u m e x se l e c t i o n i B u s<br />

de c r e t i s s a c co n g r e g at i o n i s co n c i l i i c o l l e c ta, manuscript in<br />

Latin, 863pp., browned, 4 ink stamps on first f. and 1 one last f.<br />

(1 of the Couvent des Franciscain Bibliotheque Chant d’oiseau<br />

Bruxelles), original vellum, soiled, folio, [?Low Countries],<br />

[eighteenth century]. £200 - £300<br />

22. Flemish Cloth Merchant, manuscript, 27pp. excluding blanks,<br />

browned, original vellum, soiled, corners bumped, folio, 1753-56.<br />

£300 - £400<br />

*** Mentions an order for “Monseigneur le Prince Sulkouski<br />

[Sulkowski]”; ambassador to the court of Louis XV; mentioned in<br />

Casanova’s memoirs.<br />

Items bought and sold include: Calamanco, “woollen stuff of<br />

Flanders, glossy on the surface, and woven with a satin twill and<br />

chequered in the warp, so that the checks are seen on one side<br />

only; much used in the 18th cent” (OED); Camelot, “Camlet, a<br />

name originally applied to some beautiful and costly eastern fabric,<br />

afterwards to imitations and substitutes the nature of which has<br />

changed many times over. ‘A kind of stuff originally made by a<br />

mixture silk and camel’s hair; it is now made with wool and silk<br />

(Johnson).’” - OED.<br />

23. ?Egan (John, judge and duellist, 1754/5-1810).- [on ch r i s t i a n<br />

r e l i g i o n], manuscript, c. 470pp. excluding blanks, ink signature<br />

and inscription of John Egan on front free endpaper, faint pencil<br />

inscription: “This M.S. is said to be from Charles Dicken’s library”<br />

on front free endpaper, original vellum, yellowed and soiled, 8vo,<br />

1758 & later. £100 - £150<br />

Lot 24<br />

24. Seven Years War.- Battle of Havana. re l a c i o n c e l a to m a<br />

c e l a ha B a n a p o r l o s in g l e s e s, manuscript in Spanish, title and<br />

9pp., browned, 1762; and another, relating to Tunisia and Algerian<br />

Corsairs, housed in a modern half calf box, sm. 4to, v.d.<br />

£400 - £600<br />

*** In 1762 the British invaded and captured Havana, an important<br />

Spanish naval base; the town was returned in 1763 to the Spanish<br />

under the Treaty of Paris.<br />

25. Joseph II (Emperor of Austria, 1741-90) co u n c i l n o t e<br />

c o n v e y i n g a n e d i c t t h at n o J u d g e s h o u l d o r d e r t o rt u r e w i t h o u t<br />

t h e e m p e r o r’s c o n s e n t, printed broadside, browned, sm. folio,<br />

Namur, 17th March 1784. £60 - £80<br />

BLOOMSBURY AUCTIONS<br />

9


10<br />

26. German Proclamations & Broadsides.- Frederick II<br />

(Frederick Eugene, duke of Württemberg, 1732-97) & others.<br />

la r g e c o l l e c t i o n o f B r o a d s i d e s r e l at i n g to t h e g o v e r n a n c e o f t h e<br />

du c h y o f würt t e m B e r g, including: a survey of the municipalities<br />

in the duchy, the sale of bad fruit, summoning parliament etc., some<br />

manuscripts, all in German, most printed, folio, v.d., c. 1790s -<br />

1810 (qty). £200 - £300<br />

27. Liguria.- pr o c l a m a. il di r e t t o r i o es e c u t i v o a l po p o l o<br />

li g u r e, printed broadside, slightly cut at head, folds, folio, 1799.<br />

£100 - £150<br />

*** Proclamation appealing to the people of Liguria to resist invasion<br />

by Austria. In 1797, the Ligurian Republic had been established by<br />

Napoleon in his victorious Italian campaign. Napoleon left Italy and<br />

invaded Egypt, leaving Austria free to recapture Ligeria in 1800, a<br />

few months after this proclamation. When Napoleon returned to<br />

France as First Consul, he soon reversed the situation, restoring<br />

French control in 1801.<br />

28. Humboldt (Alexander, German naturalist and explorer,<br />

1769-1859) au t o g r a p h le t t e r s i g n e d to gi o va n n i fa B B r o n i, 2pp.<br />

with conjugate blank and address panel, in French, sm. 4to, Rome,<br />

18th December 1843, regretting that he cannot come to dinner, and<br />

asking after Madame Fabbroni, and pointing out the difference<br />

between Prince John George, not being the same as the elector<br />

George William or John Sigismund, Electors of Brandenburg, tear<br />

where opened, slightly browned. Giovanni Fabbroni (1752-1822),<br />

Italian naturalist, chemist and agronomist. £300 - £400<br />

29. Napoleon, Grand Armeé. au t h o r i t y g r a n t i n g permission<br />

to lie u t e n a n t geo r g e d e cha m B r ay o f t h e imp e r i a l cor p s o f<br />

art i l l e ry, to a p p o i n t h i s fat h e r Ja c q u e s d e ch a m B r ay to a c t a s<br />

h i s p r o x y to p r o t e c t h i s i n t e r e s t s in h i s e s tat e, D.s. and stamped,<br />

manuscript in French, 2pp. with conjugate blank, folds, browned,<br />

sm. 4to, [Paris], Place de Stettin, 19th May 1807. £100 - £150<br />

30. Marie Louise (of Austria, second wife of Napoleon I, Empress<br />

of France, later, Duchess of Parma, 1791-1847) co m m i s s i o n o f<br />

pi e r r e mo n n e r e l a s c o l o n e l in t h e a r m y o f t h e k i n g o f spa i n<br />

(Joseph Bo n a pa rt e), d.s. “ma r i e lo u i s e”, printed document with<br />

manuscript insertions, on vellum, 2 membranes joined together,<br />

creased, 452 x 560mm., 1813; and a small quantity of others, French<br />

documents, including a correspondence relating to the Baron de<br />

Goltstein and copies of 18th century documents relating to extracts<br />

of registrations of forests, lands and their sale etc., v.s., v.d. (sm.<br />

qty). £200 - £300<br />

31. Kirchoff (Gustav, German physicist, 1824-87) vo rt r ä g e ü B e r<br />

d i e ex p e r i m e n ta l ph y s i k, edited by E. Cohen, manuscript fair copy<br />

in German, title and 606pp., browned, modern morocco-backed<br />

boards, remains of original spine laid down, sm. 4to, Heidelberg,<br />

1869-70. £80 - £120<br />

32. Ethiopic Magic Scroll, manuscript in Ge’ez, on vellum, in<br />

black and red ink, 3 membranes stitched together, hand-painted<br />

illustrations of angels and demons, some soiling and staining, c.<br />

1500 x 70mm., [Ethiopia, late nineteenth century]. £80 - £120<br />

BLOOMSBURY AUCTIONS<br />

33. Bernhardt (Sarah, French actress, 1844-1923) au t o g r a p h<br />

le t t e r i n t i a l l e d “sB” to mr. du q u e s n e l, ga lv e s t o n, usa, 8pp.<br />

& envelope, 128 x 99mm., 7th February 1892, on her theatrical<br />

work, My tour is coming to an end and I will return to Paris in late<br />

June. I will be leaving on a big European tour on 20 September<br />

with Abbey but I have not signed a new contract but before signing<br />

a new contact I may choose to stay longer in Paris, I have three new<br />

pieces in my repertoire... answer me on Broadway. £100 - £150<br />

Lot 34<br />

34. Monet (Claude, painter, 1840-1926) au t o g r a p h le t t e r<br />

s i g n e d to m. ha m m a n , 1p., 8vo, Giverny, 5th February 1893, he is<br />

sorry and surprised that the address he sent did not arrive and sends<br />

another, central fold, ink stamp “Received” on letter. £400 - £600<br />

35. Ethiopic, [pr ay e r s], manuscript in Amharic, on vellum, 352pp.,<br />

text in red and black, a few crude ink drawings, ff. yellowed and<br />

aged, modern hard wood boards, stitched as issued, sm. 4to, [c.<br />

1950]. £100 - £150


❦ English Manuscripts, Autograph Letters & Ephemera<br />

The Property of a Gentleman<br />

The following archive will be offered as one lot, if it fails to reach the reserve it will then be sold in the following lots: 37-85<br />

36. Hawkesworth or Hawksworth Family (of Hawksworth<br />

Hall, near Guiseley, parish of Otley, West Yorkshire) [ex t e n s i v e<br />

a r c h i v e o f pa p e r s a n d d o c u m e n t s r e l at i n g to t h e haw k s w o r t h<br />

es t at e in me n s t o n a n d o t h e r p r o p e rt i e s e l s e w h e r e in yo r k s h i r e<br />

a n d la n c a s h i r e], manuscripts, documents, correspondence,<br />

i n c l u d i n g n u m e r o u s m e d i e va l c h a rt e r s, many with wax seals,<br />

m o s t e x t r e m e ly w e l l p r e s e rv e d, 16th - 19th century indentures<br />

and estate correspondence, surveys of land, numerous receipts,<br />

auction catalogue of sale of the estate in 1955 etc., many on vellum,<br />

some in wrappers of The Thoresby Society dating from the 1930s,<br />

folds, some browned and with tears, most in good condition, in a<br />

r e m a r k a B ly g o o d s t at e o f p r e s e rvat i o n, housed in two tin deed<br />

boxes: “EL Gaunt Hawksworth Papers”, v.s., v.d., thirteenth -<br />

twentieth centuries (qty). £20,000 - £30,000<br />

*** 700 y e a r s o f c o n t i n u o u s d o c u m e n tat i o n o f o n e v i l l a g e in t h e<br />

we s t ri d i n g o f yo r k s h i r e.<br />

The Hawkesworth family are said to be descended from one of<br />

William the Conqueror’s commanders, killed at the battle of<br />

Hastings, with the estate being gifted to his son. More certainly,<br />

while they appear to have had a small estate at Hawksworth, at least<br />

from the twelfth century, it was not until a Walter Hawkesworth<br />

married into the Ward family did the Hawkesworths become the<br />

paramount landowners in the area. An older house was known to<br />

have existed on the site, but the present building was begun in the<br />

early seventeenth century, the oldest part with a datestone of 1611.<br />

During the Civil War, Sir Richard Hawkesworth, a firm ally of Sir<br />

Thomas Fairfax was arrested at Hawksworth Hall and imprisoned<br />

at York until the city surrendered in 1644. A little later in the same<br />

century Sir Walter Hawkesworth, created a baronet in 1669, made<br />

several alterations to the house, and there are further dates of 1664<br />

and 1667 on the chimneys. Hawkesworth was briefly involved in<br />

national affairs during the 1660s when in correspondence as deputy<br />

lieutenant to George Villiers, second duke of Buckingham, who<br />

was attempting to establish a power base in West Yorkshire. Apart<br />

from his own extensive holdings in the county, Buckingham married<br />

Mary, the daughter of General Sir Thomas Fairfax who had a house<br />

in the village. Hawkesworth’s letter-book cum commonplace book<br />

Lot 36<br />

is included in this archive. Alterations continued to be made to the<br />

house until the eighteenth century when in 1796 Frances Fawkes of<br />

Farnley Hall, near Otley, died and left all of his property to Walter<br />

Ramsden Beaumont Hawkesworth (art collector, 1769-1825), who<br />

had married a near relation. He took the surname Fawkes and went<br />

to live at Farnley Hall. The Hawkesworth family retained ownership<br />

of the house but ceased to live in it after 1825 and for the remainder<br />

of the century it was let to tenants. Later, it came into the possession<br />

of the Gaunt family, who, in 1955 sold the estate at auction. Until<br />

recently, the house was used as a school by the charity SCOPE,<br />

treating children for cerebral palsy. The school was closed in 1998<br />

and in 2000 was sold. In addition to the longevity of the Hawkesworth<br />

family themselves there are at least two families with a remarkable<br />

continuance in one place, notably the Roodes or Rhodes family<br />

(perhaps several families all taking the same surname, there is an<br />

area of the village known as High Royds today) and the Vavasours,<br />

both of yeoman stock and both mentioned in early medieval charters<br />

and stll mentioned in accounts until well into the eighteenth century.<br />

Menston is a village near the towns of Guiseley and Otley in Lower<br />

Wharfdale, West Yorkshire. Recorded in the Domesday Book in 1086,<br />

Menston is described as being in the Wapentake of Skyrack, being<br />

part of the manor of Otley. During the medieval period ownership<br />

of much of the village came under the control of the Hawkesworth<br />

family through marriage with the Ward family. This is reflected in the<br />

large quantity of deeds from this period, relating to every aspect of<br />

legal ownership of property in an agricultural economy. Thereafter<br />

the Hawkesworth’s hegemony over the area started to wane, though<br />

they retained a presence until the late nineteenth century. Menston<br />

remained a largely agricultural community until the eighteenth<br />

century when, in common with much of West Yorkshire, the process<br />

of industialisation through the operation of the mills began. Despite<br />

this, Menston remained a small community until the nineteenth<br />

century when a flax mill and two woollen mills were established<br />

to the west of the village and numbers correspondingly rose. One<br />

of these mills later became a linen bleaching mill. In 1865 work<br />

began on the railway and in 1887 the Fawkes family sold land, upon<br />

which the local hospital was built. The twentieth century, of course,<br />

as in every other part of England has seen a continuous rise in the<br />

population and concomitant house building.<br />

BLOOMSBURY AUCTIONS<br />

11


12<br />

37. Receipt, B y w. wa r d, re c t o r o f gy s e l ay [gu i s e l e y] f o r 3<br />

½ m a r k s f r o m t h e e x e c u t o r s o f t h e l at e fat h e r wi l l i a m wa r d,<br />

manuscript in Latin, on vellum, lacks seal, folds, slightly creased,<br />

41 x 141mm., 1270. £300 - £400<br />

BLOOMSBURY AUCTIONS<br />

Lot 38<br />

38. Charter, g r a n t B y Be at r i c e, d a u g h t e r o f sir si m o n wa r d, “Be<br />

it known to your community [religious community at ?Guiseley or<br />

Baildon] that I have promised faithfully to Walter of Haukeswerth<br />

that no one shall exercise in my name any claim in or right to sell<br />

after my decease the land of which the said Walter has enfeoffed<br />

me by his deed for the term of my life”, witnesses: Thomas de<br />

Huck, William Ward, Simon son of William of Haukeswerth, Alan<br />

Vavasour and others, manuscript in Latin, on vellum, 7 lines, folds,<br />

slightly browned, lacks seal, 60 x 132mm., n.d. [c. 1275].<br />

£300 - £400<br />

*** Beatrice Ward (d. 1281), married Walter Hawksworth in 1273;<br />

her dowry being the Hawksworth estate. Her ?nephew, Simon<br />

Ward was sheriff of Yorkshire in 1316 and supported Thomas, earl<br />

of Lancaster in the baronial opposition to Edward II. In 1321 he<br />

changed sides in favour of the king and his new favourites, the<br />

Despensers. In 1326 he was made captain of Pontefract Castle and<br />

received numerous gifts from Edward II.<br />

39. Release and Quitclaim, B y hug h, s o n o f si m o n o f rod e s to<br />

wa lt e r, s o n o f walt e r o f haw e s w r d , to four acres of land in the<br />

Field of Rodes [in Menston], 10 lines, 75 x 175mm., n.d.; re l e a s e<br />

B y hug h, s o n o f sim o n o f rod e s to walt e r, s o n o f walt e r o f<br />

haw k e s w r d , of right in four acres of land in the field of Rodes<br />

[in Menston], which Robert Ruffus had, 9 lines, a few small<br />

wormholes, 62 x 185mm., n.d., witnesses: Simon Ward, knight;<br />

Matthew of ?Brame, Walter of Midelton, Hugh of Berwick and<br />

others, manuscripts in Latin, on vellum, lacks seals, folds, v.s., [c.<br />

1270’s] (2). £300 - £400<br />

Lot 40<br />

40. Byland Abbey.- co n f i r m at i o n o f g r a n t B y th o m a s, s o n o f<br />

th o m a s fo s s a r d o f su t t o n to t h e m o n k s o f st. ma ry o f Be l l a n d<br />

[By l a n d] o f l a n d s B y h i m s e l f a n d h i s fat h e r s i t u at e at su t t o n<br />

[su t t o n u n d e r wh i t e s t o n e cliffe], ma r c h B y a n d ot r i n g t o n<br />

[ot t e r i n g t o n] in f r a n k a l m o i g n, witnesses: Roger de Stapleton,<br />

then sheriff of York, Adam de Hilton, Oliver de Buscy, Thomas<br />

de Colville, Robert parson of Kilvington and others, manuscript in<br />

Latin, on vellum, 19 lines, creased and browned, some slight stains<br />

in corners, l a r g e r e d w a x s e a l o f a l i o n s u r r o u n d e d B y l e t t e r i n g,<br />

possiBly: “s. th o m e filii th o m e fo s s a r d”, lion’s face abraded,<br />

o t h e rw i s e in g o o d c o n d i t i o n, 134 x 200mm., n.d. [c. 1270s].<br />

£1,000 - £1,500<br />

*** Byland Abbey was one of the most famous Cistercian<br />

foundations in England, along with Fountains and Rievaulx Abbeys.<br />

Originally founded as a Savignac house in 1134, it was brought<br />

within the Cistercian community after the Savignac movement was<br />

absorbed by them in 1147. The abbey became wealthy on its rearing<br />

of sheep and the export of wool. At the Dissolution the abbey was<br />

valued at £238 9s 4d.<br />

Lot 41<br />

41. Charter, g r a n t B y sir si m o n wa r d to wa lt e r, s o n o f wa lt e r<br />

o f haw k e s w o r t h , t h e a n n u a l r e n t o f o n e p e n n y, to have and to<br />

hold to the aforesaid Walter and his heirs and assigns of the capital<br />

Lord of the fee, witnesses: Lords: William of Stopham and Robert<br />

of Plumpton, knights: Adam of Steyleforth and others, manuscript<br />

in Latin, on vellum, 7 lines, lacks seal, folds, 75 x 236mm., n.d. [c.<br />

1270s]. £300 - £400


42. Charter, g r a n t B y ral p h, s o n o f ger m a i n mau n s e l, lo r d<br />

o f ?lu r g e l to walt e r, s o n o f walt e r haw k s w o r d , o f r e n t o f<br />

2 s h i l l i n g s f o r a t e n e m e n t in men s t o n, witnesses: Dom William<br />

Ward, Simon Ward, William of Middleton and others, manuscript<br />

in Latin, on vellum, 12 lines, folds, remains of wax seal sewed up in<br />

vellum bag, 75 x 218mm., ?1280. £300 - £400<br />

Lot 43<br />

43. Charter, g r a n t B y al e x a n d e r Bu s ta r d to hu g h o f co l l n<br />

[co l n e], o f r e n t a n d s e rv i c e in t h e v i l l o f th o r n o u e r [th o r n e r]<br />

f r o m l a n d s t h e r e, witnesses: Dom: Robert of Veylly, Dom: William<br />

of Veilly, Dom: Ralph Rector of the Church of Thornouer and others,<br />

14 lines, a small stain, otherwise in g o o d c o n d i t i o n, 127 x 188mm.,<br />

[c. 1280s]; Charter, grant by Robert, son of Walter of Hemingburg<br />

to Hugh of Colln, of annual rents of five shillings and eightpence<br />

and twelve pence, lands situated in Clyf [Cliffe], Mykelridding and<br />

Osgoteby [Osgodby], witnesses: Dom. John of Oketon, Elias of<br />

Bekingham, Justices of the Lord King and others, 14 lines, 115 x<br />

220mm., undated but before the Statute of Quia Emptores, [before<br />

1290], manuscript in Latin, on vellum, both lacking seals; and and<br />

2 others, both relating to a property transaction by Hugh of Colln,<br />

v.s., v.d. (4). £400 - £600<br />

*** First mentioned, Thorner, near Leeds. Second mentioned,<br />

Cliffe and Osgodby, near Selby.<br />

44. Charter, grant by Thomas, son of Nigel of Horsford & Emma<br />

his wife to Joan “our daughter”, all that half part of the houses, land<br />

and meadow at le Rodes in Mensyngton, witnesses: Simon ?Ward,<br />

Dom. Nicholas Ward, Rector of Gyselay [Guiseley], Walter de<br />

Hawkesword and others, manuscript in Latin, on vellum, 10 lines,<br />

folds, slightly browned, lacks seals, 80 x 167mm., [c. 1280s].<br />

£200 - £300<br />

45. Lease, B y wa lt e r, s o n o f wa lt e r he u k e s w r d to Jo h n, s o n o f<br />

lo u k o e, o f a B o vat e o f l a n d at me n s t o n f o r 17 y e a r s, witnesses:<br />

Matthew de Brame, William de Heukeswrd, Gilbert, son of<br />

Beatrice and others, manuscript in Latin, on vellum, chirograph<br />

at head, folds, lacks seal, 85 x 209mm., Feast of St. Martin, [11th<br />

November], 1289. £200 - £300<br />

46. Quitclaim, B y wi l l i a m, s o n o f faw k e pi n c e r n e o f wa k e f i e l d<br />

to wa lt e r o f ha u k e s w o r d in a l l t h e l a n d s a n d t e n e m e n t s w h i c h<br />

t h e s a i d wa lt e r h a s o f t h e g i f t o f do m ro B e rt m y B r o t h e r in t h e<br />

t o w n a n d t e r r i to ry o f me n s i n g t o n a n d o f Bur l e y, witnesses: Sir<br />

Simon Ward, Sir William de Stoppeham, Robert Vilary and others,<br />

manuscript in Latin, on vellum, 9 lines, folds, slightly browned, 73<br />

x 218mm., [c. 1290s]; gr a n t, B y roB e rt pin c e r n e o f wak e f i e l d<br />

to walt e r, s o n o f walt e r d e haw k e s w o r t h a l l m y l a n d in t h e<br />

t o w n a n d a n d t e r r i to ry o f men s i n g t o n, witnesses: Lord Ralph<br />

Maunsel, Lord Robert de Stopham, Walter de Hawkeswerd and<br />

others, manuscript in Latin, on vellum, g o o d o va l B l a c k w a x s e a l<br />

w i t h d e c o r at i o n, 168 x 216mm., n.d. [c. 1300]; and 2 others relating<br />

to Fawke Pincerne, v.s., v.d. (4). £400 - £600<br />

47. Charter, g r a n t B y walt e r haw k e s w o r t h , s o n o f roB e rt<br />

to tho m a s, s o n o f osB e rt, a t o f t in t h e v i l l a g e o f esk i s w e t h<br />

[as k w i t h], witnesses: manuscript in Latin, on vellum, in brown ink,<br />

12 lines, c i r c u l a r y e l l o w w a x s e a l o f a ?li o n a n d l e t t e r i n g at<br />

e d g e, partially abraded, folds, 104 x 171mm., n.d. [c. 1290s].<br />

£300 - £400<br />

Lot 48<br />

48. Charter, g r a n t by Walter of Heukeswrd to William, son of<br />

Richard of Meresbec, John, son of Luke and William, son of<br />

Michael of Dutto of Mensington, of a lease for 12 years of “all<br />

his land with meadow and appurtenances which he held in a place<br />

which is called Le Hagge which Michael Keler was wont to hold”,<br />

witnesses: Walter of Middelton, Alexander of Mensington, Walter<br />

Russel of Burelay, William, son of Constance of Heukswrd and<br />

others, manuscript in Latin, on vellum, 27 lines, chirograph at<br />

head, folds, browned, lacks three seals, 190 x 147mm., [Menston,<br />

Feast of St. Martin, [11th November], 1299. £300 - £400<br />

BLOOMSBURY AUCTIONS<br />

13


14<br />

49. Charter, g r a n t B y ra l p h ma u n s e l o f Bu r g t to ri c h a r d<br />

go d w i n o f me n s i n g t o n, o f a B o vat e o f l a n d in me n s i n g t o n,<br />

witnesses: Dom. Roger Chaplain of Burgt, William Ward, Nicholas<br />

Maunsel, Walter of Heukesword and others, manuscript in Latin,<br />

on vellum, 12 lines, o va l g r e e n w a x s e a l, 1 edge abraded, folds, in<br />

g o o d c o n d i t i o n, 82 x 190mm., Menston, [c. 1300]. £250 - £300<br />

50. Grant, B y wi l l i a m haw k s w o r t h , s o n o f co n s ta n c e to wa lt e r,<br />

s o n o f wa lt e r ha u k e s w o rt h t w o a c r e s o f l a n d in raw e l a n d e s, 1<br />

acre of land in Engthorp, 3 roods of land in Sonningrodes, 1 rood<br />

of land in Le Croke and all his meadow in Le Bradeenge and 2<br />

oxengdales in Le Keldeenge and 4 oxangdales in La Hardeenge<br />

and 2 oxangdales in Le Tofteenge and 5 oxgangdales in Le<br />

Breidelandesenge in Hawksworth, witnesses: Lord Simon Ward,<br />

Adam of Gayrforth, John de Calverley and others, manuscript in<br />

Latin, on vellum, 10 lines, folds, lacks seal, some slight spotting,<br />

74 x 194mm., n.d. [c. 1300]. £200 - £250<br />

51. Whalley Abbey.- Bond, B y ri c h a r d o f po n c c h a r d o u n n<br />

[po n t c h a r d o n] to t h e aB B o t o f a n d aB B e y o f wh a l l e y, f o r £10,<br />

manuscript in Latin, on vellum, 6 lines, lacks seal, folds, browned,<br />

40 x 192mm., June 1303. £800 - £1,200<br />

BLOOMSBURY AUCTIONS<br />

Lot 49<br />

Lot 51<br />

52. Grant, B y wa lt e r o f ha u k s w o r d to Jo h n, s o n o f lo u c o c<br />

o f me n s i n g t o n, l e a s e o f a B o vat e at me n s t o n a n d a n a c r e o f<br />

l a n d at he s k e h e f d a n d t w o s e l i o n s o f l a n d, witnesses: Walter of<br />

Midelton, Alexander of Mensington, William Addinton and others,<br />

manuscript in Latin, on vellum, 15 lines, chirograph at head, wax<br />

seal (surface abraded), small stain, folds, browned, 108 x 215mm.,<br />

St. Martin’s day [11th November] 1303. £200 - £300<br />

53. Quitclaim, wi l l i a m, s o n o f tho m a s o f men s t o n to walt e r,<br />

s o n o f wa lt e r o f ha u k e s w r d, g r a n t o f 1 a c r e 1 r o o d in me n s t o n<br />

at r e n t o f a g i l ly f l o w e r, witnesses: Robert Vilain, John of Roudon,<br />

Hugh of Berwick and others, manuscript in Latin, on vellum, 14<br />

lines, folds, a few small rust marks, lacks seal, 116 x 194mm., [c.<br />

1300s]. £200 - £300<br />

54. Inquisition, m a d e at wi g a n in t h e p r e s e n c e o f wi l l i a m d e<br />

Br a d e s a n d Jo h n d e l a cr o y e f o r ro B e rt d e cly d e r e [cl i t h e r o e],<br />

r e c to r o f t h e c h u r c h o f wi g a n, c o n c e r n i n g t h e c o l l e c t i o n o f<br />

a c e rta i n e t i t h e o f s h e av e s in t h e t o w n o f da lt o n o f a c e rta i n<br />

a s s a rt w h i c h is c a l l e d l e pr i o u r s h e y e, manuscript in Latin, on<br />

vellum, 11 lines, lacks seal, folds, browned, 124 x 219mm., 1307.<br />

£200 - £300


55. de Lacy (Henry, fifth earl of Lincoln, Lord of the Honor of<br />

Clitheroe and other baronies, magnate, friend and servant of<br />

Edward I, 1249-1311) ea r ly c o p y o f a n i n d e n t u r e, g r a n t B y d e<br />

la c y to t h e Bu r g e s s e s o f cl e d e r h o u [cl i t h e r o e] o f t h e s o i l a n d<br />

w o o d s o f salt h i l l e, pa r i s o u n g e a n d Bal l o c l aw e in cli t h e r o e,<br />

s av i n g to wi l l i a m he ry c e t h e r i g h t to w o o d f o r h u n t i n g purposes<br />

f o r h i s mano r o f salt h i l l e, witnesses: Hugh de Clyderowe,<br />

Richard, son of Henry; William, son of Henry; Master Richard de<br />

Clyderowe and others, manuscript in Anglo-Norman, on vellum, 25<br />

lines, in brown ink, slightly obscured but still legible, folds, creased<br />

and browned, lacks seal, 120 x 228mm., 8th June 1307 [c. 1310].<br />

£1,000 - £1,500<br />

*** An early copy produced within a few years of the original.<br />

Henry de Lacy was one of the most important barons of his age and<br />

a life long supporter of Edward I. He served with the king in the<br />

Welsh wars and subsequently nearly every other theatre of warfare<br />

during the reign, as well as numerous diplomatic missions. In 1295<br />

Lincoln was appointed king’s lieutenant in Gascony and served<br />

until 1298, having fought in France during that time.<br />

56. Quitclaim, o f a B o vat e o f l a n d in t h e v i l l o f Bay l d o n, by<br />

Hugh, son of Simon of Bayldon, in favour of Walter, son of Walter<br />

of Heukswrt, witnesses: Alan of Kayerton, William Ward, Simon<br />

Ward then Rector of the church of Gyset [?Guiseley] and others,<br />

manuscript in Latin, on vellum, 9 lines, lacks seal, folds, slightly<br />

browned, 64 x 178mm., [c. 1315]. £200 - £300<br />

Lot 55<br />

57. Attebecke Family.- Charter, (of Menston).- Charter, g r a n t B y<br />

ro B e rt, s o n o f wi l l i a m o f Br e r e l ay e to wi l l i a m, s o n o f mi c h a e l<br />

at t e B e c k o f me n s i n g t o n o f f o u r p l o t s o f l a n d in t h e we s t fi e l d<br />

o f me n s i n g t o n, r e n d e r i n g a n n u a l ly a r o s e o n t h e nat i v i t y o f<br />

st. Jo h n t h e Baptist, witnesses: Walter of Hawksword, Matthew<br />

de Mensington and others, 16 lines, 6 small wormholes, slightly<br />

stained and creased, n.d. [c. 1280s]; Grant by Elizabeth, widow of<br />

William, son of Robert de Sewerby of Mensyngton of the one part<br />

and William, son of William Attebeck of the other part, a certain<br />

piece of meadow in the field of Mensyngton between the Langsyke<br />

on the east side and land of Walter of Hawksworth on the west side,<br />

witnesses: Walter of Middleton, Walter of Hawksworth and others,<br />

manuscript in duplicate (should be separated between parties<br />

but here they are both together), 16 lines, chirograph at head of<br />

both documents, yellow wax seal, abraded, 117 x 230mm., Feast<br />

of St. Martin [11th November], 1315; Grant by William, son of<br />

Michael Attebeck of Mensyngton to William his son, two shillings<br />

annual rent arising from land and tenements which William, son<br />

of Gilbert had of him in the vill and field of Mensynton, and other<br />

similar transactions, witnesses: Walter de Hawkesworth, Walter<br />

his son, Thomas de Monte Alto and others, 18 lines, lacks seal,<br />

155 x 274mm., Thursday, Feast of the Conversion of St. Paul [25th<br />

January], 1329; Grant by William of Attebeck of Mensyngton<br />

to Walter of Hawksworth of land and tenements in Mensyngton,<br />

witnesses: Symon Warde, John of Calversly and others, 10 lines, 76<br />

x 294mm., Feast of St. Barnabas the Apostle [11th June], 1345; and 4<br />

others, medieval deeds, including 3 relating to the Attebecke family<br />

and Menston and 1 relating to Robert de Sewerby, manuscripts in<br />

Latin, on vellum, folds, some browning, v.s., v.d. (8).<br />

£800 - £1,200<br />

BLOOMSBURY AUCTIONS<br />

15


16<br />

BLOOMSBURY AUCTIONS<br />

Lot 58<br />

58. Grant, ag n e s, d a u g h t e r o f wi l l i a m, s o n o f gi l B e rt o f<br />

me n s y n g t o n to ad a m, s o n o f ge r m a i n o f Bu r l e y a n d h i s w i f e<br />

ag n e s, g r a n t in f e e of 5 roods of land in the West Field of<br />

Mensyngton called Wraryddynge at the rent of one penny per<br />

annum, witnesses: Alexander of Mensyngton, William Attebecke<br />

and others, manuscript in Latin, on vellum, 14 lines, m o s t o f<br />

o r i g i n a l w h i t e w a x s e a l, with lettering, fragile, vellum creased and<br />

browned, 118 x 198mm., Mensyngton, Monday next after the Feast<br />

of St Thomas the Martyr, [January], 1317. £200 - £300<br />

59. Grant, B y Joh n, s o n o f Joh n osg o d B y to Joh n shi p p m a n o f<br />

os g o e d B y a n d pet e r h i s B r o t h e r, t h r e e s e l i o n s o f l a n d in t h e<br />

f e e o f osg o d e B y, witnesses: Robert Lord of Osgodby, Hugh of<br />

Bradford, John Warde and others, manuscript in Latin, on vellum,<br />

in brown ink, 10 lines, folds, browned, 93 x 229mm., Friday next<br />

after the feast of St. Peter in Cathedra [22nd February] 1323; and<br />

5 others, comprising 3 deeds (1 relating to Burton Parva, 1324, 1<br />

relating to Menston, 1339 & 1 relating to Aslacton, Norfolk, 1341)<br />

and 2 fragments of deeds, v.s., v.d. (6). £300 - £400<br />

Lot 62<br />

60. Grant, B y wi l l i a m d e me r B e c k to wi l l i a m, his son, a toft<br />

with croft and land and meadow which he inherited from his father,<br />

Richard de Merbeck in the town of Mensyngton, paying yearly<br />

one rose on the day of the Nativity of St. John the Baptist [24<br />

June], witnesses: Walter of Hawkesword, Peter del Stede Robert<br />

of Burlay and others, manuscript in Latin, on vellum, 14 lines, in<br />

brown ink, indented at head, folds, some ink stains, creased and<br />

browned, lacks seal, 116 x 240mm., n.d. [c. 1345]; and 4 others,<br />

medieval deeds (including 1 relating to William de Merbeck, 1345,<br />

Adam Threlfall, 1345, John le Vavasour, 1346 & Jane, the wife of<br />

Lord Gilbert of Sokeryngton, 1353), v.s., v.d. (5). £300 - £500<br />

61. Grant of attorney, B y law r e n c e o f mi r e s c o g h to ri c h a r d<br />

o f cat a l e , to d e l i v e r seisin o f l a n d s in t h e v i l l s cl a g h t o n<br />

[cl a u g h t o n] a n d cat a l e , witnesses: John le Tayllour of Kirklond,<br />

Richard of Catale, John of Plesington and others, manuscript<br />

in Latin, on vellum, 11 lines, 77 x 224mm., Claughton, Sunday<br />

before the Feast of St. Margaret the Virgin [20th July] 1359; and<br />

5 others, Medieval deeds, including 3 relating to Robert de Brigg<br />

(1 mentioning Robert, vicar of Otley) of land in Menston, 1369v.s.,<br />

v.d., 1359-69 (6). £300 - £500<br />

62. Edward III.- wr i t to John chau m o n t sheriff o f york c o m m a n d i n g h i m to d i s t r a i n u p o n simo n ward f o r t h e<br />

m a l a d m i n i s t r at i o n o f p r o p e rt y in haw k s w o r t h d u r i n g h i s<br />

wa r d s h i p o f wa lt e r haw k e s w o r t h , a m i n o r, manuscript in Latin,<br />

on vellum, in brown ink, 20 lines, number 85 in modern ink on<br />

verso of document, folds, creased and browned, 127 x 262mm.,<br />

20th October 1368. £1,000 - £1,500<br />

*** Contemporary copy from the Plea Roll.<br />

Whereas lately we commanded John Chaumont our sheriff... to<br />

distrain on Sir Simon Warde, for all his lands and chattels in his<br />

bailiwick, so that neither he nor anyone else... should put his hands<br />

to those goods until he have another order thereupon from us... and<br />

that he should come before the justices at Westminster... to answer<br />

Walter Haukesworth in a plea wherefor... Simon refused to render<br />

to the said Walter his proper account of the profits arising out of his<br />

lands and tenements in Haukesworth which are held in socage, and<br />

of which Simon had the wardship while the said Walter was under<br />

age... Westminster Richard Thorpe 1368.


63. Will and Probate, o f wi l l i a m, s o n o f Jo h n o f me n s t o n,<br />

manuscript in Latin, on vellum, folds, creased, red wax seal with<br />

fleur-de-lys decoration, endorsement on verso, 50 x 288mm.,<br />

Friday before SS Simon and Jude [22nd October] 1378; and 4<br />

others, medieval deeds from the reign of Richard II, v.s., v.d. (6).<br />

£400 - £600<br />

*** Scarce: medieval wills have not survived in large numbers.<br />

First mentioned: Will and Probate of William, son of John of<br />

Menston. First of all I give and bequeath my soul to Almighty God<br />

and my body to be buried in the graveyard of the Church of All<br />

Saints Ottelay [Otley]. Item. I give and bequeath my best beast in<br />

the name of my mortuary; Item. I give and bequeath to my mother a<br />

cow and a quarter of barley; Item. I give and bequeath to my sister a<br />

cow; Item. I give and bequeath to the priests 3s. 4d.; Item. I give in<br />

payments to the poor 6s. 8d.; Item. I give and bequeath the residue<br />

of all my goods to Alice my wife and my children; Item. Appoint<br />

and constitute Alice my wife and John Thomson of Menston my<br />

executors<br />

Mortuary - “A customary gift formerly claimed by the incumbent<br />

of a parish from the estate of a deceased parishioner.” - OED.<br />

64. Quitclaim, wi l l i a m, s o n o f henre s o n wilky n s o n o f<br />

ff e r n e l e y to Jo h n ely n s o n o f me n s t o n, to l a n d a n d t e n e m e n t s in<br />

me n s t o n, witnesses: Robert of Lyndeley, John Ffaukes and others,<br />

manuscript in Latin, on vellum, 11 lines, folds, creased, small tear<br />

at tail, lacks seal, 90 x 225mm., Menston, 20th May 1404; and 6<br />

others, medieval deeds from the reign of Henry IV, including 4<br />

relating to the Merebeck family of Menston, v.s., v.d. (7).<br />

£300 - £400<br />

65. Bond, B y th o m a s wa r d e o f Be s t o n to th o m a s o f ha u k e s w o rt h<br />

f o r t w e n t y p o u n d s, manuscript in Latin, on vellum, 5 lines, folds,<br />

browned, lacks 2 seals, 61 x 217mm., Saturday after the Nativity of<br />

the Blessed Virgin Mary [8th September] 1413 § Assignment, by<br />

Nicholas, son of John Adamson of Otelay to William Gascoign and<br />

Richard of Arthyngton, of goods and chattels for payment of debts,<br />

witnesses: Richard Vicar of the Church of Ottelay, William Barker<br />

and others, 7 lines, remains of black wax seal, 55 x 250mm., Feast<br />

of the Assumption [15th August] 1416; and 3 others, medieval<br />

deeds, Henry V and beginning of the reign of Henry VI, v.s., v.d.,<br />

1413-36 (5). £400 - £600<br />

66. Grant, B y th o m a s haw k e s w o r t h s e n i o r, to Jo h n sh e r B u r n ,<br />

re c t o r o f gy s e l ay [gu i s e l e y], a n d ro B e rt co lt h o r p o f m e s s u a g e s,<br />

c l o s e s a n d r e n t in haw k s w o r t h , witnesses: Roger Ward, knight;<br />

Walter Calverlay, John Arthyngton and others, manuscript in<br />

Latin, on vellum, 10 lines, red wax seal, folds, a little creased, 117<br />

x 243mm., 15th June 1440. £100 - £150<br />

67. Surrender, B y ch r i s t o p h e r Ba n a s t e r to th o m a s cr o k e o f a<br />

m e s s u a g e a n d l a n d s in do w n m u e [?Down Stonebeck, near Pateley<br />

Bridge], manuscript in Latin, on vellum, 4 lines, lacks seal, folds,<br />

browned, 58 x 293mm., Feast of the Exaltation of the Cross [14th<br />

September] 1441; and 5 others, medieval deeds, v.s., v.d. 1441-70<br />

(5). £400 - £600<br />

Lot 68<br />

68. Letters of Attorney, f r o m th o m a s ha u k e s w o rt h t h e e l d e r,<br />

a p p o i n t i n g Ja m e s Bay l e y to r e c e i v e f r o m Jo h n sc h y r B u r n,<br />

re c t o r o f gy l e l e y a n d th o m a s ho g e s o n a n d ro B e rt go l d t h o r p,<br />

c h a p l a i n s, seisin of one messuage in Menston then in tenure of<br />

Walter Pykerd and a meadow called Watere ynge in the tenure<br />

of Richard de Syke, manuscript in Latin, on vellum, 9 lines, well<br />

preserved red wax seal with B motiff, folds, 89 x 270mm., 2nd May<br />

1444. £150 - £200<br />

Lot 69<br />

69. Kirkham Priory.- Ratification of rents, B y wi l l i a m Br a d e l ay<br />

o f yo r k to t h e pr i o r a n d co n v e n t o f ki r k h a m, of fourteen shillings<br />

and three shillings at Conyngarth [?in York], all the land which<br />

Adam Carpenter gave them opposite Christ Church in Conyngarth<br />

now called the Church of the Holy Cross, manuscript in Latin, on<br />

vellum, in brown ink, chirograph at head, 37 lines, folds, lacks seal,<br />

242 x 268mm., 27th May 1458. £500 - £700<br />

70. Grant, B y th o m a s wat s o n o f ri p o n a n d Be at r i c e h i s w i f e to<br />

th o m a s haw k s w o r t h o f l a n d at me n s t o n, witnesses: Nicholas<br />

Ward Esquire; Richard Brown, Rector of the Church at Gyseley<br />

and others, manuscript in Latin, on vellum, 8 lines, lacks 2 seals,<br />

82 x 335mm., Menston, St. Andrew’s Day [30th November] 1469 §<br />

Indenture, exchange between Thomas Hawksworth and Walter his<br />

son and John Wattson of land in Senroyd and Westfeyld fields and<br />

elsewhere in ?Hawksworth, manuscript in English, on vellum, 13<br />

lines, folds, remains of red wax seal, 151 x 255mm., 6th February<br />

1490; and 3 others, medieval deeds, 1469-90 (5). £400 - £600<br />

BLOOMSBURY AUCTIONS<br />

17


18<br />

71. York, Layerthorpe.- Remise and Release, B y ro B e rt wa l k e r<br />

o f yo r k to ri c h a r d raw l e o f yo r k o f a g a r d e n a n d d o v e c o t in<br />

lay e rt h o r p e in the suburb of York situate in breadth between the<br />

Chantry of the Church of St. Saviours on the West and the garden<br />

of James Danby, knight, on the East, and in length from the King’s<br />

Highway to the River Foss, witnesses: Sir Richard Yorks Lord<br />

Mayor of York, Thomas Pereson, Miles Grenebank Sheriff and<br />

others, manuscript in Latin, on vellum, 14 lines, partial red wax seal<br />

with “P” decoration, folds, 121 x 268mm., 20th October 1483.<br />

£300 - £400<br />

72. York, Fossgate.- Demise, B y ni c h o l a s ga s c o i g n e o f<br />

me k y l f e l d e to Jo h n he w t o n o f yo r k, at fa r m o f t e n e m e n t in<br />

ffossgate f o r a t e r m o f 21 y e a r s, witnesses: William Chymney<br />

Mayor, John Beseby and John Shawe, Sheriffs, manuscript in<br />

Latin, on vellum, 12 lines, folds, slightly creased and browned, red<br />

wax seal with decoration, partly damaged with loss, 98 x 260mm.,<br />

Feast of St. Martin [11th November] 1487. £300 - £400<br />

73. Tudor & Stuart documents.- co l l e c t i o n, including: Final<br />

agreement between William Hawkesworth and Henry & Elizabeth<br />

Johnson, that land and property in Hawksworth and Menston<br />

“are the right of the same William”, remains of seal in bag, 110 x<br />

335mm., 1563 § Conveyance by Christopher Thompson of Burley<br />

and others to William Pickard and John Brearey of Mensington, of<br />

messuages and lands situate in Steade, Bayldon and Hawkesworth,<br />

ornate decorated initial T, 5 whole or partial red wax seals only of<br />

10, hole in central fold, extensively creased, 390 x 650mm., 10th<br />

April 1595 § Sir Richard Hawksworth, knight, contra Frances<br />

Baildon, widow, order of judge as to seats at Baildon Chapel in<br />

the Parish of Otley, manuscript in English, on paper, folds, 29th<br />

May 1632 § ch a r l e s i. Richard Hawkesworth, knight and William<br />

Oulred in re: the Fine pending between the above parties relating to<br />

lands at Guiseley and Carlton, w r i t d i r e c t e d to th o m a s fa i r fa x,<br />

fe r d i n a n d fa i r fa x a n d o t h e r s to ta k e e v i d e n c e o n c o m m i s s i o n,<br />

some surface wear affecting text, lacks seal, 60 x 330mm., 13th<br />

March 1638, manuscripts, most on vellum, folds, browned; and 17<br />

others, similar, v.s., v.d., 1561-1705 (21). £400 - £600<br />

74. Hawkesworth (Sir Richard, knight, of Hawksworth, c. 1594-<br />

1658) in d e n t u r e t r i pa rt i t e, m a r r i a g e s e t t l e m e n t B e t w e e n sir<br />

ri c h a r d haw k e s w o r t h a n d an n e we n t w o rt h o f el m s a l l, D.s.<br />

“Thos. Wentworth”, “William Artington” and another, manuscript<br />

on vellum, p e n a n d i n k a n d g r e y wat e r c o l o u r w a s h o f tu d o r<br />

r o s e s, t h i s t l e s, a n d o t h e r f l o r a l d e c o r at i o n at h e a d, 3pp., folds,<br />

some slight creasing and soiling, 1 partial red wax seal only of 3,<br />

640 x 740mm., 21st June 1615. £100 - £150<br />

75. Barkisland, Hey House.- Woodheade (John, clothier, of Hey<br />

House in Barkisland) la s t wi l l a n d te s ta m e n t, manuscript in<br />

English and Latin, on vellum, 2pp., folds, remains of red wax seal,<br />

214 x 275mm. & 122 x 184mm., York, 22nd March 1626.<br />

£100 - £150<br />

BLOOMSBURY AUCTIONS<br />

Lot 78<br />

76. 17th & 18th century documents.- co l l e c t i o n o f va r i o u s<br />

t r a n s a c t i o n s B y t h e haw k s w o r t h fa m i ly, including: a re n ta l l o f<br />

t h e r e n t s o f Ba i l d o n n [Ba i l d o n] d e w u n t o wa lt e r haw k e s w o r t h<br />

g i v e n at pe n t i c o s t, fold, creased, a few tears at edges, 264 x<br />

151mm., 1629 § ma r r i a g e s e t t l e m e n t B e t w e e n th o m a s fa i r fa x<br />

a n d do r o t h y ca r l e i l l, 21st April 1671 § Last Will and Testament<br />

of Richard Rhodes of Menston, 2pp., 5th February 1733 § The<br />

Will of Bodychen Sparrow Esqr..., 1p., signed and sealed, remains<br />

of wax and paper seal, 16th May 1742 An Account of the Debts<br />

due from Dr. Braithwait and the names of the several persons to<br />

whom due as taken at the George Inn in Coney Street York...,8pp.<br />

excluding blanks, folds, 16th January 1750, manuscripts on<br />

paper or vellum, folds; and c. 75 others Hawksworth documents<br />

and deeds, similar documents, including a legal series relating to<br />

Coates, neé Braithwaite versus Farrer, and Walter Hawkesworth,<br />

v.s., v.d. (c. 75). £400 - £600<br />

77. Hawkesworth (Sir Richard, knight, c. 1594-1658) al l t h e s e<br />

l a n d s a n d g o o d s a r e in sir ri c h a r d haw k s w o rt h e p o w e a r to s e l l<br />

o r d i s p o u s e o f at t h i s w i l l a n d p l e a s u r e a s it a p p e a r r s u p o n s e i g h t<br />

o f h i s w r i t t i n g s to h i s co u n c i l l, 1632, a u t o g r a p h m a n u s c r i p t<br />

i n i t i a l l e d “rh”, 3pp., some crossing out, holes in central fold,<br />

small folio, 29th September 1632. £100 - £150<br />

*** Endorsement: “By this note it appearrs what Landes and goods<br />

I have to dispousse of God willinge September 29th 1632. I think<br />

my landes and goods are worth £80,000 if not £90,000.”


78. Charles II, Duke of Buckingham & the West Riding.-<br />

Hawksworth (Walter, deputy lieutenant to George Villiers,<br />

second duke of Buckingham as lieutenant of the West Riding,<br />

1625-77, son of Sir Richard Hawksworth, knight, c. 1594-1658)<br />

[le t t e r B o o k a n d d o c u m e n ta ry h i s t o ry o f t h e haw k s w o r t h<br />

fa m i ly], manuscript, in several hands, 17th century politics 49pp.<br />

and copies of medieval and Tudor documents relating to the<br />

Hawksworth family 74pp., some with pen and ink drawings of<br />

armorials and seals, together 123pp. excluding blanks, central<br />

folds, first 2ff. with small tear in inner margins, some worming in<br />

corners affecting a few letters, slightly browned, a few documents<br />

bound in (1 stained and with folds), 2 documents (copy of an<br />

Elizabethan document made for Richard Hawksworth and “Proofs<br />

about Hawksworth Common 1723 when the Dispute was with Mr<br />

Pullan”), inner hinges strengthened, 18th century diced russia,<br />

gilt, rebacked with the original spine laid down, lettering on spine:<br />

“Family Manuscript” and initials “WF”, folio, 1662-67.<br />

£2,000 - £3,000<br />

*** th e du k e o f Bu c k i n g h a m’s p o w e r B a s e in t h e we s t ri d i n g.<br />

Copy letters with instructions and reports from and to Charles II<br />

(many authorised by members of the Privy Council including,<br />

Clarendon, Henry Bennet, Sir William Morris etc.), Duke of<br />

Buckingham and his lieutenants include: Commissions in the<br />

county militia; a copy of a letter from Charles II to Buckingham<br />

authorising him to raise money to pay the local militia;<br />

disbandment of officers in the militia; Bu c k i n g h a m’s o r d e r s f o r<br />

t h e dispersal o f t h e 1663 yo r k s h i r e rising, “Gentlemen, The<br />

King haveing intelligence that the ffaunatticks have purposed a<br />

Rising in yorkshire, has commanded mee to dispatch my orders to<br />

you, requesting you to bee very watchfull of them, that they may<br />

not bee able to assert any thing by surprise”; “A copy of a letter<br />

from the Privy councell, about Subsidies 1663”; “The proportion<br />

upon each division in ye West Riding, for the additional supply<br />

to ye Royall ayd”; “th e e x a m i n at i o n o f Jo h n tay l o r o f Bi n g l e y<br />

f o r m e r ly a tr o o p e r in ca p ta i n li l B u r n e’s tr o o p e oc t o B: 1663<br />

t o u c h i n g t h e pl o t, &c... . Memorand this Trooper called Fawcitt,<br />

was apprehended by my warrant att Adingham [Addingham], &<br />

was comitted to Prisen att Yorke, where hee confesst, that he was<br />

Lot 78<br />

one of the treasonable plotters; but before he came to tryall att the<br />

geole delivery, hee escaped out of Prisen; thereby making himself<br />

guilty hee could never bee heard of since, hee was a proper stout,<br />

soldier, and dangerous sectary”; ch a r l e s ii l e t t e r to t h e du k e o f<br />

Bu c k i n g h a m c o m m a n d i n g h i m to r a i s e a militia in c a s e o f i n va s i o n;<br />

“Some choice Passages in reference to the suppressing the illegal<br />

way, of the Court of Presidency att Yorke... Aprill 1641”; a le t t e r<br />

g i v i n g a c c o u n t o f t h at s t u p e n d o u s f i r e, w h i c h c o n s u m e d t h e ci t t y<br />

o f lon d o n... 1666”; “The Earle of Burlington made Lieutenant<br />

of the west Riding: of Yorkshire March 29th 1667 [Buckingham<br />

regained the lieutenancy the same year].”<br />

In 1657 “Buckingham returned to England and paid suit to Mary<br />

Fairfax (1638-1704), daughter and sole heir of Thomas, Lord Fairfax,<br />

the parliamentarian general. Mary, smitten with the duke, broke off<br />

her engagement to the earl of Chesterfield, and Buckingham and<br />

Mary were married on 15 September at Bolton Percy in Yorkshire.<br />

As Fairfax had been granted the major portion of the duke’s<br />

confiscated estates, the marriage was a blatantly opportunist move<br />

to secure his inheritance.” (Oxford DNB). As Fairfax had a house<br />

at Menston, Sir Richard and his son Walter Hawkesworth could<br />

be counted as near neighbours and Sir Richard was arrested and<br />

sent to prison in York over his support for parliament during the<br />

Civil War. On 30 October 1661 Buckingham was appointed lord<br />

lieutenant of the West Riding. “The West Riding lieutenancy had<br />

attached to it more deputies than any other county, and therefore<br />

promised Buckingham extensive local patronage. Within months he<br />

had created a loyal clientele of youngish, politically inexperienced<br />

deputies, among whom was Sir Thomas Osborne (later earl of<br />

Danby) and George Savile (later marquess of Halifax) were to<br />

advance furthest. The duke’s first chance to advertise his abilities,<br />

and to expunge the republican taint that his return to England in<br />

1657 had created, occurred in autumn 1663, when news reached<br />

London of a major republican conspiracy in Yorkshire. The duke<br />

journeyed to York, and requested a commission to raise a horse<br />

regiment. This was unduly alarmist, since government spies had<br />

already infiltrated the claques, but three rabble-like gatherings<br />

of dissidents did take place on 12 October, and this appeared to<br />

vindicate his caution. He was instructed to oversee the prosecution<br />

of the ringleaders, and some twenty men were hanged in Yorkshire<br />

early the following year.” - Oxford DNB.<br />

BLOOMSBURY AUCTIONS<br />

19


20<br />

BLOOMSBURY AUCTIONS<br />

Lot 79<br />

79. Hawkesworth (Sir Walter, second baronet, 1685-1736) &<br />

Judith, Lady Hawksworth, wife of Sir Walter Hawksworth, eldest<br />

daughter and co-heir of John Ayscough) di s B t. f o r t h e ye a r<br />

1709 to mic.: 1710, Accounts of what debts I have paide this year<br />

and what it has costt me in the suit wth ye trustees, a u t o g r a p h<br />

m a n u s c r i p t a c c o u n t B o o k, title and 58pp. excluding blanks, slightly<br />

browned, contempoorary vellum cut from a larger piece, creased<br />

and soiled, sm. 4to, 1709-10. £300 - £400<br />

*** Disbursements, include: “Top: 24: 1709 then paid towardes<br />

the lawsuit with the trustees £25-OO-OO”; “for Coffee 30s 2d”;<br />

““spent at Alehouse 5s”; “lost at tennis 6s”; “spent at tavarn and<br />

lost at Cardes 6s”; “pd. for bookes and odd thinges 3s”; “for a<br />

gallon of Clarit 6s”; “for chocolate a hen butter mutton veal 6s<br />

7d”; “for a quarter of a pound of green tea 4s 6d”; “for mending<br />

my wigg 10s”; “for makeing nightgowne and petticoat 4s”; “for<br />

mending a fan 3d” etc.<br />

80. Yorkshire.- hi g h sheriffs Bo o k, manuscript, 48pp. excluding<br />

blanks, slightly browned, part of vellum binding, defective, tall<br />

folio ledger, 17th February 1720 - 21st December 1721.<br />

£300 - £400<br />

81. Pipe Rolls.- ex t r a c t s f r o m t h e pipe ro l l f o r wa lt e r<br />

haw k s w o r t h , hi g h sh e r i f f o f we s t yo r k s h i r e, manuscript in<br />

Latin, on vellum, 3 membranes, stitched together, first membrane<br />

browned, 210 x 34cm., 3rd July 1722; and another, v.s., v.d. (2).<br />

£200 - £300<br />

82. Hawkesworth Estate Papers.- co l l e c t i o n, including:<br />

correspondence (much with George Clapham of Clifton, near<br />

Bradford), accounts, bills, a few billheads etc. some domestic,<br />

manuscripts, letters etc., folds, most well preserved, v.s., v.d.,<br />

mostly 1750s - 60s (lge. qty). £2,000 - £3,000<br />

*** Includes: “Joanna Grice [crossed out] Perkins Succeeded<br />

Mrs. Rooksby, Hoop Petticoat-maker at ye Blue Spire & Golden<br />

Ball in Pickadilly, is Remov’d to Mr Coussins at ye Seven Stars<br />

in Pall-mall near S. James’s Street. Likewise Makes all sorts of<br />

Quilted Petticoates Rec.d. April 28 1753 of Mrs Hawksworth<br />

thereteen shillings for a Hoop... Joanna Perkins”; Oct. ye 3d 1750<br />

Pd turnpikes betwixt Darnton Durham 1:2”; Agricultural unrest:<br />

“Go to Thomas Cravens of Dewsbury; If any body attempt to break<br />

down his fence discharge them & tell ‘em they will be prosecuted<br />

by Mr Hawksworth... Sr. Before I got to Dewsbury the ffences were<br />

broke down the above are the principal with a mob of 2 or 300 ...<br />

Bradford monday afternoon W Bentley”.<br />

83. Hawkesworth Survey.- Grimshaw (?Aaron, surveyor) a<br />

su rv e y o f c e rta i n co m m o n a B l e la n d s within t h e ma n o r o f<br />

haw k s w o r t h c a l l e d o u t to d d a & re va ; ta k e n in se p t e m B e r<br />

1758, manuscript, 1p., 1758 § A Book of payments about inclosing<br />

Reva Todda... in ye year 1759, manuscript, 4pp. excluding blanks,<br />

original wrappers, 180 x 106mm., 1759; and a small quantity of<br />

other papers relating to the inclosure of Todda & Reva common<br />

land in Hawksworth, v.s., v.d. (sm. qty). £300 - £400<br />

Lot 84<br />

84. Hawkesworth later Fawkes (Walter Ramsden Beaumont,<br />

married Amelia Farrer, father of Walter Fawkes, politician and<br />

art collector, 1769-1825, 1746-92) an ac c o u n t a s f o l l o w e t h o f<br />

t h e va l u at i o n o f t h e ho r s e s, ma r e s, ge l d i n g s, f f i l l i e s, co w s ,<br />

hu s B a n d ry go o d s &c.... o f lat e wa lt e r haw k s w o r t h es q u i r e,<br />

a n d a l s o f o r w h at t h e y w a s s o l d, manuscript account book, 10pp.<br />

excluding blanks, original wrappers, folds, lettered direct on upper<br />

cover, sm. 4to, 1761. £300 - £400<br />

*** Total sum realised: £72:14:11.<br />

85. Deed Boxes.- 2 black painted tin deed boxes, keys and locks,<br />

“EL Gaunt Hawksworth Papers” on sides of boxes, 315 x 430mm.,<br />

[20th century]. £100 - £150


86. City of London.- St. Martin’s le Grand. gr a n t B y hu g h o f<br />

du n e s d e n to gi l B e rt ha k e w e l l a n d ge o f f r e y me s s e B u r g h o f l a n d<br />

in t h e pa r i s h o f st. ma rt i n’s l e gr a n d, giving the abuttments, to<br />

have and to hold for 1 pound of cumin or 2d, payable within 8 days<br />

of Michaelmas, also paying the king 2d, the Canons of Suuerke<br />

[Southwark] 12d, for which the aforesaid Gilbert has given 5<br />

marks of silver purchase price and Geoffrey 5 marks, witnesses:<br />

Roger Fitz Alan, John Burgelun, Robert de Wuberne aldermen,<br />

manuscript in Latin, in a f i n e c h a rt e r h a n d, 16 lines, 2 tears along<br />

folds, a few small wormholes, slightly stained at edges, browned,<br />

folds, o r i g i n a l B l a c k w a x s e a l w i t h d e c o r at i o n a n d l e t t e r i n g,<br />

crudely repaired with resin, 170 x 211mm., [late twelfth/early<br />

thirteenth century]. £2,000 - £3,000<br />

*** Robert de Woburn, here listed as an alderman, became mayor<br />

of London in 1212. St. Martin le Grand was a liberty in the City<br />

of London. In 1056, a monastery and college was founded by two<br />

brothers, Ingelric and Girard and the foundation was confirmed by<br />

charter in 1068 by William the Conqueror. In the reign of Edward I<br />

the curfew was rung from St. Martin’s le Grand. The liberty became<br />

the largest sanctuary in England and became a haven of thieves and<br />

murderers. The foundation was dissolved in the 1540s but the right<br />

of sanctuary carried on until 1697. Later, it became the site of the<br />

General Post Office and is now a street.<br />

Lot 86<br />

Other Properties<br />

87. Cambridgeshire, Dullingham.- qu i t c l a i m B y wi l l i a m, s o n<br />

o f ge o f f r e y cl e r o f du l l i n g h a m t o sir pe t e r p e r p e t u a l v i c a r o f<br />

du l l i n g h a m o f a l l r i g h t in r e n t i h av e B e e n w o n t to r e c i e v e f r o m<br />

a p i e c e o f l a n d c a l l e d my r e d a l e, manuscript in Latin, on vellum,<br />

10 lines, remains of black wax seal, folds, 1 small wormhole,<br />

slightly yellowed, 63 x 187mm., [c. 1310]. £150 - £200<br />

88. Kent.- gr a n t B y ral p h o f hel l i s a n d ale x h i s s o n, to Joh n<br />

te r ry o f 1 m e s s u a g e a n d 5 v i r g at e s o f l a n d in gre e n str e e t<br />

[Green Street Green], manuscript in Latin, on vellum, 11 lines,<br />

some staining and marking, lacks seal, 130 x 270mm., Hellis, 1st<br />

November 1402. £150 - £200<br />

89. Cornwall.- gr a n t B y st e p h e n de n e s e l l to wi l l i a m ?mu n e d e r<br />

& al i c e h i s w i f e & Jo h n or p y, a n n u a l r e n t f o r t w o y e a r s o f 20<br />

s h i l l i n g s 5d f o r l a n d in tr e n n w y t h [tr e n e w t h], manuscript in<br />

Latin, on vellum, 11 lines, folds, scant remains of red wax seal,<br />

slightly creased and browned, later description tag on vellum<br />

threaded on to document, 105 x 252mm., June 1416. £150 - £200<br />

*** Trenewth in Camelford area.<br />

BLOOMSBURY AUCTIONS<br />

21


22<br />

90. Norfolk/Suffolk.- Jo h n gr e y d ay o f sh o t t i s h a m & h i s w i f e al i c e<br />

a p p o i n t ro B e rt tu r n e r o f lo n g stratton, ri c h a r d wilmer o f<br />

sh o t t i s h a m a n d o t h e r s, at t o r n e y s to deliver seisin o f a m e s s u a g e<br />

in sh o t t i s h a m, citing 3 no r w i c h citizens (2 B u t c h e r s a n d a B a r B e r),<br />

manuscript in Latin, on vellum, 7 lines, 3 red wax seals, in good<br />

condition, folds, 69 x 313mm., 10th January 1453. £120 - £180<br />

91. Suffolk, Fakenham.- Cobham (Sir Thomas, related to Eleanor<br />

Cobham, wife of Humphrey, duke of Gloucester, d. 1471) co p y<br />

o f l e g a l p r o c e e d i n g s Between sir th o m a s co B h a m & an n e h i s w i f e<br />

a n d cat h e r i n e t h e d e s c e n d e n t o f lo r d d e la wa r r relating to t h e<br />

m a n o r o f fa k e n h a m, manuscript in Latin, on vellum, small hole, folds,<br />

slightly creased and browned, 142 x 168mm., 1468. £150 - £200<br />

*** Resolution of a law suit relating to the manor of Fakenham.<br />

92. Neville (George, administrator and archbishop of York,<br />

chancellor of England, youngest son of Richard Neville, fifth earl<br />

of Salisbury 1400-60, younger brother of Richard Neville, earl<br />

of Warwick and Salisbury (the Kingmaker), 1432-76) ind e n t u r e<br />

t r i pa rt i t e B e t w e e n ge o r g e, ar c h B i s h o p o f yo r k, he n ry Be l k n a p p<br />

& Jo h n gods t o n e, g r e e t i n g s, w h e r e a s John Brec k n o k B y h i s<br />

c h a rt e r o f 1 ap r i l 1465 g r a n t e d a n d c o n f i r m e d t h e m a n o r c a l l e d<br />

re m e n h a m in wi r a n d e s B e ry [wr ay s B u ry], and Langley Marsh, and<br />

Horton (Bucks), the towns (and fields) of Datchet and Stoke which<br />

were once the property Robert Remenham to have and to hold the<br />

appurtenances to Thomas Hampden of Hampden, Thomas Roker<br />

of Ascot, Nicholas Statham, William Staveley, William Palmer of<br />

Tarleton & Thomas Hampden of Kynbell, all the aforesaid lands<br />

and tenements [formerly in Bucks, now Berks], manuscript in<br />

Latin, on vellum, 33 lines, lacks seals, folds, creased, browned, 4<br />

wormholes, 260 x 480mm., 27th March 1471. £600 - £800<br />

*** on e o f t h e l e a d i n g yo r k i s t fa m i l i e s d u r i n g t h e wa r s o f t h e<br />

ro s e s.<br />

The Neville family had been instrumental in helping Edward IV<br />

seize the thrown from Henry VI and had in consequence become<br />

one of the most influential families in the land. However, after<br />

Edward IVs marriage to Elizabeth Woodville in the 1460’s he<br />

began to favour her family and tensions began to rise between the<br />

king and the Neville’s. By 1469, relations between the Neville<br />

family under the leadership of Richard earl of Warwick, “the<br />

Kingmaker” and Edward IV had broken down and developed into<br />

armed conflict. Edward IV was defeated at the battle of Edgcote<br />

and the king himself was arrested by Archbishop Neville. By 1471<br />

Edward IV had recovered his throne and now Archbishop Neville,<br />

although formally pardoned was in disgrace but could not be<br />

removed from his archiepiscopacy. th u s ge o r g e ne v i l l e w a s f o r a<br />

t i m e at t h e h e a rt o f yo r k i s t g o v e r n m e n t a n d w a s p r o B a B ly s av e d<br />

f r o m e x e c u t i o n B y h i s c l e r i c a l office.<br />

93. Cornwall.- gr a n t B y wi l l i a m an t r o n c o n f i r m i n g to Jo h n<br />

me l ly n g o u s [me l l a n g o o s e] a l l m y l a n d s t h e a f o r e s a i d Jo h n<br />

h e l d o f m e , witnesses: John Godolghan, John Penrosmethele,<br />

William Harrys & ap p o i n t m e n t o f ra l p h ra c k a d e n a s at t o r n e y,<br />

both dcuments manuscripts in Latin, on vellum, first document, 26<br />

lines, small red wax seal, cracked with slight loss, second document<br />

10 lines, lacks seal, slightly browned, stained and creased, later<br />

description tag on vellum threaded on to document, 450 x 400mm.<br />

& 90 x 210mm., 31st January 1487. £200 - £300<br />

*** Mellangoose, near Porthleven and Helston.<br />

BLOOMSBURY AUCTIONS<br />

94. Treasury Receipts.- la r g e c o l l e c t i o n, i n c l u d i n g 1 s i g n e d<br />

B y sir Jo h n hay wa r d & a n o t h e r B y sir ge o r g e do w n i n g, many<br />

signed by Nicholas Dering, deputy of William Doyly, manuscripts<br />

in Latin, on vellum, some sewn together, folds, yellowed, v.s., v.d.,<br />

1575-1633, mostly 1660s-90s (c. 60 items). £500 - £700<br />

*** Sir John Hayward (1564?-1627), historian and civil lawyer;<br />

author of The First Parte of the Life and Raigne of King Henrie<br />

the IIII, 1599.<br />

Sir George Downing (1623-84), diplomat and financial reformer.<br />

95. Lancashire.- el i z a B e t h i le t t e r s pat e n t in s p e x i m u s t r a n s f e r<br />

o f r e n ta l o f l a n d s in penn i n g t o n f r o m thom a s Butl e r to<br />

Jo h n hol c r o f t, D.s., manuscript in Latin, on vellum, elaborate<br />

calligraphic decoration at head, remains of Great Seal, folds,<br />

slightly yellowed and soiled, 530 x 610mm., 1588. £300 - £400<br />

96. Knyvett (Thomas, Baron Knyvett of Escrick, courtier,<br />

1545/6-1622) a s e c u r e o f a l i e n at i o n o f t h e m a n o r o f temp l e<br />

co p m a n t h o r p e f r o m tho m a s vava s o u r esq to tho m a s kny v e t t<br />

es q u i r e a n d edwa r d dod g e, including: 20 messuages, 300 acres<br />

of land, 200 acres of meadow, 200 acres of pasture, 10 acres of<br />

wood, 200 acres of moor and heath, and 60 shillings rent in Temple<br />

Copmanthorpe and Copmanthorpe, D.s. “Edward Stanhope”,<br />

manuscript in Latin, on vellum, 17 lines, large initial “E”, remains<br />

of Great Seal, 137 x 345mm., Westminster, 26th May 1597.<br />

£200 - £250<br />

Thomas Knyvett, Baron Knyvett of Escrick (1545/6-1622),<br />

courtier; favourite of Elizabeth I and James I; keeper of Whitehall<br />

Palace and discoverer of the Gun Powder Plot.<br />

Sir Edward Stanhope (c. 1546-1608), civil lawyer.<br />

97. James I (King of England, Scotland and Ireland, 1566-1625)<br />

le t t e r s pat e n t to ro B e rt di g h t o n a n d fr a n c i s wo l l e y r e l at i n g<br />

to Be n n i n g h o l m e, n e a r hu l l, D.s. “Fran: Wolley” & “Jo: Stanley”,<br />

manuscript in Latin, remains of wax seal, a few small tears along<br />

folds, folds, 372 x 540mm., 11th July 1609. £80 - £120<br />

*** Francis Wolley of Pyrford, Surrey is chiefly remembered for<br />

having given a home to the newly married John Donne and his<br />

wife Anne.<br />

98. Cambridge University.- James I (King of England, Scotland<br />

and Ireland, 1566-1625) le t t e r f r o m Ja m e s i to t h e un i v e r s i t y<br />

o f ca m B r i d g e, manuscript in Latin, 1p. with conjugate blank,<br />

folds, creased and browned, small tear along fold, folio, Palace of<br />

Westminster, 4th March 1616. £100 - £150<br />

***A contemporary copy of a letter from James I to the university<br />

of Cambridge in March 1616, regarding a petition by the mayor and<br />

corporation of the town of Cambridge for an enlargement of their<br />

liberties. The request was opposed by the university as implying a<br />

diminution of their own privileges.


99. Howard (Thomas, first Earl of Suffolk, courtier, naval<br />

officer and administrator, 1561-1626) ind e n t u r e t r i pa rt i t e s a l e<br />

B y th o m a s ho wa r d a n d la d y kat h e r i n e, h i s w i f e sir Jo h n le m a n<br />

a n d o t h e r s, “t h e ma n n o r a n d lo r d s h i p p o f ho o e [ho o, su f f o l k]”<br />

f o r t h e s u m o f £4320, D.s. “T Suffolke”, “K Suffolke”, “John<br />

Leman” and others, manuscript on vellum, 2 sheets, 2 red wax seals<br />

only of 7 left, a few holes or tears inmargins and tail, some slight<br />

rubbing obscuring some small parts of text, folds, browned, c. 625<br />

x 780mm. & smaller, 2nd May 1623. Thomas Howard, first Earl<br />

of Suffolk; a favourite of both Elizabeth I and James I; captained<br />

the Golden Lion ship against the Armada; was instrumental in the<br />

discovery of the Gun Powder Plot; rose to great prominence under<br />

James I who described him as “honest big Suffolk”; prosecuted for<br />

fraud in 1619 and fined £30,000, subsequently reduced to £7000; in<br />

1623 a marriage was arranged between Suffolk’s seventh son and<br />

the daughter of a client of Buckingham’s. Sir John Leman (1544-<br />

1632), merchant and mayor of London. £200 - £300<br />

100. Wood family (merchants, of London and Littleton Park,<br />

Staines, Middlesex, site of Shepperton Studios) co r r e s p o n d e n c e<br />

f r o m t h e i r lo n d o n a g e n t Jo h n pa c k m o s t ly to th o m a s wo o d, c.<br />

230 letters, numerous pages, v.s., v.d., 1642, 1665-87, on a wide<br />

range of subjects, mostly business, “I have revd. yr. with the empty<br />

box which I have fillid with sugar of 5d. ye pound; & that wth the<br />

glasse salvore & one browne paper with the severall egredients I<br />

doe now send yrs. by John Loton; on Saterday toward Eveninge<br />

came hether ond mr. ffirth, from ye Mercury office on ye bank side<br />

side of ye Exchange, I beinge then from home, I went to his office<br />

& he told me... hee had order from mr. walmsley to make sale of<br />

Brathwaite”, “I... have sent ye inclosed to to Mr. Wm Direr & ye<br />

Book of gardninge...”; th e p r o t e s tat i o n w h i c h y e kn i g h t s ci t i z e n s<br />

& Bu r g e s s e s in y e co m o n s h o u s e o f p l a m e n t m a d e y e 3 o f may<br />

1642, manuscript, in two different hands, some stains, 1642 &<br />

later; 2 a c c o u n t B o o k s, manuscripts, together 374pp., numerous<br />

other accounts loosely inserted, original vellum, yellowed and<br />

soiled, covers splayed, 1696-1704 & 1717-31; and an 18th century<br />

Recovery deed relating to the Wood family, v.s., v.d. (qty).<br />

£1,000 - £1,500<br />

Lot 101<br />

101. Halsey (Robert) co m m o n p l a c e Bo o k, manuscript in several<br />

hands, signed several times and inscribed: “Robert Halsey his<br />

Book”, 40pp. excluding blanks, at beginning and end, 2pp. of pen<br />

and ink heraldic devices (1 page hand-coloured), a few pp. loose or<br />

working loose, browned, original vellum, worn, a few small holes,<br />

sm. 4to, [c. 1650]. £300 - £400<br />

*** Contains an English poem of 32 lines beginning, “Lets to the<br />

stationers and let us see/Where is the cost of the Battles pedegree...”,<br />

mentioning, Captain Damper, Cousin Darceis and father Phillops,<br />

Latin verses under the heading, “Regulae quodam elegantarium,<br />

two headings of books, “I entend to buy”, the first listing one book,<br />

“A pattern of Catecishicall doctrine edit. lond. 1630”, and heraldic<br />

notes and tables of charges, some collected out of the Accedence<br />

of Armory” etc.<br />

102. Scottish Law.- Durie (John) an e aB r i d g m e n t o f du r i e s<br />

pr a c t i q u e s, manuscript, 246pp. excluding blanks, mostly in 1<br />

hand, decorated initial “A”, last few ff. creased, last f. torn with<br />

some loss, slightly stained and browned, inner hinges strengthened,<br />

contemporary panelled calf, rubbed and worn and repaired,<br />

rebacked in modern calf, new labels, folio, numerous dates from<br />

1620’s - 30s [c. 1650]. £400 - £600<br />

103. Carleton (Dudley, agent at The Hague and clerk of the<br />

council, nephew of Dudley Carleton, Viscount Dorchester, 1574-<br />

1632) au t o g r a p h le t t e r s i g n e d to h i s s o n-in-l aw Jo h n fe r r e r s,<br />

3pp. with address panel, 8vo, St Johns, 14th February 1653, relating<br />

to financial negotiations with Sir Henry Newton [later] Puckering<br />

and the estates of the late Sir Thomas Puckering, torn with some<br />

loss, reaired with tissue, creased and browned, folds. £80 - £120<br />

104. Worcestershire.- sa l e B y the o d o r e pen n o f auB o r o w e in<br />

t h e pa r i s h o f kid d e r m i n s t e r to wil l i a m pen n, h i s s e c o n d s o n o f<br />

“g o o d s c o r n e c at t l e a n d c h at t l e s” [&] a sc h e d u l e o f t h e g o o d s<br />

c o r n e c at t l e a n d c h at t l e s...”, D.s. “Theodore Penn”, manuscript<br />

on vellum, 2 sheets, red wax seal, 135 x 325mm., 30th December<br />

1659; and 3 others, including a Charles II chancery document,<br />

George III Recovery relating to Breconshire, v.s., v.d. (4).<br />

£100 - £150<br />

105. Charles II.- le t t e r s pat e n t c r e at i n g wi l l i a m wi l s o n 1st<br />

B a r o n e t o f east B o u r n e, manuscript in Latin, on vellum, f i n e<br />

e n g r av e d initial l e t t e r p o rt r a i t o f cha r l e s ii a n d p e n a n d i n k<br />

d e c o r at i o n, ruled in red, some slight greying, remains of Great<br />

Seal, housed in the original leather box, worn with some loss, lined<br />

with 17th century printers waste, 705 x 850mm., Westminster, 4th<br />

March 1661; and an 18th century Exemplification of Will, Answer,<br />

Replication, Inerrogatories and Depositions of witnesses wherein<br />

Sir Thomas Spencer Wilson and his wife as complainants, 1785,<br />

v.s., v.d. (2). £600 - £800<br />

*** William Wilson (c. 1608-85), fought in the royalist army<br />

against the Scots in 1639; purchased the estate of Eastbourne in<br />

1644; sheriff of Sussex 1652-53; created a baronet in 1661.<br />

BLOOMSBURY AUCTIONS<br />

23


24<br />

106. Pepys (Samuel, secretary of the Admiralty, diarist and<br />

book collector, 1633-1703), Brounker (William, second Viscount<br />

Brounker of Lyons, commissioner of the Admiralty, first president<br />

of the Royal Society, 1620-84) & Mennes (Sir John, comptroller<br />

of the navy, 1599-1671) le t t e r s i g n e d to mr. he r o n, 1p., folio<br />

(cut in half but without loss), 148 x 195mm., Greenwich, 9th<br />

September 1665, “Wee have seen yours of the 6th instant and desire<br />

that the pitch therein mentioned may be putt into his Ma.ts stores<br />

at Deptford and therefore desire you to order it there accordingly<br />

where wee have isued our warrant for the Receipt of it. Wee are<br />

your loveing freinds Brouncker, Jo: Mennes SPepys”, small tear<br />

along fold, folds. £800 - £1,200<br />

107. Pepys (Samuel, naval official and diarist, 1633-1703) [on<br />

t h e v i c t u a l l i n g o f ships], manuscript draft, w i t h a few s m a l l<br />

c o r r e c t i o n s in pe p y s h a n d, 8pp., 16 repairs to text where worn, new<br />

endpapers, modern boards, folio, “Your most humble & affectionate<br />

Servant S: Pepyes”, Greenwich, 1st January 1665. £800 - £1,200<br />

BLOOMSBURY AUCTIONS<br />

Lot 107<br />

Lot 106 Lot 108<br />

108. May (William, of Cambridge & Earls Colne, Essex, fl. 1676-<br />

1703) su m[m a ] é li B r i s..., with additional notes by John William<br />

Bone “Anno Domini 1876”, manuscript in Latin and Greek, title<br />

and 198pp. excluding blanks, browned, original calf, extensively<br />

rubbed but still strong, upper joint splitting, s i g n e d o r i n i t i a l l e d<br />

a n d d at e d in n u m e r o u s p l a c e s, sm. 8vo, 1676-1703. £300 - £400<br />

*** Excerpts include: “Nomina quorundam Deorum”; “Epistola ad<br />

præceptorem”; “Declamatio Defend: An Cicero vivendo, an Cato<br />

moriendo prudentior esset” etc.<br />

109. Exchequer.- an es t i m at e o f t h e am o u n t o f h i s ma J e s t i e s in<br />

en g l a n d f o r on e ye a r..., manuscript, 2Ωpp. with superscription,<br />

new endpapers, modern marbled boards, folio, 1688.<br />

£200 - £250<br />

*** Last year of the reign of James II, first year of William and<br />

Mary. Income for the year is estimated at £2071803.0.3.


Lot 110<br />

110. Ireland.- James II in exile. & James Terry (Athlone Herald,<br />

herald at the court in exile at Saint-Germain-en-Laye, 1660-1725)<br />

gr a n t o f a r m s to th e o d o r e ke n n e d y o f ph i l i p p e v i l l e [Flanders],<br />

son of Anthony Kennedy of Ballynacloha [Ballynaclough],<br />

Tipperary, manuscript in French, on vellum, l a r g e h a n d-pa i n t e d<br />

c o at o f a r m s at head, folds, foxed and soiled, laid down, lacks seal,<br />

590 x 345mm., s i g n e d “Ja c q u e s te r ry at h l o n e”, Saint-Germainen-Laye,<br />

31st October 1697. £600 - £800<br />

111. Treasury Document.- assign o f £100 f r o m c e rta i n d u t i e s<br />

s i g n e d t h e ear l o f ran e l a g h, he n ry Ben t i n c k first ear l o f<br />

po rt l a n d & Jo h n smit h, printed document with manuscript<br />

insertions, torn with loss, folds, browned, sm. folio, 5th August<br />

1702. £150 - £200<br />

112. [Sundon (Charlotte Clayton, née Dyve, Lady, courtier,<br />

woman of the bedchamber to Queen Caroline, c. 1649-1742)]<br />

co l l e c t i o n o f 30 au t o g r a p h le t t e r s s i g n e d to la d y su n d o n f r o m<br />

va r i o u s c o r r e s p o n d e n t s, together c. 77pp., 4to, with contemporary<br />

copy of a letter from Marlborough to his daughter, an account of<br />

a business meeting with the Duke & Duchess of Marlborough, &<br />

part of a letter from Dr W. Talbot to Dr Clarke, most with typed<br />

transcripts, v.p., v.d., 1735-71; and 2 others, 2 vol. Mrs. Thomason’s<br />

Memoirs of Viscountess Sundon, 1847 (qty) £400 - £600<br />

*** The correspondents include: Robert Clayton, a kinsman,<br />

successively Bishop of Killela, Cork & Clogher, (6, 1 describing<br />

an amazing fish caught at Killala); Alured Clarke, Dean of Exeter<br />

(1); Margaret Harley, Duchess of Portland, daughter of the Earl of<br />

Oxford, (2); Catharine Conduitt, niece of Isaac Newton & wife of<br />

John Conduitt, master of the mint, (2); Sir Stephen Poyntz, steward<br />

of the household of the Duke of Cambridge, (1); Mary Fitzwilliam,<br />

Countess of Pembroke, maid of honour to Queen Caroline &<br />

wife of the 9th Earl of Pembroke, “the architect earl”, (6, 1 with<br />

autograph subscription signed by Pembroke).<br />

Lot 113<br />

113. Jacobites.- James VIII and III (styled as, known as the<br />

Chevalier de St. George, the Old Pretender, 1688-1766) his<br />

ma J e s t y’s mo s t gr a c i o u s de c l a r at i o n. Ja m e s r. To all Our<br />

loving Subjects of what Degree or Quality soever: Greeting, 4pp.,<br />

folds, a few small tears to edges, some slight creasing, browned,<br />

sm. 4to, [?Edinburgh], Given at Our Court in Rome, the 23d Day<br />

of December 1743. £400 - £600<br />

*** Rare.<br />

Aimed specifically at the people of Scotland; a promise to govern<br />

constitutionally and to introduce reforms.<br />

114. Godmanchester, Huntingdonshire.- [ch a rt e r B y Ja m e s<br />

i g r a n t i n g B o r o u g h s t at u s to go d m a n c h e s t e r] [&] th e<br />

co n s t i t u t i o n, law s a n d cu s t o m s o f t h e Bo r o u g h o f gu n n e c e s t e r<br />

o t h e rw i s e go d m a n c h e s t e r f r o m a n an c i e n t co p y in t h e ye a r<br />

1607, manuscript copies, together titles and 32pp., foxed and<br />

browned, ff. loose or working loose, original vellum, soiled and<br />

worn, folio, [eighteenth century]. £150 - £200<br />

115. Exercise Books.- Burton (Richard) Bo o k o f gr e e k & lat i n<br />

ph r a s e s, manuscript, 130pp., stained and browned, original vellum,<br />

soiled and stained, [eighteenth century]; and another, sm. 4to (2).<br />

£100 - £150<br />

BLOOMSBURY AUCTIONS<br />

25


26<br />

BLOOMSBURY AUCTIONS<br />

Lot 116<br />

116. Heraldry.- Leake (Stephen Martin, Garter King of Arms,<br />

herald and numismatist, 1702-73) & Sir Charles Townley,<br />

Garter King of Arms, herald, 1713-74) gr a n t o f a r m s to wi l l i a m<br />

hu r s t o f hi n c k l e y, [Leicestershire], D.s., manuscript on vellum,<br />

h e a d i n g in g o l d, in a fine calligraphic hand, 4 h a n d-c o l o u r e d<br />

c o at s o f a r m s (i n c l u d i n g a f i n e r e p r e s e n tat i o n o f t h e ro ya l c o at<br />

o f a r m s a n d t h e n e w ly g r a n t e d a r m s o f wi l l i a m hu r s t, some<br />

slight soiling to edges, 2 red wax seals, framed and glazed, 400 x<br />

490mm., 1763. £300 - £400<br />

Lot 117<br />

117. Wine merchant.- Wright (John, wine merchant, of Oporto<br />

and Russell Court, Drury Lane, author of “An Essay on Wines”,<br />

fl. 1795) [co m m o n p l a c e Boo k w i t h B u s i n e s s n o t e s r e l at i n g to<br />

t h e w i n e t r a d e, p o e t ry a n d m o r a l a d v i c e to wr i g h t’s c h i l d r e n],<br />

a u t o g r a p h m a n u s c r i p t s i g n e d, signed and initialled in several<br />

places, 124pp., in brown ink, reverse entries, later ink inscription:<br />

“Book written by my great grandfather (maternal) Dr. Wright Ann<br />

Statham”, a few pages with a small tear at tail, some inner hinges<br />

strengthened with tape, browned, 19th century morocco-backed<br />

boards, rubbed, 8vo, 16th May 1780 - July 1800. £300 - £400<br />

*** Wine Trade includes: “10 June two letters to Mr Bridges<br />

informing him his wines were charged at 61,500 pr pipe that his<br />

money is with its interest 483,279 + 3,840 = to 487,119 - Paid for<br />

eight pipes of wine at 61,500 amounts to 492,000 reis.”<br />

Poetry includes: “A Maw Wallup by Dr. Swift [?William Bailey] This<br />

is execrably abominable, but it shows genius & the humour of its author<br />

[ESTC lists 2 broadsheets extant only of this poem, 1 in Huntington<br />

Library and 1 in National Library of Ireland, c. 1780 & 1790].<br />

Moral advice includes: “On Sense and Nonsense. Good sense and<br />

nonsense when well timed are delightful but light, airy, diverting<br />

will carry the palm. My Charles will be an excellent scholar and<br />

have fine abilities but I dread he will pay too little attention to please<br />

others but my lovely Euphemia with a cultivated and admirable<br />

understanding when serious will always be sensible... . Study your<br />

sister my dear Charles, of your sense I have no doubt but i wish you<br />

to study to please, to talk nonsense well... .”<br />

118. Receipts.- Langston & Dixon (wine & spirit merchants,<br />

of London) 7 r e c e i p t s & 1 l i s t o f a c c o u n t s, together 8 pieces,<br />

manuscripts or printed with manuscript insertions, folds, browned<br />

and soiled, v.s., v.d. 1785-1844 (8). £60 - £80<br />

Lot 119<br />

119. Canals.- nav i g at i o n fr o m t h e tr e n t to t h e me r s e y, An<br />

Abstract of several Clauses in the Acts of 6th. and 10th. of George<br />

III, principally relative to masters and Owners of Vessels, printed<br />

broadside, woodcut border, small stain in lower left hand corner,<br />

folds, browned, framed and glazed, [n o t in estc], 450 x 340mm.,<br />

20th August 1785. £300 - £400<br />

120. Medical.- re c i p e Bo o k, manuscript, 45pp., slightly browned,<br />

original wrappers, slightly browned, edges and spine chipped, sm.<br />

4to, 1786 - 1820. £150 - £200<br />

*** Recipes include: “An Easy Purge”; “For a Consumption”; “For<br />

a bad cold”; “A Fistula”; “Menses obstructed”; “Hard Breasts”;<br />

“Violent Bleeding Piles”; “An Eye Water used by Sir Stephen<br />

Fox when 60 years of age & could hardly see with the help of<br />

spectacles: but hereby in some time recover’d his sight & could<br />

see to read the smallest Print without Spectacles little above 80”;<br />

“The Itch” etc.


Lot 121<br />

121. Pedigree.- Wilson family. th e ge n e a l o g y o f t h e a n c i e n t<br />

a n d k n i g h t ly fa m i ly o f wi l s o n o f ea s t B o u r n e in... sussex... f r o m<br />

th o m a s wi l s o n... 1250, to sir th o m a s sp e n c e r wi l s o n... B y Jo h nch<br />

a r l e s Br o o k e esq. so m e r s e t he r a l d [&] Be n J a m i n pi n g o esq.<br />

yo r k he r a l d, Ds. by Brooke and Pingo, manuscript pedigree roll,<br />

on vellum, 5 membranes, 2 l a r g e wat e r c o l o u r c o at s o f a r m s o f<br />

t h e wi l s o n fa m i ly at head and tail, numerous other watercolour<br />

coats of arms, m a n y h e i g h t e n e d in g o l d, wooden roller at head,<br />

backed on green silk (worn in places), housed in the remains of a<br />

leather box, worn, seal in gilt floral metal skippet, 3 metres 60cm. x<br />

66cm., 1786 & additional note signed by Brooke in 1787.<br />

£1,000 - £1,500<br />

Lot 122<br />

122. George III at Weymouth.- Drew (Richard, mariner<br />

on board the merchantman Three Brothers of Kingsbridge,<br />

of ?Devon, or Gloucestershire) [di a ry o n B o a r d t h e thre e<br />

Br o t h e r s o f kin g s B r i d g e], a u t o g r a p h m a n u s c r i p t s i g n e d, 47pp.<br />

excluding blanks (1p. in pencil), ink note at end relating to Drew’s<br />

family: “Revd. Mr. Elliott Ranwick [Randwick] near Stroude<br />

Gloucestershire buried my Wife Febury 1823”, and another ink<br />

note concerning Drew’s son, A.B. Drew bound apprentice at<br />

Plymouth to James Dunning of Bishop Wearmouth ship owner, with<br />

a f u l l-pa g e wat e r c o l o u r o f a s h i p o u t s i d e a h a r B o u r, with a fort<br />

overlooking the harbour, pencil note: “Dover or Hastings”, and a<br />

p e n a n d i n k s k e t c h o f a m a p o f ma r g at e d e p i c t i n g ca p ta i n st e p h e n<br />

ho o p e r’s h o r i z o n ta l w i n d m i l l, 1f. excised, 1 blank f. with corner<br />

torn away, original roan, a few small marks, in a g o o d s t at e o f<br />

p r e s e rvat i o n, 8vo, 18th May 1789 - c. 1800 & February 1823.<br />

£600 - £800<br />

*** The diary of a mariner on a merchant vessel, trading slate in<br />

Holland. Drew joined the “intended Voyage to Holland in ye new<br />

Sloop Three Brothers of Kingsbridge” at Salcombe in Devon, with<br />

“Captain Bebell Gillard Mastr.”<br />

Diary includes: a d e s c r i p t i o n o f geor g e iii r e c o v e r i n g at<br />

we y m o u t h in t h e s u m m e r o f 1789 a f t e r h i s first at t a c k o f<br />

“ma d n e s s”. July 8 W.S.W. at 10PM Peverell point bore N.N.W. Dist<br />

5 Legues blow’d strong & great Sea at 4 O.Cl. abrest of Portland<br />

Road Anchord... I went onshore met... Southcote... there then walk<br />

to Weymouth... as the King & Queen & 4 of ye Princesses there ye<br />

had been there 10 Days the King Bath’d at 6 O.Cl Morning being<br />

the second time the Princesses had Bath’d once went to the Duke’s<br />

Head & gote some Dinner sawCaptn. Whiten of Brixham who<br />

Dined with us... then went together to ye Turnpike Gate towards<br />

Dorchester abt. ΩMile where we waited to see his Majesty’s return<br />

from their Mornings ride he stopt when he came to the gate ask’d<br />

the Gate man what yt. Inscription was over the Door how long it<br />

had been there was on Horseback on a bay Horse wore a Blew<br />

Coat with red Collar [Windsor uniform] Round hat single Curl’d<br />

Red Hair’d Wigg like Coachmans Wigg looks quite Healthy & red<br />

in the face... it was reported the day before as the King was on<br />

his Morning Ride he walked into a Field where there was an Old<br />

Woman weeding the King ask’d where the rest of her comrades<br />

was gone as he saw more with her in the morning her Answer -<br />

gone Sir! Gone to Weymouth to see the King pox had em beleve to<br />

beter they’d stayed & mind their work for the King is but a Man for<br />

ought I doe know - he gave her 2 Guineas & walk’d from her... .”<br />

on e o f t h e e a r l i e s t r e f e r e n c e s to cap ta i n step h e n hoo p e r’s<br />

h o r i z o n ta l w i n d m i l l at mar g at e: “24 [May 1789] seen a new<br />

invented Horizont Windmill on the outside 60 feet by 36...”.<br />

A full transcript of the diary is available on request.<br />

BLOOMSBURY AUCTIONS<br />

27


28<br />

BLOOMSBURY AUCTIONS<br />

Lot 123<br />

Lot 124<br />

123. Yorkshire Broadside.- yo r k s h i r e li g h t-dr a g o o n s. All<br />

Gentlemen Volunteers... who are able and willing to serve his<br />

Majesty King George and Their Country, Against the Treacherous<br />

and Perfidious Designs of French and Spanish Invasions... Let them<br />

repair to... Head Quarters at Skipton in Craven..., printed broadside<br />

with manuscript insertions, l a r g e w o o d c u t o f a d r a g o o n at head,<br />

folds, small tear at tail where folded, browned, [n o t in estc], 490<br />

x 305mm., [c. 1790]. £600 - £800<br />

*** Thomas Lister raised the Yorkshire Light-Dragoons in 1779<br />

and was raised to the peerage as Lord Ribblesdale in 1797.<br />

124. Burns (Robert, poet, 1759-96) au t o g r a p h le t t e r s i g n e d to<br />

“de a r sir”, 1p., sm. 4to, Dumfries, 16th January 1794, returning<br />

a book and sending a poem, “I have much pleasure in sending you<br />

per the Messenger from Lochmaben the Book you so kindly lent<br />

me - It has been my solace in many a dolefull Hour when I have<br />

been among the Hills and my dreary time here - I have only to<br />

give you my Thanks as under my Circumstances I have no other<br />

Ways or Means of making any Thanks or shewing my Solitude<br />

for your Kindness to me, unless you accept the enclosed Poem or<br />

Song of Our own Scottish Soil which may affect you - Under all<br />

Circumstances remember me as your deeply obliged and faithful<br />

friend”, a few small tears to edges, folds, browned and creased.<br />

£2,000 - £3,000<br />

*** Early in 1794 Burns was in “low spirits & blue devils” and<br />

drinking too much, “yet he managed to propose a somewhat selfinterested<br />

reorganization of the Dumfries excise divisions (the plan<br />

was not adopted) and to send James Johnson forty-one songs that<br />

he had collected or composed.” - Oxford DNB.


125. Perpetual Motion Machine.- co n t e m p o r a ry n o t e d e s c r i B i n g<br />

ri c h a r d va r l e y’s pe r p e t u a l m a c h i n e, manuscript, 620 x 190mm.,<br />

18th August 1797. £60 - £80<br />

*** “A person in Lancashire is said to have invented a perpetual<br />

machine. His method is by condensing the weight of the atmosphere<br />

of a vacuum forward by mean of an air pump on a wheel... it will<br />

give instant velocity. Eo. S Mall 18 Augt. 1797.”<br />

126. Sermons at London Churches.- [di a ry o f s e r m o n s],<br />

manuscript, c. 380pp., slightly browned, original vellum, yellowed,<br />

1 brass clasp only of 2, 8vo, 1st March - Wednesday, 10th July<br />

1800. £150 - £200<br />

*** A digest of sermons from various London churches.<br />

127. Scotland/India.- T. (E., soldier in India, of Edinburgh)<br />

[di a ry], manuscript, 168pp., 5 watercolours (1 loose) and 1<br />

engraving, some newspaper cuttings tipped-in, slightly browned,<br />

original vellum, soiled and yellowed, sm. 4to, Wednesday, 28th<br />

December 1802 - 25th December 1807. £400 - £600<br />

*** London. “To the London Coffee House Ludgate Hill. I called<br />

at my Uncle’s House but not being admitted slept at the LC House<br />

- The posting I think very inferior to that on the North road.”<br />

Scotland. “I find I should not have know’n either of my brothers -<br />

John or James: tho I observe no evident difference in either of my<br />

parents or Edinbro, seems to me as if some pestilence prevailed.”<br />

India. Having been appointed a fourth lieutenant in the East<br />

India Company Service. “July 18th Friday [1806] Marched to<br />

Ariancoupang The massacre had been partly occasioned by an<br />

attempt enforce wearing a particular turband which was tht to<br />

resemble the European costume too much. In all 14 officers killed<br />

- about 100 soldiers killed wounded almost all the Europeans in<br />

?Veliore 300.”<br />

An interesting diary of a young Scottish soldier of a good Edinburgh<br />

family, relating life in London, Scotland and Madras, and giving<br />

brief accounts of the war including Wellington’s campaign and the<br />

death of Nelson.<br />

128. Canals.- Bridgewater (Francis Egerton, third duke of, canal<br />

promoter and colliery owner, 1736-1803) wi l l, manuscript fair<br />

copy, c. 230pp. excluding blanks, ruled in red, slightly browned,<br />

original straight-grained morocco, gilt lettering on upper cover,<br />

spine laid down, slightly rubbed at edges and corners, 8vo, 1803.<br />

£250 - £350<br />

*** Much on canals in the will.<br />

129. Blundell’s School.- fe o f f e e s o f pe t e r Bl u n d e l l’s la n d s,<br />

re v. he n ry sa n d e r s c o p y with his ink signature and dated 1834 on<br />

front free endpaper, twin engraved vignette titles, manuscript notes,<br />

a few pp. working loose, slightly browned, contemporary calf, gilt,<br />

rubbed, rebacked, 8vo, 1804. £150 - £200<br />

*** Includes manuscript additions to various lists, including: “A<br />

List of Masters”; “A List of Ushers”; “A List of Students at Balliol<br />

College”; “Rental of the Manor of West Prawl” etc.<br />

Rev. Henry Sanders, Headmaster of Blundell’s School, 1834-37.<br />

130. Invasion of Java.- le t t e r g i v i n g a n e y e w i t n e s s a c c o u n t o f<br />

t h e British i n va s i o n o f Java , 3pp. with part cut away rendering the<br />

writer undidentifiable, sm. 4to, HMS Phoebe, Batavia Roads, 30th<br />

August 1811, “The expedition has been here for some time and<br />

there has been some very hard fighting on the shore. The enemy<br />

abandoned the town on the first sight of the expedition and retired<br />

to a strong fort about 9 miles from the town where General C.<br />

Johnstone with about 4 thousand Europeans and several thousand<br />

Malays defended himself for some time but on the morning of the<br />

26th the Fort (Fort Cornelius) was taken by storm”, address and<br />

signature of sender torn away, folds. £100 - £150<br />

BLOOMSBURY AUCTIONS<br />

29


30<br />

BLOOMSBURY AUCTIONS<br />

Lot 131<br />

The Property of a Gentleman<br />

131. Jenner (Edward, surgeon and pioneer of smallpox vaccination, 1749-1823) au t o g r a p h letter s i g n e d to “ma d a m” [p r o B a B ly ma ry,<br />

la d y in g l i s], 4pp., sm. 4to, St. Georges Place, [Cheltenham], 8th April 1811, “as soon as I became perfectly satisfied that the Vaccine<br />

Discovery was in every way complete, I began to turn my view to India, & made several efforts to introduce the new practice there, by sending<br />

the matter to Madras with ample instructions to the Medical Men at the different Presidencies. However from the length of the voyage, or<br />

want of practice among those into whose hands it fell, it was ineffectual. My friend and pupil Dr De Carro of Vienna soon after availd himself<br />

of an opportunity of sending it to Constantinople, & by renewing it at different stations as it pass’d on, it at length reach’d Bombay in a state of<br />

perfection. Dr De Carro’s meritorious services claim’d the attention of the East India Company, and they were notic’d by a pecuniary present.<br />

This gave me peculiar pleasure as no one... has labor’d more to spread vaccination over the Globe... . Now... my point. How came it to pass<br />

that the second person concern’d in this important business should have been honord with attention and not the first? For I must observe that<br />

the Doctor had the matter from me... . The advantage derivd from the universal adoption of Vaccination throughout the Companys Settlements<br />

in India are represented to me as immense. Millions have been already saved from an untimely Grave... by the ravages of the Smallpox. As<br />

I mentioned to you in our conversation on the subject it is not the munificence of the Hon.ale Company I presume to solicit but some mark<br />

(should I be thought deserving of it) of their notice...”, folds, foxed and browned, exceptionally browned at tail by sunlight but still legible and<br />

strong; and a 19th century engraved portait of Jenner, v.s., v.d. (2). £4,000 - £6,000<br />

*** Je n n e r’s p l e a f o r r e c o g n i t i o n B y t h e ea s t in d i a co m pa n y o f t h e e f f e c t o f h i s s m a l l p o x va c c i n at i o n in in d i a.<br />

Provenance: Purchased in 19th century by Sir Richard Thorne Thorne (1841-99), physician and public health officer; and by descent.


Other Properties<br />

132. Cookworthy & Co. (wholesale chemists and druggists, of<br />

Plymouth, Devon) r ki n g f r o m co o k w o rt h y & co. [c h e m i c a l<br />

a n d d r u g g i s t a c c o u n t B o o k], manuscript, title and 27pp. excluding<br />

blanks, interleaved with blotting paper, browned, pp. loose or<br />

working loose, later letter loosely inserted, original roan, worn,<br />

some worm damage, 8vo, 9th January 1813 - 1821; and 3 others,<br />

including another manuscript druggists vol. and 2 manuscript vol.<br />

relating to distilling etc. (including a recipe for Booth’s Gin), 8vo<br />

(4). £150 - £200<br />

*** “1813 May 4 1.1oz Oil Peppermint 4 9 3... May 11th Best<br />

powder ginger 2 4... 13 4oz Isinglass 5 4.”<br />

133. George IV (as Prince Regent, 1762-1830) co m m i s s i o n s i g n e d o n<br />

B e h a l f o f ge o r g e iii a p p o i n t i n g Ja m e s ro o k e co r n e t in “ou r sta f f<br />

co r p s o f cava l r y co m m a n d e d B y li e u t e n a n t ge o r g e sc o v e l l”, D.s.<br />

“George R”, printed with manuscript insertions, soiled and browned,<br />

folds, 230 x 335mm., 15th April 1813. £75 - £100<br />

Lot 134<br />

134. Wellington (Arthur Wellesley, Duke of, 1769-1852).-<br />

co n s u l a r t r av e l p e r m i t f r o m t h e d u k e o f we l l i n g t o n to mr.<br />

f. hi c k s to t r av e l B e t w e e n dieppe a n d ro u e n, D.s. “Wellington”<br />

(in a secretary’s hand), printed form in French with manuscript<br />

insertions, sealed in red wax, folds, browned, 405 x 250mm., Paris,<br />

22nd September 1814. £200 - £300<br />

135. George III.- co m m i s s i o n a p p o i n t i n g Ja m e s cl a p e rt o n ca p ta i n<br />

o f t h e 8t h co. o f ro ya l ma r i n e s, D.s. “George R” by the Prince<br />

Regent, printed document on vellum with manuscript insertions,<br />

folds, yellowed and soiled, 295 x 400mm., Carlton House, 1st<br />

September 1814. £75 - £100<br />

136. Surrey.- Shallcrass Family (of Banstead, Epsom and Ewell)<br />

co r r e s p o n d e n c e, m o s t ly to Jasper sh a l l c r a s o f Ba n s t e a d,<br />

c.48 letters, v.s., v.d., 1820-34, between various members of the<br />

family, mostly concerning family matters, farm matters during<br />

Mr Shallcrass’s absence, “this being a very fine morning the<br />

men are going to get in the stock... Bob says he shall keep on at<br />

Plough he cannot take the Barley till Saturday”, illness, religion,<br />

and occasionally reference to various public matters, such as the<br />

emancipation of slaves, “how much have I rejoiced in the freedom<br />

of the Negro may a Gracious God hear prayers for their Spiritual<br />

Emancipation for his Glory” etc., many with poems, prayers and<br />

acrostics, folds, a few torn where opened. £200 - £300<br />

*** One of the girls referred to frequently in the letters, Elizabeth,<br />

grew up to marry Thomas Cave MP for Barnstaple, north Devon,<br />

and her son was George Cave (1856-1928), lawyer and politician.<br />

137. Royal Navy.- [co m m o n p l a c e B o o k], manuscript, 223pp.,<br />

original green crushed morocco, corners bumped, gilt title:<br />

“Naval” on spine, 8vo, 1821-30s. £150 - £250<br />

*** Various writings on naval affairs, including: “A Narrative of<br />

the loss of His Majesty’s Ship Ramillies 74 Guns - Rear Admiral<br />

Graves - on the 21st Septr. 1782”; “The dimensions given of the<br />

French Ship, Sans Pareille is inserted thus”; “The British naval<br />

Force in 1812”; “A Brief Account of the Naval History of Great<br />

britain”; “another of Admiral Keppel’s Letters... 1778” etc.<br />

138. Visit to Waterloo.- di a ry, manuscript, 152pp. excluding<br />

blanks, slightly browned, original morocco, rubbed, corners<br />

bumped, 8vo, 1821. £150 - £200<br />

*** “28th set off for the feild of Waterloo... walked... over the feild<br />

of battle saw the different positions of the two armies the place<br />

where general Picton fell where Napoleon stood when he made the<br />

last charge and the house where he slept the night before... .”<br />

A diary of a tour through France, Italy and Belgium.<br />

139. Burke (Edmund Plunkett, judge in St Lucia, 1802-35) il l a s<br />

ph i l o s o p h i c a s in s t i t u t i o n e s t r a d e B at, manuscript fair copy, title<br />

and 173pp., some foxing and browning, hinges breaking, bookplate<br />

of Edmund Plunkett Burke on front pastedown, original half<br />

morocco, rubbed, upper joint splitting, 4th August 1822.<br />

£100 - £150<br />

Lot 140<br />

140. Winchester College.- [sh o rt ro l l], engraved college coat<br />

of arms at head, a few small ink marks, 940 x 138mm., housed in<br />

a morocco cylindrical box, Winchester, Robbins and Wheeler, 20th<br />

October 1830. £80 - £120<br />

BLOOMSBURY AUCTIONS<br />

31


32<br />

BLOOMSBURY AUCTIONS<br />

Lot 141<br />

141. Wellington (Arthur Wellesley, first Duke of, Field Marshal,<br />

1769-1852) au t o g r a p h le t t e r s i g n e d to “sir”, 3pp., sm. 4to,<br />

London, 22nd May 1832, regarding the payment of tithes to<br />

New College, Oxford for the living at ?Heckfield, near Stratfield<br />

Saye House, “I had understood from him [Payne] that the Red<br />

P N Shuttleworth New College Oxford there was to be a new<br />

arrangement as between New College and myself respecting the<br />

Tithes... I was to pay a certain Rent...”, small tear starting along<br />

fold, folds, a little browned. £200 - £300<br />

Lot 142<br />

142. Coronation.- Victoria (Queen, 1819-1901) co r o n at i o n<br />

o f he r mo s t gr a c i o u s ma J e s t y vi c t o r i a 1st. qu e e n o f gr e at<br />

Britain a n d ir e l a n d, printed broadside, ornate border, slightly<br />

creased and browned, framed and glazed, 430 x 260mm., 1838.<br />

£100 - £150<br />

143. Wine & Spirit Merchants.- Taylor (Thomas, ?of Thomas<br />

Taylor Co., wine & spirit merchant, of Oldham, Manchester and<br />

Liverpool, fl. 1830s-50s) [Accounts Ledger], manuscript, 294pp.,<br />

ruled in red throughout, some pp. working loose, browned, hinges a<br />

little weak, original vellum, darkened, thin ledger folio, 8th March<br />

1838 - 23rd January 1854. £300 - £400<br />

*** “1852 April 20 To Thomas Drousfield for Hearse and Coffin<br />

shroud & lining for William Livsey’s funeral for having accidently<br />

come to his death by falling off the platform at the boiler into the<br />

Liquor on the cooler he was taken to the infirmary and died on the<br />

18th April - 2[£] 3[s] 2[d] For Internment no 3 at the Manchester<br />

General Cemetery 6[s].” Accounts with various people for wine<br />

and spirits bought and sold and properties owned, including:<br />

Rickinson Sawdon’s 1843 Oct 5 To 5 loads of Malt 47.11.15”;<br />

“H[ugh] Mulleneux & Sons Dale Street Liverpool 1842 Dec.<br />

2 Bot. Puncheon Rum Demerara... 203.93 Gals 36% 17 16 6”;<br />

““Commissioners of the Manchester Police”; “Joseph Gilstrap &<br />

Sons Newark on Trent [Joseph Gilstrap (1785-1869)), maltster and<br />

wine merchant]”; “John & Willm. Nicholson & Sons Saint John<br />

Street Clerkenwell London [gin distillers]”; “John Jameson & Son<br />

Bow Street Distillery Dublin”; “Empty Casks”; “Malt Account”.<br />

144. Grenadier Guards.- Memoranda for Orderly Room Clerk,<br />

shewing the Returns, Reports... to be furnished, the date... and<br />

how the information is received to enable him to make them<br />

out, [Order book of the 1st Battalion Grenadier Guards],<br />

manuscript, 130pp. excluding blanks, in two hands, mostly in<br />

one hand, many pp. ruled in red, 1f. with small tear, margins very<br />

slightly browned, original sheep, rubbed, some ink marks, corners<br />

worn, spine extensively rubbed but intact, lacks tail of spine, 8vo,<br />

4th May 1839 - 2nd August 1864. £150 - £200<br />

*** Administrative regulations for the 1st Battalion Grenadier<br />

Guards.<br />

“Horse Gd SM 2 Aug [18]64 Sir His R.H. the F.M. Com in Chief<br />

desires that when the necessity for marking a soldier with the<br />

letters B. C or D occur the operation shall be performed by the<br />

drum or Trumpet Major in the Presence of the Adjutant & under<br />

the... supervision of a Regimental or Staff Medical Officer... T.J.<br />

Yorke Searle.<br />

Includes: “Monthly Casualty Return”; “Quarterly Return of men<br />

of the 1st Batt Gren Guards who have been imprisoned under<br />

Sentence of a Civil or Military Court”; “Form for General Court<br />

Martial”; “Form of Proceedings of a Court of Inquiry on a Deserter<br />

when two months absent...”; “1 Btn Gren Guards Returned from<br />

Musket practice at Aldershot 1867.”<br />

145. Submarine Telegraph.- ma n u s c r i p t gl e a n i n g s a n d li t e r a ry<br />

sc r a p Bo o k, manuscript and printed commonplace book, including<br />

a printed strip of paper: “pr i n t e d - f r o m - en g l a n d -to - fr a n c -<br />

se p t - 28 - 1851 -6 - p - m -” and with a manuscript inscription:<br />

“By t h e s u B m a r i n e te l e g r a p h”, and a contemporary anti-slavery<br />

song: “so n g f o r t h e first o f au g u s t 1834.”, Praised be God. He<br />

changed our lot, Slaves are free, Have Liberty, Have Liberty”,<br />

numerous newspaper cuttings laid down, original green calf, gilt,<br />

some rubbing and slight fading, brass clasp, covers detached, lacks<br />

spine, 8vo, 1840-60. £200 - £300<br />

*** th e first p e r m a n e n t s u B m a r i n e t e l e g r a p h e s ta B l i s h e d B y Jo h n<br />

wat k i n s Br e t t in se p t e m B e r 1851.


146. Fighting the Boers & the Indian Mutiny.- Wood (Sir David<br />

Edward, artillery officer, fought in South Africa, the Crimea and<br />

helped suppress the Indian Mutiny, 1812-94) co r r e s p o n d e n c e<br />

w i t h h i s fat h e r, co l o n e l th o m a s wo o d, South Africa c. 49 letters<br />

(a few incomplete), Indian Mutiny c. 70 letters (many incomplete),<br />

numerous pp., Grahamstown, Cape Town, Port Elizabeth [South<br />

Africa], Sebastapol, Allahabad, Lucknow, Colombo & elsewhere,<br />

1842-68, mostly 1857-58, m o s t ly r e l at i n g to f i g h t i n g t h e Bo e r s<br />

& t h e l o c a l p o p u l at i o n in t h e 1840s, “In my last to you Johnston<br />

had been to me about the conduct of his men at Natal I have done<br />

every thing I can to hush the business up and I hope if I hear nothing<br />

more before finishing this that there will be no enquiry about it.<br />

But I am determined not to hush up the affair as far as my Corps<br />

is concerned and I tell every one that it is the greatest disgrace<br />

that we have ever sustained and I hold this language to the men<br />

too; because it will never do to allow gunners to believe it possible<br />

to lose guns...”; “we are again preparing for war. Colonel Hall is<br />

going to attack the Caffers they have been plundering cattle and<br />

setting at defiance British Authority. He told me he intended taking<br />

the Battery with him so I have written to Cape Town to know what<br />

I am to do my horses being all sold and I consider oxen quite out<br />

of the question”; a n d a n a n n o tat e d m a p o f t h e t e r r i to ry o f ca p e<br />

co l o n y; a n d t h e in d i a n mu t i n y, on arriving in India, “we arrived<br />

here all safe except one unfortunate Indian officer who drank<br />

himself to death...”, fighting, “the Chief had a fight with the rebels<br />

on Wednesday we had some few casualties the wounded came in<br />

here yesterday they say they killed a great many of the enemy...<br />

and a chief who tried to swim the Ganges with his horse was<br />

shot...”; “all the troops are now commencing work but the rebels<br />

will not stand and run whenever our troops get near the 2 guns of<br />

horse artllery Captured...”; and the suppressing of the Mutiny, “the<br />

Mutiny subsides at Delhi the rebels appear to be getting desperate<br />

and many parties taken trying to get through the lines...”; on the<br />

sickness of troops, “the worst month in the year for the health<br />

of the troops is drawing to a close, and we have about 800 sick<br />

here, about 6 per cent of... regiment are sick; and the Allahabad...<br />

natives, have about 80 per cent sick so they suffer at this season<br />

as much as we do”; and the end of hostilities, “the rebellion is fast<br />

subsiding and the Country quieting down when the letters come<br />

regularly across India now from Bombay without fail, the Country<br />

must be totally quiet Lord Clyde is coming back and I believe this<br />

will be the Head Quarters of the Army”, folds, a few small tears,<br />

some foxing or browning; and a quantity of other letters to and from<br />

Col. Wood & D.E. Wood, i n c l u d i n g 3 f r o m ge o r g e v, as Prince,<br />

Wood’s Passport, and the certificate of the Order of the Medizie<br />

and tasselled silk pouch, v.s., v.d. (qty). £1,000 - £1,500<br />

*** an e y e w i t n e s s a c o u n t o f t h e suppression o f t h e in d i a n<br />

mu t i n y.<br />

“In October 1857 Wood arrived in India to assist in the suppression<br />

of the Indian Mutiny, and commanded the field and horse artillery<br />

under Sir Colin Campbell, the commander-in-chief. He was<br />

prominent in the force under Brigadier-General W. Campbell on 5<br />

January 1858 against the rebels at Mausiata, near Allahabad, when<br />

the mutineers were driven from their positions and followed up by<br />

horse artillery. He was brigadier-general commanding the field and<br />

horse artillery at the final siege of Lucknow... .” - Oxford DNB.<br />

147. Disraeli (Benjamin, prime minister and novelist, 1804-81)<br />

“ad m i t t h e B e a r e r to t h e g a l l e ry o f t h e ho u s e [o f co m m o n s]”,<br />

94 x 75mm., with a reproduction portrait of Disraeli, all framed<br />

and glazed, Thursday, 30th May 1844. £100 - £150<br />

148. Gladstone (W.E., Prime Minister, 1809-98) au t o g r a p h<br />

le t t e r s i g n e d to re v. w.k. ha m i lt o n, 1p., 8vo, 6 Carlton Gardens,<br />

9th March 1851, “I missed you today on coming out of church &<br />

write to say that at noon tomorrow or at eleven on Tuesday I am<br />

quite at your service”, together with a photograph of Gladstone,<br />

framed and glazed. £100 - £150<br />

Lot 149<br />

149. South Africa.- Smith (Sir Henry George, baronet, of Aliwal,<br />

governor of the Cape of Good Hope and High Commissioner of<br />

its dependencies, army officer, 1787-1860) 10 au t o g r a p h le t t e r s<br />

s i g n e d to “mr. gl a d w i n”, 32pp., sm. 4to, King William’s Town,<br />

14th April 1851 - 7th January 1852, on the Xhosa uprising, “I<br />

had totally relinquished all idea of any Zooler contingent coming<br />

here... there are many reasons to be advanced in the advocacy of<br />

the Prosecution of the War over the Kyi [?Quibigui River] but for<br />

each their are fifty against it - I am therefore compelled to<br />

order Lt Col Eyre immediately to recross the Kyi - a great blow<br />

has been struck. The natives far and near have witnessed the<br />

reestablishment of our power - and the whole might of our<br />

means must fall upon the rebels of of British ?Kaffrania the rebel<br />

Hottentots of the Colony”; re c o l l e c t i o n s o f sou t h e r n afr i c a,<br />

manuscript, 39pp., original limp roan, slightly rubbed, paper label<br />

on upper cover with title, n.d. [c. 1850s]; and a small quantity of<br />

others, including 3 memoranda relating to Smith’s governorship, a<br />

document signed by Sir Henry Bulwer, an attested copy from the<br />

Register of a Wesleyan Mission, loose notes, letters (including 1<br />

from Sir John Robinson), a n d 3 wat e r c o l o u r s (2 o f a wa g o n t r a i n<br />

m e e t i n g t h e xh o s a, 1 f o r m i n g a c o r r a l l, a n d a n o t h e r o f a g r o u p<br />

o f xh o s a o u t s i d e a m i s s i o n a ry s t at i o n, v.s., v.d. (c. 20 pieces).<br />

£600 - £800<br />

BLOOMSBURY AUCTIONS<br />

33


34<br />

BLOOMSBURY AUCTIONS<br />

Lot 150<br />

150. Heraldry.- Donaldson (William Leverton, author of “On<br />

Heraldry, and its Connection with Gothic Architecture, 1837,<br />

?younger brother of Thomas Leverton Donaldson, architect,<br />

1795-1885) Augustus B. Donaldson. ar m o r i a l Be a r i n g s, 2 vol.,<br />

185 hand-coloured coats of arms on lithographed sheets, A.L.s.<br />

from John Papworth pasted down, inner hinges strengthened,<br />

original red morocco, gilt, corners and edges a little rubbed, spines<br />

rubbed, folio, 1851-92. £200 - £300<br />

*** Letter to Donaldson from John W. Papworth (architect and<br />

antiquary, 1820-70) reads: “With very many thanks I beg to return<br />

the Heralds MSS. which have proved the most interesting modern<br />

collection on which I have as yet been able to seize... they are so<br />

beautifully legible.”<br />

151. No Lot.<br />

152. Dickens Charles, writer, 1812-70) au t o g r a p h e n v e l o p e<br />

s i g n e d to an t h o n y fo n B l a n g u e, editor of The Examiner, 68<br />

x 120mm., together framed with a photograph of the author,<br />

postmarked London, 1860. £100 - £150<br />

153. Queen’s (Westminster) Rifle Volrs. mi n u t e s o f co u n c i l<br />

me e t i n g s, manuscript, c. 285pp., printed ephemera and printed<br />

minutes bound in, original vellum, soiled, repaired at head of spine,<br />

sm. 4to, Tuesday, 21st February 1860 - 11th February 1868.<br />

£200 - £250<br />

154. Faraday (Michael, natural philosopher, scientific adviser<br />

and Sandemanian, 1791-1867) au t o g r a p h le t t e r s i g n e d to “my<br />

d e a r po l e”, 1p. with conjugate blank, sm. 8vo, Royal Institution<br />

notepaper, 11th November 1863, “What is to us nowadays the true<br />

meaning of the word Laborotory? does it (by the Act & Charter)<br />

shut out Tyndalls [his colleague at the Royal Institution] part of<br />

the place of work... or admit it?I do not suppose it matters much”,<br />

folds. £300 - £400<br />

155. Ephemera.- do c u m e n t a p p o i n t i n g ge o r g e he n ry fo x a s<br />

d e p u t y u.s. c o n s u l at fa l m o u t h, s i g n e d B y ha m i lt o n fish, u.s.<br />

s e c r e ta ry o f s t at e , wax seal, folding creases, 400 x 260mm.,<br />

framed and glazed, 1875; and a small quantity of others, including<br />

nineteenth century passports and travel permits from various<br />

countries, v.s. (sm.qty.) £150 - £200<br />

156. British Army.- [ex t r a c t s f r o m s e v e r a l d i a r i e s o f va r i o u s<br />

c o n f l i c t s], including: Journal of Major George Simmons... now<br />

Rifle Brigade during the Peninsular War; Sergeant Bond’s journal<br />

of the Kaffir War 1847; FitzRoy Freemantle’s journal during the<br />

Crimean War...; George Curzon’s journal during the Indian Mutiny<br />

etc., manuscript, 459pp., slightly browned, bookplate of Cope on<br />

front pastedown, original half roan, rubbed, spine faded, sm. 4to,<br />

[1870s]. £150 - £200<br />

157. Hayes (Rutherford B. President of the United States, 1877-<br />

1881) do c u m e n t, s i g n e d, a p p r o v i n g o f t h e c o n s u l a r c o n v e n t i o n<br />

B e t w e e n t h e un i t e d stat e s a n d t h e ki n g o f t h e Be l g i a n s, dated<br />

25th June 1880, folding creases, with a facsimile portrait of Hayes,<br />

235 x 195mm., framed and glazed. £100 - £150<br />

158. Letters, Scientists, Chemists, Doctors, Politicians, Artists,<br />

men of letters etc. including: Charles Parnell, Dr Abraham Rees,<br />

Sir Eric Rideal, Charles Bloxam, Thomas Scoffern, Sir William<br />

Ramsay to Dr Gladstone, Jonas Salk, Sir Bernard Spilsbury, Sir<br />

William Gull, Sir Everard Horne, Sir John Abernethy, Enoch<br />

Powell, Thomas Sopwith, Sir George Airey, Lyon Playfair, John<br />

Lubbock (Lord Avebury), William Le Quex, Frank Dicksee,<br />

Edward Bulwer Lytton (cut note), ?Tennyson (cut scrap), Alma<br />

Tadema etc., numerous pp., v.s., v.d. [19th & 20th centuries]. (c.<br />

85). £150 - £200<br />

159. Scaitcliffe Armory & Museum (near Todmorden, West<br />

Yorkshire, formed by John Crossley between c. 1820-40, disbanded<br />

and sold in 1892) re f e r e n c e Bo o k, manuscript, calligraphic<br />

title and 64pp. excluding blanks, copy of an 18th century letter<br />

tipped-in, bookplate of the Crossley family of Scaitcliffe Hall on<br />

front pastedown, original calf, gilt, upper cover detached, folio,<br />

[nineteenth century]. £100 - £150<br />

*** A unique catalogue of a private museum holding.<br />

With items used in polar exploration.<br />

John Crossley was captain of Oldham Regiment of Lancashire<br />

Militia; the contents were dispersed at auction by Hollis and Webb<br />

of Leeds in 1892; the catalogues were retained by the family until<br />

sold this year.


160. Pryor (Major-General Sir Pomeroy, army officer, 1866-<br />

1955) & Brigadier General Cyril Eustace Palmer, army officer,<br />

Royal Artillery, commanded the “Kissi” Field Force, West Africa,<br />

1870-1939, both men served in India, South Africa, Egypt,<br />

Mesopotamia and the Western Front. co m B i n e d a r c h i v e r e l at i n g<br />

to h i s l i f e in t h e a r m y , including: documents, some printed<br />

(Instructions as Regard Outfit for the Guidance of British Officers<br />

Joining the Egyptian Army, Report from Maj Genl. J. Campbell...<br />

on the Operations on the Swat, Burmese & Mohmand Borders,<br />

Record for Officers’ Services... Holland-Pryor, Army Form<br />

Headquarters, Contract Between The Sirdar... Egypt... Major C.E.<br />

Palmer... to serve in the Egyptian Army... £720 per annum... 1912,<br />

Egyptian Army, Khartoum, 1914, Certificate for Mentioned in<br />

Despatches with printed Churchill signature made out to Major E.A.<br />

Parker; Mesopotamia Expeditionary Force 1917; 40th Division...<br />

Casualties... 1918, Annual Confidential Report), letters, including<br />

an album with letters and cut signatures, including: Queen Victoria,<br />

Lord Roberts, Clive Wigram, J.M. Barrie, W.H.C. Wyllie, Lord<br />

Ponsonby, (“My dear Peyton, I want to bring to your notice the<br />

really excellent work done by Palmer & the 40th Div. Artillery”),<br />

photographs (B o d i e s o f d e a d British s o l d i e r s at t h e B at t l e o f<br />

sp i o n ko p, so u t h af r i c a, northwest frontier, School of Musketry,<br />

Changla Gali, Galyat, now Pakistan, portrait of Holland-Pryor),<br />

medal ribbons, folding map (British Battles During 1918), & a<br />

wat e r c o l o u r p o rt r a i t o f ho l l a n d-pry o r in a r m y u n i f o r m, signed<br />

P. Tennyson ?Couts Simla 1926”, housed in a small contemporary<br />

tin travelling trunk, v.s., v.d. (qty). £1,000 - £1,500<br />

Lot160<br />

*** Artillery at Gommecourt, 1918. “(1) The shooting of our H.A.<br />

on the 24th was nothing short of disgraceful. The whole of our<br />

front including ERVILLERS & GOMMIECOURT was heavily<br />

bombarded between 4 and 5 from long before our troops were<br />

clear: in fact they were holdiung the line about 500 [?feet] E of<br />

GOMMIECOURT. As soon as I got to COURCELLES I sent an<br />

officer to the nearest H.A. Group to give them the situation as far<br />

as I knew it.”<br />

161. Rothschild Jewels.- in v e n t o ry o f Je w e l s, Be l o n g i n g mr s<br />

le o p o l d d e ro t h s c h i l d [ma r i e d e ro t h s c h i l d (1862-1937)], 5,<br />

ha m i lt o n pl a c e w., manuscript, title, index and 34pp. excluding<br />

blanks, ruled in blue, original black morocco, gilt, gilt corner<br />

pieces, slightly rubbed, g.e., 4to, R&S Garrard & Co, Crown<br />

Jewellers, London, July, 1887. £200 - £250<br />

162. Pym (William Frederick, curate of Pemberton Church,<br />

Salop 1887-90, curate of Clanfield, Hants 1891-1902, curate of<br />

Wimblington, Cambs. 1902-04, curate of Great Barford, Beds.<br />

1904-13, vicar of Roxton with Great Barford 1913-20, educated<br />

at Marlborough & Trinity College, Cambridge, 1858-1920) a<br />

re g i s t e r o f pr e a c h e r s, re a d e r s, co l l e c t i o n s, &c., in t h e ch u r c h<br />

o f kem B e rto n... cl a n f i e l d... wi m B l i n g t o n...ro x t o n w i t h gre at<br />

Ba r f o r d, manuscript, 151pp. excluding blanks, printed title,<br />

printed pamphlet: “Kemberton Church. Porch & Vestry & Organ<br />

Fund. Statement of A/cs and List of Subscriptions” tipped-in, a few<br />

other printed items pasted down, original cloth, gilt lettering on<br />

upper cover, backstrip worn but hinges unaffected, corner with<br />

slight wear, sm. 4to, 1887-1920. £100 - £150<br />

BLOOMSBURY AUCTIONS<br />

35


36<br />

BLOOMSBURY AUCTIONS<br />

Lot 163<br />

163. Coal Mining.- se c t i o n o f mi n e s at Bl o x w i c h [n e a r wa l s a l l],<br />

and additional drawings: “Patent Water Mill By Whitelaw and<br />

Stirrat Paisley” and “Birmingham & Warwick Junction Canal<br />

Section of Canal & Breakwater close to the Riber Rea”, pen and ink<br />

drawings, some hand-colouring, together 25pp., some browning,<br />

loose or working loose, original half morocco, worn, paper label<br />

on upper cover: “H. Smith”, oblong 4to, [late nineteenth century].<br />

£200 - £300<br />

164. Simms (Rupert, bookseller and Staffordshire antiquary,<br />

1853-1937) sc r a p B o o k o f c o r r e s p o n d e n c e to si m m s r e l at i n g to t h e<br />

c o m p i l at i o n a n d p u B l i c at i o n o f h i s “Bi B l i o t h e c a sta f f o r d i e n s i s”,<br />

including with: The Johnson’s Head Printers, Lichfield, c. 90<br />

pieces of correspondence, envelopes pasted down, browned, ff.<br />

loose, original cloth scrapbook, gilt decoration, v.s., 1892.<br />

£200 - £300<br />

165. Boyle (Alice Eva, b. 1874) au t o g r a p h a l B u m, including:<br />

Br a m st o k e r, Joseph li s t e r, Daisy, Countess of Warwick, Lord<br />

Curzon, Baden-Powell, Hall Caine, Anthony Asquith, Marie<br />

Correlli, Charles Beresford, Prince Alexander of Teck, Baroness<br />

Burdett Coutts, Wilfred Pickles etc., c. 100 cut signatures, pasted<br />

down, foxed and browned, original morocco album, worn, spine<br />

worn with loss, sm. 4to, 1893. £200 - £300<br />

Lot 166<br />

166. Doyle (Sir Arthur Conan, author, 1859-1930) au t o g r a p h<br />

le t t e r s i g n e d to Jam e s pay n , 4pp., 8vo, Maloja Hotel, Maloja,<br />

[Switzerland], 1st August 1895, commenting on Maloja where<br />

they had gone for his wife’s health, “it is a very charming<br />

place”, enquiring about Payn’s health and g i v i n g d e ta i l s a B o u t<br />

h i s f o rt h c o m i n g n o v e l, “ro d n e y sto n e” w h i c h h e is c u r r e n t ly<br />

writing, “I have been very busy on the buck and prize fighter book<br />

of which, I think, I said something to you. I think it will work out<br />

fairly well, but I dare not be too sanguine. I remember that you<br />

were disposed to think that I was dealing with an unsavoury subject<br />

in the prize ring - and [?Fletcher] Robinson took the same view<br />

very strongly, but I hope that it may justify itself. I think I have<br />

done it in such a way that it is picturesque and not offensive, though<br />

I have two big fights in the book. It has never yet been done, as far<br />

as I know, and yet the ring is the one typical Anglo Saxon sport<br />

which has never existed outside English speaking countries, and<br />

which has now, I believe, a very deep hold of the people - in spite of<br />

the unspeakable state to which it has been reduced”, playing golf in<br />

Majola, “as the grass is very thick & long the game gives you a lot<br />

of fresh air with very little exertion, for at your first drive you lose<br />

your ball, and then you spend your day, with intervals for meals,<br />

in walking round in circles and looking for it”, and building their<br />

house named Undershaw at Hindhead, Surrey, “we hope to have<br />

our house built by the end of next summer and to settle once more.<br />

I bought the land, but the Tyndalls now claim that there is a right of<br />

way through it”, folds, slightly browned, loosely inserted in a first<br />

edition of Doyle’s Rodney Stone, 8vo, 1896 (2). £400 - £600<br />

167. Shaw (George Bernard, playwright, 1856-1950) au t o g r a p h<br />

po s t c a r d s i g n e d to au r é l i a n lu g n é-po e, 6th November 1896,<br />

Miss Newcomb told me that you play Peer Gynt? This is well<br />

worth a trip to Paris. Would you be kind enough to tell me when...<br />

Miss Newcomb didn’t know. £100 - £150<br />

168. Baden-Powell (Robert, army officer and founder of the Boy<br />

Scouts and Girl Guides, first Baron Baden-Powell, 1857-1941)<br />

au t o g r a p h le t t e r s i g n e d to co l o n e l mo r g a n, 2pp., 8vo, South<br />

African Constabulary, 20th March 1901, in his capacity as the<br />

founder of the South African Constabulary, “Major Ryan ASC asks<br />

me if I could put in a word with you with a view to putting him<br />

high on the list for going home... he was sent out here to organise<br />

matters... before the war began and has been hard at it ever since. He<br />

had all the strain of the siege of Mafeking - but has kept his health,<br />

and his spirits, and has worked most loyally and indefatigably”,<br />

folds, browned. £150 - £200<br />

169. Edward VII (King of Great Britain and Ireland, 1841-<br />

1910) au t h o r i s i n g t h e go v e r n m e n t o f cu B a’s c o m m i s s i o n to<br />

wi l l i a m ee r n e s t wh e at ly, to B e c o m e t h e i r c o n s u l in sh e f f i e l d,<br />

D.s. “Edward R & I” & “E. Grey” (Sir Edward Grey, Foreign<br />

Secretary), printed document with manuscript insertions, 310 x<br />

390mm., together with a photograph of Edward VII, framed and<br />

glazed, 1st October 1906. £150 - £200


Lot 170<br />

170. Postcards.- ve ry l a r g e c o l l e c t i o n o f p o s t c a r d s f r o m a r o u n d<br />

t h e w o r l d , w r i t t e n to m e m B e r s o f t h e sta n h o p e fa m i ly, countries<br />

& subjects, including: England, Scotland, Egypt, Cambodia,<br />

Belgium, Iraq, Persia (Iran), Mecca, Damascus, Japan, Indonesia,<br />

India, USA, Switzerland, Ceylon, Thailand, New Zealand,<br />

Germany, Holland, China, Art, Armed Services, Aviation etc., c.<br />

1500 postcards, v.d. [mid to late twentieth century]. £600 - £800<br />

171. Titanic.- Stanton (Ida D., traveller on board the “Carpathia”)<br />

au t o g r a p h le t t e r s i g n e d to “de a r pa pa & B o y s”, 4pp. & ?correct<br />

envelope with ink stamps, 8vo, Royal Mail Steamer “Carpathia”,<br />

15th August 1912, r e c o r d i n g a c o n v e r s at i o n w i t h t h e ca p ta i n o f<br />

t h e ca r pat h i a w h o s a i l e d to t h e r e s c u e o f t h e ti ta n i c, “Last night<br />

& I had a long talk with the Captain - this is his first run since<br />

the rescue of the Titanic. He is very simple & modest & said he<br />

found in the dictionary the meaning of Titanic - was - A race of men<br />

vainly trying to overcome nature”, folds. £100 - £150<br />

Lot 172<br />

172. Chesterton (G.K., writer, 1874-1936) [2 l e av e s f r o m t h e<br />

o r i g i n a l m a n u s c r i p t o f “th e fly i n g in n”], a u t o g r a p h m a n u s c r i p t<br />

s i g n e d, 2pp., slightly browned, 4to, [c. 1914]. £200 - £300<br />

*** Includes the poem, Water and Wine.<br />

173. First World War.- [di a ry o f a n officer in t h e ar m y me d i c a l<br />

co r p s w i t h t h e 22n d division at t h e so m m e a n d in sa l o n i k a],<br />

manuscript, 35pp. excluding blanks, mostly in pencil, upper hinge<br />

broken, original morocco, small tear at tail of spine, 8vo, 4th<br />

September 1915 - 30th July 1916. £100 - £150<br />

*** France. “On the 18th & 19th Sept Col Gray Capt Clayton<br />

(GSO3) Major Matthews (OC 47 FH) & myself motored in one of<br />

the staff Wolseley cars as near to the trenches as we could get and<br />

selected aid posts, collecting posts, & an advanced dressing post.<br />

The car stopped & refused to move on the top of an enclosed hill<br />

where it was dangerous for motors. We had to shove & pull all we<br />

knew & eventually got her near to a dug out where the chaffeur<br />

spent the night with some French soldiers. The wood beside the car<br />

was shelled badly during the night but the car was not touched. We<br />

had to walk across one valley for æ of a mile - it was studded with<br />

graves and as we crossed it a shell burst over our heads emitting<br />

a filthy smell which was irritating to our nostrils. Personally<br />

I was quite relieved when we reached Rainecourt... got a motor<br />

ambulance to to carry us back to H.Q.”<br />

Lot 174<br />

174. First World War.- go! it’s yo u r du t y la d Jo i n to-day ,<br />

colour printed poster, a few tears and creases along folds, folds,<br />

10010 x 1265mm., Harrow, David Allen & Sons Ltd., 1915.<br />

£150 - £200<br />

175. First World War.- 4 s i l k e m B r o i d e r e d p o s t c a r d s, embroidered<br />

with British, American, French and Belgium flags, 1918 & n.d.;<br />

and 4 Guides (London, Rome etc.), v.s. (8). £60 - £80<br />

176. Theatre, Film & Television, le t t e r s & c u t s i g n at u r e s,<br />

including: Raymond Massey, John Galsworthy, John Hassall,<br />

George Moore, Irene Vanbrugh, Sir Edward German, Van Johnson,<br />

Margaret Lockwood, and her daughter, Julia Lockwood, Anna<br />

Neagle, Cyril Cusack, Peter Gilmore, Patricia Hayes, Robert<br />

Morley, Bill Maynard, Valentine Dyall, Sylvia Syms, Geraldine<br />

McEwan, Warren Mitchell, Eric Sykes, Bob Monkhouse etc., most<br />

pasted down, in files, v.s., v.d. [20th century] (2 files). £80 - £120<br />

BLOOMSBURY AUCTIONS<br />

37


38<br />

BLOOMSBURY AUCTIONS<br />

Lot 177<br />

177. Birmingham.- ad d r e s s p r e s e n t e d to co u n c i l l o r f.w.<br />

da n i e l s to c o m m e m o r at e h i s e l e c t i o n to t h e Bi r m i n g h a m ci t y<br />

co u n c i l, illuminated manuscript address, decorated in gold, green,<br />

red, blue and other colours, 7pp. (4pp. with decorated borders),<br />

watered silk decoration, bound in original morocco, gilt, hinges<br />

and spine rubbed, g.e., by Worrall of Birmingham, 4to, 1923.<br />

£150 - £200<br />

178. George V (King of Great Britain and Northern Ireland,<br />

1865-1935) au t h o r i s i n g a c o m m i s s i o n o f t h e pr e s i d e n t o f t h e<br />

un i t e d stat e s a p p o i n t i n g Be r n a r d go t t l i e B c o n s u l at ha l i fa x,<br />

no va sc o t i a, D.s. “George RI” & “Austen Chamberlain”, fold, 315<br />

x 415mm., 25th November 1924. £100 - £150<br />

179. Lloyd George (David, Prime Minister, 1863-1945)<br />

ph o t o g r a p h p o rt r a i t s i g n e d, signed on mount, 152 x 102mm.,<br />

framed and glazed, n.d. £80 - £120<br />

180. Gunn (Florence M., of Elm Lodge, Rochester and later, 56<br />

Abbey Road, fl. 1910-23) [fa m i ly h i s t o ry in r h y m e], autograph<br />

manuscript, 175pp., numerous pen and ink illustrations, original<br />

green morocco, sm. 4to, 1925-28; and a small quantity of others,<br />

v.s., v.d. (sm. qty). £75 - £100<br />

Lot 181<br />

181. Walsh (Barbara, socialite, only daughter of Mrs A.W.<br />

Webber, of Maidenhead, married Captain Leslie Hamilton RAF)<br />

ph o t o g r a p h al B u m, photographs c. 320 on 45pp. (numerous others<br />

loose), newspaper cuttings etc. 19pp., bound in full crushed and<br />

polished green morocco, gilt and onlayed floral decoration, small<br />

stain on upper cover, some slight rubbiung and fading, g.e., by J.C.<br />

Vickery, Regent Street, oblong 4to, 19202 - 50s. £150 - £200<br />

*** Barbara Webber was married three times. Her first husband<br />

was Captain Leslie Hamilton who was killed in August 1927 while<br />

trying to fly the Atlantic. Her portrait was painted by Sir Gerald<br />

Kelly. The album includes numerous visits across England, France<br />

and Africa.<br />

182. Photographs, various, including: Ramsay MacDonald<br />

holding a copy of the record of The King’s Speech delivered at the<br />

opening of the Naval Conference in the House of Lords [1929];<br />

the crash of the Hindenberg, evacuation of Dunkirk, review of the<br />

fleet at Spithead [1953]; Mulberry Harbours etc., some newspaper<br />

syndicated, v.s., v.d. (sm. qty). £75 - £100<br />

183. George V (King of Great Britain and Northern Ireland,<br />

1865-1936) au t h o r i s i n g a c o m m i s i o n o f t h e us pr e s i d e n t<br />

a p p o i n t i n g du d l e y c. dw y r e co n s u l in lo n d o n, D.s. “George RI”<br />

& “John Simon”, printed document with manuscript insertions,<br />

292 x 410mm., framed and glazed, 27th September 1934.<br />

£100 - £150<br />

184. Exposition de Bruxelles 1935.- Les Tramways Bruxellois,<br />

original wrappers, 8vo, 1935; and 4 share certificates issued in<br />

Belgium, including: “Éclarage Électrique de St. Pétersbourg, 1911,<br />

v.s., v.d. (5 pieces). £75 - £100<br />

185. Roosevelt (Franklin D.) ty p e d le t t e r s i g n e d to an t o n i o c.<br />

go n z a l e s, am e r i c a n mi n i s t e r, ca r a c a s, 1p., sm. 4to, The White<br />

House, Washington, 6th December 1939, thanking him for details<br />

of an Italian aviation mission in Venezuela and regretting that he<br />

cannot send a full time military attache, together with a portrait<br />

framed and glazed; and another, Roosevelt, 1917, v.s. (2).<br />

£100 - £150<br />

186. McManus (George, American cartoonist, 1884-1954)<br />

ca rt o o n o f a w o m a n, pen and ink sketch with inscription: “To<br />

Althea Boxell”, on an album f., 2 punch holes in margin, small tear<br />

repaired at head with tape, 114 x 163mm., 1st November 1946.<br />

£60 - £80<br />

187. Healey (Dennis) ca rt o o n s k e t c h o f ch u r c h i l l, pen and ink<br />

cartoon, on House of Commons notepaper, 185 x 117mm., framed<br />

and glazed, n.d. £80 - £120


Lot 188<br />

188. Elizabeth II (Queen of Great Britain and Northern Ireland,<br />

b. 1926) co m m e m o r at i v e p h o t o g r a p h o f qu e e n el i z a B e t h f o r h e r<br />

s i lv e r J u B i l e e w i t h t h e h e a d s o f t h e co m m o n w e a lt h, s i g n e d a n d<br />

d at e d 1977 B e l o w, 250 x 280mm., framed and glazed; ?Autopen<br />

signed Christmas card, with photograph of the Queen, 340 x<br />

200mm., framed and glazed; and 3 others, British royal family, v.s.,<br />

v.d. (5) £200 - £300<br />

189. Roberts (Frederick Sleigh) First Earl Roberts. ph o t o g r a p h<br />

p o rt r a i t s i g n e d, image 195 x 145mm., framed and glazed, by<br />

Johnston and Hoffman, 1892. £100 - £150<br />

190. British Prime Ministers.- 9 si g n e d ph o t o g r a p h s, ca r d s a n d<br />

le t t e r s f r o m f o r m e r British pr i m e mi n i s t e r s, m o s t ly f r o m t h e<br />

first h a l f o f t h e t w e n t i e t h c e n t u ry, i n c l u d i n g sta n l e y Ba l d w i n,<br />

ra m s ay ma cdo n a l d, ne v i l l e ch a m B e r l a i n, cl e m e n t at t l e e a n d<br />

sir an t h o n y ed e n, framed and glazed, v.s., v.d. (9) £150 - £200<br />

191. Laz, cartoonist. [sta l i n a n d ch u r c h i l l w i t h hi t l e r u n d e r h i s<br />

a r m s i g n a l l i n g t h u m B s u p], pencil cartoon, fold, slightly creased at<br />

tail, 210 x 270mm., Ensa, 9th August 1942. £100 - £150<br />

Lot 192<br />

192. Kennedy (John F. and Jacqueline) au t o g r a p h e d no t e<br />

s i g n e d, wishing the recipient a happy Christmas, with a photograph<br />

of the Whitehouse, 45 x 190mm., framed and glazed, 1961.<br />

£300 - £400<br />

193. Nixon (Richard Milhous) si g n e d ph o t o g r a p h o f ni x o n<br />

at t e n d i n g Jo h n f ke n n e d y’s i n a u g u r at i o n, faded, 200 x 250mm.,<br />

framed and glazed, 20th January, 1961. £100 - £150<br />

194. British Prime Ministers.- 11 si g n e d ph o t o g r a p h s o f m o d e r n<br />

f o r m e r British pr i m e mi n i s t e r s a n d m e m B e r s o f t h e i r c a B i n e t,<br />

i n c l u d i n g ed wa r d he at h, Ja m e s ca l l a g h a n, ma r g a r e t th at c h e r,<br />

Jo h n ma J o r a n d to n y Bl a i r, framed and glazed; and 4 others,<br />

similar, v.s., v.d. (15) £100 - £150<br />

195. American Politicians.- si g n e d ph o t o g r a p h s o f ro n a l d<br />

re a g a n, Ji m m y ca rt e r a n d Bi l l cl i n t o n, the first 2 also signed by<br />

Margaret Thatcher, framed and glazed; and 2 others, similar, v.s.,<br />

v.d. (5) £200 - £300<br />

196. Reagan (Ronald W.) and Margaret Thatcher. s i g n e d<br />

p h o t o g r a p h o f re g a n a n d th at c h e r o u t s i d e t h e wh i t e h o u s e, 190<br />

x 245mm., framed and glazed, c.1981. £100 - £150<br />

197. Gorbachev (Mikhail) si g n e d ph o t o g r a p h of Gorbachev and<br />

Reagan embracing, 190 x 245mm., framed and glazed, c.1986.<br />

£100 - £150<br />

BLOOMSBURY AUCTIONS<br />

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40<br />

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❦ Continental Literature and History<br />

Lot 199<br />

Lot 198<br />

198. [Thomas à Kempis, Saint] imitatio ch r i s t i (with Johannes<br />

Gerson De meditatione cordis), 185 ff. (of 192, lacking [*] 1 and<br />

8 and y8, z1&2 and blanks Z7&8), 22 lines, capitals and initialstrokes<br />

in red, [*]2 with 2 ink stamps and some worming (affecting<br />

part of 3 letters), worming to head of [*]3-6 (reducing in size in the<br />

later ff.), several ff. with part of whole of outer margin cut away<br />

(quite possibly as the previous owner suggests in pencil at start in<br />

most instances to remove unwanted marginalia), a few lines scored<br />

through in heavy ink, ink stamp to verso of final f., some soiling<br />

and staining, occasional light foxing, contemporary blind-stamped<br />

calf over wooden boards, sympathetically rebacked, lacking metal<br />

clasps, corners and lower edges worn, rubbed, [BMC II, 436; Goff<br />

I-27; Hain 9103], 8vo, [Nuremberg], [Anton Koeberger], 1492.<br />

£1,000 - £1,500<br />

*** Provenance: ‘Ex Bibliotheca M[o]n[aste]rii S. Coronae’; ‘Ex<br />

Bibliotheca Regii Coenobii..’ (bookplate); Deeping Waterton Hall<br />

(bookplate); Stonyhurst College Copy (Sotheby’s 18th June, 2003,<br />

lot 154).<br />

199. Gregory IX (Pope) de c r e ta l i u m...co m p i l at i o, 508 ff., double<br />

column, 67 lines of commentary surrounding the text, gothic type,<br />

printed in red and black, large woodcut on Aa2 verso, scattered<br />

worming to first few ff., with large wormhole affecting text up to<br />

sig. some worming from sig. Mm to end,, last 2 ff. with marginal<br />

holes just touching text, few other marginal tears, notes at head of<br />

a1, occasional marginalia, early note on fly-leaf, some staining and<br />

browning, seventeenth-century vellum, rubbed and marked, split in<br />

spine, [BMC III 793; Goff G489], 4to, Basel, Johann Froben and<br />

Johann Amerbach, 1500. £1,200 - £1,400


Lot 200<br />

200. Savonarola (Girolamo) tr i u m p h o d e l l a c r o c e d i ch r i s t o,<br />

title with woodcut vignette, woodcut initials and printer’s device to<br />

last f., occasional light foxing, new endpapers, later blind-stamped<br />

vellum, spine in compartments, short split to lower compartment,<br />

[Not in Adams; Censimento 16 CNCE 47751], 8vo, [Venice],<br />

[Lazzaro Soardi], 21st February, 1505. £1,000 - £1,500<br />

*** A very good copy of a scarce edition (Censimento16 listing<br />

only 4 copies) of a work by this zealous Dominican friar and<br />

biblioclast.<br />

Lot 201<br />

201. Antonius Florentinus (Archbishop) [pr i m a (-q u a rta)<br />

pa r s s u m m e ], part 4 only (of 4), double column, Gothic letter,<br />

title with large woodcut device of a dragon holding a shield and<br />

contemporary ink ownership inscription at foot, woodcut initials,<br />

some contemporary ink marginalia and underlining in red or brown<br />

ink, occasional spotting or light foxing, mostly marginal, a few small<br />

stains, attractive contemporary blind-stamped pigskin, later ms.<br />

title label and shelf-mark label to upper cover, lacking metal claps,<br />

repaired crack to lower cover, lightly soiled, marked, [Adams 1215],<br />

folio, [Basel], [Peter Froben], [1511]. £500 - £700<br />

*** Provenance: ‘Ego sum fratris Wolfgangi ?Sedelii, emptus anno<br />

domini 1533’ (contemporary to foot of title).<br />

Lot 202<br />

202. Ricardus de Media Villa in qu a rt u m se n t e n t i a r u m<br />

th e o l o g i c a r u m pe t r i lo m a r d i...op u s pr e c l a r i s s i m u m, double<br />

column, Gothic letter, title printed in red and within an ornate<br />

woodcut historiated border depicting Jesus and Saints, woodcut<br />

initials and printer’s device to verso of final text f., occasional early<br />

underlining in red ink and marginalia, title stained, with ink library<br />

stamp and with inner margin repaired, repaired marginal tears to<br />

b3 (just touching part of 1 letter), b5 (affecting 3 words, supplied<br />

early ink), b8, O1, R2 (just touching a few letters recto, but with<br />

no loss of sense of text) and 2O8 (just touching a couple of letters<br />

recto), 2B5 lower corner torn away, not affecting text, inner margin<br />

of final f. strengthened, occasional light soiling or water-staining,<br />

the later mostly marginal, contemporary blind-stamped calf over<br />

wooden boards, rebacked in later calf, metal clasps, lacking<br />

ties, upper joint splitting, but holding firm, calf wormed, [Adams<br />

M1423], 4to, [Lyon], [Simon Vincent], 1512. £600 - £800<br />

*** A good copy of a scarce work by the English Franciscan<br />

theologian Richard Middleton.<br />

BLOOMSBURY AUCTIONS<br />

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BLOOMSBURY AUCTIONS<br />

Lot 203<br />

203. Boethius (Anicius Severinus) de ph i l o s o p h i a e co n s o l at i o n e.<br />

ei u s d e m d e sc h o l a s t i c a disciplina, edited by Nicolaus Crescius,<br />

woodcut initials, occasional spotting and light marginal waterstaining,<br />

early ownership inscription on title, partly crossed out,<br />

bookplate of E.C.Simpson, nineteenth-century blue straight-grain<br />

morocco, gilt rules, g.e., [Adams B2287; Censimento 16 CNCE<br />

6544], 8vo, Florence, Sumptibus Philippe de Giunta, 1513.<br />

£300 - £400<br />

Lot 204<br />

204. Cicero (Marcus Tullius) ep i s t o l a r u m a d at t i c u m a d Br u t u m<br />

a d qu i n t u m f r at r e m l i B r i xx, first al d i n e e d i t i o n, woodcut<br />

printer’s device to title and verso of otherwise blank f., capital<br />

spaces with guide-letters, some light marginal foxing or spotting<br />

(including title), slightly heavier to last few ff., these with a little<br />

light marginal water-staining, 3 small ink spots to lower edge of last<br />

few sigs., 18th century vellum, red morocco label to spine (scuffed<br />

with loss of a few letters), soiled and with a few stains, [Adams<br />

C1907; Brunet II, 47-48; Ahmanson-Murphy 113; Renouard, Alde,<br />

61:3; Censimento 16 CNCE 12190], 8vo, [Venice], [in aedibus<br />

Aldi, et Andreae Soceri], [June, 1513]. £1,000 - £1,500<br />

*** Brunet calls this attractive edition ‘peu commune’. We can<br />

trace only 3 copies at auction in the last 27 years. The work is<br />

dedicated to Filippo Csulai Moré, secretary to the King of Hungary<br />

and ambassador to Venice. It includes a glossary of Greek terms<br />

used by Cicero in his correspondence.<br />

Lot 205<br />

205. Richerius (Ludovicus Coelius) si c u t i an t i q u a r u m le c t i o n u m<br />

co m m e n ta r i o s co n c i n n a r at ol i m vi n d e x ce s e l i u s first e d i t i o n,<br />

title with woodcut anchor device printed in red, capital spaces<br />

with guide-letters, a few instances of early ink marginalia, lacking<br />

final blank B10, new front free endpaper, title with narrow repair<br />

to width of head of title and soiled at lower corner, a few ff. with<br />

small areas of marginal water-staining, the odd f. browned, ink<br />

stains to b8 (very small) and c2r, no loss of text, closely trimmed<br />

at head, occasionally just touching a running title or page number,<br />

a few small stains, handsome Italian paste-paper paste-downs (a<br />

few splits), 18th century vellum, spine in compartments 1 with a<br />

red morocco label, the others with a central gilt floral motif, upper<br />

joint repaired, some chipping to edges, corners worn, lightly soiled,<br />

rubbed, edges decorated with an attractive red and blue spotty<br />

design, contemporary with the binding, [Renouard, Aldus, 79:11;<br />

Ahmanson-Murphy 143; Adams R450; Censimento 16 CNCE<br />

47593], folio, Venice, in aedibus Aldi, et Andreae Soceri., 1516.<br />

£2,000 - £3,000<br />

*** A very good copy of this scarce and handsome work dedicated<br />

to Jean Grolier, to whom a copy was given. At the time Grolier<br />

was the trésorier de guerre of the French army in Milan. In 1516<br />

Richieri was appointed by François I to the chair of Greek at the<br />

University of Milan. This extensive ‘encyclopedia’ discusses the<br />

philological meanings of various passages from ancient literary<br />

and historical works. Rabelais was said to have made much use of<br />

it in his writings.


Lot 206<br />

206. di c t i o n a r i u s pa u p e r u m, Gothic letter, title in red and black<br />

and with a decorated woodcut initial, capital spaces with guideletters,<br />

some later ink marginalia in a neat hand, marginal waterstaining,<br />

bound into attractive blind-stamped calf over wooden<br />

boards, rebacked, preserving original backstrip, corners a little<br />

worn, [Not in Adams], 8vo, Strasbourg, Johann Knoblouch,<br />

[August, 1518]. £800 - £1,200<br />

*** Rare.<br />

Lot 207<br />

207. Erasmus (Desiderius) de rati o n e stud i i, a c lege n d i,<br />

i n t e r p r e ta n d i q; a u t o r e s l i B e l l u s a u r e u s, italic letter, title within<br />

ornate woodcut border, capital spaces with guide-letters, single<br />

wormhole to all to B6, turning into 2 and then 4 wormholes in later<br />

ff., affecting part a letter or part of a letter on all ff., but with no<br />

loss of sense of text, modern binding using old vellum ms., 8vo, [not<br />

in Adams], [Strasbourg], Johann Knoblouch, 1521. £250 - £350<br />

Lot 208<br />

208. Boccaccio (Giovanni) am e t o ov e r co m e d i a d e l l e ni m p h e<br />

fi o r e n t i n e, title within an attractive woodcut border, verso of final<br />

f. with woodcut printer’s device, lacking final blank, final text f.<br />

soiled and with lower corner repaired, occasional staining (mostly<br />

marginal), occasional light water-staining to lower margins, 18th<br />

century mottled calf, gilt, spine in compartments and richly gilt<br />

with floral motifs and with a red morocco label, [Adams B2126;<br />

Censimento 16 CNCE 6260], 8vo, [Venice], [Nicolo Zopino],<br />

1524. £500 - £700<br />

Lot 209<br />

209. Strozzi (Tito Vespasiano) and Ercole. st r o z z i p o e ta e pat e r<br />

e t filius, italic letter, title with woodcut printer’s device, capital<br />

spaces with guide-letters, L4 blank, water-stained at foot, modern<br />

limp vellum, [Adams S1957; Schreiber 68], 8vo, Paris, Simon de<br />

Colines, 1530. £300 - £400<br />

*** The only de Colines edition. It was reprinted from the 1513<br />

Aldine edition<br />

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BLOOMSBURY AUCTIONS<br />

Lot 210<br />

210. Cicero (Marcus Tullius) pr o m fo n t e i o, title with large<br />

wodcut printer’s device, woodcut initials, upper corners stained,<br />

modern calf-backed marbled boards, [Not in Adams; Renouard,<br />

Badius Ascensius, II, 314:1], small 4to, [Paris], [Jose Badius],<br />

[7th January, 1530]. £250 - £350<br />

*** A scarce work from the press of Badius.<br />

Lot 211<br />

211. Steinhöwel (Heinrich) Be s c h r e i B u n g e e i n e r ch r o n i c v o n<br />

an fa n g e r d e r we lt B i s s a u f f ke y s e r fr i d e r i c h d e n dr i t t e n, title<br />

with portraits of the author and editor, woodcut illustrations, lacking<br />

final blank, occasional early ink marginalia and underlining, repair<br />

to foot of F3&4, stained, a little closely trimmed at head, antique<br />

style modern calf, [Not in Adams], small 4to, Frankfurt, Christian<br />

Egenolph, 1531. £700 - £900<br />

*** Rare. Steinhöwel was a physician in Esslingen and later Ulm.<br />

He was greatly influenced by the Italian Renaissance, translating<br />

Bocaccio and Petrarch, but is best remembered for his translation<br />

of Aesop’s Fables.<br />

Lot 212<br />

212. Giovio (Paolo) co m e n ta r i o d e l e co s e d e’ tu r c h i, italic type,<br />

woodcut printer’s device to title and verso of final otherwise blank<br />

f., capital spaces with guide-letters, early ink page numbers and<br />

underlining, upper corner of title and A2&3 repaired, A4 and B1<br />

with marginal repairs, repaired tear to G1&2 and K1&2, within<br />

text, but with very minor loss, colophon f. strengthened at inner<br />

margin recto and with a few small holes to margins, some light<br />

soiling (heavier to title), antique style speckled calf, [Adams G680;<br />

Censimento 16 CNCE 21150], 4to, [Rome], [Antonio Blado d’Asola<br />

in le case de meser Gioanbatista di Massimi], 1535. £600 - £800<br />

*** A scarce work in any condition. We can trace only 2 other<br />

copies at auction (1 the Atabey copy sold in 2002). Giovio served<br />

as personal physician to Pope Clement VII and later as Bishop of<br />

Nocera de’ Pagani.<br />

Lot 213<br />

213. Lucanus (Marcus Aeneas) de Be l l o civili liB r i x.,<br />

italic letter, woodcut printer’s device to title and historiated and<br />

decorative initials, 2 ink stamps to title, recased in contemporary<br />

vellum, yapp edges, lacking ties, soiled, [Not in Adams], an<br />

attractive edition, 8vo, Cologne, Martin Gymnicus, 1546<br />

£200 - £300


Lot 214<br />

214. Venice.- Contarini (Gasparo, Cardinal) la re p u B l i c a<br />

e i ma g i s t r at i d i vi n e g i a, first ita l i a n e d i t i o n, title with large<br />

woodcut printer’s device, woodcut historiated initials, occasional<br />

light foxing, later calf-backed marbled boards, [Not in Adams;<br />

Censimento 16 CNCE 13126], 8vo, Venice, Girolamo Scotto,<br />

1544. £250 - £350<br />

*** One of the best sources for the study of Venice’s unique system<br />

of government.<br />

Lot 215<br />

215. Budé (Guillaume) co m m e n ta r i i l i n g u æ gr æ c æ, first es t i e n n e<br />

e d i t i o n, text in Greek and Latin, title with woodcut printer’s device,<br />

woodcut initials, title with part of imprint (printer’s name) neatly<br />

cut away, ink initial stamp and a few marginal repairs, a7&8 and<br />

colophon f. at end, with marginal repairs, n8 and 2Q6 with tear,<br />

within text, but with no loss, some staining, heavier to certain ff.,<br />

lightly browned throughout, again heavier in places, contemporary<br />

vellum, worn at extremities, soiled, [Adams B3096; Schreiber 100],<br />

folio, [Robert Estienne], 1548. £400 - £600<br />

*** ‘The definitive edition’ (Schreiber).<br />

Lot 216<br />

216. Ariosto (Lodovico) le sat i r e...c o n d u e sat i r e n o n piu<br />

v e d u t e, woodcut printer’s device to title and a variant device at<br />

end, woodcut initials, engraved portrait mounted before title, small<br />

repaired tear to title, nineteenth-century dark red straight-grain<br />

morocco, decorated in blind and gilt, arms on covers, g.e., [not<br />

in Adams; Censimento 16 CNCE 2663], 12mo, Venice, Gabriel<br />

Giolito de Ferrari, 1550. £300 - £400<br />

*** Provenance: Duke of Sutherland’s arms on covers, signature<br />

‘Sutherland’ on front free endpaper.<br />

217. Cicero (Marcus Tullius) or at i o n u m to m u s pr i m u s - vo l u m e n<br />

iii, 3 vol., device on titles, decorative initials, vol. I title frayed and<br />

repaired, worming at start of vol. I & III, names on fly-leaves and<br />

vol I title, scribbles on vol. I & II titles, little scoring, some staining<br />

and marking, contemporary vellum, worn, vol. I spine defective,<br />

8vo, Lyon, Seb. Gryphius, 1550, vol. III 1546. £200 - £300<br />

Lot 218<br />

218. Clemens (Alexandrinus) om n i a qu a e qu i d e m ex ta n t op e r a,<br />

title within ornate woodcut architectural border, woodcut arms and<br />

initials, k4 blank, title foxed and with small ink stamp to foot and<br />

an 18th century ink ownership inscriptions at head, some light<br />

marginal water-staining, occasional light foxing or spotting, later<br />

half calf with attractive floral paper to covers, spine gilt rubbed,<br />

[Adams C2105; Censimento 16 CNCE 12689], folio, Florence,<br />

Lorenzo Torrentino, 1551. £450 - £550<br />

*** A good copy with wide margins. Clement of Alexandria is best<br />

remembered as the teacher of Origen and for his bringing together<br />

of the traditions of Greek philosophy and Christian doctrine in his<br />

works.<br />

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BLOOMSBURY AUCTIONS<br />

Lot 219<br />

219. Theophylactus (Archbishop of Ochrida) in q u at u o r<br />

eva n g e l i a e n a r r at i o n e s i n n u m e r i s, 2 parts in 1, woodcut printer’s<br />

device to title and verso of otherwise blank f., woodcut initials,<br />

lacks the 2 blanks, some light water-staining to upper margins,<br />

contemporary panelled calf, sympathetically rebacked and<br />

repaired, [Adams T595], folio, Basel, apud Ioannes Hervagios,<br />

1554. £400 - £600<br />

*** A solid copy with good margins.<br />

Lot 220<br />

220. Castiglione (Baldassare) il cort e g i a n o, title with woodcut<br />

printer’s device, woodcut historiated initials, blank before A1<br />

present, occasional early ink marginalia and crossing outs (in<br />

case of latter text still visible), small wormhole to title and A2,<br />

just touching a letter on each, no loss of sense of text, some light<br />

browning, some light water-staining, 18th century mottled calf,<br />

gilt spine in compartments and with a morocco label, slightly<br />

rubbed, [Not in Adams; Censimento 16 CNCE 10089], 8vo, Venice,<br />

[Domenico Farri], 1562. £350 - £450<br />

Lot 221<br />

221. Plautus (Titus Maccius) co m i c i om n i u m, edited by Johannes<br />

Sambucus, 2 parts in 1, second title with woodcut printer’s device,<br />

repeated on verso of otherwise blank final f., woodcut initials,<br />

part 1 title with later ink signature and with occasional early<br />

ink underlining and marginalia, repaired tears to d3, l3 and x7,<br />

occasional water-staining, mostly to end of part 2, contemporary<br />

blind-stamped pigskin over wooden boards, metal clasps, covers<br />

with blind-stamped portraits, lacking ties, stained, [Not in Adams],<br />

8vo, Basel, ex officina Heruagiana, 1568. £350 - £450<br />

*** An important edition, edited by the author of one of the most<br />

important 16th century emblem and numismatic books: Emblemata<br />

cum aliquot nummis antiqui operis, 1564.<br />

Lot 222<br />

222. Vaernewyck (Marcus van) die historie va n Be l g i s, second<br />

edition, double column, title within a woodcut border of floral<br />

and foliage motifs and with a woodcut printer’s device, woodcut<br />

vignettes, ink stamp to title, worm trace to inner margin of title and<br />

3 preliminary ff., just touching a side-note in 1 instance, lightly<br />

browned, occasional water-staining to lower corners of O2 to<br />

end, later vellum, [Funck 405], folio, Ghent, by de Weduwe van<br />

Gheeraert van Salenson, 1574. £500 - £700<br />

*** First published in 1568 as Den Spieghel Der Nederlantscher<br />

Audtheyt (The Mirror of Netherlandish Antiquity). The work is<br />

important for its contemporary information on Flemish art and<br />

artists.


Lot 223<br />

223. Gediccus (Simon) de f e n s i o se x u s mu l i e B r i s, opposita<br />

futilissimae di s p u tat i o n e... ... q u a...co n t e n d i t u r, mu l i e r e s<br />

ho m i n e s n o n esse, device on title, lacks final blank f., 3 lines<br />

crossed out on E1 recto, corner stained throughout, modern<br />

vellum-backed boards, [Adams G306], 4to, Leipzig, Michael<br />

Lantzenberger, 1595. £300 - £400<br />

*** Rare contribution to the debate on whether women have souls.<br />

Lot 224<br />

224. Geomancy.- Fludd (Robert) fa s c i c u l u s ge o m a n t i c u s, in q u o<br />

va r i a va r i o r u m op e r a ge o m a n t i c a c o n t i n e n t u r, first e d i t i o n,<br />

title in red and black, 2 engraved plates (1 folding and with 2 images<br />

on 1 sheet), 6 folding tables, diagrams, 20th century ink ownership<br />

inscription to title, repaired worm trace / a few small worm holes<br />

to foot of title and A2-5, just touching a couple of letters on title<br />

and 2 other ff., with minor loss, plates with some browning and<br />

foxing, text lightly browned, occasional foxing or spotting, [Caillet<br />

4035], Verona [Frankfurt], no printer, 1687 B o u n d w i t h Tabulæ<br />

Geomanticæ, seu Liber Singularis de Tribus Ultimis, 2 folding<br />

tables at start, diagrams, [Caillet 10515], Frankfurt, sumptibus<br />

Joannis Davidis Zunneri, 1693, modern half calf, spine faded, 8vo<br />

£1,200 - £1,600<br />

*** Both works are rare. Caillet calls the Fasciculus Geomanticus<br />

the ‘ouvrage fondamental de Géomancie’. Geomancy was<br />

historically a form of predicting the future or uncovering facts<br />

hidden to the inquirer using a number of dots randomly jotted down<br />

by the geomancer. Fludd attempted to take this idea a litle further<br />

and to use its application to unlock the unconscious part of the<br />

mind. Consequently, the work is of interest to historians of early<br />

psychology.<br />

Lot 225<br />

225. Binding.- Florus (Lucius Annaeus) re r u m a ro m a n i s<br />

ge s ta r u m li B r i iiii, 2 parts in 1, titles with woodcut printer’s<br />

devices, with initial and final blanks, occasional spotting and light<br />

browning, attractive contemporary calf, richly gilt, covers and<br />

spine in compartments semé with gilt fleur-de-lys, lower cover<br />

with upper corner worn and short split to joint at head, rubbed<br />

and scuffed, g.e., [Not in Adams], 8vo, [Geneva], Jacobus Chouet,<br />

1594. £300 - £400<br />

BLOOMSBURY AUCTIONS<br />

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48<br />

BLOOMSBURY AUCTIONS<br />

Lot 226<br />

226. Papal Bulls etc.- Bu l l s, e c c l e s i a s t i c l l e t t e r s, i n d u l g e n c e s<br />

e t c., 32 pieces (1 manuscript, rest printed), some signed, most<br />

stamped, some with woodcut decoration, numerous tears, folds,<br />

browned, bound in contemporary vellum, creased and soiled, v.s.,<br />

v.d., Rome, 1605-1737. £400 - £600<br />

Lot 227<br />

227. Pausanias. ac c u r ata gr æ c i æ de s c r i p t i o, fr a n ç o i s d e<br />

ma l h e r B e’s c o p y w i t h h i s a u t o g r a p h p e r s o n a l m o t t o ‘de l e c ta r e<br />

in do m i n o et da B i t t i B i p e t i t i o n e s co r d i s tu i’ a n d h i s s i g n at u r e<br />

‘fr. ma l h e r B e, 1619’ to t i t l e a n d w i t h t h e s i g n at u r e ‘ma l h e r B e,<br />

st ai g n a n’ on rear of front cover beneath a later pastedown, a<br />

later engraved bookplate is also present here (it would appear<br />

that this later bookplate has been placed over ma l h e r B e’s o w n<br />

B o o k p l at e (as the crossed feathers or quills found at the base of<br />

his armorial bookplate are visible here), text in Latin and Greek,<br />

double-column, woodcut head-pieces and initials, rather browned<br />

and spotted, 2 small wormholes to foot of all to C1, contemporary<br />

calf, gilt olive branch wreath centre-pieces, head of spine with<br />

gilt monogram made up of a crowned phoenix and motto beneath<br />

‘Rinasce piu gloriosa’, rebacked and recornered, spine worn, but<br />

holding firm, rubbed and scuffed, [Brunet IV, 455], folio, Hanover,<br />

Typis Wechelianis, apud hæredes Claudii Marnii, 1613.<br />

£1,200 - £1,400<br />

*** Books from the library of Malherbe are rare. We have only been<br />

able to trace two others at auction in the last 25 years (Christie’s,<br />

London, 27th November, 1996, lot 397 (signature to title and an<br />

occasional ms. note only) and Sotheby’s, France, 21st November,<br />

2008, lot 12).<br />

François de Malherbe (1555-1628) French poet, critic, and<br />

translator. His early career was largely unsuccessful and it was<br />

not until 1600 when he presented an ode of welcome to Marie de’<br />

Medici that he made his mark. However, it took another five years<br />

for him to summoned to the court of Henri IV, where he lived for<br />

the next 20 years. The personal motto he adopted during that time<br />

comes from verse 4 of Psalm 37, “Delight yourself in the Lord, and<br />

he will give you the desires of your heart”. According to Hector<br />

Lefuel in his article François Malherbe (1555-1628) bibliophile,<br />

1925, this is often inscribed on the title pages of books presented<br />

by Malherbe to his son, Marc-Antoine, who was tragically killed in<br />

a duel. The further inscription which includes ‘St.Aignan’ discloses<br />

Malherbe’s pride in his ancestry, with records dating back to 1214<br />

to a Jean de Malherbe, seigneur de St. Aignan.<br />

With regard to the binding it is interesting to note that Lefuel<br />

mentions a binding on another book from the poet’s library which<br />

too has the same centre-pieces of olive wreaths.<br />

Lot 228<br />

228. Sincerus (Jodocus) it i n e r a r i u m ga l l i æ, engraved additional<br />

pictorial title and 22 folding views, later marbled boards, lower<br />

joint splitting, rubbed, a good copy, 12mo, Amsterdam, apud<br />

Jodocum Jansonium, 1655. £300 - £400<br />

*** A guide book to France and neighbouring countries, including<br />

Switzerland and the Netherlands.


Lot 229<br />

229. Astronomy.- Galilei (Galileo) il sa g g i at o r e n e l q u a l e<br />

c o n B i l a n c i a e q u i s i ta e g i u s ta si p o n d e r a n o l e c o s e c o n t e n u t e<br />

n e l l a l i B r a a s t r o n o m i c a e filosofica d i lo ta r i o sa r s i, woodcut<br />

illustrations, signatures excised from title, areas repaired, some<br />

worming to foot of all to E1, repaired, loss of a few letters on most<br />

ff., trimmed at head, affecting running titles, some light browning,<br />

occasional spotting, later calf-backed boards, spine gilt, corners<br />

worn, rubbed, small 4to, Bologna, per gli H.H. del Dozza, [1656].<br />

£300 - £400<br />

*** A seemingly rare edition of Galileo’s polemic against Orazio<br />

Grassi’s 1618 treatise on comets.<br />

Lot 230<br />

230. Aldrovandi (Ulisse) mo n s t r o r u m historia, engraved<br />

architectural title and 414 large engraved woodcuts, most fullpage,<br />

head and tail-pieces and initials, new endpapers, engraved<br />

title browned & trimmed, short tear to base, British Museum stamp<br />

to verso, also to second O6 verso, *2-A, I6-N3 and second N6-<br />

O5 water-stained at margins, some affecting text, second A with<br />

short tear to corner, later half red morocco, spine gilt, small dent<br />

to lower cover, [Sallander 10725; Nissen, ZBI 74], folio, Bologna,<br />

Nicolai Tebaldini, 1642. £2,000 - £3,000<br />

*** Published posthumously, Monstruorum Historia freely mixes<br />

the real with the fabulous. “Although Aldrovandi is not identified<br />

with any revolutionary discoveries, his work as a teacher and as<br />

the author of volumes that constitute an irreplaceable cultural<br />

patrimony earns him a place among the fathers of modern science.<br />

Perhaps most importantly he was among the first to attempt to free<br />

the natural sciences from the stifling influence of the authority of<br />

textbooks, for which he substituted, as far as possible, direct study<br />

and observation of the animal, vegetable, and mineral worlds.”<br />

DSB, pp. 108-110.<br />

Lot 231<br />

231. Crusades.- Maimburg (Louis) histoire d e r kr u i s va a r d e r s,<br />

t o t d e ve r l o s s i n g va n t he i l i g la n d, engraved additional pictorial<br />

title and 25 plates, 7 folding, 1 loose, some foxing or spotting,<br />

lightly browned, a few small stains, a few small ink stains to upper<br />

margins of T3 and plate opposite, contemporary blind-stamped<br />

vellum, lacking ties, soiled, [cf. Blackmer 1063], Amsterdam, by<br />

Timotheus ten Hoorn, 1683; and a good set in contemporary calf of<br />

Le Jay’s Les Antiquitez...de Denys d’Halicarnasse, 1772, 4to (3)<br />

£250 - £350<br />

*** A rare edition of this account of the Crusades to the Middle<br />

East and Levant.<br />

BLOOMSBURY AUCTIONS<br />

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50<br />

BLOOMSBURY AUCTIONS<br />

Lot 232<br />

232. Senault (Elisabeth) he u r e s no u v e l l e s, engraved throughout,<br />

title within border made up of floral and dolphin motifs, initilas,<br />

head- and tail-pieces and floral borders, staining towards end,<br />

occasional spotting, handsome contemporary crushed red<br />

morocco, gilt, covers with wide floral borders, richly gilt spine in<br />

compartments and with gilt floral and foliage motifs, lower corners<br />

worn, upper corners a little rubbed or worn, rubbed at extremities,<br />

12mo, Paris, Chez de Hansy, n.d. [c.1700]. £400 - £600<br />

Lot 233<br />

233. Emblemata.- Luyken (Jan) de on wa a r d i g e we r e l d, first<br />

e d i t i o n, engraved additional pictorial title and 50 emblems within<br />

text, each emblem with a caption, bible quotations and a poem,<br />

occasional spotting, contemporary vellum, [Landwehr, Low<br />

Countries, 503], scarce, 8vo, Amsterdam, de Wed., P. Arentz [&c.],<br />

1710. £200 - £300<br />

Lot 234<br />

234. Mythology.- Staveren (Augustino van) au c t o r e s<br />

my t h o g r a p h i lat i n i, engraved frontispiece, title in red and black<br />

and with a woodcut printer’s device, engraved illustrations,<br />

signed contemporary prize-giving certificate bound in at start,<br />

contemporary mottled calf, gilt, covers with gilt devices of the city<br />

of Haarlem, spine ends and corners worn, rubbed and scuffed, 4to,<br />

Leiden and Amsterdam, Samuel Luchtmans [&c.], 1742.<br />

£250 - £350<br />

235. Food & Drink.- [Roberti (Giovanni Battista)] le fr a g o l e<br />

po e m e t to, engraved title vignette and 2 others within text,<br />

imprimatur f. at end, lacking front free endpaper, occasional<br />

spotting, a few small stains, contemporary vellum, spotted and<br />

soiled, 8vo, Milan, Giuseppe Marelli, 1754. £100 - £150<br />

*** In praise of strawberries.<br />

Lot 236<br />

236. Du Mortous (Pierre) histoire d e s co n q u ê t e s d e lo u i s xv,<br />

first e d i t i o n, engraved allegorical portrait frontispiece, 14 doublepage<br />

maps and plans, 27 plates, 1 folding, half-title and title in<br />

red and black with engraved vignette, head and tail-pieces, stained<br />

throughout, contemporary mottled calf, covers with gilt coatof-arms,<br />

spine gilt, rubbed, covers damaged, joints partly split,<br />

corners and ends of spine worn, [Cohen-de Ricci 337], folio, Paris,<br />

De Lormel, 1759. £300 - £400


Lot 237<br />

237. Emblemata.- Luyken (Jan) vo n k e n d e r li e f d e Je z u s,<br />

engraved additional pictorial title and 50 emblems within the<br />

text, each with a caption, bible quotations and a poem, occasional<br />

spotting, contemporary vellum, slightly soiled, [Landwehr, Low<br />

Countries, 493], Amsterdam, Gerrit de Groot en Zoon, 1763; Des<br />

Menschen Begin, Midden en Einde, engraved additional pictorial<br />

title and 51 emblems within text, [each emblem with a caption,<br />

bible quotations and a poem, portrait and 3 emblems crudely handcoloured,<br />

C2 small section cut away from head, affecting 3 letters<br />

of running title verso, D8 lower corner torn away and repaired,<br />

within text, but with no loss, later cloth-backed marbled boards,<br />

spine faded, rubbed, [Not in Landwehr], Amsterdam, de Erven van<br />

F. Houttuyn, 1782, 8vo (2) £300 - £400<br />

Lot 238<br />

238. Agriculture.- Guidi (Leandro Maria) su l l a pr o p i a sta g i o n e<br />

d i se m i n a r e il gr a n o, title with charming engraved vignette<br />

of a farmer ploughing a field with a smoking Mount Vesuvius in<br />

the background, some foxing, later speckled half calf, spine gilt,<br />

rubbed, Naples, nella Stamperia Reale, 1794 § Ratti (Giambatista)<br />

Trattato della Seminazione de Campi e della Coltivazione de Prati,<br />

half-title, 7 engraved folding plates, folding table, some waterstaining,<br />

mostly to outer margins, occasional spotting, later half<br />

calf, spine gilt, a few worm holes to spine, Venice, Giambattista<br />

Novelli, 1765 § Lastri (Marco Antonio) Calendario del Pecorajo,<br />

1793; Calendario dell’Apiajo, O Custode delle Api, 1793;<br />

Calendario Adattato ad un Proprietario a cui convenga attendere<br />

a far l’Agente da per se, 1793; Regole per i Padroni, 1799; Ricette<br />

Veterinarie e Georgiche, 2 parts in 1, 1793; and another work by<br />

the same; together 6 works in 1 vol., some spotting or light foxing,<br />

Venice, Graziosi, 1793, contemporary boards § Spadoni (Paolo)<br />

Dell’Abuso...Il Bestiame Grosso..., 1788; Del Modo di Coltivare<br />

il Napo-Silvestre, 1789; Delle Siepi Vive di Spino Biano, 1790,<br />

together 3 works in 1 vol., later calf-backed marbled boards, spine<br />

gilt, a few worm holes to spine, Bologna, v.p.; and 8 others 18th and<br />

19th century Italian Agriculture, v.s. (12) £400 - £600<br />

*** A good selection of agricultural works, covering arable and<br />

livestock farming and other rural issues.<br />

Lot 239<br />

239. Ovid. le s mé ta m o r p h o s e s, engraved title, dedication, 140<br />

plates by Legrand, Simonet, Née, Duclos and others after Choffard,<br />

Gravelot, Eisen, Monnet, Morreau and others, (including a full-page<br />

tail-piece) and 20pp. ‘explication des planches’, some marginal<br />

light browning and spotting or light foxing, contemporary mottled<br />

calf, gilt, richly gilt spine in compartments and with an olive and<br />

red morocco label, corners worn, rubbed, [cf. Cohen-de Ricci 769<br />

and Ray 62], 4to, Paris, chez Basan and Le Mire, [c.1771].<br />

£300 - £400<br />

*** A good copy of what appears to be single-volume version of<br />

the superb 4 vol. Prault edition of 1767-1771.<br />

BLOOMSBURY AUCTIONS<br />

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52<br />

Lot 240 Lot 241 Lot 242<br />

240. Emblemata.- Luyken (Jan) he t le e r z a a m hu i s r a a d<br />

ve rt o o n d in vy f t i g ko n s t i g e fi g u u r e n, engraved additional<br />

pictorial title and 50 emblems within text, each emblem with a<br />

caption, motto, bible quotation and poem, occasional spotting or<br />

light foxing, contemporary vellum, covers with central gilt arms,<br />

soiled, [Landwehr. Low Countries, 515], 8vo, Amsterdam, de Erven<br />

van F. Houttuyn, 1771. £200 - £300<br />

241. Cañes (Francisco) gr a m at i c a ara B i g o-es pa ñ o l a, v u l g a r,<br />

y l i t e r a l, c o n u n dic c i o n a r i o ara B i g o-es pa ñ o l a...c o n e l tex t o<br />

d e l a doc t r i n a cri s t i a n a e l e l idi o m a ara B i g o, first e d i t i o n,<br />

printed in Arabic and Spanish, some marking and staining, heavy<br />

towards end, contemporary marbled calf, rubbed, spine scuffed,<br />

4to, Madrid, Antonio Perez de Soto, 1775. £500 - £700<br />

*** Scarce, the first Arabic-Spanish grammar printed with Arabic<br />

types. No copy traced at auction for the last 35 years<br />

242. Mathematics.- Sauri (l’Abbé) [oe u v r e s], 8 vol., half-titles to<br />

all but vol. 3, 14 engraved plates and a folding map, folding table,<br />

occasional marginal light water-staining, uniformly bound in<br />

contemporary mottled calf, spines in compartments, richly gilt and<br />

with double morocco labels, corners worn, rubbed, an attractive<br />

set, 8vo, Paris, v.p., 1777-[1773]. £400 - £600<br />

*** Individual works by Sauri are scarce.<br />

BLOOMSBURY AUCTIONS<br />

Lot 243<br />

243. Vaenius (Otto) vi ta d.th o m a e aq u i n at i s, fine engraved<br />

pictorial title and 30 plates by C. Boel, E. van Paenderen and G.<br />

Swanenburg after Otto van der Veen, 2 repaired tears to margins of<br />

title, a few other very short marginal repairs, H2 to end with stain<br />

to upper margin, occasional spotting or fimger-soiling, a few small<br />

stains, modern burgundy crushed morocco, gilt, folio, Brussels,<br />

apud Ant. Collaert, 1778 [but earlier]. £600 - £800<br />

*** Rare. It has been suggested (by Funck in his Le Livre Belgique<br />

à Gravures, amongst others) that the plates included in the work<br />

date from the early 17th century.<br />

Lot 244<br />

244. Goubert (M.) De s c r i p t i o n e t Us a g e D e s Ba r o m e t r e s, e t<br />

a U t r e s in s t r U m e n s mé t é r o l o g i q U e s, folding table, title browned,<br />

lightly browned and foxed elsewhere, Paris, chez l’Auteur, 1781<br />

B o u n d w i t h St.Amand (Walckiers de) Rapport Fait a l’Academie<br />

Royale des Sciences sur la Machine Électrique, hand-coloured<br />

engraved folding plate, [Paris], no printer, [1784] a n d Loriot<br />

(Antoine Joseph) Mémoire sur une Decouverte dans l’Art de Batir,<br />

some foxing and marginal browning, Paris, Michel Lambert, 1774,<br />

later half calf, spine ends and corners worn, rubbed; and 3 others<br />

20th century Horology, v.s. (4) £150 - £200<br />

Lot 245<br />

245. Postal History.- ét at gé n é r a l d e s po s t e s d e fr a n c e, large<br />

folding engraved map of France showing the postal routes with<br />

an inset detailed map of the postal routes of Paris, F1 lower small<br />

part of lower corner torn away, loss of a few words, contemporary<br />

marbled boards, spine ends and corners a little worn, rubbed, a<br />

good copy of a scarce work, 8vo, Paris, Philippe-Denys Pierres,<br />

1788. £120 - £180


Lot 246<br />

Lot 247<br />

Lot 248<br />

246. Bertuch (Frederick Justin) Bi l d e r B u c h fü r ki n d e r, vol.1<br />

only, 100 hand-coloured engraved plates, printed explanations<br />

to plates, contemporary ms. divisional titles and index, title and<br />

preliminaries browned and mounted on stubs, plates mounted on<br />

stubs and with occasional spotting, but generally in good clean<br />

condition, contemporary half calf, spine gilt, rubbed and scuffed,<br />

4to, Weimar, 1792. sold as a collection of plates and not subject to<br />

return. £300 - £400<br />

*** All volumes from this series are scarce.<br />

247. Cervantes Saavedra (Miguel de) el in g e n i o s o hi d a l g o<br />

do n qu i x o t e d e l a ma n c h a, 2 parts in 5 vol., engraved portrait<br />

frontispiece, 32 plates, 3 folding maps (1 hand-coloured in outline)<br />

and vignettes, vol.3 of part 1 with water-staining to outer margins,<br />

all vol. occasional spotting, some light browning, modern dark<br />

brown half crushed morocco, gilt spines in compartments, corners<br />

a little worn, rubbed, t.e.g., 8vo, Madrid, D. Gabriel de Sancha,<br />

1797-1798. £1,000 - £1,500<br />

*** A good set of an important and scarce edition.<br />

248. co rt é g e fu n è B r e d e fe u s.m. l’em p e r e u r al e x a n d r e ie r, d e<br />

gl o r i e u s e mé m o i r e. 30 double-page sections, folding letter-press<br />

list of notables attending the funeral at end, some spotting or light<br />

foxing, but generally in good condition, short repaired tear to fold<br />

of printed list, ?original boards, original printed labels to covers,<br />

rebacked, preserving original backstrip, upper corners repaired,<br />

lightly soiled, housed in a later marbled board slip-case, narrow<br />

oblong 4to, Saint Petersburg, Pluchart, 13th March, 1826.<br />

£400 - £600<br />

*** A rare panorama. Alexander’s death and subsequent interment<br />

so far from Moscow caused rumours that the events were staged<br />

so that the Emperor could live in solitude following a tumultuous<br />

reign.<br />

Lot 249<br />

249. Voltaire (François Marie Arouet de) oe u v r e s co m p l è t e s,<br />

75 vol., engraved portrait frontispiece, occasional spotting,<br />

contemporary morocco-backed marbled boards, spines richly gilt,<br />

8vo, Paris, 1828. £400 - £600<br />

*** An attractive set.<br />

BLOOMSBURY AUCTIONS<br />

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54<br />

BLOOMSBURY AUCTIONS<br />

Lot 250<br />

Lot 252<br />

250. Hugo (Victor) le s mi s é r a B l e s, 10 vol., first e d i t i o n,<br />

occasional spotting, ownership inscription to vol.1 title, bookplate<br />

to pastedowns, contemporary half morocco, spines gilt, spines a<br />

little rubbed and faded, [Carteret p421], 8vo, Brussels, A. Lacroix,<br />

Verboeckhoven, 1862. £500 - £700<br />

251. Akhmatova (Anna [Andreevna]) an n o do m i n i,<br />

s t i k h o t v o r e n i i a, [Anno Domini, poems], second enlarged edition,<br />

106pp., 2pp. advertisements, half-title, portrait frontispiece by<br />

Annenkov, St Petersburg, [Petropolis & Alkonost], 1923; Belaya<br />

Staya [White Flock], fourth enlarged edition, 140pp., half-title,<br />

St Petersburg and Berlin, [Petropolis & Alkonost], 1923, each<br />

i n s c r i B e d B y t h e a u t h o r, original buckram, with original wrappers<br />

bound in, 8vo (2) £400 - £600<br />

252. Borges (Jorge Luis) historia un i v e r s a l d e l a in fa m i a, first<br />

e d i t i o n, s i g n e d p r e s e n tat i o n c o p y f r o m t h e a u t h o r to co n r a d o<br />

na l é ro x l o, w i t h a n a d d i t i o n a l l i n e a d d e d to t e x t in a u t h o r’s<br />

o w n h a n d to margin of p.25, foxing, contemporary half cloth, spine<br />

ends slightly bumped, 8vo, Buenos Aires, 1935. £6,000 - £8,000<br />

*** The author’s first short story collection, seen by many as the<br />

beginning of the ‘magical realist’ movement. The added line reads<br />

‘Manié el caballo y el hombre le orde que se desnuda, mi dijo:’ [I<br />

tied-up the man and the horse and told him to undress, he said to<br />

me:]. Conrado Nalé Roxlo (1898-1971) was an Argentine writer<br />

and humourist.


Lot 253<br />

253. Mann (Thomas) do k t o r fa u s t u s, first e d i t i o n, s i g n e d<br />

p r e s e n tat i o n c o p y f r o m t h e a u t h o r to em i l op r e c h t to front free<br />

endpaper, original cloth, gilt, spine a little faded, fore-edges dampstained,<br />

8vo, Stockholm, 1947. £350 - £450<br />

*** Mann presents the book to “Our dear, good Emmy Oprecht”<br />

and hopes for her indulgence towards “this rather uncomfortable<br />

book”.<br />

Emmy (or Emmie) Oprecht (1899-1990) was the wife of Zurich<br />

bookseller and publisher Emil Oprecht (1895-1952) whose<br />

premises were a meeting place for exiled anti-fascist German and<br />

Italian writers during the war. Emmy took over the business after<br />

Emil’s death in 1952. Both were among Mann’s closest friends in<br />

Zurich.<br />

Mann had emigrated to US in 1939, moving to Pacific Palisades<br />

near Los Angeles, in 1942. He returned to Zurich in 1952.<br />

254. Bibliography.- Vacant (A.), E. Mangenot, É. Amman<br />

(editors) di c t i o n n a i r e d e th é o l o g i e cat h o l i q u e, 15 vol. in 31,<br />

stamps on titles, contemporary morocco-backed marbled boards,<br />

rubbed, Paris, 1930-1846 § Bricout (J., editor) Dictionnaire<br />

Pratique des Connaissances Religieuses, 6 vol. & Supplement,<br />

contemporary half morocco, rubbed, Paris, 1925-1933 §<br />

Buchberger (Michael, editor) Lexicon für Theologie und Kirche,<br />

10 vol., wrappers, rubbed & browned, 3 spines broken, some<br />

repairs, Freiburg, 1930-1938, and 5 others, 4to (53) £300 - £500<br />

255. -. Wailly (Natalis de) él é m e n t s d e pa l é o g r a p h i e, 2 vol.,<br />

plates, some folding, morocco-backed marbled boards, Paris,<br />

1838 § Beer (Rudolf) Monumenta Palaeographica Vindobonensia,<br />

2 vol., plates, some folding, text-illustrations, loose in half cloth<br />

portfolios, Leipzig, 1910-1913 § Van den Gheyn (J.) Album Belge<br />

de Paléographie, plates, loose in half cloth portfolio, Brussels, 1908<br />

§ Delisle (Léopold) Le Cabinet des Manuscrits de la Bibliothèque<br />

Nationale, 3 vol., only, of 4, lacking vol I, but with vol. of plates,<br />

1 colour, vol II and plates original printed boards, vol III blindstamped<br />

cloth, little rubbed, Paris, 1874-1881, and 7 others, v.s.<br />

(15) £300 - £500<br />

256. -. Du Cange (Charles du Fresne) gl o s s a r i u m me d i a e e t<br />

in f i m a e latinitatis, 7 vol., plates, some spotting, contemporary<br />

morocco-backed marbled boards, rubbed and marked, vol. 2 spine<br />

repaired with tape, 4to, Paris, Didot, 1840-1850. £200 - £300<br />

257. -. Libri (Guillaume) mo n u m e n t s in é d i t o u p e u co n n u s<br />

fa i s a n t pa rt i e d u ca B i n e t d e gu i l l a u m e li B r i, vol.1 only<br />

(without the supplement), 60 plates, most chromolithographed,<br />

some heightened in colour, a few spots, contemporary half<br />

morocco, covers detached, spine worn, rubbed and soiled, 1862 §<br />

Humphreys (H.N.) Illuminated Illustrations of Froissart, half-title,<br />

chromolithographed plates, heightened in colour and gilt, original<br />

morocco-backed cloth, spine slightly faded, rubbed, 1844 § Hobson<br />

(G.A.) English Binding before 1500, limited edition, 55 plates,<br />

original cloth, dust-jacket, torn and soiled, Cambridge, 1929 §<br />

Oldham (J.Basil) English Blind-Stamped Bindings, limited edition,<br />

plates, original buckram, dust-jacket, 2 short tears, Cambridge,<br />

1952; and 11 others, Bookbinding, Palaeography and Bibliography,<br />

v.s. (15) £200 - £300<br />

258. -. Montecassino.- pa l e o g r a p h i a art i s t i c a d i mo n t e c a s s i n o,<br />

3 parts in one, 3 chromolithograph titles and 136 chromolithograph<br />

plates, 12 folding, some hightened with gold, fore-edge margin of<br />

part 2 pl 20 restored, light marking, later cloth, black morocco<br />

spine label, folio, Litografia di Montecassino, 1862-1876.<br />

£150 - £200<br />

259. -. Kenyon (Frederic G.) fa c s i m i l e s o f Bi B l i c a l ma n u s c r i p t s<br />

in t h e British mu s e u m, 25 plates, contemporary green half<br />

morocco, scuffed, 1900 § Lowe (E.A.) Codices Latini Antiquiores,<br />

part II: Great Britain and Ireland, second edition, & Supplement,<br />

only, plates, cloth-backed boards, Oxford, 1972, 1971, folio (3)<br />

£100 - £150<br />

en d o f fi r s t session<br />

sa l e w i l l r e c o m m e n c e at 2.00pm p r e c i s e ly<br />

BLOOMSBURY AUCTIONS<br />

55


56<br />

BLOOMSBURY AUCTIONS<br />

Lot 260<br />

260. Digby (Sir Kenelm, natural philosopher and courtier,<br />

1603-65).- Demetrius, Cydonius. de c o n t e m n e n d a m o r t e , o r at i o,<br />

translated by R. Seiler, ke n e l m di g B y’s c o p y with his signature<br />

and motto: “Vacate et videte Kenelme Digby” at head of title<br />

and slightly trimmed, text in Latin and Greek, title inner hinge<br />

strengthened, title loose, margins trimmed and browned, disbound,<br />

[Adams 249], 8vo, Basle, Joannes Oporinus, 1553.<br />

£1,000 - £1,500<br />

Lot 261<br />

261. Grafton (Richard) gr a f t o n s aB r i d g e m e n t o f t h e ch r o n i c l e s<br />

o f en g l a n d e, black letter, lacks 2 par 8, A8, B1, B7, K2, K7&8, N1,<br />

O1-8, 2C3 & 4, title torn at edges, some other ff. with small tears or<br />

creases in margins, some marking, some ff. loose or working loose,<br />

browned, one or two marginal notes, 17th century ink signature<br />

on title and note on fly-leaf, also late 17th century ink signature of<br />

Richard Godder on front free endpaper, near contemporary calf,<br />

rubbed, corners worn, [STC 12151], 8vo, Richard Tottell, 1570;<br />

sold not subject to return. £600 - £800<br />

se c o n d session co m m e n c i n g at 2.00pm p r e c i s e ly<br />

❦ English Literature and History<br />

Lot 262<br />

262. Broughton (Hugh) th e co n c e n t o f sc r i p t u r e, engraved<br />

title, 5 plates and a folding map, lacks a folding map, map trimmed<br />

to edge and laid down, 1 plate with small brown stain in margin,<br />

tear on title repaired, ?G3, G4 & H[1] cut down and mounted after<br />

D4, numerous ff. margins repaired, browned, a near contemporary<br />

manuscript leaf about the 12 signs of the zodiac, “There are 12<br />

signs & no more...”, new endpapers, modern crushed and polished<br />

brown morocco, slip-case, [STC 3850], 8vo, Imprinted at London,<br />

[by Richard Watkins], for Gabriell Simson and William White,<br />

[between 1587 and 1591]; sold not subject to return.<br />

£1,000 - £1,200<br />

*** Dedicated to Elizabeth I.


Lot 263<br />

263. Estienne (Charles) ma i s o n ru s t i q u e, o r t h e co u n t r e y<br />

fa r m e , translated by Richard Surfleet, title with woodcut printer’s<br />

device, woodcut illustrations, some full-page, lacking blank A2,<br />

title frayed at edges, just touching a couple of letters, short tears<br />

to D1, D4, and 2C7, within text, but with no loss, repair to T5<br />

partial loss of a few letters of side notes, marginal reapirs to 3E7,<br />

marginal repair to V8, loss to side notes verso, 3N5-7 (index) small<br />

hole, affecting a few letters, 4N8 (final f. of index) upper and lower<br />

corners repaired, loss to text at upper corner, occasional small<br />

marginal worm traces, some spotting or light soiling, but generally<br />

and atypically for this work in a good state of repair, contemporary<br />

calf, gilt triangular centre-pieces, rebacked, corners worn, rubbed,<br />

[Kress 273; Schwerdt I, 166; cf. Bitting p.146-147 and Vicaire<br />

345], 8vo, Arnold Hatfield for John Norton and John Bill, 1606.<br />

£600 - £800<br />

*** Includes chapters on jams, bread, pastry, wine, cider, hunting,<br />

falconry and orchards.<br />

Lot 264<br />

264. Clapham (Henoch) a Br i e f e o f t h e Bi B l e s hi s t o ry, 2parts in<br />

1, third edition, title within floral woodcut borders, slightly stained,<br />

lacks L2 at end (replaced by 2 blank ff.), margins trimmed, browned,<br />

new endpapers, eighteenth century calf, rubbed, rebacked, 12mo,<br />

R.B[radock] for Nathaniell Butter, 1608. £300 - £400<br />

Lot 265<br />

265. England and Wales. Court of Exchequer. black letter, A1<br />

blank except for sig. letter ‘A’ and woodcut ornament, title with<br />

woodcut arms verso, woodcut initials and head-pieces, B4 blank,<br />

early ink signatures and scribblings to A1, trimmed at head, just<br />

touching text, with a little loss, but with no loss of sense of text,<br />

modern boards, [STC 7705], scarce, small 4to, Robert Barker,<br />

1608. £180 - £220<br />

Lot 266<br />

266. James I (King of England) th e wo r k e s, engraved portrait<br />

frontispiece, additional engraved title, full-page woodcut<br />

arms to a2, engraved portrait vignette of Prince Charles to a3,<br />

woodcut initials and decorations, light water-stain to some lower<br />

margins, single marginal worm-hole throughout, slightly affecting<br />

engravings and a couple of borders, a few leaves misbound, later<br />

calf, gilt, rebacked, [STC 14344], folio, by Robert Barker and John<br />

Bill, 1616. £300 - £400<br />

BLOOMSBURY AUCTIONS<br />

57


58<br />

BLOOMSBURY AUCTIONS<br />

Lot 267<br />

267. Ainsworth (Henry) an n o tat i o n s up o n t h e Bo o k o f ps a l m e s,<br />

second edition, lacks part 2, woodcut decoration at head, [STC<br />

2775], 1617; Solomons Song of Songs, In English Metre: with<br />

Annotations... by Henry Ainsworth, [STC 2775], 1623, together 2<br />

works in 1 vol., ro g e r tw y s d e n’s c o p y with his ink signature and<br />

date 1630 on title of first mentioned, bookplate on front pastedown,<br />

the remains of a medieval manuscript used as endpapers, 18th<br />

century polished red morocco, gilt, some staining, rebacked with<br />

the original spine laid down, spine rubbed, sm. 4to. £500 - £700<br />

*** Sir Roger Twysden, second baronet (1597-1672), antiquary.<br />

Lot 268<br />

268. Carleton (George) a th a n k f u l l re m e m B r a n c e o f go d s<br />

me r c i e..., fourth edition, numerous engraved illustrations in text<br />

by Frederick van Hulsen and others, lacking additional engraved<br />

title and portrait, a couple of leaves with small tears or defects,<br />

browned and soiled, later calf, gilt, rebacked and recornered,<br />

[STC 4643], by Aug. Math. for Robert Mylbourne, and Humphrey<br />

Robinson, 1630. £150 - £200<br />

*** Includes an account of the defeat of the Spanish armada.<br />

Lot 269<br />

269. Johnson (Ben) [th e wo r k e s], part of vol. II & vol. III, subsidiary<br />

plays with separate titles, lacks general title, vol. II, The Divell is an<br />

Asse present, last f. blank, dated 1641, lacks Bartholomew Fayre and<br />

Staple of Newes, vol. III includes: Masques, Under-Woods, Mortimer<br />

His Fall, Horace, The English Grammar, Timber, The Magnetick<br />

Lady, A Tale of a Tub and The Sad Shepherd, Divell C3 tear in lower<br />

margin, 4ff. corners torn away, a few other small tears in margins,<br />

browned, engraved bookplate of “Charles Fox of the Parish of St.<br />

Martin’s in the Fields Esqr. 1702”, and 19th century bookplate of the<br />

Earl of Ilchester on front pastedown, typed note tipped-in on front<br />

free endpaper, later endpapers, 18th century calf, slightly rubbed,<br />

remains of gilt decoration on spine, [Wing J1011; Pforzheimer 560],<br />

folio, 1641 - [1640]; sold not subject to return. £800 - £1,200<br />

270. Charles I (King of England) his maJesties an s w e r to a printed<br />

Bo o k...c o n c e r n i n g t h e Businesse o f hu l l, black letter, title within<br />

typographic border, soiling, later wrappers, [Wing C2108], 4to, by<br />

Robert Barker...and by the Assignes of John Bill, 1642. £100 - £150


Lot 271<br />

271. Charles I (King of England) eikin Ba s i l i k e. th e po u rt r a i c t u r e<br />

o f his sa c r e d maJestie in his so l i t u d e s a n d su f f e r i n g s, t h e ev e ly n<br />

c o p y with the ink signature and inscription of Richard Evelyn, folding<br />

engraved frontispiece, S8 last f. blank stuck down, K4 ro end slight<br />

worming, 19th century manuscript note relating to John Gauden’s<br />

putative authorship, modern bookticket “JE” Christies Evelyn<br />

auction, contemporary calf, corners bumped or worn, rebacked in<br />

modern calf, [Wing E268], 8vo, 1648 [1649]. £200 - £300<br />

272. [Parker (Henry)] th e tr u e po rt r a i t u r e o f t h e ki n g s o f<br />

en g l a n d, some foxing and soiling, [Wing P429], by R.W. for<br />

Francis Tyton, 1650; B o u n d a f t e r Wing J141; and a defective copy<br />

of Gadbury’s Coelestis Legatus, small 4to (2) £100 - £150<br />

273. Sparke (Michael) th e na r r at i v e hi s t o ry o f ki n g Ja m e s ,<br />

4 parts in 1, additional engraved title, portrait, lacking folding<br />

portrait, some light water-staining, a couple of short tears,<br />

touching text but no loss, later calf, rebacked and recornered, old<br />

labels preserved, [Wing S4818], 4to, for Michael Sparke, 1651.<br />

£150 - £200<br />

274. ca B a l a, my s t e r i e s o f st at e , 2 parts in 1, without the collective<br />

title (as often), title to each part slightly trimmed at upper margin<br />

affecting contemporary signature, second title in red and black,<br />

later mottled calf, rebacked preserving original spine, rubbed,<br />

joints and spine ends worn, [Wing C184], 4to, for M.M.G.Bedell,<br />

and T.Collins, 1654. £200 - £300<br />

*** Sig. 2A4 in part 1 is a cancel with verso blank.<br />

275. Charles II (King of England) his ma J e s t i e s gr a c i o u s an s w e r<br />

to t h e ea r l o f ma n c h e s t e r s sp e e c h..., disbound, [Wing C3009],<br />

by John Macock, and Francis Tyton, 1660; and 4 other speeches by<br />

King Charles II, sewn or unbound, all preserved in modern cloth<br />

portfolio and slip-case, small 4to and folio (5) £150 - £200<br />

276. Charles II (King of England) his ma J e s t i e s gr a c i o u s<br />

sp e e c h...at t h e pa s s i n g o f t h e ac t o f fr e e pa r d o n, in d e m p n i t y<br />

a n d oB l i v i o n, 8pp., 4 woodcut devices on A2, later marbled<br />

wrappers, modern green morocco-backed marbled board dropback<br />

box, [Wing C3042], 4to, by John Bill and Christopher Barker,<br />

1660. £100 - £150<br />

Lot 277<br />

277. Charles I (King of England) Ba s i l i k a. th e wo r k e s..., 2 vol.<br />

in 1, additional engraved title and frontispiece (with small hole)<br />

to vol.1, 2 double-page engraved plates only (of 3), also lacking<br />

frontispiece to vol.2, later mottled calf, rubbed, joints worn and<br />

split, [Wing C2075], folio, by James Flesher for R.Royston, 1662.<br />

£200 - £300<br />

*** Provenance: ink signature of Alexander Fraser Tytler on first titles.<br />

278. Dugdale (Sir William) or i g i n e s Ju r i d i c i a l e s; or, hi s t o r i c a l<br />

me m o r i a l s o f t h e en g l i s h law s ..., second edition, imprimatur<br />

and errata ff., illustrations, 6 engraved portraits, occasional<br />

marginalia, mostly in an 18th century hand, ownership inscription<br />

to imprimatur verso, bookplate of Thomas Streatfield of Chart’s<br />

Edge to pastedown, modern panelled calf, spine gilt, [Wing D2489],<br />

folio, for Abel Roper, John Martin and Henry Herringman, 1671.<br />

£400 - £600<br />

*** Rev. Thomas Streatfield (1777-1848), renowned antiquarian,<br />

churchman and engraver.<br />

279. Herbert of Cherbury (Edward, Lord) th e life a n d re i g n o f<br />

ki n g he n ry t h e ei g h t h, title in red and black (trimmed, defective<br />

and repaired with a few letters supplied, and laid down), portrait<br />

frontispiece in facsimile, modern calf, slightly sunned, [Wing<br />

H1505B], folio, by Andr. Clark [&c.], 1672. £100 - £150<br />

BLOOMSBURY AUCTIONS<br />

59


60<br />

280. Anderson (Robert, fl. 1668-96) th e ge n u i n e use a n d ef f e c t s<br />

o f t h e gunn e, a s well expe r i m e n ta l ly a s math e m at i c a l ly<br />

de m o n s t r at e d w i t h taB l e s o f pro J e c t i o n... B y th o m a s str e e t e r,<br />

2 parts (second part consists of Tables), folding engraved plate<br />

(loose), [ESTC A3104; Spaulding & Karpinski 172; Riling 163],<br />

J. Darby, for William Berry... and Robert Morden, 1674; to hit a<br />

ma r k, as w e l l u p o n as c e n t s a n d des c e n t s, as u p o n t h e pl a i n o f<br />

t h e ho r i z o n: ex p e r i m e n ta l ly a n d mat h e m at i c a l ly de m o n s t r at e d,<br />

wood-engraved illustrations, [Wing A3108; Spaulding & Karpinski<br />

192; Riling 195], Robert Morden, 1690 [bound with] to cut t h e<br />

ri g g i n g; a n d pr o p o s a l s f o r t h e im p r o v e m e n t o f gr e at art i l l e ry,<br />

woodcut illustrations, [Wing A3107; Riling 194], 1691 [bound<br />

with] Experiments of the Recoiling of Guns by the Lord Brouncker,<br />

manuscript, 10pp., pen and ink illustration, 1p. of tables, n.d.,<br />

together 4 works in 1 vol. (3 printed, 1 manuscript), slightly<br />

browned, a few small stains, edges a little cropped, contemporary<br />

calf, rubbed, edges worn, covers detached, spine defective, sm.<br />

4to. £3,000 - £4,000<br />

281. [Perrinchief (Richard)] th e ro ya l ma rt y r: o r, t h e life<br />

a n d de at h o f ki n g ch a r l e s i, nicely ruled in red throughout,<br />

lacking portrait frontispiece, a few short tears, into text but no<br />

loss, c o n t e m p o r a ry s o m B r e B i n d i n g o f e l a B o r at e ly B l i n d-stamped<br />

B l a c k m o r o c c o, rebacked and with later marbled endpapers, [Wing<br />

P1601], 8vo, by J.M. for R. Royston, 1676. £150 - £200<br />

BLOOMSBURY AUCTIONS<br />

Lot 280<br />

Lot 281<br />

282. Yarranton (Andrew) en g l a n d’s im p r o v e m e n t B y se a a n d<br />

la n d, part 1 only (of 2), first e d i t i o n, 7 folding engraved plates<br />

only (?of 8), a few tears and small defects, some water-staining<br />

throughout, modern calf-backed marbled boards, [Wing Y13], 4to,<br />

by R.Everingham for the Author, 1677. £150 - £200<br />

*** A second part was published in 1681.


283. Wotton (Henry) th e st at e o f ch r i s t e n d o m, 2R2 corner torn<br />

away, 3B3 paper flaw in margin., slightly browned, ink signature of<br />

Andrew Griffiths on front free endpaper, lower free endpaper torn<br />

in half, contemporary speckled calf, slight rubbing and marking to<br />

edges, upper cover detached, red and gilt morocco label on spine,<br />

[Wing W3655B], Peter Parker, 1679. £150 - £200<br />

Lot 284<br />

284. [Spenser (Edmund)] [th e wo r k s], third collected edition, lacks<br />

engraved frontispiece and title (title supplied in manuscript), 3Y2<br />

&3 margins torn, a few other small tears and creases, Prothalamion<br />

title torn, 2Z1 to end slight worming, mostly in margins, last f.<br />

inner margin strengthened, browned, a few marginal manuscript<br />

notes, 18th century ink signature of Waterhouse Crymble on A1,<br />

some crossing out, engraved bookplate of James Clealand, Bangor,<br />

Ireland on front pastedown, 18th century calf, ring on upper cover,<br />

spine rubbed, [Wing S4965; Pforzheimer 980], folio, [Henry Hills<br />

for Jonathan Edwin, 1679]; sold not subject to return. £150 - £200<br />

285. More (Sir Thomas) ut o p i a, translated by Gilbert Burnet, 18th<br />

century book label to front pastedown, contemporary calf, rubbed,<br />

corners worn, joints cracked, [Wing M2691], 8vo, for Richard<br />

Chiswell, 1684. £300 - £400<br />

286. Gale (Thomas) hi s to r i a e Br i ta n n i c a e, sa x o n i c a e, an g l oda<br />

n i c a e, sc r i p to r e s xv, title in red and black with engraved vignette,<br />

sig.4Z3 torn and defective with only half the leaf present, lacking 3T2-<br />

3, a few other ff. misbound, modern half calf over marbled boards,<br />

[Wing G154], Oxford, 1691; and a defective copy of Fuller’s Holy<br />

Warre, 1647-52, folio; sold not subject to return (2). £100 - £150<br />

*** The first mentioned comprises one volume only of the 3 volume<br />

Rerum anglicarum scriptorum veterum, 1684-91.<br />

Lot 287<br />

287. Whaley (Nathaniel) di s c o u r s e s o n se v e r a l su B J e c t s, first<br />

e d i t i o n, lacks title, supplied in facsimile, licence f. present, marginal<br />

loss to O1 & 4, contemporary speckled calf, rubbed, ends of spine<br />

and corners little worn, modern cloth case, [Wing N1531A], 8vo,<br />

John Everingham, 1698. £200 - £300<br />

*** Discourse 7 is ‘of Murther, particularly duelling and selfmurther’.<br />

Wing cites only the BL copy; no copy traced at auction<br />

in the last 35 years.<br />

Lot 288<br />

288. Agriculture.- ge o p o n i c a [g r a c e]. ge o p o n i c o r u m, s i v e de<br />

re ru s t i c a, li B r i xx, edited by Peter Needham, text in Greek<br />

and Latin, small ink signature to verso of title (showing through<br />

to recto), occasional spotting or light foxing, mostly marginal,<br />

contemporary panelled calf, gilt spine in compartments, spine ends<br />

and corner worn, 8vo, Cambridge, typis Academicis, impensis A. &<br />

J. Churchill, 1704. £200 - £300<br />

*** A scarce work on agriculture and plants.<br />

Lot 289<br />

289. Strong (Nathaniel) en g l a n d’s pe r f e c t sc h o o l-ma s t e r, o r,<br />

d i r e c t i o n s f o r e x a c t s p e l l i n g, r e a d i n g, a n d writing, ninth edition,<br />

engraved frontispiece and 2 plates, numerous notes and marginalia<br />

in contemporary hands, browning, last 2 plates trimmed at head,<br />

title with small portions of loss at base, contemporary half calf,<br />

loss to spine ends, rubbed, 12mo, by T.W. for Benjamin Billingsly,<br />

1706. £400 - £600<br />

*** Scarce. ESTC lists only 3 copies (others in BL and Massachusetts<br />

Historical Society). With recipe: ‘Spirit of wine 1/2 noginy; Gum<br />

shalack 1/2 an ounce; Sandrick 1/4 of an ounce; 1d of Dragons<br />

blood and add half of it; 1d of Allows [sic.] put about the size of a<br />

nut in it, that is for one only.’<br />

BLOOMSBURY AUCTIONS<br />

61


62<br />

290. Tournefort (Joseph Pitton de) mat e r i a medi c a; o r a<br />

de s c r i p t i o n o f si m p l e me d i c i n e s gen e r a l ly u d’s in ph y s i c k, first<br />

en g l i s h e d i t i o n, 2 pp. advertisments at end, small repaired tear to<br />

title, some spotting, modern panelled calf, [Wellcome V 289], 8vo,<br />

J.H. for Andrew Bell, 1708. £350 - £450<br />

291. Medical.- E. (D., Doctor of Physick) fa m i ly ph y s i t i a n: o r<br />

ev e ry ma n o r wo m a n th e i r ow n do c t o r, 88pp., contemporary<br />

ownership name to endpaper, spotting to leaves, title browned,<br />

contemporary calf, slightly rubbed, corners bumped, [this edition<br />

and variant title not in ESTC], 12mo, Tho. Norris, at the Looking-<br />

Glass on London-bridge, 1721. £400 - £600<br />

*** Derived from Culpepper’s The Family Physician.<br />

BLOOMSBURY AUCTIONS<br />

Lot 292<br />

292. Astronomy.- Keill (John) an in t r o d u c t i o n to t h e tr u e<br />

as t r o n o m y: o r, as t r o n o m i c a l le c t u r e s, re a d in t h e a s t r o n o m i c a l<br />

sc h o o l o f t h e un i v e r s i t y o f ox f o r d, first e d i t i o n in en g l i s h, 28<br />

folding engraved plates, a few trimmed at outer margin, some<br />

light browning and spotting, contemporary panelled calf, later<br />

gilt to spine, spine ends chipped, joints split, corners a little worn,<br />

[Wellcome III, p.381], 8vo, printed for Bernard Lintot, 1721.<br />

£400 - £600<br />

Lot 293<br />

293. Locke (John) th e wo r k s, 3 vol., second edition, engraved<br />

frontispiece, vol. 2 and 3 with occasional worming, not affecting<br />

text, bookplate to pastedowns, contemporary panelled calf, joints<br />

cracked but firm, a little rubbed and scuffed, folio, for A. Churchill<br />

and A. Manship, 1722. £400 - £600<br />

294. Almanacks.- [Beighton (Henry, editor)] th e la d i e s di a ry:<br />

o r, t h e wo m a n’s al m a n a c k... t h e tw e n t i e t h... 1723, title and text<br />

in red and black, bound with 19 other Almanacks of the same date,<br />

woodcuts, mathematical diagrams etc., margins trimmed, browned,<br />

contemporary calf, worn, joints splitting, 8vo, 1723. £200 - £300<br />

295. Gordon (Alexander) it i n e r a r i u m se p t e n t r i o n a l e: o r, a<br />

Jo u r n e y t h r o’ sc o t l a n d, a n d...t h e no rt h o f en g l a n d, 2 parts<br />

in 1, first e d i t i o n, list of subscribers, folding engraved map and<br />

66 plates, map with small hole at folds, one plate cut along fold,<br />

occasional light foxing, one leaf working loose, hinges repaired<br />

with tape, contemporary calf, worn, folio, for the author, 1726.<br />

£150 - £200<br />

*** List of subscribers includes James Gibbs, Richard Mead and<br />

Sir Hans Sloan.<br />

Lot 296<br />

296. Siemienowicz (Kazimierz) th e gr e at art o f art i l l e ry...,<br />

translated by George Shelvocke, engraved frontispiece and 22<br />

folding plates, title in red and black, 7pp. manuscript of text not<br />

translated by Shelvocke, slightly browned, bookplate of Charlotte<br />

Leighton on front pastedown, contemporary calf, gilt, extensively<br />

rubbed, upper cover detached, folio, J. Tonson, 1729. £400 - £600<br />

297. Accounting & Finance.- Hayes (Richard) th e ne g o c i at o r’s<br />

ma g a z i n e o f mo n i e s a n d ex c h a n g e s, third edition, initial<br />

advertisement f., water-stained, contemporary calf, sympathetically<br />

rebacked, corners repaired, covers rubbed and scuffed, [Goldsmiths’<br />

6781; Kress 3872], scarce, for W.Meadows, 1730; and a copy of<br />

George Fisher’s 1770 Young Man’s Best Companion, 8vo (2)<br />

£150 - £200


Lot 298<br />

298. Smith (Robert) a co m p l e at sy s t e m o f op t i c k s, 2 vol., first<br />

e d i t i o n, 83 folding engraved plates, vol.1 with list of subscribers,<br />

vol.1 in modern green calf, gilt, vol.2 in contemporary mottled calf,<br />

rubbed, joints and extremities worn, [Babson 161], 4to, Cambridge,<br />

for the Author, 1738. £1,000 - £1,500<br />

*** Vol.2 sig.A2 of The Author’s Remarks upon the Whole Work in<br />

2 settings, the earlier torn and defective (presumably deliberately<br />

at the time of binding).<br />

299. Pope (Alexander) wo r k s, 9 vol, signed on the title of volume<br />

1 by William Beckford, contemporary full tree calf, gilt, joints at<br />

head and tails split and cracked with some loss in places, bookplate<br />

of Fonthill Abbey to front paste-down of volume 1, 8vo, J. and P.<br />

Knapton, etc., 1751. £300 - £400<br />

Lot 300<br />

300. ‘Brindle’ th e do g s pl e a; o r re a s o n s m o s t h u m B ly<br />

su B m i t t e d B y t h e Ba r k i n g fr at e r n i t y o f gr e at Britain, to t h e<br />

me n t h e i r ma s t e r s, sh e w i n g w h y do g s o u g h t to B e ex e m p t e d<br />

f r o m ta x e s, final blank f. present, little marked, R. Griffiths, 1753 §<br />

[Griffiths (Ralph)] Authentic Copies of the Letters and other Papers<br />

Delivered, at their Execution, by the Nine Rebels who suffer’s<br />

Death on Wednesday, July 30, 1746, on Kensington Common, last<br />

2 ff. loose, last f. little torn, fore-edges frayed and creased, note at<br />

foot of title ‘Printed for H. Hutches’, 1746, sewn but unbound, 8vo<br />

(2). £200 - £300<br />

*** Both works are scarce. ESTC cites 3 copies of the first in the<br />

United Kingdon, not including the British Library and 6 in the U.S,<br />

and a total of 12 of the second.<br />

301. Cooke (John) th e com p t i n g-ho u s e assistant: o r Boo kke<br />

e p i n g m a d e eas y, 2 parts in 1, including supplement, first<br />

e d i t i o n, errata f. at end, occasional contemporary ink calculations,<br />

title with later ink ownership stamp, L2 with tear within text, but<br />

with no loss, contemporary calf, gilt, rubbed and scuffed, scarce<br />

(ESTC listing only 5 copies; not in the BL), for S. Hooper [&c.],<br />

1761 § Fairman (William) The Stocks Examined and Compared:<br />

or a Guide to Purchasers in the Public Funds, half-title with ink<br />

signature ‘Thos. Wicksted’, ?later boards, lacking backstrip, by<br />

H.L. Galabin [&c.], 1795, 8vo (2) £250 - £350<br />

302. De La Porte (M.) la sc i e n c e d e s né g o c i a n s e t te n e u r s<br />

d e li v r e s, half-title, engraved plate of hand-writing, occasional<br />

worming to lower margins, affecting the odd letter in sig.I, some<br />

browning, occasional foxing or spotting, verso of final f. soiled,<br />

contemporary calf, gilt spine in compartments, spine with central<br />

crack, corners worn, rubbed, scarce, oblong 4to, Amsterdam, aux<br />

Dépens de la Compagnie, 1770. £100 - £150<br />

303. McArthur (John) th e ar m y a n d nav y ge n t l e m a n’s<br />

co m pa n i o n; o r a ne w a n d co m p l e t e tr e at i s e o n t h e th e o ry a n d<br />

pr a c t i c e o f fe n c i n g, second edition, engraved frontispiece and<br />

19 plates, most folding, one hand-coloured, one with drawing on<br />

verso, some minor tears repaired, heavily browned throughout,<br />

ownership inscription partly erased from title, contemporary half<br />

calf, rubbed, joint cracked, 4to, J. Murray, 1784. £200 - £300<br />

BLOOMSBURY AUCTIONS<br />

63


64<br />

BLOOMSBURY AUCTIONS<br />

Lot 304<br />

304. [Pinchard (Elizabeth Sibthorpe)] th e Bl i n d ch i l d, o r<br />

an e c d o t e s o f t h e wy n d h a m fa m i ly first e d i t i o n, ri c h a r d<br />

lo v e l l ed g e w o rt h’s c o p y, hand-coloured engraved frontispiece,<br />

advertisement f., at end, lacking front free endpaper, worm traces<br />

to lower margin of frontispiece and A1-3 (diminishing into a single<br />

very small hole on next few ff.), frontispiece offsetting onto title,<br />

advertisement f., laid down, occasional spotting, a few small stains,<br />

a few ff. creased, contemporary sheep, rebacked in calf, corners<br />

worn, rubbed and slightly scuffed, [Roscoe J289; Gumuchian<br />

4568; Osborne II.923], large 12mo, for E. Newbery, 1791.<br />

£100 - £150<br />

*** A scarce work. Richard Lovell Edgeworth was the father of<br />

novelist Maria Edgeworth.<br />

Lot 305<br />

305. Bo n to n ma g a z i n e (th e); o r, mi c r o s c o p e o f fa s h i o n a n d<br />

fo l ly , for April 1791 - February 1792 (11 issues), 22 engraved<br />

plates, lacking a few ff., a few short marginal tears, some soiling<br />

and staining, contemporary half calf, worn, but holding firm,<br />

[W.Locke and H.D.Symonds], 1791-1792; sold as a periodical and<br />

not subject to return. £300 - £400<br />

*** A rare run of this periodical which focuses on the indiscretions<br />

of fashionable 18th century London. The plates are generally<br />

bawdy or satirical in nature and include cross-dressing, voyeurism<br />

and other sexual antics.<br />

306. [Burney (Frances)] ca m i l l a: or, a pi c t u r e o f yo u t h, 5 vol.,<br />

first e d i t i o n, list of subscribers, contemporary half calf, rebacked,<br />

rubbed, new endpapers, [Rothschild 550], 12mo, for T.Payne [&c],<br />

1796. £300 - £400<br />

*** Subscribers include Jane Austen, Mrs. Piozzi (2 sets), Warren<br />

Hastings and Humphrey Repton.<br />

Lot 307<br />

307. Boydell (John and Josiah) gr a p h i c il l u s t r at i o n s o f t h e<br />

dr a m at i c wo r k s o f sh a k e s p e a r e, engraved frontispiece, title, 3<br />

portraits (1 of John Boydell and 2 of Shakespeare) and 96 plates,<br />

advertisement f., occasional marginal foxing or spotting, but<br />

plates generally in good clean condition, attractive contemporary<br />

panelled calf, gilt, decorated in blind, covers with central black<br />

morocco border, spine in compartments and with gilt lyre motifs,<br />

joints split (Lower cover detaching), rubbed, folio, Messrs. Boydell<br />

& Co., [1802]. £1,000 - £1,500


Lot 308<br />

308. Marshall (John) th e life o f ge o r g e wa s h i n g t o n, 5 vol., 15<br />

engraved maps and plates, most folding, and one vignette, some<br />

soiling and offsetting, contemporary half calf, rebacked preserving<br />

original spines, red morocco labels (one renewed), a little rubbed,<br />

8vo, 1804-07. £200 - £300<br />

*** Provenance: The Prince Consort’s Military Library (bookplate).<br />

309. se l f in s t r u c t o r (th e), o r yo u n g ma n’s Be s t co m pa n i o n,<br />

engraved frontispiece and 5 plates, water-stained, later calf,<br />

gilt spine in compartments, slightly rubbed, scarce, Liverpool,<br />

J.Nuttall, 1806 § Mair (John) Book-Keeping Moderniz’d; or,<br />

Merchant-Accounts by Double Entry, ninth edition, contemporary<br />

tree calf, reabcked, corners and edges worn, rubbed, Edinburgh,<br />

1807; and 2 others, similar, v.s. (4) £200 - £300<br />

Lot312<br />

Lot 310<br />

310. Brontë (Rev. Patrick) th e co t ta g e in t h e wo o d; o r t h e art<br />

o f Be c o m i n g ri c h a n d happy, engraved frontispiece, with final<br />

blank, frontispiece water-stained, C1 and D2 loose, a few other ff.<br />

working loose, some spotting or light foxing, a few creases, upper<br />

hinge split, original calf-backed boards, rubbed and scuffed, soiled,<br />

12mo, Bradford, Printed and Sold by T.Inkersley, 1815.<br />

£1,500 - £2,000<br />

*** A rare little work by the father of the Brontë sisters. We can<br />

trace only 1 other copy at auction in the last 35 years.<br />

311. Franklin (Benjamin) me m o i r s o f t h e life a n d wr i t i n g s,<br />

3 vol., engraved portrait 7 plates and one map, some staining<br />

and offsetting, half-titles to vol.1 and 2 only, contemporary calf,<br />

rebacked and corners repaired, covers of vol.1 worn and repaired<br />

at upper edge, 4to, 1817-18. £150 - £250<br />

312. Clare (John) po e m s , Descriptive of Rural Life and Scenery,<br />

first e d i t i o n, 1820; The Shepherd’s Calendar; with Village Stories,<br />

and other Poems, p r e-p u B l i c at i o n (?), first e d i t i o n, 1826, 2 vol.<br />

bound as 1; The Village Minstrel and other poems, 2 vol bound as<br />

1, first e d i t i o n s, 1821, uniformly bound in contemporary half calf<br />

over marbled boards, slightly rubbed, upper joint of second volume<br />

cracked at head, front hinges in both volumes cracked, sm.8vo.(2).<br />

£1,800 - £2,200<br />

“At last toward the end of November [1826] Clare received six<br />

copies of the book [i.e The Shepherd’s Calendar]’ but was not yet<br />

ready for the public for De Wit’s first drawing had proved unsuitable<br />

and the second was mad and engraved, thus two more month’s were<br />

added to the long struggle of the Shepherd’s Calendar towards the<br />

light”, ‘John Clare. A Life’ 1932, J.W. and Anne Tibble.<br />

BLOOMSBURY AUCTIONS<br />

65


66<br />

BLOOMSBURY AUCTIONS<br />

Lot 313<br />

313. an n a l s o f sp o rt i n g a n d fa n c y ga z e t t e, 13 vol. (complete<br />

set), half-title, 155 engraved plates including 50 hand coloured,<br />

some offsetting but otherwise in excellent condition, attractive<br />

nineteenth century calf, by Riviere, ruled in gilt, spines gilt in<br />

compartments with sporting motifs and red and brown morocco<br />

labels, inner gilt dentelles, g.e., 8vo, 1822-28. £1,500 - £2,000<br />

*** Including athletic sports such as cricket, wrestling, racing,<br />

rowing, sailing etc. as well as field sports.<br />

314. Ely (Rev. Ezra Stiles) visits o f me r c y; o r t h e Jo u r n a l s...,<br />

2 vol., sixth edition - revised by the author, s i g n e d p r e s e n tat i o n<br />

c o p y f r o m t h e a u t h o r to ?miss fr a n c e s ro l l e s to n with his ink<br />

inscriptions on front pastedown and at head of title, engraved<br />

frontispiece portrait of the author, extensively foxed, vol. I U5&6<br />

a few small ink stains, vol. II title partially stained, 1f. with small<br />

tear without loss, a few other stains, edges with small tears or<br />

chips, original boards, new spines in paper, edges uncut, 8vo,<br />

Philadelphia, 1829. £100 - £150<br />

*** Rev. Ezra Stiles Ely (1786-1861), Presbyterian clergyman.<br />

Miss Frances Rolleston, of Keswick; christian mystic; author of<br />

Mazzaroth, 1862; formulated the Gospel of the Stars theory.<br />

Lot 315<br />

315. Shelley (Mary) fr a n k e n s t e i n: o r, t h e mo d e r n pr o m e t h e u s,<br />

third edition, part of vol. 9 of Bentley’s Standard Novels series,<br />

engraved frontispiece and additional vignette title, foxed and<br />

browned, ink signature of William Moore on recto of frontispiece,<br />

lacks endpapers, contemporary half calf, rubbed, rebacked,<br />

[Sadleir 3734a; Wolff 6280a], 8vo, Henry Colburn and Richard<br />

Bentley, 1831. £1,200 - £1,800<br />

*** With a new introduction (pp. v-xii) by Mary Shelley.<br />

Lot 316<br />

316. Bury (Richard de) ph i l o B i B l o n, a Treatise on the Love of<br />

Books, [translated by J.B.Inglis], first e d i t i o n in en g l i s h, erratum<br />

slip tipped in, very light spotting, envelope containing note tipped<br />

in at beginning, original cloth, uncut, rubbed and faded, spine<br />

a little worn at head and foot, Thomas Rodd, 1832; and another<br />

edition, 8vo (2) £150 - £200


317. Taylor (John) essays o n mo n e y, first e d i t i o n, 1833 B o u n d<br />

w i t h An Essay on Money, Its Origin and Use, second edition,<br />

1833 a n d An Essay on the Standard and Measure of Value, second<br />

edition, 1832 a n d Currency Fallacies Refuted, and Paper Money<br />

Vindicated, 1833, together 4 works in 1, s i g n e d B y t h e a u t h o r to<br />

front pastedown, notes and marginalia in a contemporary hand,<br />

contemporary calf, rubbed, 8vo. £400 - £600<br />

*** The notes were mostly likely made by the publishers and<br />

contain corrections and instructions for later editions.<br />

318. Dickens (Charles) me m o i r s o f Joseph gr i m a l d i, 2 vol.,<br />

first e d i t i o n, first issue, without gratuitous border to final plate,<br />

engraved portrait and 12 plates by George Cruikshank, 36 pp.<br />

advertisements at end of vol.2, foxing, original pink blind-stamped<br />

cloth, soiled, vol.1 spine repaired with loss, corners bumped, edges<br />

uncut, [Eckel pp. 152-155], 8vo, 1838. £300 - £500<br />

Lot 319<br />

319. Mangles (James, editor) th e fl o r a l ca l e n d a r, mo n t h ly<br />

a n d da i ly, p r e s e n tat i o n c o p y f r o m t h e e d i t o r inscribed at head<br />

of title, 3pp. errata at beginning, 12 hand-coloured lithographed<br />

plates, some heightened with gold or gum arabic, illustrations,<br />

tissue-guards, occasional foxing, publishers’ green morocco with<br />

title gilt-stamped with floral designs to covers, g.e., spine a little<br />

browned, joints rubbed, 8vo, for Private Distribution, 1839.<br />

£600 - £800<br />

*** Charming work containing horticultural advice for the house<br />

as well as the garden such as window-boxes, miniature gardens,<br />

conservatories etc.<br />

The inscription is to ‘The honourable Miss Irby’, most likely the<br />

daughter of Captain Charles Leonard Irby. Irby travelled widely<br />

with Mangles, first when they were messmates on board the<br />

Narcissus, and later on a tour of the continent as well as Egypt,<br />

Syria and Asia Minor.<br />

Lot 320<br />

320. [Barker (Joseph)] th e re f o r m e r’s co m pa n i o n to t h e<br />

al m a n a c s [a n d] th e re f o r m e r’s al m a n a c, numbers [1]-12,<br />

pp.21-28 of second part of number 1 trimed at outer margin, loss<br />

of several letters on each f., but with no loss of sense of text, a few<br />

stains, occasional soiling, contemporary morocco, rebacked, 8vo,<br />

[?Wortley, near Leeds], [?January-October 1848]. £150 - £200<br />

*** A scarce periodical, which includes chartism, republicanism<br />

for England and the 1848 French revolution. Barker was an English<br />

preacher based at Wortley in Leeds. He zealously worked with the<br />

Chartists, for which he was arrested in 1848 on the day before he<br />

was elected M.P. for Bolton (he never sat in Parliament). He later<br />

spent some time in the United States, where he worked with the<br />

anti-slavery movement.<br />

Lot 321<br />

321. sh i p w r e c k e d ma r i n e r (th e), for the Years 1855, 1857-<br />

60, 1863, 1867-76, 1878-79, 1882, 1885-87, 1890-91, 1894-95,<br />

numerous engraved plates and illustrations, folding charts and<br />

plans, some vol. with ff. detached, vol. 15 with loss to 2ff., original<br />

cloth, later vol. gilt, spines darkened, occasional small patches of<br />

soiling, together 26 vol., 8vo; sold as a periodical and not subject to<br />

return. £500 - £700<br />

*** A scarce and detailed account of shipwrecks in the latter half of<br />

the nineteenth century. Includes wreck charts for the British Isles,<br />

first-hand accounts of wrecks and details of casualties and support<br />

offered to victims and their families. The Shipwrecked Mariner’s<br />

Society was founded in 1839 and is still active.<br />

BLOOMSBURY AUCTIONS<br />

67


68<br />

322. Tennyson & Palgrave.- Palgrave Tennyson (Alfred, Lord,<br />

1809-92) Br e a k, Br e a k, Br e a k, a u t o g r a p h p o e m s i g n e d a n d d at e d,<br />

tipped-in to a copy of The Golden Treasury and with subsequent<br />

presentation inscription from Palgrave to his wife, Cecil Greville<br />

Milnes Gaskell and with a further inscription after his death to his<br />

daughter, “Given to my dearest Gwenny who does all she can for<br />

me (Xmas 1842”, original red limp morocco, 1862, 15th June 1860<br />

[&] Palgrave (Francis Turner, anthologist and art critic, devotee<br />

of Tennyson, 1824-97) the gol d e n tre a s u ry o f t h e Bes t son g s<br />

a n d ly r i c a l po e m s in t h e en g l i s h la n g u a g e, first e d i t i o n, em i ly<br />

go r d o n cra i g’s c o p y with her indistinct pencil inscription on<br />

front free endpaper, another ink inscription on front free endpaper,<br />

original cloth, gilt, corners bumped, spine dulled, edges uncut,<br />

Cambridge and London, 1861; and c. 40 others, (28 relating to<br />

members of Palgrave’s family & 13 relating to the Gordon Craigs),<br />

including: sh a k e s p e a r e wor k s w i t h a p r e s e n tat i o n inscription<br />

f r o m pa l g r av e to h i s d a u g h t e r ma r g a r e t, (with cut out pictures of<br />

cats pasted down on fly-leaf), & a p r e s e n tat i o n c o p y o f te n n y s o n’s<br />

wo r k s f r o m pal g r av e to h i s d a u g h t e r ann o ta, a fine copy of<br />

Palgrave’s “The Five Days Entertainments at Wentworth Grange”,<br />

lacks preliminaries, ?proof copy, 1868, and others, some signed<br />

E.T. “Ellen Terry”, various bindings, v.s., v.d. 1861-1912 (c. 40).<br />

£1,500 - £2,000<br />

*** “In London in 1849 Palgrave had... been introduced to<br />

Tennyson, who had not yet achieved the fame that In Memoriam<br />

(1850) would bring. His time as Tennyson’s disciple was one of the<br />

highlights of his life, but Tennyson’s need for admiring followers<br />

was eventually overcome by his dislike of being harried by the<br />

devoted Palgrave. On a walking tour of Cornwall in 1860, for<br />

example, while hunting for Arthurian sites for the Idylls of the<br />

King, Tennyson complained to William Holman Hunt that: ‘all day<br />

long I am trying to get a quiet moment for reflection... but before<br />

I have finished a couplet I hear Palgrave’s voice like a bee in a<br />

bottle, making the neighbourhood resound with my name, and I<br />

have to give myself up to escape the consequences.’ (Hunt, 2.213).<br />

It was, therefore, little wonder that Tennyson ‘dismissed’ Palgrave<br />

in 1868, though Palgrave continued to regard himself as a lifelong<br />

friend.” - Oxford DNB.<br />

323. Trollope (Anthony) an ed i t o r’s ta l e s, pp. 171-182 soiled,<br />

ownership stamp to endpaper, original cloth, rebacked with<br />

original backstrip laid-down, spine faded, 1870; The Golden Lion<br />

of Granpere, bookplate to endpaper, contemporary morocco, spine<br />

gilt, corners scuffed, 1872, first e d i t i o n s, 8vo (2) £250 - £350<br />

324. Dickens (Charles) wo r k s, 30 vol., Illustrated Library<br />

Edition, plates, 1 plate torn and repaired without loss, occasional<br />

light foxing to plates, contemporary half morocco, spines richly gilt<br />

in compartments, covers lightly rubbed, 8vo, 1874-76.<br />

£750 - £1,000<br />

*** An attractive set.<br />

BLOOMSBURY AUCTIONS<br />

Lot 324<br />

Lot 322<br />

325. Wilde (Oscar) lo r d art h u r sav i l l e’s cr i m e, & o t h e r s t o r i e s,<br />

first e d i t i o n, [o n e o f 1500 c o p i e s f o r d o m e s t i c c i r c u l at i o n],<br />

spotting to endpapers, otherwise internally very good, original<br />

salmon boards with lettering, devices and price printed in brown,<br />

slightly rubbed and darkened at spine, rubbing and surface<br />

marking, [Mason 345], 1891 § Sherard (Robert Harborough) Oscar<br />

Wilde, first e d i t i o n, p r i vat e ly p r i n t e d, illustrations and facsimile<br />

letters, original parchment backed green cloth sides, slightly<br />

soiled, The Hermes Press, 1902; The Real Oscar Wilde, first<br />

e d i t i o n, illustrations, original parchment backed boards, rubbed,<br />

n.d. § [Wilde (Oscar)] Theatre handbill, announcement of the<br />

new play by Oscar Wilde: A Woman of No Importance, at Theatre<br />

Royal, Haymarket, [1893] § Houseman (Laurence) Echo de Paris,<br />

i n s c r i B e d B y ho u s e m a n on half-title, correction by author on p. 9,<br />

original cloth, slightly rubbed, New York, 1924 § Ross (Robert)<br />

Aubrey Beardsley, first e d i t i o n, blind stamped ‘review copy’ on<br />

title, illustrations, original cloth, spine faded, slightly worn, 1909;<br />

and 10 others similar on Oscar Wilde etc. v.s. (16). £300 - £400


Lot 326<br />

326. Smithers (Leonard) cata l o g u e o f ra r e Bo o k s, Numbers<br />

1-14, plates, some folding,original pictorial or printed wrappers,<br />

including 5 with c o v e r d e s i g n s B y au B r e y Be a r d s l e y, numbers<br />

2 and 5 with a vertical fold, a few spots, but generally in good<br />

clean condition, number 2 with a very short tear at head of upper<br />

and lowerr cover, 1895-1898; A group of 4 prospectuses for works<br />

published by Smithers; includes Aubrey Beardsley’s Mademoiselle<br />

de Maupin; Vincent O’Sullivan’s A Book of Bargins, 1896 (with a<br />

frontispiece by Beardsley); Arthur Symons’ London Nights, 1895<br />

and Stendhal’s La Chatreuse de Parme, 1896, some light browning,<br />

but generally in good clean condition, all housed in a moden cloth<br />

drop-back box, 8vo (18) £750 - £1,000<br />

*** A rare complete set of Smithers’ catalogues in an excellent<br />

state of preservation. Smithers was closely associated with the<br />

Decadent Movement and published works by Oscar Wilde, Aubrey<br />

Beardsley, Aleister Crowley, Ernest Dowson, Max Beerbohm,<br />

Arthur Symons, and Sir Richard Burton.<br />

Lot 327<br />

327. Gypsies.- Groome (Francis Hindes) kr i e g s p i e l: th e wa r<br />

ga m e , first e d i t i o n, p r e s e n tat i o n c o p y f r o m t h e a u t h o r to he n ry<br />

t. cr o f t o n a n d w i t h 2 a.l.s.s f r o m t h e a u t h o r to t h e s a m e , halftitle,<br />

portrait frontispiece, 12pp. advertisements at end, original<br />

cloth, spine gilt, spine ends and corners a little frayed, slightly<br />

rubbed, [Black, A Gypsy Bibliography, 1765], 8vo, 1896.<br />

£150 - £200<br />

*** A good association copy of a scarce Romany novel by this<br />

scholar of gypsy studies and friend of Swinburne. Croft was also<br />

a scholar in the field. The first A.L.s asks if Croft would review<br />

Kriegspiel for the Manchester press and the second thanks Crofton<br />

for his review and discusses a few references to gypsies that had<br />

lately appeared in literature and periodicals.<br />

Lot 328<br />

328. Bindings.- Creighton one of 200 copies, in an edition of 300,<br />

plates, captioned tissue guards, attractive modern red crushed<br />

morocco by Zaehnsdorf, covers with central royal arms, gilt, made<br />

up of blue and red morocco inlays and 4 gilt tudor rose cornerpieces,<br />

spine in compartments with gilt tudor roses, short scratch/<br />

dent to upper cover, spine very slightly faded, t.e.g., 1896; and a<br />

copy of Richard Holmes’ Queen Victoria in a similar red morocco<br />

binding, 4to (2) £200 - £300<br />

329. Symons (Arthur) au B r e y Be a r d s l e y, 3 portraits of Beardsley<br />

and 6 plates by Beardsley, 3 portraits loose, occasional spotting,<br />

a few small marks, original cloth-backed pictorial boards, gilt, 2<br />

small stains to cloth, corners a little worn, lightly soiled, small 4to,<br />

1898. £75 - £100<br />

Lot 330<br />

330. Swinburne (Algernon Charles) th e po e m s , 6 vol., 1904; The<br />

Tragedies, 5 vol., 1905-6, n u m B e r s 49 & 89 o f 110 s e t s o n l a r g e<br />

pa p e r, contemporary half dark green morocco, gilt, t.e.g., other<br />

edges uncut, a fine set, 1904-1905. £700 - £900<br />

BLOOMSBURY AUCTIONS<br />

69


70<br />

BLOOMSBURY AUCTIONS<br />

Lot 331<br />

331. Keynes (John Maynard) th e ge n e r a l th e o ry o f<br />

em p l o y m e n t, in t e r e s t a n d mo n e y, first e d i t i o n, original cloth,<br />

spine ends and corners a little bumped, dust-jacket, browned at<br />

spine and margins, spine ends and corners chipped with loss, very<br />

small split to lower joint, light creasing to head and base, foreedges<br />

rubbed, occasional light marking, [PMM 423], 8vo, 1936.<br />

£1,000 - £1,500<br />

*** First edition of one of the most influential economic treatises<br />

of the 20th century with the scarce dust-jacket.<br />

Lot 332<br />

332. Food & Drink.- Newington (P.C.B.) go o d fo o d, first<br />

e d i t i o n, illusrations by Beryl Irving, original cloth-backed pictorial<br />

boards by Beryl Irving, a few light stains, but generally a very good<br />

copy, 8vo, Ipoh, Malaya, [1947]. £75 - £100<br />

*** A scarce Malayan cook book, particularly rich in fish dishes<br />

and curries.<br />

333. Bay (Jens Christian) Jo u r n e y s a n d vo ya g e s to nat u r e ,<br />

s i g n e d p r e s e n tat i o n c o p y f r o m t h e a u t h o r a n d w i t h a n a.l.s.<br />

f r o m t h e a u t h o r, loosely inserted, photo of the author, signed on<br />

verso, loosely inserted, frontispiece, original cloth-backed boards,<br />

textured glacine dust-jacket, chipped, 8vo, Chicago, 1851.<br />

£200 - £300<br />

*** Jens Christian Bay (1871-1962) was a Danish-American<br />

writer, librarian and rare book specialist.<br />

ch u r c h i l l i a n a<br />

334. Churchill (John, First Duke of Marlborough) th e le t t e r s<br />

a n d di s pat c h e s..., 5 vol., engraved frontispiece, half-titles, vol. II<br />

many pp. corners creased, bookplates of G. de Clifton Parmiter on<br />

front pastedowns, contemporary calf, gilt, m.e., 1845. £100 - £150<br />

335. Churchill (Randolph S.) au t o g r a p h le t t e r s i g n e d to<br />

“ma d a m”, 1p., 8vo, 2 Connaught Place, 5th September 1884,<br />

regretting that he did not visit her picture gallery, framed and<br />

glazed; and another, A.L.s from Jenny Churchill, v.s. (2)..<br />

£80 - £120<br />

336. Churchill (Winston S.) lo r d ra n d o l p h ch u r c h i l l, cartoon<br />

of Churchill laid down on verso of title of vol. I, spines faded,<br />

1906; Thoughts and Adventures, bookplate of D.M. Coffin on front<br />

pastedown, 1932; Great Contemporaries, 1937; Marlborough: His<br />

Life and Times, reprint, dust-jacket, 1969, all but the last first<br />

e d i t i o n s, plates, original cloth; and c. 20 others, Churchill, (c. 20).<br />

£150 - £200<br />

337. Churchill (Winston S.) lo r d ra n d o l p h ch u r c h i l l, 2 vol.,<br />

second edition, 1907; The Unknown War: The Eastern Front, New<br />

York, 1931; Thoughts and Adventures, 1932; Great Contemporaries,<br />

1937; Step by Step 1936-1939, 1939, all but the first mentioned<br />

first or first am e r i c a n e d i t i o n s, plates, original cloth; and c. 45<br />

others, by or about Churchill, including a vol. Harrow School<br />

Register 1800-1911, second edition, 1911, 8vo (c. 45). £300 - £500<br />

338. Churchill (Winston S.) ty p e d l e t t e r s i g n e d to ma J o r<br />

h.w. al d e n, 1p., 8vo, Ministry of Munitions, Whitehall Place,<br />

14th December 1917, thanking him for his letter, folds, browned,<br />

together with a portrait framed and glazed. £300 - £400<br />

339. Churchill (Winston S.) wa r r a n t a p p o i n t i n g ch a r l e s<br />

wi l l i a m du r m a n a s wa r r a n t officer in t h e ro ya l air fo r c e,<br />

D.s. “Winston S. Churchill” as Secretary of State for Air, printed<br />

document, 290 x 355mm., framed and glazed, 1st January 1920.<br />

£200 - £300<br />

*** Durman was an air photographer with the Royal Flying Corps<br />

during the First World War.


Lot 340<br />

340. Churchill (Winston S.) c.25 ph o t o g r a p h i c po rt r a i t s o f<br />

wi n s t o n ch u r c h i l l, of all aspects of his life at various ages, some<br />

reproductions, framed and glazed, v.s., v.d. £800 - £1,200<br />

341. [Churchill (Winston S., editor)] th e British ga z e t t e, nos<br />

1-8 (all published), folds, browned, in a modern cloth portfolio,<br />

1926. £100 - £150<br />

Lot 341A<br />

341A. Churchill (Winston S.) c.45 po rt r a i t s o f chur c h i l l,<br />

including portraits as a young man in Vanity Fair, as an older<br />

man in The World and by Feliks Topolski, mixed media, some<br />

reproductions, framed and glazed, v.s., v.d. £800 - £1,200<br />

Lot 342<br />

342. Berger (Oscar, 1901-1997) ch u r c h i l l’s mi n d, pen and ink<br />

with monochrome wash, signed ‘Berger’ lower right, 300 x 260mm<br />

(11 3/4 x 10 1/4 in), framed and glazed. £800 - £1,200<br />

Lot 343<br />

343. Cummings (Arthur S.M., 1919-1997) sir wi n s t o n<br />

ch u r c h i l l a d o r n e d w i t h d o v e s a l o n g s i d e an t h o n y ed e n, pen<br />

and ink over pencil, signed upper right, 360 x 310mm (14 1/4 x<br />

12 1/4 in), handling creases and horizontal fold, minor tear at<br />

right edge of sheet, framed and glazed; Sir Winston Churchill<br />

signing a document with a rubber stamp bearing his portrait, with<br />

the inscription “... Rubber stamps for minister’s signatures... the<br />

practice was not to be encouraged ... “, pen and ink over pencil,<br />

signed lower right, 250 x 240mm (9 3/4 x 9 1/2 in), minor handling<br />

creases, framed and glazed, (2). £200 - £300<br />

BLOOMSBURY AUCTIONS<br />

71


72<br />

BLOOMSBURY AUCTIONS<br />

Lot 344<br />

344. Fearon (Percy Hutton, “Poy”, 1874-1945) wi n s t o n a n d<br />

ch u r c h i l l, 2 pen and ink drawings over pencil, including the The<br />

Petrol Tax, and The Button Tax Cartoon, the first signed ‘Poy’, 265<br />

x 270mm (10 1/4 x 10 1/2 in), and 160 x 300mm (6 1/4 x 11 3/4<br />

in), respectively, minor surface dirt, framed and glazed, c.1928;<br />

with Mr. Punch’s Literary Costume Ball, lithograph, after Bernard<br />

Partridge, central vertical fold, framed and glazed, from Punch’s<br />

Almanack, 1912, (2). £400 - £600<br />

345. Churchill (Winston S.) ma r l B o r o u g h: his life a n d ti m e s,<br />

4vol., first e d i t i o n, plates, maps and illustrations, some folding,<br />

original gilt decorated cloth, vol. IV covers slightly stained, all but<br />

vol. IV spines faded, t.e.g., 8vo, 1933-38. £80 - £120<br />

346. Churchill (Winston S.) & Franklin Roosevelt. 2 c a r d s 1<br />

s i g n e d B y ch u r c h i l l a n d t h e o t h e r B y ro o s e v e lt, 40 x 88mm.<br />

each, framed, n.d. £100 - £150<br />

347. Churchill (Winston S.) au t o g r a p h no t e f o r a ?s p e e c h at a<br />

d i n n e r g i v e n in h i s h o n o u r at sh e r ry’s, pa r k av e n u e, ne w yo r k,<br />

B y Be r n a r d Ba r u c h, gold trimmed folded card, 75 x 88mm., [18th<br />

March 1946], together with notes and a portrait of Churchill,<br />

framed and glazed. £200 - £300<br />

*** Refers to Baruch’s appointment to the Atomic Energy<br />

Commission.<br />

Lot 348<br />

348. Churchill (Winston S.) ph o t o g r a p h o f ch u r c h i l l o n a<br />

visit to ay r s i g n e d, 180 x 240mm., together with a typed letter<br />

Lieut.- Col. Thomas Moore on Churchill’s behalf thanking him for<br />

the security precautions during his visit, framed and glazed, 24th<br />

September 1947. £300 - £400<br />

349. Churchill (Winston S.) ma r l B o r o u g h: og ha n s tid, 4 vol.,<br />

first da n i s h e d i t i o n, maps and plates, contemporary half morocco,<br />

gilt spines, 8vo, Copenhagen, 1949-51. £75 - £100<br />

Lot 350<br />

350. Churchill (Winston S.) ru l e s o f r a c i n g at “th e ri B B l e s d a l e<br />

sta k e s” s i g n e d B y ch u r c h i l l, printed form with manuscript<br />

insertions, 120 x 100mm., 22nd September 1949; and 5 other<br />

pieces, including a card signed by Churchill, together all framed<br />

and glazed. £300 - £400<br />

351. Churchill (Winston S.) th e pr o g r e s s o f t h e wa r, Broadcast<br />

Speeches by the Prime Minister, 3 vol., 20 vinyl records in wallets,<br />

original cloth, gilt, 4to, n.d.; and a quantity of others, mostly<br />

Churchilliana, including anniversary memoribilia, tankards, plates,<br />

statuetts and ephemera, v.s. (qty.) £300 - £400


Lot 352<br />

352. Churchill (Winston S.) ty p e d l e t t e r s i g n e d to c.g. di n e s,<br />

1p., sm. 4to, 28, Hyde Park Gate, 10th December 1950, “I am<br />

indeed obliged to you for sending me the four portraits on silk”,<br />

with a portrait, framed and glazed. £300 - £400<br />

Lot 353<br />

353. Churchill (Winston S.).- wa r effort, original caricature<br />

illustration showing Churchill at the front of a fast moving train,<br />

by George Alexander Whitelaw, pen and ink, heightened with blue<br />

chalk, signed ‘Whitelaw’ lower right 225 x 265mm (8 3/4 x 10 1/4<br />

in), slight surface dirt; The leading international political figures of<br />

the world on top of the globe, by a different hand, pen and ink signed<br />

and dated lower right, ‘Welland’, 350 x 265mm (13 3/4 x 10 1/4<br />

in), some spotting, 1936; Progress and Prosperity, pen and ink over<br />

pencil, signed ‘A. Edney’, 230 x 330mm (9 x 13 in), minor dampstaining<br />

and spotting, all framed and glazed, (3). £200 - £300<br />

Lot 354<br />

354. Cross (Sid) By t h e B a B B l i n g B r o o k, Sir Winston Churchill sits<br />

on a makeshift bridge across a stream shaking hands with Clement<br />

Attlee, while 2 liberals argue in the fields behind them, pen and<br />

ink over pencil, signed and dated lower right, 340 x 460mm (13 1/4<br />

x 18 in), central horizontal and vertical folds, surface dirt, framed<br />

and glazed, 1950; with a group of original illustrations by Bill<br />

Proud, Nicholas, Paul Wood, Heath, RGJ and Nick Downer, v.s.,<br />

all framed and glazed (7). £120 - £180<br />

355. Churchill (Winston S.) th e wa r sp e e c h e s..., compiled<br />

by Charles Eade, 3 vol., original cloth, dust-jackets, 1951-52 §<br />

Bardens (Dennis) Churchill in Parliament, uncorrected proof copy,<br />

1967 § Gardner (Brian) Churchill in his Time, Methuen proof copy,<br />

1968 § Roskill (Stephen) Churcill and the Admirals, 1977, all but<br />

the first original printed wrappers, spines creased; and c. 20 others,<br />

by or about Churchill, including Martin Gilbert’s Finest Hour, Road<br />

to Victory, The Churchill Papers, 2 vol., Companion vol., vol. III,<br />

parts 1 &2, part IV, parts I,II & III, vol. V, part I, 8vo (c. 25).<br />

£300 - £400<br />

Lot 356<br />

356. Churchill (Winston S.).- he l p him finish t h e Jo B vote<br />

national, large printed election poster, repaired and trimmed,<br />

700 x 470mm., framed and glazed, 1950s; and another, duplicate<br />

poster (2). £200 - £300<br />

357. Churchill (Winston S.) au t o g r a p h le t t e r s i g n e d to<br />

kat h l e e n du n c a n s o n, of Hudnall Park, Berkhamsted, 1p., 8vo, 10,<br />

Downing Street, 16th April 1953, thanking her for the present of<br />

a gold and silver snuff box, folds; and another, another, a T.L.s.<br />

from Clementine Churchill regarding the snuff box, together with<br />

a portrait framed and glazed. £200 - £300<br />

358. Churchill (Clementine S.) ty p e d le t t e r s i g n e d to fl o r e n c e<br />

gl o v e r, 1p. & envelope, 8vo, 10, Downing Street, 1st May 1953,<br />

“The Prime Minister and myself were delighted to get your telegram<br />

of congratulations”, together with a portrait, framed and glazed.<br />

£80 - £120<br />

BLOOMSBURY AUCTIONS<br />

73


74<br />

BLOOMSBURY AUCTIONS<br />

Lot 359<br />

359. Sherriffs (Robert Stewart) wi n s t o n ch u r c h i l l, bust-length<br />

caricature portrait, pen and black ink, 200 x 130mm., signed and<br />

indistinctly dated, lower right, captioned ‘Churchill’, lower left,<br />

framed and glazed, [?1940]; with another bust portrait by another<br />

hand, pen and ink heightened with body white, indistinctly signed<br />

lower right, 195 x 180mm (7 3/4 x 7 in), both framed and glazed,<br />

(2). £150 - £200<br />

359A. Churchill (Clementine S.) ty p e d le t t e r s i g n e d to “my<br />

d e a r mr s da ly ”, 1p., 8vo, 28 Hyde Park Gate, October 1949, I<br />

am opening this Christmas Fair. Do come and buy some of your<br />

presents there”, framed and glazed,. £100 - £150<br />

Lot 360<br />

360. Low (Sir David Alexander Cecil, 1891-1963) wa i t i n g<br />

wh a l e, Sir Winston Churchill atop a ship reading a book titled<br />

Power & Party, with a large whale alongside the ship, pen and ink,<br />

with watercolour wash, signed lower right, 370 x 410mm (14 1/2<br />

x 16 in); with Suez Styles, Churchill at a tailors, pen and ink, with<br />

watercolour wash and correction fluid, signed lower left, 360 x<br />

390mm (14 x 15 1/4 in), framed and glazed (2). £150 - £200<br />

361. Churchill’s State Funeral.- Worth (Leslie) th e st at e<br />

fu n e r a l o f sir wi n s t o n ch u r c h i l l, 7 small watercolours of<br />

various stages of the funeral, each 55 x 72mm., framed and glazed,<br />

n.d. [c. 1965]. £100 - £150<br />

Lot 362<br />

362. Steadman (Ralph, b.1936) wi n s t o n ch u r c h i l l, with a rifle<br />

penetrating his head, the barrel resembling a cigar, lithograph,<br />

signed in ink, lower left, 500 x 720mm (19 3/4 x 28 1/4 in), surface<br />

dirt, and minor spotting, framed and glazed. £100 - £150<br />

363. Churchill (Winston S.) [wo r k s], 25 vol., Centenary First<br />

Editions series, 1974; Churchill (Winston S.) & Martin Gilbert.<br />

[Works], vol. 1, 3-8 in 11, lacks vol. 2, 1994, plates, original<br />

morocco, gilt, g.e., 8vo (37). £600 - £800<br />

Lot 364<br />

364. Churchill (Winston S.).- th e to ry co n f e r e n c e, 1974,<br />

inscribed “Why, I remember Tony as an up-and-coming Deputy<br />

Prime Minister when I was a Young Conservative”, Churchill skips<br />

eagerly ahead, pen and ink over pencil, heightened with chalk,<br />

300 x 450mm (11 3/4 x 17 3/4 in), slight surface dirt, signed upper<br />

left; Winston Churchill’s grave-stone, surrounded by questioning<br />

figures, pen and ink, signed upper centre, 280 x 370mm (11 x 14 1/2<br />

in), minor surface stains; ‘I took precautions against the Russians<br />

in 1945’, pen and ink, heightened with watercolour wash, signed<br />

lower right, 250 x 355mm (9 3/4 x 14 in), surface dirt, finger-soiling<br />

and handling creases, all framed and glazed (3). £150 - £200


365. Amis (Kingsley) Br i g h t no v e m B e r, first e d i t i o n, notes in<br />

pencil to 1 poem, original boards, dust-jacket, price-clipped, spine<br />

browned, spine ends a little chipped, short tear to base of spine,<br />

otherwise good, 8vo, The Fortune Press, 1947. £150 - £200<br />

*** The rare first edition of the author’s first book, a collection of<br />

poems.<br />

366. Auden (W.H.) po e m s , original wrappers, lacking lower<br />

flap, rebacked, with original backstrip laid-down, [Bloomfield,<br />

A2a], 1930; Look, Stranger!, v. s. pr i t c h e t t’s c o p y, w i t h h i s<br />

i n i t i a l e d B o o k p l at e to pa s t e d o w n a n d inscription f r o m h i s w i f e,<br />

jacket restored at spine ends and corners, spine a little faded,<br />

[Bloomfield, A13a], 1936; Nones, jacket a little browned at spine<br />

and head, [Bloomfield, A32a], New York, 1951; The Magic Flute,<br />

illustrations, dust-jacket faded at spine and margins, [Bloomfield,<br />

A37a], New York, 1956, first e d i t i o n s, all but the first in original<br />

cloth or boards and dust-jackets; and 7 others, Auden, 8vo (11).<br />

£250 - £350<br />

Lot367<br />

367. Burke (Thomas), “Paul Pry”. fo r yo u r co n v e n i e n c e,<br />

first e d i t i o n, map endpapers depicting the whereabouts of public<br />

conveniences, head- and tail-piece, endpapers a little spotted,<br />

original pictorial cloth, dust-jacket, spine ends and corners a litle<br />

chipped, spotted, 8vo, 1937. £120 - £180<br />

*** A very good copy of a rare work on London’s public toilets,<br />

which essentially comically depicts the meeting places of the<br />

homosexual community of the time.<br />

368. Burroughs (William) th e ti c k e t t h at ex p l o d e d, first<br />

e d i t i o n, original green printed wrappers, dust-jacket with some<br />

creasing and slight wear to extremities, top edge with slight stains,<br />

Paris, Olympia Press, 1962; and another by the same author, 8vo<br />

(2) £150 - £200<br />

❦ Modern First Editions<br />

Lot 369<br />

369. Burroughs (William) de a d fi n g e r s ta l k, first e d i t i o n,<br />

s i g n e d B y t h e a u t h o r o n t i t l e, original cloth, dust-jacket slightly<br />

rubbed and with small piece missing from lower wrapper, overall<br />

very good, 8vo, 1963. £120 - £180<br />

370. Carter (Jimmy) ke e p i n g fa i t h: me m o i r s o f a pr e s i d e n t,<br />

first e d i t i o n, l i m i t e d e d i t i o n s i g n e d B y t h e a u t h o r, illustrations,<br />

original cloth, spine very slightly faded, slip-case, 8vo, Toronto<br />

etc., 1982. £80 - £120<br />

Lot 371<br />

371. Chatwin (Bruce) in pata g o n i a, first e d i t i o n o f t h e a u t h o r’s<br />

first B o o k, illustrations, map endpapers, dust-jacket, spine very<br />

slightly yellowed at base, but without the usual fading, otherwise a<br />

very good copy, 8vo, 1977. £200 - £300<br />

372. Chatwin (Bruce) in pata g o n i a, plates, ex-library copy,<br />

with stamps to title and to the head of some pp., original boards,<br />

dust-jacket, without any of the usual fading, 1977; The Viceroy<br />

of Ouidah, original cloth-back boards, dust-jacket, light surface<br />

soiling to lower panel, very slightly creased at head, 1980; The<br />

Songlines, first am e r i c a n e d i t i o n, s i g n e d B y t h e a u t h o r to<br />

endpaper, colour illustrations, original patterned gilt morocco,<br />

Franklin, Penn, 1987, 8vo (3). £150 - £200<br />

BLOOMSBURY AUCTIONS<br />

75


76<br />

373. Conrad (Joseph) co n r a d’s ma n i f e s t o pr e fa c e to a ca r e e r,<br />

one of 1000 copies, printed in red and black, portrait frontispiece<br />

by Leonard Baskin, plates, original marbled boards, slip-case, 4to,<br />

Northampton, Mass., Gehenna Press, 1966. £60 - £80<br />

BLOOMSBURY AUCTIONS<br />

Lot 374<br />

374. Day-Lewis (Cecil) th e ne w B o r n, bifolium, number 7 of 200<br />

copies, t h i s a s i g n e d p r e s e n tat i o n c o p y f r o m t h e a u t h o r, a few<br />

minor marks, 8vo, The Favil Press of Kensington, 1957.<br />

£120 - £180<br />

*** A scarce little ephemeral piece. The presentation inscription<br />

reads ‘Austen, with love from, Cecil & ?, 1.7.57’. Austen Williams<br />

was one time vicar of St. Martin-in-the-Fields.<br />

375. De La Mare (Walter) lo v e, Jo y c e gre n f e l l’s c o p y, w i t h<br />

h e r s i g n at u r e to e n d pa p e r, s i g n e d B y t h e a u t h o r w i t h m a n u s c r i p t<br />

p o e m in t h e a u t h o r’s h a n d to e n d pa p e r, A.L.s from Reggie Grenfell<br />

to Paul Scofield, illustrations, original boards, dust-jacket, spine<br />

faded, 1943; Memoirs of a Midget, number 84 of 210 copies, signed<br />

by the author, 1921; The Veil, number 59 of 250 copies, signed<br />

by the author, 1921; The Connoisseur, signed by the author, 1926<br />

§ Schnitzler (Arthur) Casanova’s Homecoming, 1 of 250 copies,<br />

1922, first e d i t i o n s, last 4 in original buckram-backed boards, 8vo<br />

(5) £100 - £150<br />

376. Durrell (Lawrence) Ju s t i n e, first e d i t i o n, original boards,<br />

dust-jacket, a little browned at spine, but otherwise very good, 8vo,<br />

1957. £300 - £400<br />

377. Eliot (T.S.) fo u r qu a rt e t s, first en g l i s h e d i t i o n, A.L.s. from<br />

Rupert Hart-Davis to Paul Scofield, thanking him for a recital<br />

of Eliot’s poetry, attractive modern morocco, spine gilt, [Gallup<br />

A43b], 8vo, 1944. £150 - £200<br />

378. Fighting Terms, gu n n (th o m) first e d i t i o n, s i g n e d<br />

p r e s e n tat i o n c o p y f r o m t h e a u t h o r, original cloth, lightly soiled,<br />

8vo, Oxford, 1954. £150 - £200<br />

*** The author’s first book. The charming inscription reads: “I<br />

am seizing this opportunity, and this empty fly leaf, to jot down<br />

a few words - or rather, a few thoughts if they can be so called....<br />

The young poet - or, properly speaking, the Young Poet - is, par<br />

excellence, a young writer - or, properly speaking, a Young Writer.<br />

Now, the Young Writer has to make both ends meet (these days),<br />

and how better to make them meet than by bringing them together.<br />

And how better to bring them together than by charging 8/6 for a<br />

book and then signing it: Dear Jane, I love you. Thom.”<br />

Lot 379<br />

379. Fleming (Ian) th e spy wh o lo v e d me, first e d i t i o n, original<br />

boards, dust-jacket, a n e x c e l l e n t c o p y, 8vo, 1962. £200 - £300<br />

Lot 380<br />

380. Fowles (John) th e co l l e c to r, first e d i t i o n o f t h e a u t h o r’s<br />

first B o o k, s i g n e d B y t h e a u t h o r to endpaper, original rustcoloured<br />

boards, dust-jacket, spine lightly rubbed at base with<br />

short tear to head, otherwise an excellent copy, 8vo, 1963.<br />

£350 - £450<br />

*** This issue was preceeded by the very scarce black boards<br />

issue, and possibly an even scarcer grey boards one before that. It<br />

is however still hard to find, especially in this condition.<br />

Lot 381<br />

381. Graves (Robert) fairies a n d fu s i l i e r s, first e d i t i o n, modern<br />

black morocco by Sangorski & Sutcliffe, with light and dark brown<br />

onlays depicting a view across no man’s land with trees and barbed<br />

wire, g.e., cloth slipcase, 8vo, 1917. £200 - £300<br />

*** An important collection of poetry that celebrates the author’s<br />

relationship with Siegfried Sassoon.


Lot 382<br />

382. Greene (Graham) th e he a rt o f t h e mat t e r, first e d i t i o n,<br />

original cloth, dust-jacket, spine ends restored, repaired tear to<br />

head of lower flap, some surface creasing to joints and fore-edge,<br />

still a good copy, 8vo, 1948. £150 - £200<br />

383. Greene (Graham) ye s a n d no a n d fo r wh o m t h e Be l l<br />

ch i m e s, n u m B e r 56 o f 750 c o p i e s s i g n e d B y t h e a u t h o r,1983; The<br />

Great Jowett, n u m B e r 96 o f 525 c o p i e s s i g n e d B y t h e a u t h o r, 1981,<br />

both in original cloth, transparent dust-jackets, 8vo (2).<br />

£150 - £200<br />

Lot 384<br />

384. Heaney (Seamus) and others. th e fo u r el e m e n t s, Series<br />

1-4 [a complete set], e a c h s e r i e s w i t h 4 B r o a d s i d e p o e m s l i m i t e d to<br />

125 c o p i e s s i g n e d B y t h e c o n t r i B u t o r s, wood-engraved illustration<br />

printed in a different colour above a poem on each of the four<br />

elements, each numbered and signed by the poet, loose as issued<br />

in original wrapper, folio, Whittington Press, for the Friends of the<br />

Cheltenham Festival of Literature, 1989-92. £500 - £700<br />

*** Produced each year for the Cheltenham Festival of Literature,<br />

the contributors are Seamus Heaney, Laurie Lee, Lawrence Sail<br />

and Jenny Joseph. The poets took it in turns to write on each<br />

element while a different illustrator was used each year, namely<br />

Hellmuth Weissenborn, John O’Connor, Gwenda Morgan and<br />

Miriam Macgregor.<br />

385. Heaney (Seamus) and others. po e m s f o r al a n ha n c o x,<br />

n u m B e r 40 o f 50 c o p i e s, s i g n e d B y t h e c o n t r i B u t o r s to endpaper,<br />

2 w o o d c u t t i t l e-pa g e p r o o f s, s i g n e d B y t h e a rt i s t miriam<br />

ma c g r e g o r, inserted into sleeve and back, original moroccobacked<br />

patterned cloth, slipcase, Risbury, Whittington Press, 1993;<br />

and another copy of the same, 1 of 350 copies, sm. folio (2).<br />

£150 - £200<br />

*** Contributors include Seamus Heaney, Laurie Lee, Ted Hughes,<br />

Melvyn Bragg, D.J.Enright, U.A.Fanthorpe, P.J.Kavanagh and<br />

Michael Foot.<br />

386. Hemingway (Ernest) th e ol d ma n a n d t h e se a, first<br />

e d i t i o n, light spotting and strip of soiling to half-title, bookplate<br />

to pastedown, original cloth, dust-jacket, spine a little faded, spine<br />

ends rubbed with some loss to base, otherwise good, New York,<br />

1952; Across the River and Into the Trees, first en g l i s h e d i t i o n,<br />

endpapers spotted, stamp to rear endpaper, ownership inscription<br />

to front endpaper, original cloth, a little spotted, dust-jacket, spine<br />

faded, spine ends creased, a little rubbed at extremities, 1950; and<br />

another, the first English edition of the first, 8vo (3) £150 - £200<br />

Lot 387<br />

387. Isherwood (Christopher) mr no r r i s ch a n g e s tr a i n s, first<br />

e d i t i o n, original cloth, spine a little darkened, dust-jacket, a little<br />

tanned, spine browned, overall a very good example, [Woolmer<br />

369], 8vo, Hogarth Press, 1935. £1,000 - £1,500<br />

388. Isherwood (Christopher) go o d B y e to Be r l i n, first e d i t i o n,<br />

light spotting to endpapers and half-title, original cloth, spine<br />

browned, dust-jacket, designed by Humphrey Spender, slight<br />

restoration to spine ends and fore-edge corners, light marking to<br />

back panel, overall a very good copy, 8vo, Hogarth Press, 1939.<br />

£1,500 - £2,000<br />

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Lot 389<br />

389. King (Stephen) ca r r i e, first en g l i s h e d i t i o n, browning,<br />

original boards, dust-jacket, price-clipped, upper panel a little<br />

yellowed with short tear to head, slightly rubbed at edges, otherwise<br />

a good example, 8vo, 1974. £700 - £800<br />

Lot 390<br />

390. Larson (Steig) th e gi r l w i t h t h e dr a g o n tat t o o , 2008;<br />

The Girl who Played with Fire, 2009; The Girl Who Kicked the<br />

Hornets’ Nest, 2009, first en g l i s h e d i t i o n s, original boards, dustjackets,<br />

first and last volume very slightly off square otherwise fine,<br />

8vo. £600 - £800<br />

391. Lee (Laurie) ci d e r with ro s i e, 1959; My Many-Coated Man,<br />

1955; As I Walked Out One Midsummer Morning, 1969, first e d i t i o n s,<br />

original boards, dust-jackets, all near-fine, 8vo (3). £100 - £150<br />

Lot 392<br />

392. Maugham (Somerset) th e su m m i n g up, first e d i t i o n,<br />

p r e s e n tat i o n inscription, s i g n e d, to e.so m e rv i l l e tat t e r s a l l, to<br />

half-title of another copy, loosely inserted, A.L.s. from Tattersall,<br />

loosely inserted, original boards, dust-jacket, spine ends a little<br />

knocked, but overall a very good copy, 8vo, 1938. £150 - £200<br />

Lot 393<br />

393. Murdoch (Iris) th e fl i g h t f r o m t h e en c h a n t e r, first e d i t i o n,<br />

original boards, dust-jacket, spine ends and corners restored, spine<br />

a little browned, light surface creasing to upper panel, but overall<br />

a very good copy, 8vo, 1956. £150 - £200<br />

394. Naipaul (V.S.) a ho u s e f o r mr Bis w a s, first e d i t i o n,<br />

i n s c r i B e d B y t h e a u t h o r to title, original cloth, dust-jacket, wat e r<br />

d a m a g e d t h r o u g h o u t with warped boards, frayed and faded jacket<br />

and stains to endpapers, 8vo, 1961. £200 - £300<br />

395. Pasternak (Boris) do c to r zh i va g o, first a u t h o r i s e d ru s s i a n<br />

l a n g u a g e e d i t i o n, light browning to margins, original boards, spine<br />

slightly browned, dust-jacket, very slightly cocked, small tears to jacket<br />

edges, corners rubbed, 8vo, Milan, Feltrinelli, 1957. £600 - £800<br />

*** Very rare and preceded only by a pirated edition which is<br />

virtually unobtainable. The dust-jacket on this copy is not priceclipped,<br />

showing the price 42s. net.<br />

396. Philby (Harry St. John Bridger) th e em p t y qu a rt e r, halftitle,<br />

frontispiece, 2 folding maps, plates, short repaired tear to head<br />

of spine, 1933; Sheba’s Daughters, folding map, plates, inscription<br />

to endpaper, cloth partly faded, 1939 § Doughty (Charles M.)<br />

Travels in Arabia Deserta, With an Introduction by T.E.Lawrence,<br />

New and definitive edition, 2 vol., 2 folding maps, plates and<br />

illustrations, 1936 § Stark (Freya) The Southern Gates of Arabia,<br />

folding map, plates, inscription to endpaper, 1936 § Gaury (Gerald<br />

De) Arabia Phoenix, plates, jacket chipped at spine ends, 1946, all<br />

but the third first e d i t i o n s, original cloth or buckram, the last with<br />

dust-jacket, 8vo & 4to (6) £200 - £300<br />

396A. Pound (Ezra) and others. th e Bo o k o f t h e po e t s’ cl u B,<br />

first e d i t i o n, original wrappers, a little chipped at edges, spine a<br />

little darkened, otherwise good, sm. 4to, Christmas, 1909.<br />

£300 - £400<br />

*** Contains the first printing of four poems by Pound: In<br />

Epitaphium, Epigram, Song and Parcelus in Excelsis, this is the<br />

only edition of the Poets’ club to which Pound contributed.


Lot 397 Lot 398 Lot 399<br />

397. Powell (Anthony) a da n c e to t h e mu s i c o f ti m e, 10 vol only<br />

(lacking A Buyer’s Market and The Acceptance World), comprising A<br />

Question of Upbringing, reprint, dust-jacket spine browned, chipped at<br />

corners and spine ends; At Lady Molly’s, dust-jacket a little browned<br />

at lower panel and rubbed at spine ends, else very good; Casanova’s<br />

Chinese Restaurant, dust-jacket a little browned at spine and lower<br />

panel else very good; The Kindly Ones, dust-jacket browned at spine,<br />

otherwise good; The Valley of Bones, near fine; The Soldier’s Art,<br />

near fine; The Military Philosophers, dust-jacket price-clipped, lower<br />

panel spotted, otherwise good; Books Do Furnish a Room, bookplate<br />

to pastedown, near fine; Temporary Kings, a fine copy; Hearing Secret<br />

Harmonies, near fine copy; all but the first first e d i t i o n s, original<br />

cloth, dust-jackets, 1951-77; Agents and Patients, first e d i t i o n, A.L.s.<br />

and A.C.s. by the author loosely inserted, original cloth, spine slightly<br />

faded, a little cocked, 1936; and 4 others, Anthony Powell, including<br />

proof copy of The Soldier’s Art, 8vo (15). £600 - £800<br />

*** The letter, dated 1945, gives an excellent insight into Anthony<br />

Powell’s opinion of Oxford before he satirised parts of it in The<br />

Dance to the Music of Time: ‘How absolutely awful Oxford is. The<br />

‘old port’ side was always scanty enought, but, now that it has been<br />

completely withdrawn, it’s like being a research student at Belsen.”<br />

398. Rhys (Jean) th e le f t Ba n k a n d ot h e r st o r i e s, first e d i t i o n,<br />

modern orange morocco by Sangorski & Sutcliffe, with grey and<br />

yellow onlays depicting clouds and water, , and black and gilt<br />

onlays depciting the skyline of the left bank, g.e., cloth slipcase,<br />

8vo, 1927. £300 - £400<br />

*** The author’s first book. In an interview shortly before her death,<br />

Rhys commented ““If I could choose I would rather be happy than<br />

write ... If I could live my life all over again, and choose ... “.<br />

399. Salinger (J.D.) th e cat c h e r in t h e ry e, first en g l i s h e d i t i o n,<br />

small ownership inscription on front free endpaper, original boards,<br />

lightly sunned at head and base, dust-jacket, issue without portrait,<br />

chipped at corners and spine ends, small portion of loss to base of<br />

upper panel and head of lower panel, light surface soiling to lower<br />

panel, 8vo, 1951. £600 - £700<br />

400. Smith (Stevie) fr a n c e s c a in wi n t e r, limited edition, single<br />

broadside folio leaf, signed by the author, Poem of the Month Club,<br />

1970; Mother, What is Man?, illustrations by the author, 1942 §<br />

Plath (Sylvia) Crossing the Water, 1971 § Hughes (Ted) Birthday<br />

Letters, 1998, first e d i t i o n s, all but the first in original cloth or<br />

boards and dust-jackets, second and third browned at spines; and 3<br />

others, Plath reprints, 8vo (7). £100 - £150<br />

401. Swift (Graham) le a r n i n g to sw i m, s i g n e d B y t h e a u t h o r to<br />

title, 1982; Waterland, 1983; Last Orders, s i g n e d B y t h e a u t h o r<br />

to title, 1996 § Hill (Susan, editor) New Stories 5, An Art Council<br />

Anthology, s i g n e d B y t h e e d i t o r a n d gr a h a m sw i f t, to head of<br />

Swift’s story Cliffedge, 1980, first e d i t i o n s, original boards, dustjackets,<br />

8vo (4) £200 - £300<br />

Lot 402<br />

402. Waugh (Evelyn) a little le a r n i n g, first e d i t i o n, s i g n e d B y t h e<br />

a u t h o r to title, plates, original boards, a little spotted, dust-jacket,<br />

spine very slightly faded, otherwise good, 8vo, 1964. £350 - £450<br />

*** The first volume of Waugh’s autobiography.<br />

Lot 403<br />

403. Wells (H.G.) th e wa r o f t h e wo r l d s, first e d i t i o n, 16 pp.<br />

advertisments at end, dated 1897, occasional spotting, book label<br />

of Samuel Gurnery on paste-down and name on free endpaper,<br />

original grey cloth, little rubbed, ends of spine knocked, 8vo,<br />

1898. £400 - £600<br />

404. Wouk (Herman) th e ho p e, n u m B e r 269 o f 300 c o p i e s s i g n e d By<br />

t h e a u t h o r, original cloth, slip-case, 8vo, Boston etc., 1993. £40 - £60<br />

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CHILDREN’S & ILLUSTRATED BOOKS,<br />

PRINTS & ORIgINAL ARTWORK,<br />

PRIVATE PRESS & LIMITED EDITIONS


405. [Bannerman (Helen)] li t t l e de g c h i e-h e a d, an Awful Warning<br />

to Bad Babas, first e d i t i o n, 36 full-page coloured illustrations by<br />

the author, including frontispiece, original pictorial cloth, small<br />

stain to page fore-edges, James Nisbet & Co., 1903; The Story<br />

of Little Black Quibba, first e d i t i o n, coloured frontispiece and<br />

35 full-page illustrations, original pictorial cloth, head of spine<br />

split slightly rubbed, contemporary inscription to front end-paper,<br />

James Nisbet &. Co, [1902]; The Story of The Teasing Monkey,<br />

first e d i t i o n, 35 full-page coloured illustrations by the author,<br />

original boards, pictorial label on upper cover, slightly worn and<br />

shaken, contemporary inscription to front end-paper, James Nisbet<br />

& Co., [1906]; and a quantity of other similar, sm.8vo (18).<br />

£300 - £400<br />

406. ch u m s, an il l u s t r at e d pa p e r f o r Bo y s, 22 vol., bound from<br />

the original issues, illustrated throughout in black, white and<br />

colour, original decorated cloth, some a little rubbed and worn,<br />

4to, 1897, 1900, 1918, 1920-1929 (2 copies 1926), 1931, 1934-<br />

1941. £300 - £400<br />

Lot 407<br />

407. Clarke (Harry).- Andersen (Hans Christian) fa i ry ta l e s,<br />

n u m B e r 76 o f 125 c o p i e s s i g n e d B y t h e a rt i s t, decorative title,<br />

plates and decorations by Harry Clarke, 16 plates colour and<br />

mounted with captioned tissue guards, spotted, stains to lower<br />

edges, bookplate of Victor Waddington, original pictorial vellum,<br />

gilt, t.e.g., others uncut, lightly soiled, spine slightly wrinkled, with<br />

publisher’s original box (rather worn and defective), 4to, Harrap,<br />

[1916]. £1,500 - £2,000<br />

*** The illustrator’s first book.<br />

❦ Children’s Books and Juvenilia<br />

Lot 408<br />

408. Clarke (Harry).- Walters (Lettice d’Oyley) th e ye a r’s<br />

at t h e sp r i n g: An Anthology of Recent Poetry, n u m B e r 62 o f<br />

250 c o p i e s s i g n e d B y t h e a rt i s t, 12 colour plates, 12 plain plates<br />

and decorations by Harry Clarke, a little light marginal soiling,<br />

bookplate of Victor Waddington, original pictorial vellum, gilt,<br />

t.e.g., others uncut, a little soiled, upper cover very slightly faded,<br />

4to, Harrap, 1920. £300 - £500<br />

409. Clarke (Harry).- Poe (Edgar Alllan) ta l e s o f my s t e ry a n d<br />

im a g i n at i o n, plates and illustrations by Harry Clarke, some colour<br />

and tipped in, light spotting, bookplate of Victor Waddington,<br />

original black cloth with illustration mounted on upper cover, spine<br />

gilt, t.e.g., others uncut, a little rubbed and marked, 4to, [1928].<br />

£80 - £120<br />

Lot 410<br />

410. cl i c k ta B l e t s, set of 9 wooden ‘click-tablets’, religious and<br />

country images pasted to each side, laced together with linen<br />

ribbons, each tablet, 35x60mm., n.p., [c.1890]. £100 - £150<br />

Lot 411<br />

411. Dean & Son. ol d wo m a n a n d he r si lv e r pe n n y, first<br />

e d i t i o n, 8 hand-coloured moveable images by levers, original<br />

pictorial boards, rubbed at extremities, hinges starting to crack, a<br />

very good copy, [Muir, 235], tall 8vo, [c.1865]. £700 - £900<br />

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82<br />

BLOOMSBURY AUCTIONS<br />

Lot 412<br />

412. Dean & Son. de a n’s mo v e a B l e do g s pa rt y, first e d i t i o n,<br />

8 hand-coloured moveable images, 2 possibly 3 levers replaced,<br />

original cloth backed pictorial boards, a fine copy of this scarce<br />

item, tall 8vo, Dean & Son, [1859]. £1,000 - £1,200<br />

Lot 413<br />

413. Dean & Son. th e ro ya l pu n c h a n d Ju d y a s pl ay e d B e f o r e<br />

t h e qu e e n, first e d i t i o n, 7 hand-coloured moveable illustrations,<br />

each image with some small restoration to a small tear or leaver,<br />

front endpaper corner restored, hinges strengthened, original<br />

decorated wrappers, small piece missing from lower corner front<br />

wrapper, slightly rubbed, tall 8vo, Dean & Son, [1859].<br />

£800 - £1,200<br />

Lot 414<br />

414. Detmold (Edward J.).- Aesop. th e faBl e s, one of 750<br />

copies, s i g n e d B y t h e a rt i s t, 25 tipped-in colour plates by Edward<br />

J Detmold, endpapers browned, but else internally crisp and clean,<br />

original blind-stamped pictorial cloth, spine gilt, some waterstaining<br />

to foot of spine, 4to, 1909. £150 - £200<br />

Lot 415<br />

415. [Dodgson (Charles Lutwidge)], “Lewis Carroll” al i c e’s<br />

ad v e n t u r e s in wo n d e r l a n d, ninth thousand, 1867; bound with<br />

Through the Looking Glass and What Alice Found There, first<br />

e d i t i o n, 1872, 2 vol, full red morocco by Bayntun-Riviere, Bath,<br />

gilt, g.e., contemporary inscription on half-titles, fine copies, 8vo<br />

(2). £600 - £800<br />

416. Dulac (Edmund).- Quliier-Couch (A.T.) th e sl e e p i n g<br />

Be a u t y a n d o t h e r fa i ry ta l e s, first t r a d e e d i t i o n, tipped-in colour<br />

frontispiece and 29 plates by Edmund Dulac, original publisher’s<br />

pictorial cloth, [1910]; Stories from Hans Andersen, first t r a d e<br />

e d i t i o n, tipped-in colour frontispiece and 27 plates by Edmund<br />

Dulac, original gilt decorated cloth, covers slightly damp stained,<br />

front hinge cracked, 1912, 4to (2). £300 - £400<br />

Lot 417<br />

417. Educational.- al p h a B e t c a r d s, a set of 27 18th century<br />

engraved hand-coloured alphabet and numeric cards for teaching<br />

children, slightly soiled in places, top left corner of the letter ‘J’<br />

card in facsimile, 70 x 40mm. [c.1790] (27). £1,000 - £1,200


Lot 418<br />

418. Historical Amusement.- a ne w a n d en t e rta i n i n g ga m e<br />

o n t h e hi s t o ry o f en g l a n d, 35 hand-coloured portrait cards of<br />

English kings and queens from William I to Victoria, 96 of 100<br />

smaller cards with answers to the questions printed in a booklet<br />

supplied, housed in original wooden box with sliding decorated<br />

lid soiled and scratched, box with new base and lacking partition,<br />

120x90x55mm. N.Carpenter, [c.1850]. £150 - £200<br />

Lot 419<br />

419. [I.A.] Je u d e pat i e n c e ge d u l d sp e i l, early jigsaw, lithograph<br />

with text in German, hand-coloured, on wood, original paper<br />

covered wood and card tray, original paper-covered slip-case<br />

with label, hand-decorated, small part missing affecting text from<br />

jigsaw, slightly rubbed, n.p., n.d. [Germany, c.1790]. £300 - £400<br />

Lot 420<br />

420. Jigsaw.- vi c t o r i a n w o o d-B l o c k J i g s aw, 6 chromolithograph<br />

with wooden block jigsaw puzzle of same, each block made to<br />

rattle, original wooden box, last image from jigsaw on lid, n.p.,<br />

[c.1860]. £200 - £300<br />

Lot 421<br />

421. -. vi c t o r i a n w o o d-B l o c k J i g s aw 6 hand-coloured engravings<br />

with wooden block jigsaw puzzle of same, original wooden box<br />

with sliding top, last image from jigsaw on lid, n.p., [c.1850].<br />

£150 - £200<br />

Lot 422<br />

422. Martin (Sarah Catherine) th e mo v e a B l e mo t h e r hu B B a r d)<br />

first e d i t i o n, 8 hand-coloured movable images, soiled, some small<br />

repairs, all images complete, original pictorial cloth backed<br />

boards, rubbed at extremities, contemporary inscription pasted to<br />

front free endpaper, tall 8vo, Dean & Son, [c.1857]. £700 - £900<br />

Lot 423<br />

423. Meggendorf (Lothar) al w a y s Jo l ly ! first e d i t i o n, printed<br />

on double leaves joined at the fore-edge, with mechanical pulltabs<br />

mounted on rivets to operate the movable pictures, one image<br />

with small repair to elbow, some with small tears,3 with leavers<br />

repaired, original pictorial cloth backed boards, slight crack to<br />

front hinge, H.Grevel & Co., folio, 1890. £500 - £700<br />

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BLOOMSBURY AUCTIONS<br />

Lot 424<br />

424. me ta m o r p h o s i s e s w i t h J u v e n i l e p i c t u r e s 16 metamorphic<br />

colour images on wooden blocks, contained within original wooden<br />

box, sliding lid, engraved coloured title to lid in 4 languages, each<br />

full image c.75x52mm, box 180x235x25mm. n.p., [c.1830].<br />

£200 - £300<br />

Lot 425<br />

425. Milne (A.A.) wi n n i e-t h e-po o h, original pictorial green cloth,<br />

gilt, 1926; Now We Are Six, original pictorial burgundy cloth,<br />

gilt, 1927; The House at Pooh Corner, original pink pictorial cloth,<br />

gilt, 1928, first e d i t i o n s, with dust-jackets, slightly dusty, some<br />

small tears to extremities, a larger tear to the rear of the first title<br />

with loss, 8vo (3). £1,000 - £1,500<br />

Lot 426<br />

426. Müller (Guerin) Ja c q u e s Jo v i a l, le fi l s ai n e d e mo n s.r e t<br />

mm e . Jo v i a l, first e d i t i o n, 8 hand-coloured illustrations, cover<br />

and each page with hole to allow face made from gutta percha to<br />

protrude from the last page, face dark and very slightly pressed,<br />

original decorated cloth backed boards, slightly rubbed at<br />

extremities, [Not in Copac or WorldCat], tall 8vo, Guerin Müller,<br />

Paris, [1861]. £1,000 - £1,200<br />

Lot 426A<br />

426A. Nielsen (Kay).- Asbjörnsen (P.C.) & Jorgen I. Moe. ea s t<br />

o f t h e su n a n d we s t o f t h e mo o n, pictorial title and 25 tipped-in<br />

colour plates by Kay Nielsen, black and white illustrations, one<br />

or two leaves with light stains to lower margin, original yellow<br />

cloth lettered in red, New York, George H.Doran, n.d. § Walters<br />

(L.D.O., editor) The Year’s at the Spring, colour plates by Harry<br />

Clarke, modern natural calf with design in red from original cloth<br />

binding mounted in panel on upper cover, slightly marked, New<br />

York, Brentano’s, 1920; and 3 others, illustrated, 8vo & 4to (5)<br />

£250 - £350<br />

Lot 427<br />

427. Nister (Ernest) pe e p s h o w pi c t u r e s, 4 double-page<br />

chromolithographed pop-ups, original cloth backed pictorial<br />

boards, slightly rubbed at corners, [1894] § Wain (Louis).-<br />

Burnaby (Arthur) Days in Catland with Louis Wain, 4 large<br />

coloured illustrations in panoramic form, slotted to take fourteen<br />

cut-out figures, pictorial upper cover, text, and directions on back,<br />

separated at folds, Raphael Tuck and Sons, [c.1905]; Holiday<br />

Times, Calender for 1907, fold out pictorial images by Louis Wain,<br />

repaired at fold, lacking operation ribbons, otherwise fine, Raphael<br />

Tuck & Sons, 1907, v.s. (3). £150 - £200


428. pe e p s i n t o fa i ry l a n d: a pa n o r a m a pi c t u r e Bo o k o f fa i ry<br />

st o r i e s, 6 chromolithographed pop-up plates in full working<br />

order, illustrations, occasional spotting to text, lower endpaper<br />

becoming loose, original cloth-backed pictorial boards, some<br />

suface scratching, corners bumped, rubbed and soiled, oblong 4to,<br />

[c.1895]. £350 - £450<br />

Lot 429<br />

429. Potter (Beatrix) th e ta l e o f pe t e r ra B B i t, first wa r n e<br />

e d i t i o n, first, s e c o n d o r t h i r d p r i n t i n g, coloured frontispiece and<br />

30 plates, vignette on title-page,, original grey boards, pictorial<br />

label on upper cover, plain leaf-pattern endpapers, hinge cracked<br />

between p. 8 & 9, presentation inscription dated 1902 to front endpaper,<br />

pencil scribble to verso of frontispiece, a few light finger<br />

marks, 16mo, Frederick Warne and Co., [1902]. £700 - £900<br />

430. Potter (Beatrix) th e ta l e o f pe t e r ra B B i t, first Warne edition,<br />

first, second or third printing, colour plates vignette on title-page,<br />

plain leaf-pattern endpapers, lacking front free endpaper, stitching<br />

loose, sticky tape residue on verso hinge p.17 &18, lower hinge<br />

firm, original grey boards, pictorial label on upper cover, soiled and<br />

lacking most of spine, 16mo, Frederick Warne and Co., [1902].<br />

£200 - £300<br />

431. Potter (Beatrix) th e ta i l o r o f gl o u c e s t e r, first e d i t i o n,<br />

2n d issue, lacking part of spine, 1903; The Tale of Two Bad Mice,<br />

first e d i t i o n, 1st o r 2n d issue, 1904; The Tale of Jeremy Fisher,<br />

first e d i t i o n, 1st o r 2n d issue, 1906; The Story of A Fierce Bad<br />

Rabbit, [1913]; The Tale of Ginger & Pickles, 1930; The Tale of<br />

Mr. Tod, later issue, 1912; The Tale of Pigling Bland, first e d i t i o n,<br />

1st o r 2n d issue, 1913; original boards, illustrations to upper<br />

covers, most with contemporary inscriptions, rubbed, a few with<br />

slight splits to joints; and 3 others, 16mo (10). £500 - £700<br />

Lot 432<br />

432. Potter (Beatrix) th e ta l e o f sq u i r r e l nu t k i n, first e d i t i o n,<br />

t h i r d p r i n t i n g, 27 coloured illustrations including frontispiece,<br />

original boards, pictorial label on upper cover, slightly rubbed,<br />

contemporary inscription to half-title, 16mo, Frederick Warne and<br />

Co., 1903. £250 - £350<br />

Lot 433<br />

433. Potter (Beatrix) th e pie a n d t h e pat t y-pa n, first e d i t i o n,<br />

e a r ly p r i n t i n g, colour plates and illustrations, broken, inscription<br />

on plain mottled lavender front endpaper, original pictorial brown<br />

boards, contemporary inscription to half-title, slightly rubbed,<br />

London & New York, 1905; Ginger & Pickles, first e d i t i o n, first o r<br />

s e c o n d p r i n t i n g, colour plates and illustrations, original pictorial<br />

green boards, contemporary inscription to half-title, slightly<br />

rubbed, London & New York, 1909, sm. 4to (2). £400 - £600<br />

Lot 434<br />

434. Potter (Beatrix) th e ta l e o f mr s. ti g g y-wi n k l e, first e d i t i o n,<br />

first o r s e c o n d p r i n t i n g w i t h d at e o n f r o n t o f title, 27 coloured<br />

plates, pictorial endpapers, original brown boards with mounted<br />

colour illustration, slightly rubbed, 16mo, 1905. £350 - £450<br />

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86<br />

BLOOMSBURY AUCTIONS<br />

Lot 435<br />

435. Potter (Beatrix) th e st o ry o f miss moppet, first e d i t i o n,<br />

first p r i n t i n g, 14 coloured illustrations printed in panoramic form,<br />

original wallet-style cloth, small pictorial label on upper cover,<br />

contemporary inscription to verso of last leaf, a very good copy,<br />

16mo, Frederick Warne and Co., 1906. £300 - £400<br />

Lot 436<br />

436. Potter (Beatrix) th e st o ry o f a fi e r c e Ba d ra B B i t, first<br />

e d i t i o n, first p r i n t i n g, panoramic wallet format, 14 full-page<br />

colour illustrations, pictorial title, page edge folds slightly rubbed,<br />

original cloth with mounted colour illustration and imitation<br />

clasp, entrance flap broken but present, with ‘London & New York’<br />

imprint on verso, contemporary inscription to verso of last leaf,<br />

slightly finger marks to covers, 16mo, 1906. £250 - £350<br />

Lot 437<br />

437. Potter (Beatrix) th e tal e o f tom kitt e n, first e d i t i o n,<br />

coloured frontispiece and 26 plates, vignette on title-page, original<br />

boards, pictorial label on upper cover, spine slightly faded,<br />

otherwise an excellent copy, 16mo, Frederick Warne and Co.,<br />

1907. £300 - £400<br />

Lot 438<br />

438. Potter (Beatrix) th e ta l e o f Je m i m a pu d d l e-du c k, first<br />

e d i t i o n, first, s e c o n d o r t h i r d p r i n t i n g, colour plates, contemporary<br />

inscription on verso front free endpaper, original grey boards with<br />

mounted colour illustration, joints at tale of spine starting to split,<br />

16mo, 1908. £300 - £400<br />

Lot 439<br />

439. Potter (Beatrix) th e ta l e o f th e flopsy Bu n n i e s, first<br />

e d i t i o n, first o r s e c o n d p r i n t i n g with notice-board on p.14, colour<br />

plates, original green boards with mounted colour illustration,<br />

spine slightly faded, otherwise an unusually good copy, 16mo,<br />

1909. £250 - £350<br />

Lot 440<br />

440. Potter (Beatrix) th e ta l e o f th e flopsy Bu n n i e s, first<br />

e d i t i o n, first o r s e c o n d p r i n t i n g with notice-board on p.14, colour<br />

plates, original boards with mounted colour illustration, slightly<br />

faded, a good copy, 16mo, 1909. £200 - £300


Lot 441<br />

441. Potter (Beatrix) th e ta l e o f mr s. ti t t l e m o u s e, first e d i t i o n,<br />

first o r s e c o n d p r i n t i n g, coloured frontispiece and 26 plates,<br />

vignette on title-page, original boards, pictorial label on upper<br />

cover, tail of spine slightly bumped with small split, contemporary<br />

inscription to front free end-paper, 16mo, Frederick Warne and<br />

Co., 1910. £200 - £300<br />

Lot 442<br />

Lot 443<br />

442. Rowling (J.K.) ha r ry po t t e r a n d t h e ph i l o s o p h e r’s st o n e,<br />

first pa p e r B a c k e d i t i o n, slight toning to pages, original pictorial<br />

wrappers, minor edge rubbing, slight lifting to fore-corners, light<br />

surface scratch to lower panel, otherwise good, 8vo, 1997.<br />

£700 - £1,000<br />

*** Published simultaneously with the hardback edition.<br />

443. Rowling (J.K.) ha r ry po t t e r a n d t h e so r c e r e r’s st o n e,<br />

reprint, 1998; Harry Potter and the Chamber of Secrets, 1999;<br />

Harry Potter and the Prisoner of Azkaban, 1999, all but the first<br />

first am e r i c a n e d i t i o n s, s i g n e d B y t h e a u t h o r to titles, original<br />

cloth-backed boards, dust-jackets, all fine or near-fine, New York;<br />

and 9 others, Harry Potter titles, 8vo (12). £1,200 - £1,800<br />

Lot 444<br />

444. Rowling (J.K.) ha r ry po t t e r a n d t h e so r c e r e r’s st o n e,<br />

first am e r i c a n e d i t i o n, first impression, first issue, s i g n e d B y t h e<br />

a u t h o r to title, illustrations by Mary GrandPré, original clothbacked<br />

boards, spine ends a little bumped, dust-jacket, a near-fine<br />

copy, 8vo, New York, 1998. £600 - £800<br />

*** The true first American edition, scarce especially signed, with<br />

jacket priced at $16.95 and blurb by the Guardian on the lower<br />

panel.<br />

BLOOMSBURY AUCTIONS<br />

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88<br />

BLOOMSBURY AUCTIONS<br />

Lot 445<br />

445. Rupert Annuals.- [Bestall (A.E.)] ne w ad v e n t u r e s o f<br />

ru p e rt first e d i t i o n, illustrations throughout, the 5 “pictures<br />

for your paint-box” with crayon colouring, ownership box with<br />

contemporary ink presentation, internally overall very good but<br />

with occasional foxing, original pictorial red cloth, original dustjacket<br />

chipped at head and tail of spine and turn-ins with some<br />

small loss, otherwise very good, 4to, [1936]. £500 - £700<br />

Lot 446<br />

446. st e e p l e-ch a s e, racing and steeplechase game, 7 original<br />

hand-painted horse and jockeys with dice and throwing cup,<br />

damaged, original folding game board with race track, original<br />

box with coloured illustrated title to top, in need of restoration,<br />

instructions in French to inside of lid, box 255 x 470x35mm.,<br />

J.Rigal & Co., Paris, 1870. £150 - £200<br />

Lot 447<br />

447. Tenniel (John) “gi v e m e a g o o d expressive n o s e” sh a k e s p e a r e.<br />

original pen, ink and light sepia wash cartoon by John Tenniel of<br />

a man sniffing a rose with small dog in fore-ground, initialled by<br />

the artist below coat-tails, image and text c.100x120mm. drawn on<br />

writing paper, card mount, n.p. [c.1880]; Autograph letter signed to<br />

Colonel Davies by John Tenniel, asking him to sign a “Voucher”<br />

for the delivery of an engraving, Maida Hill, Jan. 10. 1888.<br />

£200 - £300<br />

Lot 448<br />

448. The Piccaninnies Picture Pocket Books ho wa r d (he n ry)<br />

do i n g s o f t h e do l ly m i t e s, Illustrations by Percy J. Billinghurst;<br />

Mathews (Ernest) Topsy in Toyland, Illustrations by M.York Shuter<br />

§ Smith (S.Sutton) Stories From Pussyland, Illustrations by Louis<br />

Wain and M.York Shuter; Smith (S.Sutton) Stories From Puppyland,<br />

illustrations by Cecil Aldin § Sterling (H.S.) Two Simple Tales<br />

for Simple Folks, illustrations by John Hassall and Cecil Aldin,<br />

original red cloth, original white chalk design to covers, the last<br />

title lacking through damage by a hot glass, the first lacking front<br />

end-paper, original, box, sm. 8vo, Sand & Co. [c.1905] (5).<br />

£200 - £300


Lot 449<br />

449. Tidy (Bill) ro B B i e a n d t h e Bl o B B i e s, 23pp original drawings<br />

in rough layout of a new children’s book, black, white and colour,<br />

text and corrections, signed by the artist on first page, all stapled,<br />

folded in 3, slightly creased in places, 420 x 30mm. n.p., 1982.<br />

£200 - £300<br />

Lot 450<br />

450. Wain (Louis).- Bingham (Clifton) pi n g-po n g, as seen B y<br />

lo u i s wa i n, first e d i t i o n, 6 colour and numerous silhouettes by<br />

Louis Wain, original colour illustrated paper covers, slightly rubbed,<br />

contemporary presentation inscription pasted to verso of front cover,<br />

oblong 8vo, Raphael Tuck & Sons, [1902] £300 - £500<br />

Lot 451<br />

451. Weedon (L.L.) th e la n d o f lo n g ag o, a visit to fa i ry l a n d<br />

w i t h hu m p t y du m p t y , 6 chromolithographed pop-ups, some minor<br />

repairs, original cloth-backed pictorial boards, a little rubbed,<br />

hinges cracked, contemporary inscription to front paste-down,<br />

London & New York, Nister & Dutton, n.d. [1898] § Weedon (L.L.)<br />

and others, The Model Menagerie, With Natural History Stories, 6<br />

chromolithographed pop-up plates of zoo animals in cages, original<br />

cloth-backed pictorial boards, slightly rubbed at corners, title<br />

creased at corner, hinges cracked, n.d. [?1895] § Weatherly (F.E.)<br />

Peeps into Fairyland, A Panorama Picture Book of Fairy Stories, 6<br />

chromolithographed pop-up plates, original cloth-backed pictorial<br />

boards, slightly rubbed at corners, hinges cracked, n.d. [1896],<br />

oblong folio (3). £600 - £800<br />

Lot 452<br />

452. Wells (Mrs. J.M.) li t t l e fo l k s li v i n g nu r s e ry-rh y m e s<br />

mo v i n g pi c t u r e s, first e d i t i o n, 6 hand-coloured moveable<br />

illustrations, each image has small tears and restoration, stitching<br />

slightly loose, some soiling, lower hinge with paper repair, original<br />

printed decorated cloth backed boards, rubbed at extremities, sm<br />

4to, Dean & Sons, [1875]. £300 - £400<br />

Lot 453<br />

453. Wilde (Mrs Constance) th e r e w a s on c e! Grandma’s Stories,<br />

first e d i t i o n, 10 colour illustrations by John Lawson, original<br />

cloth backed decorated boards, slightly rubbed at extremities, sm.<br />

4to, Ernest Nister, [c.1888]; Autograph letter signed, to unknown<br />

recipient from Constance Wilde (wife of Oscar Wilde) refering to<br />

her work for Raphael Tuck & Sons, Tite Street, April 27. 1892 (2).<br />

£200 - £300<br />

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90<br />

BLOOMSBURY AUCTIONS<br />

❦ Illustrated Books, Prints and Original Artwork<br />

Lot 454<br />

Lot 455<br />

Lot 456<br />

454. Absolon (John, RI) dr a m at i c n i g h t s c e n e o f a n e l e g a n t<br />

y o u n g c o u p l e f i g h t i n g, standing under tree in a garden, a dinner<br />

party visible through french windows beyond, watercolour and<br />

gouache over pencil, 255 x 175mm., signed in pencil lower left,<br />

framed and glazed, late 19th century. £150 - £200<br />

455. Ardizzone (Edward) lu c y Br o w n a n d mr. gr i m e s, first<br />

e d i t i o n, s i g n e d B y t h e a u t h o r to endpaper, colour illustrations,<br />

original pictorial boards, some loss to spine ends, dust-jacket,<br />

restorations to head and base, spine and fore-edges rubbed, but in<br />

effect a good copy, folio, 1937. £350 - £450<br />

*** Scarce in the jacket.<br />

456. Barbier (George).- Jo u r n a l d e s da m e s e t d e s mo d e s, Ire<br />

Annee [- 3e Annee], 3 vol. in 4 [a c o m p l e t e s e t], number 240 of<br />

1279 copies, 185 pochoir coloured plates by George Barbier and<br />

others, some heightened with gold and silver, facsimile plate of<br />

1812 journal in vol.1, tipped-in sample of marble-patterned silk in<br />

final volume, bookplate of Chateau de Rosny on front pastedowns,<br />

contemporary half morocco, spines gilt, t.e.g., others uncut, with all<br />

original blue wrappers and advertisements to individual numbers<br />

bound in at ends, a little rubbed, 1912 volume with faded spine and<br />

upper joint split, 8vo, Paris, 1912-14. £5,000 - £6,000<br />

*** Elegant periodical with charming Art Deco plates depicting<br />

women’s (and occasionally men’s) fashion including dress for<br />

various sports such as golf, shooting, hunting, greyhound racing,<br />

tennis, swimming, riding and yachting, in addition to the more<br />

prevalent town and evening wear, and accessories (hats, gloves,<br />

parasols, jewellery etc.). Other artists included Leon Bakst, Bernard<br />

Boutet de Monvel, Umberto Brunelleschi, H. Robert Dammy, Paul<br />

Iribe, Charles Martin, and Fernand Siméon.


Lot 457<br />

Lot 458<br />

457. Barbier (George) pa n o r a m a dr a m at i q u e. ca s a n o va...,<br />

printed in pink and black, 24 pochoir plates (22 of costumes and 2<br />

of scenery), some heightened with gold or silver, a little browned<br />

at edges, also brittle and slightly chipped (particularly affecting<br />

blanks at beginning and end), one plate with small tear to edge<br />

repaired on verso, loose as issued in original cloth-backed pictorial<br />

board folder, lacking ties, soiled, corners worn, spine reinforced<br />

with horizontal strips of tape (?as issued, one slightly defective on<br />

rear board), 4to, Paris, Lucien Vogel, and New York, F.K.Ferenz,<br />

[1921]. £1,500 - £2,000<br />

458. Barbier (George).- fa l B a l a s & fa n f r e l u c h e s: al m a n a c h<br />

d e s mo d e s...p o u r 1922 [1923, 1924, 1925 & 1926], together 5<br />

vol., decorative pochoir title-vignettes and 60 superb pochoir<br />

plates by George Barbier, one plate in 1922 with small marginal<br />

stain and another with 2 wax drips at upper edge, some light<br />

offsetting to verso of previous plate but otherwise very clean, 1923<br />

contemporary calf-backed marbled boards, gilt, by Creuzevault,<br />

spine gilt with decorative red morocco onlays, t.e.g., others uncut,<br />

origial wrappers bound in, a little rubbed, the rest loose loose as<br />

issued in original pochoir pictorial wrappers, uncut, 1922 slightly<br />

rubbed, some others a little soiled and frayed at spine ends, 8vo,<br />

Paris, Meynial £4,000 - £5,000<br />

BLOOMSBURY AUCTIONS<br />

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92<br />

BLOOMSBURY AUCTIONS<br />

Lot 459<br />

459. Barbier (George) vi n g t-ci n q co s t u m e s p o u r l e th é at r e,<br />

preface by Edmond Jaloux, number 254 of 275 copies, printed<br />

on blue paper, etched portrait of the artist by Charles Martin, 25<br />

tipped-in pochoir costume plates by Barbier, some heightened with<br />

gold or silver, each with captioned tissue guard, original cream<br />

wrappers with black and white illustration mounted on upper<br />

wrapper and lettered in green, uncut, very slight soiling to spine<br />

ends and creasing to lower corners, otherwise an excellent copy,<br />

4to, Paris, 1927. £1,500 - £2,000<br />

Lot 460<br />

460. Barbier (George).- Choderlos de Laclos le s li a i s o n s<br />

da n g e r e u s e s, (Pierre A.F.) le s li a i s o n s da n g e r e u s e s, 2 vol.,<br />

number 245 of 650 copies, pictorial titles, head-pieces, initials<br />

and 20 fine pochoir plates by George Barbier, printed in green and<br />

black, contemporary half sheep, a little worn, original pictorial<br />

wrappers bound in (very browned, vol.2 upper wrapper stained at<br />

edge), 4to, Paris, 1934. £1,500 - £2,000<br />

Lot 461<br />

461. Boydell (John & Josiah) an t h o n y a n d cl e o pat r a, ac t iii,<br />

sc e n e ix, with Titus Andronicus, Act IV, Scene I, and Julius Caesar<br />

Act IV, Scene III, by or after Thomas Kirk, R. Westall, Harry<br />

Tresham, and others, 3 stipple-engravings, from 500 x 620mm. to<br />

570 x 420mm., two with marginal tears, some dampstaining and<br />

surface dirt, 1793-1802 (3) £100 - £150<br />

Lot 462<br />

462. Brock (Charles E.) a g r o u p o f 16 o r i g i n a l i l l u s t r at i o n s,<br />

for Hood’s Humorous Poems and Scenes in Fairyland, includes<br />

title pages, pen and ink on thin card, annotations in pencil, v.s.,<br />

occassional surface dirt and browning, with some finger-soiling,<br />

1892-93, all unframed. £150 - £250


Lot 463<br />

463. Brunelleschi (Umberto).- co n t e s d u te m p s Ja d i s, 20 tippedin<br />

colour plates, captioned tissue guards, contemporary half green<br />

morocco, spine gilt, t.e.g., original printed wrappers bound in,<br />

slightly rubbed at edges, 1912 § La Fontaine (Jean de) Contes<br />

et Nouvelles: Troisième, Quatrième et Cinquième Livre, limited<br />

edition, 16 pochoir plates, 1938 § Flaubert (Gustave) Madame<br />

Bovary, limited edition, 16 pochoir plates, 1953 § Dorat (Claude)<br />

Les Baisers, n u m B e r 131 o f 500 c o p i e s w i t h 2 a d d i t i o n a l s u i t e s<br />

o f p l at e s (c o l o u r a n d B l a c k & w h i t e), 23 colour plates, loose as<br />

issued with additional suites in wrappers at end, small tear to inner<br />

margin of one leaf at end, 1947, all with plates and illustrations by<br />

Umberto Brunelleschi, all but the first original printed wrappers,<br />

glacine wrappers, a little rubbed, the last slightly defective at<br />

edges, 4to, Paris (4) £800 - £1,200<br />

Lot 464<br />

464. Brunelleschi (Umberto).- Musset (Alfred de) la nu i t<br />

ve n i t i e n n e; Fantasio; Les Caprices de Marianne, 20 tipped-in<br />

colour plates, captioned tissue guards, original printed wrappers,<br />

uncut, spine broken, later glacine wrapper, 1913 § Voltaire (F.M.A.<br />

de) Candide, limited edition, 16 pochoir plates, w i t h a n a d d i t i o n a l<br />

u n c o l o u r e d s u i t e o f t h e p l at e s bound at end, some light spotting,<br />

contemporary half morocco, uncut, original pictorial wrappers<br />

bound in, 1933 § Prévost (Abbé) Histoire du Chevalier des Grieux<br />

et de Manon Lescaut. limited edition, 16 colour plates, later red<br />

morocco, gilt, spine gilt with pictorial black onlay, t.e.g., others<br />

uncut, spine a little rubbed, 1934, all with plates and illustrations<br />

by Umberto Brunelleschi, 4to, Paris (3) £1,000 - £1,500<br />

Lot 465<br />

465. Brunelleschi (Umberto).- Dorsenne (Jean) c’é ta i t l e<br />

so i r d e s di e u x, number 244 of 350 copies, 12 plates by Umberto<br />

Brunelleschi and Tahitian ornaments by Maurice L’Hoir, all pochoir,<br />

coloured by Saudé, contemporary half morocco, spine with four<br />

raised bands and small ornamental coloured onlays, t.e.g., others<br />

uncut, original wrappers bound in, upper wrapper with pochoir<br />

illustration, very slightly rubbed at edges, 1926 § Bernardin de<br />

Saint-Pierre (J.H.) Paul et Virginie, one of 525 copies, 12 pochoir<br />

plates by Brunelleschi, original printed wrappers, uncut, glacine<br />

wrapper, original cloth-backed board folder, 1943, 4to, Paris (2)<br />

£1,000 - £1,500<br />

Lot 466<br />

466. Brunelleschi (Umberto).- Miomandre (Francis de) le<br />

ra d J a h d e ma z u l i pata m, number 224 of 558 copies, title printed in<br />

blue, pink and green, 14 pochoir plates and numerous illustrations<br />

by Umberto Brunelleschi, some heightened with gold, bound in<br />

half green morocco, spine gilt with small fleur-de-lys motifs, t.e.g.,<br />

original pochoir pictorial wrappers bound in (heightened with<br />

gold), spine very slightly faded, otherwise an excellent copy, 8vo,<br />

Paris, 1926. £600 - £800<br />

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94<br />

BLOOMSBURY AUCTIONS<br />

Lot 467<br />

467. Buck (Adam) ma d a m e cata l a n i, colour-printed stippleengraving<br />

by Freeman, 260 x 195mm., a small loss in the title field<br />

not affecting letters, framed and glazed, William Holland, 1807;<br />

with Mr Fawcett as Mr Lobski, with lyrics below, 1808; Jenny Lind<br />

as Maria in La Figlia del Reggimento, 1847; and 2 others of pretty<br />

maidens, the Belle of the Opera, and The Opera (5) £200 - £300<br />

Lot 468<br />

468. Buckland-Wright (John) lviii a dr e a m, af t e r re a d i n g<br />

da n t e’s ep i s o d e o f pa u l o a n d fr a n c e s c a, wood-engraving on<br />

japon nacre paper, 116 x 100mm, signed and titled in pencil, with<br />

full margins, 1930. £500 - £700<br />

Lot 469<br />

469. Buckland-Wright (John) on l e av i n g s o m e f r i e n d s at a n<br />

e a r ly h o u r, wood-engraving on Japon nacre paper, 116 x 101mm.,<br />

signed and titled in pencil, with full margins, 1930. £500 - £700<br />

Lot 470<br />

470. Buckland-Wright (John) po rt r a i t o f art h u r ri m B a u d,<br />

engraving on imperial japan paper, 146 x 100mm., signed in pencil,<br />

numbered 1/12, with full margins, 1931. £500 - £700<br />

*** This is the rejected plate for the portrait of Arthur Rimbaud.<br />

Lot 471<br />

471. Buckland-Wright (John) fr o n t i s p i e c e, engraving on wove<br />

paper,136 x 97mm., signed in pencil, with full margins, 1931.<br />

£400 - £600<br />

Lot 472<br />

472. Buckland-Wright (John) po rt r a i t o f art h u r ri m B a u d,<br />

engraving on wove paper, 147 x 100mm., inscribed 3rd State Trial<br />

Proof, in pencil, with the studio stamp verso, with full margins,<br />

1931. £250 - £300<br />

*** This is a proof of the accepted plate for the Portrait of Arthur Rimbaud<br />

473. Buckland-Wright (John) ny m p h su r p r i s e ii, engraving, 225 x<br />

145mm, titled and dated 1935 in pencil, numbered 8/30, a posthumous<br />

impression printed by Black Star Press, with their blindstamp, also<br />

with the studio stamp verso, (B.W. M54), 2000. £200 - £300


Lot 474<br />

474. Buckland-Wright (John) ps y c h e s a n d h e r s i s t e r s, engraving<br />

on J. Whatman wove paper, 132 x 92mm., signed and dated in<br />

pencil, numbered 11/12, with full margins, 1936. £500 - £700<br />

Lot 475<br />

475. Buckland-Wright (John) re d Ja s m i n e & qu i c k wat e r; re d<br />

Be e hu n t e r & re d Ja s m i n e; re d Be e hu n t e r & re d Ja s m i n e 1,<br />

three wood-engravings on japan paper, each 164 x 107mm., each<br />

titled and dated in pencil, with the studio stamp verso, with full<br />

margins, 1936 (3) £400 - £600<br />

476. Buckland-Wright (John) me ta m o r p h o s i s no i: gi r l<br />

i n t o Bi r d, engraving , 308 x 156mm., titled and dated in pencil,<br />

numbered 23/30, with the studio stamp verso, the edition was<br />

completed posthumously in 2000 by Black Star Press, with their<br />

blindstamp, (B.W. M67), 1937. £400 - £600<br />

Lot 477<br />

477. Buckland-Wright (John) ve n u s, ce r e s a n d Jun o, copper<br />

engraving on laid paper, 132 x 91mm., titled and dated in pencil,<br />

with the studio stamp verso, with full margins, 1937. £250 - £350<br />

Lot 478<br />

478. Buckland-Wright (John) sp e c i a l s o f pu r e lo v e ma k i n g,<br />

five engravings on laid paper, each 207 x 107mm., each titled and<br />

dated in pencil, with the studio stamp verso, all with full margins,<br />

1938. £600 - £800<br />

Lot 479<br />

479. Buckland-Wright (John) d’al B e rt a n d h i s id e a l, engraving<br />

on japon nacré paper, 175 x 130mm., signed in pencil, with full<br />

margins,1938. £500 - £700<br />

Lot 480<br />

480. Buckland-Wright (John) ro s e t t e as l e e p, engraving on laid<br />

paper, 172 x 127mm., titled in pencil, with the studio stamp verso,<br />

with full margins, 1938. £300 - £500<br />

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96<br />

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Lot 481<br />

481. Buckland-Wright (John) af t e r n o o n o f a fa u n, engraving<br />

on wove paper, 130 x 76mm., signed, titled and dated in pencil,<br />

numbered 22/30, with full margins, [B.W.M76], 1939. £500 - £700<br />

*** This plate is the first of a series of copper engravings on this<br />

theme which John Buckland-Wright prepared for the ‘JBW Edition’<br />

book L’Aprés Midi d’un Faune.<br />

Lot 482<br />

482. Buckland-Wright (John) th e virgil o f ve n u s, four<br />

engravings with sugar lift aquatint, on laid paper, 75 x 127mm.,<br />

each titled and dated in pencil, with the studio stamp verso, with<br />

full margins, 1939. £400 - £600<br />

Lot 483<br />

483. Buckland-Wright (John) hy m n to pan 3 f r o m end y m i o n,<br />

wood-engraving on tissue thin Japan paper, 70 x 110mm., signed,<br />

titled and dated in pencil, with full margins, 1944. £600 - £800<br />

Lot 484<br />

484. Buckland-Wright (John) hy m n to pa n i f r o m en d y m i o n,<br />

wood-engraving on Basingwerk parchment paper, 86 x 112mm.,<br />

signed, titled and dated in pencil, with full margins, 1944.<br />

£500 - £700<br />

Lot 485<br />

485. Buckland-Wright (John) ti t l e pa g e a n d sp e c i a l il l u s t r at i o n<br />

f r o m hy m n to pr o s e r p i n e, two wood-engravings on simili japan<br />

paper, the first printed in colours, 147 x 117mm., each titled and<br />

dated in pencil, with the studio stamp verso, with full margins,<br />

1944 (2) £300 - £500


Lot 486<br />

486. Buckland-Wright (John) ye a, s h e la i d ho l d up o n me, a n d<br />

h e r mo u t h cl o v e un t o mi n e; ta i l p i e c e, two wood-engravings on<br />

laid and wove paper, each titled and dated in pencil, with the studio<br />

stamp verso, both with full margins, 1948 (2) £250 - £350<br />

Lot 487<br />

487. Buckland-Wright (John) tw o ti t l e pa g e s f r o m gr e c i a l<br />

en c h a n t e d, two engravings with sugar lift aquatint, on Whatman<br />

paper, 212 x 127mm., one signed and dated in pencil, each with<br />

inscriptions by the artist in pencil, both with full margins, 1952<br />

(2) £500 - £700<br />

Lot 488<br />

488. Buckland-Wright (John) th e co c k fi g h t, engraving with<br />

sugar lift aquatint, on wove paper, 210 x 120mm., with the studio<br />

stamp verso, with full margins, 1952. £250 - £350<br />

Lot 489<br />

489. Dadd (Stephen T.) do g s h o w, a composite of 10 scenes, each<br />

captioned, pen and black ink with monochrome wash and body<br />

white, 375 x 280mm., signed lower right, signed and titled in pencil<br />

with artist’s address on verso, inscribed and dated Block No. 3651,<br />

Nov.23rd 1883, on verso, hinged into mount, 1883. £200 - £300<br />

Lot 490<br />

490. Della Croce (Johann Nepomuk) After. po rt r a i t o f t h e<br />

mo z a rt fa m i ly, Wolfgang Amadeus seated at a keyboard next to<br />

his sister Maria Anna, their father, Leopold, holding a violin, an<br />

oval portrait of their mother, Anna Maria, depicted hanging on<br />

the wall behind, this plate after the original oil portrait of 1799,<br />

issued to mark the centenary of Mozart’s birth in 1756, engraving<br />

by Blasius Höfel, on india laid, 420 x 490mm., framed and glazed,<br />

Salzburg, 1856. £200 - £300<br />

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98<br />

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Lot 491<br />

491. de r r i è r e l e miroir, nos. 25-26, 27-28, 29-30, 31, 32, 34, 36-<br />

37-38, 39-40, 41, 42, 43, 48-49, 51, 55-56, 62-63, 64, 65, 85-86,<br />

87-88-89, 90-91, 98, 127, 151-152, 155, 193-194, 196, 201, 203,<br />

204 & 233, together 30 issues, a few second edition, many with<br />

original lithographs (including covers), many colour, some doublepage,<br />

some folding, loose as issued in original pictorial wrappers,<br />

a few a little rubbed or soiled, one or two spines frayed, Paris,<br />

Maeght, 1950-79; and a few duplicates etc., 4to; sold not subject to<br />

return (c.40) £600 - £800<br />

*** Artists represented include Braque, Chagall, Miro, Calder,<br />

Alechinsky, Ubac, Giacometti, Kandinsky, Bram van Velde, Geer<br />

van Velde, Bazaine, Tumuc-Humac, Tal Coat and Chillida.<br />

Lot 492<br />

492. Finlayson (John) la si g n o r a za m p e r i n i in t h e c h a r a c t e r o f<br />

ce c c h i n a, half-length portrait of the opera singer, after Nathaniel<br />

Hone, mezzotint, 380 x 275mm., slight spotting and surface dust,<br />

a short tear lower left, a few minor handling creases, framed and<br />

glazed, Parker and Finlayson, 1769. £150 - £200<br />

Lot 493<br />

493. Fraipont (Gustave) sp r i n g, su m m e r , au t u m n fa n o r l u n e t t e<br />

d e s i g n s, 3 from the series “Les Quatre Saisons du Poilu”, each a<br />

rural idyll featuring a WW1 French infantryman and young maiden,<br />

original hand-coloured aquatints, each c.180 x 375mm. in extremis,<br />

two signed in pencil, all three numbered from editions of 300, fixed<br />

into contemporary card mounts with fan-shaped windows, each<br />

inscribed with series and individual titles, mounts browned, faded<br />

and dampstained, c.1915 (3) £150 - £200<br />

Lot 494<br />

494. Gill (Eric).- Chesterton (G.K.) th e se c r e t o f fat h e r<br />

Br o w n , first e d i t i o n, ed wa r d Jo h n s t o n’s c o p y with pencil notes<br />

in Johnston’s hand recording several readings of the book on front<br />

free endpaper and occasionally in text, also some pencil notes by<br />

Evan Gill, endpapers lightly spotted, original cloth, a little rubbed<br />

and stained, spine slightly faded, 1922; Simplicity and Tolstoy,<br />

tipped-in illustrations, signature of E.R.Gill on front free endpaper,<br />

original wrappers, uncut, spine faded, slip-case, rubbed, 1912,<br />

B o t h w i t h w o o d-e n g r av e d B o o k p l at e o f eva n gi l l B y er i c gi l l on<br />

front pastedown; and 4 others by the same, 8vo (6) £100 - £150<br />

*** Edward Johnston (1872-1944), calligrapher, who designed the<br />

sans-serif Johnston typeface for the London Underground and was<br />

Eric Gill’s teacher in lettering. In 1912 he followed his pupil to<br />

Ditchling where they worked closely together.<br />

Lot 495<br />

495. Hassall (John) mr pi c k w i c k, bust-length portrait in tricorn<br />

hat and white stock, watercolour and gouache over pencil on<br />

buff paper, 295 x 225mm., signed and dated lower left, famed and<br />

glazed, 1904. £400 - £600<br />

Lot 496<br />

496. Hind (Arthur T.) th e et c h i n g s o f d.y.ca m e r o n, n u m B e r 154<br />

o f 200 c o p i e s, plates and illustrations, tissue-guards, contemporary<br />

half calf, title in gilt on front cover, slightly rubbed and marked,<br />

folio, 1924. £100 - £150


Lot 497<br />

497. Illingworth (Leslie Gilbert) ro a d s i d e Br e a k, pen and black<br />

ink with wash, 315 x 470mm., signed lower centre, framed and<br />

glazed, mid 20th century. £120 - £180<br />

498. Jacques (Robin) 12 o r i g i n a l p u B l i s h e r’s e n g r av i n g s f o r<br />

ha n s ch r i s t i a n an d e r s e n’s fo rt y-tw o st o r i e s, most with<br />

publisher’s pencil notes and sizings, generally in good condition,<br />

v.s. [c.1953]. £150 - £200<br />

Lot 499<br />

499. Gillray (James) le s in v i s i B l e s, a fashionable promenade,<br />

all figures depicted have their face concealed by a part of their<br />

clothing, hand-coloured etching, 1810, H. Humphrey, [BM Satires<br />

11612], 205 x 280mm § After George Cruikshank. The Cholic,<br />

hand-coloured engraving, by Marryat, 1819, G. Humphrey, [BM<br />

Satires 13438] 200 x 260mm (8 x 10 in.) (2) £150 - £250<br />

Lot 500<br />

500. Kolb (Gustav) and Karl Gmelich vo n d e r pf l a n z e z u m<br />

or n a m e n t, complete with title, text leaf and 30 plates of decorative<br />

art nouveau ornament, chromolithographs, each c.505 x 345mm.,<br />

generally well preserved in original publisher’s printed cloth<br />

portfolio, rubbed, edges slightly worn, flaps a bit torn, Württemberg,<br />

1902-03. £600 - £800<br />

Lot 501<br />

501. Laurie & Whittle (publishers) vi e w o f t h e ne w th e at r e<br />

ro ya l, co v e n t ga r d e n, depicting Robert Smirke’s design, built by<br />

Mr Copeland, foundation stone laid by the Prince Regent in 1808,<br />

the theatre opened in September 1809, hand-coloured engraving,<br />

310 x 455mm., trimmed to the right platemark, a few repairs,<br />

framed and glazed, 1810; with A View of the Italian Opera House<br />

(Her Majesty’s Theatre), and an interior view of the Opera House,<br />

by Rowlandson and Pugin for Ackermann’s Microcosm of London<br />

(3) £150 - £200<br />

Lot 502<br />

502. Le Blond th e mi l l st r a m, to w i n g t h e pr i z e; sn o w B a l l i n g, a<br />

pair of oval prints in oil colours, each c.135 x 165mm., in antique gilt<br />

mounts and ornate frames, mid 19th century; with 3 framed Baxter<br />

prints, including Little Red Riding Hood, and 2 chromolithographs<br />

after Birket Foster, The Rustic Bridge, and Feeding the Ducks;<br />

also a small watercolour after Birket Foster, a Japanese woodblock<br />

print, a small mixed group of prints of London, and a victorian<br />

Valentine’s card (Qty) £150 - £200<br />

Lot 503<br />

503. Lepape (Georges) co s t u m e s d e th é â t r e, Ba l l e t s &<br />

di v e rt i s e m e n t s, pictorial title printed in red, blue, black and silver,<br />

text in red and black, 20 pochoir plates by Lepape, coloured by<br />

Saudé, very slight creasing to lower outer corner of a few leaves,<br />

loose as issued in original cloth-backed green board folder with<br />

ties, illustration on upper cover in silver, paper strip down spine<br />

a little chipped, some slight wear to corners and lower edges, tall<br />

narrow 8vo, Paris, Lucien Vogel, 1920. £1,500 - £2,000<br />

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Lot 504<br />

504. Manner of Alfred Crowquill a pa i r o f kn i g h t s h o l d<br />

spears to a s m a l l f i g u r e o n a l e d g e, pen and ink, with indistinct<br />

monogram, lower left, 20 x 19.5cm (8 x 7 3/4 in), framed and<br />

glazed; with a pair of watercolour wash drawings, one of a boy<br />

looking out of a window, and the other of a gentleman running<br />

from a clock, 10 x 6.5cm (4 x 2 1/2 in), and 10 x 8 cm (4 x 3 1/4<br />

in), respectively, both framed and glazed; a pen and ink drawing of<br />

a Dutchman, inscription in ink ‘Good Luck, Feb.14 1914’, with a<br />

wood engraving after Hablot Knight (Phiz) Browne, a watercolour<br />

of a gentleman, signed Purvis, and an engraving of a lady begging,<br />

v.s., all 3 unframed (6) £120 - £180<br />

Lot 505<br />

505. Marshall (J., publisher) 3 p o e t ry B r o a d s i d e s, from Aesop’s<br />

Fables, single sheet, with woodcut vignette, Cheap Repository,<br />

Bath, [c.1795-98], handling creases, large tear running into<br />

printed border, surface stains, sheet 445 x 280mm (17 1/2 x 11<br />

in); with The Market Woman a True Tale; Or, Honesty is the Best<br />

Policy, single sheet broadside, woodcut vignette, Cheap Repository,<br />

Bath, [c.1795-98], spotting, trimmed with handling creases and<br />

folds, sheet 420 x 260mm (16 1/2 x 10 1/4 in); The Apprentice’s<br />

Monitor; Or, Indentures in verse, Shewing what they are bound to<br />

do, single sheet broadside, Cheap Repository, Bath, [c.1795-98],<br />

some spotting, a small tear with surface loss at centre left, handling<br />

creases, and central and vertical folds, sheet 450 x 270mm (17 3/4<br />

x 10 1/2 in), all unframed (3). £120 - £180<br />

Lot 506<br />

506. McKie (Helen Madeleine, 1889-1957) stay t h e r e y o u<br />

d o g; do y o u d a r e to s u g g e s t?; th e vi k i n g’s fu n e r a l, pen and<br />

ink illustrations on paper, heightened with body white, 2 with<br />

signatures, each with titles inscribed in pencil on paper supports,<br />

and red pencil inscriptions on reverse, v.s.; with a portrait of<br />

a French Foreign Legion guard, chalk with watercolour wash,<br />

signed, lower right; an original sudy for the poster ‘Thumbs up,<br />

Every Time’, pencil and gouache, 55.5 x 75.5cm (21 3/4 x 29 3/4<br />

in), with large tears, surface dirt and folds; with the lithographic<br />

poster ‘Cameron Men, “The braw lads wi’ a braw history”’, 650 x<br />

500mm (25 1/2 x 19 3/4 in), and 2 printed book covers by McKie;<br />

also with 3 pen and ink, and pencil portraits of Hudson, Lucas, and<br />

Merdith, by different hands, all unframed (11). £200 - £300<br />

Lot 507<br />

507. mo t o g r a p h mo v i n g pi c t u r e Bo o k (th e), 23 full-page<br />

coloured illustrations by F.J.Vernay, Yorick, &c., which appear<br />

to move when the enclosed screen is placed over the images, the<br />

screen defective, original cloth-backed pictorial boards, the c o v e r<br />

s p e c i a l ly d r aw n B y to u l o u s e-la u t r e c, contemporary presentation<br />

to first page, rubbed at extremities, Bliss, Sands & Co., 1898;<br />

Another volume similar, 14 full-page black and white illustrations<br />

which appear to move when the enclosed screen is placed over<br />

the images, the screen defective, original cloth-backed pictorial<br />

boards, contemporary inscription to front endpaper, rubbed at<br />

extremities, Bliss, Sands & Co., 1898, 4to (2). £200 - £300<br />

508. [Murray (Hannah Lindley)] th e am e r i c a n to i l e t, second<br />

edition, colour lithograph on title, 19 lithographs in the text, most<br />

colour, all with moveable flaps, some marking, original decorated<br />

boards, worn and marked, spine largely defective, 12mo, New Yorl,<br />

Imbert’s Lithographic Office, [c. 1825]. £150 - £200<br />

*** Adapted from Stacey Grimaldi’s The Toilet, London, 1821.


Lot 509<br />

509. Orazi (Manuel).- Diehl (Charles) th é o d o r a, n u m B e r 239<br />

o f 250 c o p i e s, pochoir plates and illustrations by Manuel Orazi,<br />

many heightened in gold, patterned cloth endpapers, bookplates<br />

to endpapers, attractive contemporary crushed brown morocco by<br />

Carayon, ruled in gilt with custom corner designs, spine gilt in<br />

compartments, original wrappers bound-in, slip-case, rubbed, 8vo,<br />

Paris, 1904. £700 - £900<br />

Lot 510<br />

510. Payne (Charles Johnson, “Snaffles”) Manner of. a s e r i e s<br />

o f h o r s e r i d i n g c a l a m i t i e s, 9 scenes in numbered panels on one<br />

sheet, pen and ink, 235 x 265mm., indistinctly monogrammed SH<br />

or HS, lower left, framed and glazed. £120 - £180<br />

Lot 511<br />

511. Photobook.- Bentley (W.A.) and W.J.Humphreys. sn o w<br />

cry s ta l s, first e d i t i o n, plates, original cloth, gilt “snowflake”<br />

design to upper cover, 4to, New York & London, 1931. £200 - £300<br />

Lot 512<br />

512. Poiret (Paul) les ro B e s, one of 250 copies, 10 pochoir costume<br />

plates by Paul Iribe, 2 folding at foot, all mounted on stubs, some<br />

very light offsetting, one plate slightly defective at upper margin,<br />

original boards, uncut, rubbed, upper joint a little worn, large 4to,<br />

Paris, Paul Poiret, Couturier, 1908. £1,200 - £1,600<br />

Lot 507<br />

513. Rackham (Arthur) 2 s m a l l s k e t c h e s a figure sitting on a<br />

crescent moon while a crowd of figures fight each other on the earth<br />

below, and another of a figure skiing on a mountainside, pen and<br />

black ink, each c.145 x 95mm., the latter signed and dated 3/1/09,<br />

framed and glazed, 1909 (2) £600 - £800<br />

Lot 514<br />

514. Rackham (Arthur).- Grimm (Jakob Ludwig and William<br />

Carl) th e fa i ry ta l e s..., 40 tipped-in colour plates by Arthur<br />

Rackham, illustations, ownership inscriptions to pastedown and<br />

endpapers, original pictorial cloth, gilt, spine a little faded and<br />

shaken, otherwise good, 4to, 1909. £400 - £600<br />

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Lot 515<br />

515. Rackham (Arthur).- Walton (Izaak) th e co m p l e at an g l e r,<br />

one of 775 copies, s i g n e d B y t h e a rt i s t, colour frontispiece and<br />

11 plates and plain vignettes by Arthur Rackham, captioned paper<br />

guards, a few spots, original pictorial vellum, gilt, very small stain<br />

to lower cover, preserved in a board slip-case, a very good copy,<br />

4to, 1931. £300 - £400<br />

Lot 516<br />

516. Ranft (Richard) l’éc u y è r e, lithograph printed in colours,<br />

340 x 230mm., publisher’s blindstamp lower right, publisher’s<br />

inkstamp ‘Tirage Deluxe No. 127’ upper left verso, dlight marginal<br />

browning, minor handling creases at sheet edges, hinged into<br />

mount, Paris, L’Estampe Moderne, 1898. £100 - £150<br />

Lot 517<br />

517. Rowlandson (Thomas) lo v e l a u g h s at lo c k s m i t h s, handcoloured<br />

etching, 1811, published by the artist, [BM Satires<br />

10484], some surface loss and abrasions, with a large tear at upper<br />

right, surface dirt, 345 x 250mm (13 1/2 x 9 3/4 in); with 10 (of<br />

15) aquatints from ‘The Military Adventures of Johnny Newcome’,<br />

after Rowlandson, 1815; 12 book-illustrations from ‘the rambles<br />

and adventures of Bob Tallyho, Esq. and his cousin, the Hon. Tom<br />

Dashall, through the metropolis’, c.1822; 7 plates from Pierce<br />

Egan’s ‘Life in London’, and 2 others published by Ackermann,<br />

v.s., occassional surface dirt and browning, all unframed (32).<br />

£150 - £250<br />

Lot 518<br />

518. Ryan (John) ca p ta i n pu g wa s h, 9 original designs for birthday<br />

cards, from age 1 to 9, each with the corresponding number of pirate<br />

characters, gouache with pen and ink on artboard, each c.235 x<br />

160mm., each with tissue guard, 1985 (9) £1,500 - £2,000<br />

*** This lot is accompanied by a letter of provenance from the<br />

owners of Gusto Graphics who commissioned the work from Ryan<br />

in the 1980s, and an example of one of the published cards and gift<br />

tag, 4 Pirates.<br />

Lot 519<br />

519. Scott-Snell (Edward, artist and illustrator, later Edward<br />

Godwin, 1912-88) th e mi l l e r’s da u g h t e r, original circular<br />

water-colour in the ‘arts and crafts’ style painted in light pastels,<br />

of the head and shoulders of a young girl with her hair in ribbons<br />

blowing in the wind standing on the banks of the Thames with<br />

Kelmscott Manor in the background, signed by the artist, mounted,<br />

framed and glazed, on verso of frame on the framers label, Scott-<br />

Snell Exhibition. 1944. No. 33. “The Millers Daughter”, diameter<br />

200mm. n.p., 1944. £200 - £300<br />

*** Scott-Snell rented Kelmscott Manor during the 194


Lot 520<br />

520. Stothard (Thomas, RA) 2 o r i g i n a l i l l u s t r at i o n s f o r t h e<br />

ar a B i a n ni g h t s, Coggia Houssain stabbed by Morgiana, and<br />

Ganem finding Fetnah in the chest, for the Novelist Magazine,<br />

pen and black ink with monochrome wash, each c.115 x 70mm.,<br />

mounted on gilt-ruled card supports, pencil captions on verso (?by<br />

a later hand), [1785] (2) £800 - £1,200<br />

Lot 521<br />

521. Stothard (Thomas, RA) 2 o r i g i n a l i l l u s t r at i o n s f o r el i z a<br />

fo w l e r hay w o o d, one for The History of Betsy Thoughtless, the<br />

other for The History of Jemmy and Jenny Jessamy, both for the<br />

Novelist Magazine, pen and black ink with monochrome wash,<br />

each c.115 x 70mm., mounted on gilt-ruled card supports, each<br />

bearing later pencil inscriptions of identification on verso, [c.1783<br />

and c.1785, respectively] (2) £800 - £1,200<br />

522. Trench (Col. Sir Frederick William) a li t h o g r a p h i c sk e t c h<br />

o f th e no rt h Ba n k o f t h e th a m e s, from Westminster Bridge to<br />

London Bridge, shewing the Proposed Quay and some other<br />

improvements suggested by Lieut.-Colonel Trench, prospectus<br />

and 10 plates, printed in colour, to form a continuous panorama,<br />

including folding plan, lithograph by T.M. Baynes, each section<br />

c.220 x 565mm., but the final section 220 x 355mm., slight attendant<br />

browning, stitched into original wrapper, title label to upper, small<br />

repairs to lower edge, pasted into cloth backed marbled card<br />

boards, cloth chemise,[cf. Abbey Life 496], oblong folio, Hurst and<br />

Robinson, 1825. £800 - £1,000<br />

Lot 523<br />

523. Wilde (Oscar) th e happy pr i n c e a n d o t h e r tales, first e d i t i o n,<br />

[1 o f 1000 c o p i e s], illustrations by Walter Crane and Jacomb Hood,<br />

frontispiece slightly loose, and small crack to front hinge, original<br />

pictorial boards, spine darkened and soiled, bookplate to front pastedown,<br />

4to, David Nutt, 1888. £600 - £800<br />

Lot 524<br />

524. Wilde (Oscar) a ho u s e o f po m e g r a n at e s, first e d i t i o n, [o n e<br />

o f 1000 c o p i e s], 4 plates by Charles H. Shannon, woodcut title,<br />

decorations and patterned endpapers by Charles Ricketts, ink<br />

contemporary signature at head of title, original cloth comprising<br />

green spine and off-white covers decorated in red & gilt, spine<br />

lettered in gilt, uncut, a little rubbed and browned, spine slightly<br />

stained, [Mason 347], small 4to, 1891. £500 - £700<br />

*** “Mr. Shannon is the drawer of dreams, and Mr. Ricketts is the<br />

subtle and fantastic decorator.” Oscar Wilde, in letter to The Speaker,<br />

December 5 1891, in defense & praise of this publication.<br />

One of Ricketts & Shannon’s early collaborations, before they<br />

went on to form the Vale Press in 1896.<br />

Lot 525<br />

525. 19th century English School st i l l l i f e w i t h v i o l i n a n d s h e e t<br />

m u s i c, watercolour over pencil, 245 x 350mm., ESK blindstamp of<br />

an examination work in a South Kensington Museum exhibition,<br />

framed and glazed, later 19th century; with a crude 19th century<br />

charcoal copy of Boydell Shakespeare engraving after Fuseli’s<br />

depiction of the three witches in Macbeth (2) £120 - £180<br />

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104<br />

BLOOMSBURY AUCTIONS<br />

Lot 526<br />

526. 20th century British School a 1930s c o u n t ry p u B s c e n e,<br />

monochrome sepia wash over pencil, 350 x 530mm., dated in the<br />

upper margin, hinged into mount, 1937. £100 - £150<br />

ca r i c at u r e s a n d ca rt o o n ar t w o r k<br />

Lot 527<br />

527. Alken (Henry, 1785-1851) fu l l cry, watercolour over<br />

pencil, signed in pencil lower left, framed and glazed, 22 x 36cm<br />

(8 3/4 x 14 1/4 in). £500 - £750<br />

Lot 528<br />

528. Bac (Ferdinand) dé p é r i s s e m e n t, original artwork depicting<br />

an elegant young couple hearing the woes of an exasperated elderly<br />

gentleman, pen and ink with watercolour and coloured crayon,<br />

350 x 255mm., signed and dated lower right with a dedication A<br />

M. et Mad. Conard, bien cordialement, later ink inscription on<br />

verso detailing its publication in Petites Folies the same year, and<br />

transcribing the published caption, Vous ne dormez plus? - Non!<br />

ma femme s’est mis a lire “Les Amours du Chevalier Faublas”<br />

et elles sont en six volumes, les salopes!!!, 1903; with a slightly<br />

caricatured original illustration of a French soldier, watercolour<br />

over pencil, 310 x 235mm., indistinctly signed (?)E. Grap, and<br />

dated lower right, surface dirt and a few minor defects at sheet<br />

edges, 1869 (2) £150 - £200<br />

Lot 529<br />

529. Coram (Robert S.E. “Maroc”) th i s is n o t i m e f o r r e l a x at i o n,<br />

sm i t h e r s, original cartoon artwork depicting firemen during the<br />

blitz, pen and ink with watercolour and body white, 340 x 510mm.,<br />

signed Maroc and dated lower right, framed and glazed, 1941.<br />

£200 - £300<br />

*** Robert Coram sold his first cartoon in 1936, and from 1938<br />

became a regular contributor to Punch. During the war, he served in<br />

the Auxiliary Fire Service and became part of a group of “Fireman<br />

Artists” whose work was displayed at the Royal Academy before<br />

being sent on a touring exhibition around the Commonwealth<br />

and the United States. A note on the backboard from the original<br />

owner states he loaned these to the Ministry of Information for this<br />

purpose.<br />

Lot 530<br />

530. Betts (B.) an d to t h i n k t h at t h i s t i m e l a s t y e a r i w a s s i t t i n g<br />

B e s i d e a n i c e w a r m f i r e at h o m e, with another, Dr Livingstone I<br />

presume, 2 original cartoon artworks depicting firemen during the<br />

blitz, pen and ink with watercolour and body white, each c.580<br />

x 455mm., both signed Betts and dated lower right, framed and<br />

glazed, 1941 (2) £300 - £500<br />

*** Betts, like Robert Coram (see preceding lot) was also a member<br />

of the Auxiliary Fire Service and part of the group of “Fireman<br />

Artists” whose work was displayed at the Royal Academy before<br />

being sent on a touring exhibition around the Commonwealth and the<br />

United States. A note on the backboard from the original owner states<br />

he loaned these to the Ministry of Information for this purpose.


Lot 531<br />

531. Cummings (Arthur S.M., 1919-1997) th e m o s t p o w e r f u l<br />

ge n e r a l i s s i m o o n e a rt h, takes the salute from his loyal and devoted<br />

troops, pen and ink on card, with watercolour wash, signed upper<br />

right, 280 x 450mm (11 x 17 3/4 in), minor surface dirt, 1982; with<br />

2 other original illustrations featuring Margaret Thatcher, with<br />

one showing her as a balancing bar for John Major walking along<br />

a tightrope, each sheet c.370 x 530mm (14 1/2 x 20 3/4 in), all<br />

unframed (3). £200 - £300<br />

Lot 532<br />

532. Cummings (Arthur S.M., 1919-1997) cu m m i n g s s e n d s a f e w<br />

c h r i s t m a s g i f t s, showing a pot of paste for Atlee, a filing cabinet<br />

for Monty, and others, pen and ink, with watercolour wash and<br />

pencil inscriptions, 325 x 455mm (12 3/4 x 17 3/4 in), surface<br />

dirt, finger-soiling, and handling creases; ‘Beria pulled gun on<br />

Malenkov, original pen and ink with wash, signed upper right, 290<br />

x 210 (11 1/2 x 8 1/4 in), both framed and glazed, (2). £120 - £180<br />

Lot 533<br />

533. Eng Politics.- “i ta k e it t h i s is s o m e k i n d o f d r e a m, to n y isn’t<br />

it?” original illustration, signed ‘Jak’ lower right, pen and ink with<br />

watercolour wash, 500 x 570mm (19 3/4 x 22 1/4 in); with another<br />

illustraion by the same hand, with the pencil inscription “I think<br />

your only chance of survival is if Neil Kinnock makes another of<br />

his fighting speeches!”, pen and ink with watercolour wash, signed<br />

lower right, 430 x 550mm (17 x 21 3/4 in), both unframed § Heath<br />

(Michael John), Tony Blair in an egg timer, watercolour over<br />

pencil, signed lower right, 225 x 270mm (8 3/4 x 10 1/2 in), signed<br />

and dated, 2003, framed and glazed (3). £120 - £180<br />

Lot 533A<br />

533A. English Politics.-‘... mr s th at c h e r a n d h e r f o rt y-e i g h t<br />

r e v o lt i n g to ry B a c k B e n c h e r s!’, lithograph, by Raymond Allen<br />

‘Jak’ Jackson, 430 x 540mm (17 x 21 1/4 in), 1985; with two<br />

others, including a lithograph of Margaret Thatcher in a horsedrawn<br />

chariot, and another showing Thatcher about to be attacked<br />

by three dozen RAF police dogs, both by Jak, with ink inscriptions,<br />

each 430 x 540mm (17 x 21 1/4 in), all uniformly framed and<br />

glazed, 1983 and 1984, respectively,(3). £120 - £180<br />

Lot 534<br />

534. Ffolkes (Michael, 1925-1988) a ‘pe a r ly ’ fa m i ly, with a<br />

similar caricature rear view of a Pearly Queen, 2 pen and black<br />

ink drawings, 275 x 205mm. and 215 x 115mm., the former signed<br />

below, both framed and glazed; with a pen and ink sketch of a<br />

traveller or refugee, by Phil May (3) £100 - £150<br />

Lot 535<br />

535. Fores (S.W., publisher) pr e pa r i n g f o r a du e l, a thin man,<br />

holding a gun, faces a robust military gentleman while his friend<br />

kneels and prays, hand-coloured etching, 250 x 350mm (9 3/4 x 13<br />

3/4 in), title has been detached and pasted at upper centre, sheet is<br />

rebacked, with handling creases, surface dirt, [Not in BM Satires],<br />

1795; with 4 other duelling caricatures, including a hand-coloured<br />

etching by Alfred Corwquill, ‘Rather Queer - On the Ground’, ‘The<br />

Fortunate Duelist’, after Barber, ‘The Duel’, published by T Smyth,<br />

and another, v.s., all unframed (5). £150 - £250<br />

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106<br />

BLOOMSBURY AUCTIONS<br />

Lot 536<br />

536. Gillray (James) Bl o o d & co, s e t t i n g f i r e to t h e to w e r , &<br />

s t e a l i n g t h e cr o w n , etching and aquatint, with hand-colouring,<br />

250 x 350mm (9 3/4 x 13 3/4 in), surface dirt and finger-soiling,<br />

laid down onto support, framed and glazed, [BM Satires 7354],<br />

Hannah Humphrey, 1788. £300 - £500<br />

Lot 537<br />

537. Gillray (James) op e n i n g o f t h e Bu d g e t, o r Jo h n Bu l l<br />

g i v i n g h i s Br e e c h e s to s av e h i s Ba c o n, Pitt holds open a large sack<br />

containing the Requisition Budget, and demands more money from<br />

the yokel farmer, John Bull, to ward off the threat of invasion,<br />

who obligingly empties trousers into the sack, original handcoloured<br />

engraving, 250 x 355mm., trimmed on the platemark top<br />

and bottom, thread margins at sides, [BM Satires 8836], Hannah<br />

Humphrey, 1796; with an 18th century engraving of the Tower of<br />

Babel (2) £200 - £300<br />

Lot 538<br />

538. Gillray (James) Be g o n e d u l l ca r e, - i p r i t h e e B e g o n e f r o m<br />

me!, an imitation of the print by Woodward ‘Begone Old Care, I<br />

pry’thee begone from me’ [See BM Satires, 8913], hand-coloured<br />

etching, 235 x 290mm (9 1/4 x 11 1/2 in), some surface dirt, minor<br />

tears and spotting, [BM Satires, 9769], Hannah Humphrey, 1801<br />

§ Phillips (John, ‘Sharpshooter’). The Broom-Girl Duet, handcoloured<br />

etching, 360 x 245mm (14 1/4 x 9 3/4 in), some surface<br />

dirt, [BM Satires, 16385], George Humphrey, 1830, both unframed<br />

(2). £150 - £200<br />

539. Griffin (Charles William Langmead) lat e s t ro ya l sc a n d a l,<br />

original cartoon artwork, pen and black ink with monochrome<br />

wash, a few touches of white, 490 x 590mm., signed lower right,<br />

framed and glazed, c.1995. £120 - £180<br />

Lot 540<br />

540. Hogarth (William) fo u r pr i n t s o f a n el e c t i o n: An Election<br />

Entertainment; Canvassing for Votes; The Polling; Chairing the<br />

Members, engravings, the set of 4, plate 1 is the 4th state of 8,<br />

plates 2-3 all final states, each c.430 x 550 (17 x 21 3/4 in), each<br />

with an ink stamp from the ‘Philosophical & Literary Institution,<br />

Canterbury’, some spotting and surface dirt, minor browning,<br />

c.1755-58 § Sherwin (John Keyse). The Politician, etching,<br />

after Hogarth, 380 x 295mm (15 x 11 3/4 in), slight spotting and<br />

surface dirt, with an ink stamp from the ‘Philosophical & Literary<br />

Institution, Canterbury’, Jane Hogarth, 1775, all unframed (5).<br />

£400 - £600<br />

Lot 541<br />

541. Jackson (Raymond Allen, ‘Jak’, 1927-1997) “ho w l o n g<br />

w e r e y o u d e s i g n i n g va c u u m c l e a n e r s, simpson?”, pen and ink, with<br />

watercolour wash, signed ‘Jak’ lower right, sheet 520 x 595mm<br />

(20 1/2 x 23 1/4 in), surface dirt and spotting, 1984; The Chinese<br />

Harrier, pen and ink, with watercolour wash, 520 x 595mm (20 1/2<br />

x 23 1/4 in), surface dirt and spotting, 1978, both unframed (2).<br />

£120 - £180


Lot 542<br />

542. Jackson (Raymond Allen), ‘JAK’ “an d it’s n a e g u i d h i d i n g<br />

d o o n t h e r e - ah’v e J u s t B e e n o n m a c ry s ta l s e t ta e mo s c o w”,<br />

original cartoon artwork of a Russian submarine in a Scottish loch,<br />

pen and black ink with blue wash on artboard, touched with body<br />

white, 505 x 530mm., captioned in pencil below, slight surface dirt,<br />

corners bumped, not affecting artwork, n.d. £100 - £150<br />

Lot 543<br />

543. Jackson (Raymond Allen), ‘JAK’ “yo u’r e m o a n i n g a B o u t<br />

t h e p r i c e o f fa g s..., Poor old Stinky got a mortgage on the strength<br />

of the new pay rise”, original cartoon artwork of a classroom scene,<br />

pen and black ink with blue wash on artboard, touched with body<br />

white, 465 x 610mm., captioned in pencil below, slight surface dirt,<br />

corners bumped, not affecting artwork, n.d. £100 - £150<br />

Lot 544<br />

544. Gillray (James) scientific re s e a r c h e s! - ne w di s c o v e r i e s<br />

in pneumaticks!, or - an Experimental Lecture on the Powers<br />

of Air, hand-coloured etching, 250 x 355mm (9 3/4 x 14 in), [BM<br />

Satires, 9923], trimmed with thread margins, published by H.<br />

Humphrey, 1802. £600 - £800<br />

*** A satire on the fashionable lectures at the Royal Institution.<br />

The lecturer, probably Thomas Young, Professor of Natural<br />

Philosophy at the Institute from July 1801, delivered thirty lectures<br />

between January and May 1802, and is shown experimenting on<br />

Sir J. C. Hippisley (left). Next to Young stands Humphry Davy,<br />

the assistant lecturer to the Institute from July 1801. Much realism<br />

appears to be mingled with Gillray’s satire. In 1801 Davy gave<br />

lectures on ‘pneumatical chemistry’ and had administered nitrous<br />

oxide (laughing gas) to several gentlemen. (M.Dorothy George,<br />

‘Catalogue of Political and Personal Satires in the British<br />

Museum’, VIII, 1947)<br />

Lot 545<br />

545. Laurie & Whittle (publishers) th e ex c i s e m a n; th e la s t<br />

sh i l l i n g; ne w s f r o m wo rt h i n g, broadsides, each with handcoloured<br />

etchings, and letterpress verses below, with ‘The Last<br />

Shilling’ after Isaac Cruikshank, each sheet c.280 x 225mm (11<br />

x 8 3/4 in), surface dirt, and handling creases, 1807-1808 §<br />

Rowlandson (Thomas). Master Billy’s Procession to Grocers Hall,<br />

etching, 230 x 345mm (9 x 13 1/3 in), spotting and browning,<br />

William Humphrey, 1784, all unframed (4). £200 - £300<br />

Lot 546<br />

546. la r g e m i x e d g r o u p o f fr e n c h c a r i c at u r e s (a), by or after<br />

Arago, Bellangé, Bourdet, Charlet, Gavarni, Philipon and others,<br />

including many from series such as Les Débardeurs, Débit<br />

d’Albums, Les Robert-Macaire and others, lithographs and<br />

engravings, most with original hand-colouring, v.s., some trimmed,<br />

occasional minor marginal defects, some hinged into mounts or<br />

laid on supports, 19th century (c.160) £200 - £300<br />

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108<br />

BLOOMSBURY AUCTIONS<br />

Lot 547<br />

547. Rowlandson (Thomas) dy i n g pat i e n t o r do c t o r’s l a s t f e e<br />

the doctor exits the room, his hand behind his back receives a coin<br />

from the patient’s husband, as she sits in a chair attended by her<br />

despairing nurse, etching with aquatint, 270 x 295mm. (10 1/2 x<br />

11 3/4 in), slight browning, [not in BM Satires], H. Brookes, 1786<br />

§ McLean (Thomas, publisher). Barney the Cooper or the Head of<br />

the Guys performing his Last Operation, hand-coloured etching,<br />

250 x 360mm (9 3/4 x 14 in), n.d., [1828], both unframed (2).<br />

£200 - £300<br />

Lot 548<br />

548. Rowlandson (Thomas) After. th e an at o m y o f me l a n c h o ly,<br />

hand-coloured etching, 295 x 225mm (11 3/4 x 8 3/4 in), [BM<br />

Satires, 11101], with browning, two large repaired tears, central<br />

vertical fold, surface dirt, framed and glazed, published by<br />

Ackermann, 1808. £100 - £150<br />

Lot 549<br />

549. Sayers (James) th e m a s t e r o f t h e i n n c o n f e r s t h e o r d e r<br />

o f k n i g h t h o o d o n do n qu i x o t t e, etching and aquatint, 390 x<br />

300mm (15 1/4 x 11 3/4 in), minor spotting and handling creases,<br />

[BM Satires, 10082], 1803; Brissot’s visit to his friend Lord<br />

Leveller, etching, 290 x 240mm (11 1/2 x 9 1/2 in), light spotting<br />

and browning, [BM Satires, 8439], Hannah Humphrey, 1794;<br />

Date obolum Belisario, etching, 335 x 235mm (13 1/4 x 9 1/4 in),<br />

minor tears into lower edge of sheet, [BM Satires, 6028], Charles<br />

Bretherton, 1782; Paradise Lost, etching, 270 x 230mm (10 1/2 x<br />

9 in), surface dirt, [BM Satires, 6011], Chalres Bretherton, 1782;<br />

Werter a Tragedy for Masters & Misses, etching, 205 x 240mm (8<br />

x 9 1/2 in), minor spotting, [BM Satires, 7054], Thomas Cornell,<br />

1786, all unframed (5). £200 - £300<br />

Lot 550<br />

550. sc e n e f r o m do n gi o va n n i a s pe r f o r m e d at t h e ki n g s th e at r e<br />

(a), caricature of George IV confronted by Queen Caroline, as<br />

Donna Anna, with Lord Castlereagh as Leporello holding a long<br />

scroll listing the king’s mistresses, hand-coloured engraving, 240<br />

x 340mm., framed and glazed, [BM Satires 1993,1107.17], Fores,<br />

1820; with 3 scenes of Tom & Jerry at the opera, by Cruikshank,<br />

1821; also a small coloured aquatint by Newton after Hogarth’s<br />

Enraged Musician, and a German caricature on piano playing, from<br />

Münchener Bilderbogen (6) £200 - £300


❦ Private Press and Limited Editions<br />

Lot 551<br />

551. Swift (Jonathan) di r e c t i o n s to se rva n t s, n u m B e r 3 o f 30<br />

s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e a rt i s t, from an edition limited<br />

to 380, printed in green and black, double-column, wood-engraved<br />

title-vignette, illustrations and tail-piece by John Nash, original<br />

vellum, gilt, uncut, inner gilt dentelles, boards very slightly warped,<br />

[Chanticleer 23], 4to, Waltham St.Lawrence, Golden Cockerel<br />

Press, 1925. £400 - £600<br />

Lot 552<br />

The Property of a Gentleman<br />

go l d e n co c k e r e l pr e s s<br />

552. sa m s o n a n d de l i l a h from the Book of Judges, number 73 of<br />

325 copies, wood-engraved illustrations by Robert Gibbings, some<br />

full-page, free endpapers lightly browned, wood-engraved bookplate<br />

of Michael A.E.Franklin and another on front pastedown, original<br />

cream buckram, uncut, spine very slighlty soiled, [Chanticleer 30],<br />

4to, Waltham St.Lawrence, Golden Cockerel Press, 1925.<br />

£250 - £350<br />

553. Smith (Aaron) th e at r o c i t i e s o f t h e pi r at e s..., number 430<br />

of 500 copies, wood-engraved frontispiece and illustrations by Eric<br />

Ravilious, Waltham St.Lawrence, 1929 § Gray (Thomas) Gray’s<br />

Elegy written in a Country Church-yard, number 521 of 750 copies,<br />

wood-engraved full-page illustrations by Gwenda Morgan, light<br />

spotting, ink inscription on front free endpaper, 1946, both with<br />

small modern bookplate on front pastedown, original buckrambacked<br />

boards, t.e.g., others uncut, a little rubbed, particularly<br />

the second, [Chanticleer 68 & Cockalorum 172], 8vo, Golden<br />

Cockerel Press (2) £150 - £200<br />

554. Gibbings (Robert) th e 7t h ma n: a tr u e ca n n i B a l ta l e<br />

o f t h e so u t h se a is l a n d s, original buckram-backed patternedpaper<br />

boards, spine a little soiled, 1930 § Mathers (E.Powys) A<br />

Circle of the Seasons, engraved plates, original buckram, 1929 §<br />

Coppard (A.E.) The Hundredth Story, original morocco-backed<br />

patterned paper boards, spine faded and worn at head, 1931 §<br />

Flaubert (Gustave) Salambo, original buckram-backed patternedpaper<br />

boards, 1931 § Glasspoole (Richard) Mr. Glasspoole and<br />

the Chinese Pirates, original cloth-backed patterned cloth, 1935,<br />

limited editions, all illustrated by Robert Gibbings, most with woodengravings,<br />

most with small modern bookplate on front pastedown,<br />

uncut, some t.e.g., most a little rubbed or browned, particularly<br />

spines, [Chanticleer 72, 64, 74, 77 & 104], 8vo & 4to, all but the<br />

last Waltham St. Lawrence, all Golden Cockerel Press (5)<br />

£200 - £300<br />

555. Powys (Theodore Francis) wh e n th o u wa s t na k e d,<br />

illustrated by John Nash, 1931 § Bates (H.E.) A German Idyll,<br />

illustrated by Lynton Lamb, 1932 § Walpole (Hugh) The Apple<br />

Trees, illustrated by Lynton Lamb, 1932, all limited editions signed<br />

by the authors, with wood-engraved plates or illustrations, the first<br />

with small modern bookplate on front pastedown, similar original<br />

morocco-backed patterned cloth, t.e.g., others uncut, first spine<br />

slightly faded, boards of last a little soiled, [Chanticleer 76, 81 &<br />

88], 8vo, Waltham St.Lawrence, Golden Cockerel Press (3)<br />

£100 - £150<br />

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110<br />

556. fo u r go s p e l s o f t h e lo r d Je s u s ch r i s t (th e) a c c o r d i n g<br />

to t h e au t h o r i z e d ve r s i o n o f ki n g Ja m e s i, number 133 of 500<br />

copies, wood-engraved illustrations and initials by Eric Gill, some<br />

full-page, small modern bookplate on front pastedown, original<br />

half pigskin, by Sangorski & Sutcliffe, t.e.g., others uncut, spine and<br />

corners slightly rubbed and soiled, buckam boards a little browned<br />

and spotted, [Chanticleer 78], 4to, Waltham St. Lawrence, Golden<br />

Cockerel Press, 1931. £3,500 - £4,500<br />

*** The magnum opus of the Golden Cockerel Press and the<br />

culmination of the collaboration between Robert Gibbings and<br />

Eric Gill.<br />

557. Powys (Llewelyn gl o ry o f life, number 23 of 277 copies,<br />

wood-engraved frontispiece, title, initials and illustrations by<br />

Robert Gibbings, title and initials printed in red, title very lightly<br />

offset onto frontispiece, small modern bookplate on front pastedown,<br />

original vellum-backed cloth, t.e.g., others uncut, boards a little<br />

spotted and rubbed at edges, spine bumped at foot, [Chanticleer<br />

91], 4to, Golden Cockerel Press, 1934. £300 - £400<br />

*** “Probably the finest example of Robert Gibbings’ book<br />

illustration. His magnificent title-page engraved in wood was an<br />

innovation, and titles of this kind would enhance the beauty of<br />

many publishers’ books.” Chanticleer.<br />

BLOOMSBURY AUCTIONS<br />

Lot 556<br />

558. Bligh (William) th e vo ya g e o f t h e Bo u n t y’s la u n c h as<br />

related in William Bligh’s Despatch to the Admiralty and the<br />

Journal of John Fryer, edited by Owen Rutter, number 35 of 300<br />

copies, wood-engraved frontispiece and illustrations by Robert<br />

Gibbings, front endpapers a little browned, original two-tone<br />

cloth, t.e.g., others uncut, 1934 § Fryer (Mary Ann) John Fryer<br />

of the Bounty: Notes on his Career written by his Daughter...,<br />

number 270 of 300 copies, wood-engraved illustrations by Averil<br />

Mackenzie-Grieve, spotted and stained, original cloth, rubbed and<br />

faded, 1939, [Chanticleer 95 & Pertelote 146], small folio, Golden<br />

Cockerel Press (2) £200 - £300<br />

Lot 557


Lot 559<br />

559. Morrison (James) th e Jo u r n a l...Bo at s wa i n’s mat e o f th e<br />

Bo u n t y, edited by Owen Rutter, number 40 of 325 copies, woodengraved<br />

pictorial title and illustrations by Robert Gibbings, small<br />

modern bookplate on front pastedown, B o u n d in a l u m-taw e d p i g s k i n<br />

B y wi l m a ma r s d e n, covers tooled with thin gold lines depicting<br />

ship’s mast, sails and waves, t.e.g., others uncut, signed on rear<br />

turn-in, a little rubbed and soiled, particularly spine, board slipcase<br />

(browned and rather worn), [Chanticleer 102], small folio,<br />

Golden Cockerel Press, 1935. £250 - £350<br />

Lot 560<br />

560. Chase (Owen) and others. Narratives of the Wreck of the<br />

Whale-Ship Essex of Nantucket which was destroyed by a whale...,<br />

edited by Robert Gibbings, out-of-series copy from an edition<br />

limited to 275, wood-engraved title-vignette and illustrations by<br />

Gibbings, small modern bookplate on front pastedown, original<br />

two-tone cloth, t.e.g., others uncut, a little rubbed and soiled<br />

(mainly spine), preserved in later dust-jacket,[Chanticleer 109],<br />

small folio, Golden Cockerel Press, 1935. £150 - £200<br />

Lot 561<br />

561. Lawrence (T.E.) cr u s a d e r ca s t l e s, 2 vol., number 138 of<br />

1000 copies, titles in red, plates and illustrations, 2 folding maps<br />

in loosely-inserted sleeve at end of vol.1 (sleeve spotted), small<br />

modern bookplate on front pastedowns, original half morocco,<br />

by Sangorski & Sutcliffe, t.e.g., others uncut, slightly marked and<br />

stained, [Chanticleer 112], 4to, Golden Cockerel Press, 1936.<br />

£500 - £700<br />

Lot 562<br />

562. Mathers (E.Powys) lo v e ni g h t: a la o t i a n ga l l a n t ry,<br />

n u m B e r 80 o f 75 s p e c i a l ly-B o u n d c o p i e s (n u m B e r e d 6-80) o n<br />

v e l l u m-pa p e r a n d w i t h a n e x t r a s u i t e o f 6 u n u s e d p l at e s, from<br />

an edition limited to 200, wood-engraved title and illustrations by<br />

John Buckland Wright, some full-page, extra plates loose in pocket<br />

at end (a few creased at corners with light marginal foxing or<br />

soiling, one with slight damage to lower margin), original greenstained<br />

vellum, t.e.g., others uncut, slightly warped and rubbed at<br />

edges, [Pertelote 113], 8vo, Golden Cockerel Press, 1936.<br />

£600 - £800<br />

563. Sandford (Christopher) and others. ch a n t i c l e e r [and<br />

pe rt e l o t e; co c k a l o r u m; co c k-a-ho o p]: a Bi B l i o g r a p h y o f t h e<br />

go l d e n co c k e r e l pr e s s 1921-1936 [-1961], 4 vol., d e l u x e e d i t i o n s,<br />

each one of 200, 250 or 300 copies signed by Christopher Sandford<br />

and sometimes other partners, illustrations, all with bookplate<br />

and some with signature of Lord Kenyon, also with small modern<br />

bookplate, similar original morocco-backed patterned cloth, by<br />

Sangorski & Sutcliffe, t.e.g., others uncut, spines a little faded,<br />

[Pertelote 116, Cockalorum 156 & Cock-a-Hoop 184 & 214], 8vo,<br />

Golden Cockerel Press, 1936 [-1976]. £400 - £600<br />

BLOOMSBURY AUCTIONS<br />

111


112<br />

BLOOMSBURY AUCTIONS<br />

Lot 564<br />

564. Bligh (William) th e lo g o f t h e Bo u n t y, edited by Owen<br />

Rutter, 2 vol., number 189 of 300 copies, double-page title with<br />

wood-engraved vignettes by Lynton Lamb, light spotting to<br />

beginning and end of vol.2, small modern bookplate to front<br />

pastedowns, original three-tone cloth, uncut (edges spotted),<br />

[Pertelote 117], small folio, Golden Cockerel Press, 1937.<br />

£400 - £600<br />

Lot 565<br />

565. Milton (John) pa r a d i s e lo s t, edited by J.Isaacs, number<br />

7 of 200 copies, wood-engraved title in red and black by Robert<br />

Gibbings, wood-engraved illustrations by Mary Groom, title very<br />

lightly offset on facing page, bookplatse of W. and P.J.Kupfer<br />

and another on front pastedown, original half black pigskin over<br />

Cockerell marbled cloth boards, by Zaehnsdorf, spine gilt, t.e.g.,<br />

others uncut, very slightly rubbed, board slip-case (rubbed and<br />

faded), [Pertelote 119], 4to, Golden Cockerel Press, 1937.<br />

£600 - £800<br />

Lot 566<br />

566. Bligh (William) Bl i g h’s vo ya g e in th e re s o u r c e f r o m<br />

co u pa n g to Bat av i a..., edited by Owen Rutter, number 76 of 350<br />

copies, double-page title with wood-engraved vignettes by Peter<br />

Barker-Mill, illustrations, original two-tone cloth, uncut, preserved<br />

in later dust-jacket, [Pertelote 120], small folio, Golden Cockerel<br />

Press, 1937. £150 - £200<br />

Lot 567<br />

567. fi r s t fl e e t (th e): t h e re c o r d o f t h e fo u n d at i o n o f<br />

au s t r a l i a..., edited by Owen Rutter, number 89 of 375 copies,<br />

wood-engraved frontispiece and illustrations by Peter Barker-Mill,<br />

facsimile plates, el i z a B e t h gr e e n h i l l’s c o p y with her book-label<br />

and another small modern bookplate on front pastedown, original<br />

cloth with pictorial gilt panel on upper cover, uncut, [Pertelote<br />

123], small folio, Golden Cockerel Press, 1937. £150 - £200<br />

*** Elizabeth Greenhill (1907-2006), designer bookbinder.<br />

Lot 568<br />

568. Swire (Herbert) th e vo ya g e o f t h e ch a l l e n g e r: A Personal<br />

Narrative of the Historic Circumnavigation of the Globe in the<br />

years 1872-1876, 2 vol., number 281 of 300 copies, colour plates,<br />

illustrations, light spotting at beginning and end, particularly to<br />

endpapers, small modern bookplate on front pastedown of vol.2,<br />

original buckram-backed cloth, uncut, spines pictorial gilt designed<br />

by Lettice Sandford, cloth slip-case rubbed and marked, [Pertelote<br />

134], small folio, Golden Cockerel Press, 1938. £200 - £300


Lot 569<br />

569. Brébeuf (Jean de) th e tr av e l s & su f f e r i n g s...a m o n g t h e<br />

hu r o n s o f ca n a d a..., edited and translated by Theodore Besterman,<br />

number 140 of 300 copies, wood-engraved double-page vignette<br />

title by Eric Gill, map endpapers (slight spotting to front), small<br />

modern bookplate in corner of front free endpaper, original cloth,<br />

uncut, leather spine label, [Pertelote 136], small folio, Golden<br />

Cockerel Press, 1938. £150 - £200<br />

Lot 570<br />

570. pe rv i v i g i l i u m ve n e r i s: th e vigil o f ve n u s, translated by<br />

F.L.Lucas, number 50 of 100 copies, double-page pictorial title<br />

and illustrations by John Buckland Wright, all aquatints, small<br />

modern bookplate on front pastedown, original citron morocco<br />

with blind-stamped frieze of cockerels running along top and<br />

bottom of boards, by Sangorski & Sutcliffe, uncut, spine slightly<br />

faded, [Pertelote 141], 4to, Golden Cockerel Press, 1939.<br />

£800 - £1,200<br />

*** “This is what I call a perfect print. The tone is sufficient and<br />

not too even. The lines have their full value and have slight tone<br />

or aureal round them, which will go on improving with age. It is<br />

of course greatly helped by the type of paper used, the ink, and<br />

the slight ‘burr’ left on the lines...This plate was printed cold, ragwiped<br />

but not retroussé, and went once through the press...” John<br />

Buckland Wright quoted in Pertelote.<br />

571. Wells (H.G.) th e co u n t ry o f t h e Bl i n d 1939, n u m B e r 23 o f<br />

30 s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e a u t h o r a n d a rt i s t, from<br />

an edition limited to 280, wood-engraved illustrations by Clifford<br />

Webb, 2 full-page, lacking the frontispiece, original orange-stained<br />

vellum, gilt, by Sangorski & Sutcliffe, t.e.g., others uncut, spine<br />

faded and slightly soiled, [Pertelote 142], 1939 § Jones (Gwyn)<br />

The Green Island, n u m B e r 76 o f 100 s p e c i a l ly-B o u n d c o p i e s, from<br />

an edition limited to 500, wood-engraved illustrations by John<br />

Petts, original pictorial green and grey morocco, gilt, by Sangorski<br />

& Sutcliffe, t.e.g., others uncut, spine very slightly browned,<br />

cloth slip-case, 1946 § Burns (Robert) Songs..., one of 450<br />

copies, wood-engraved illustrations by Mabel Annesley, original<br />

buckram-backed boards, Waltham St. Lawrence, 1925 § Miller<br />

(Patrick) Ana the Runner..., one of 150 copies signed by the author,<br />

wood-engraved illustrations by Clifford Webb, original moroccobacked<br />

buckram, spine very slightly soiled, 1937, some with small<br />

modern bookplate on front pastedown, most t.e.g., all others uncut,<br />

[Pertelote 142, Cockalorum 169, Chanticleer 28 & Pertelote 122],<br />

Golden Cockerel Press; and 2 others by the press, Pertelote 124 &<br />

144), v.s. (6) £200 - £300<br />

572. Lawrence (T.E.) me n in pr i n t: essays in li t e r a ry criticism,<br />

n u m B e r 9 o f 30 s p e c i a l ly-B o u n d c o p i e s, from an edition limited<br />

to 500, 3 facsimile leaves, small modern bookplate on front<br />

pastedown, original mid-blue morocco, by Sangorski & Sutcliffe,<br />

t.e.g., others uncut, spine a little faded, cloth slip-case (lightly<br />

spotted), [Pertelote 148], 4to, Golden Cockerel Press, 1940.<br />

£600 - £800<br />

Lot 573<br />

573. Lawrence (T.E.) sh aw - ed e: t.e.law r e n c e’s le t t e r s to<br />

h.s.ed e 1927-1935, n u m B e r 26 o f 30 s p e c i a l ly-B o u n d c o p i e s, from<br />

an edition limited to 500, facsimile leaves at end, small modern<br />

bookplate on front pastedown, original dark blue morocco, by<br />

Sangorski & Sutcliffe, t.e.g., others uncut, buckram slip-case,<br />

[Pertelote 151], 4to, Golden Cockerel Press, 1942. £600 - £800<br />

574. De Chair (Somerset) th e si lv e r cr e s c e n t, n u m B e r 18 o f<br />

30 s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e a u t h o r, from an edition<br />

limited to 500, illustrations, map endpapers, original blue morocco,<br />

t.e.g., others uncut, spine a little faded, [Cockalorum 157], 4to,<br />

Golden Cockerel Press, 1943. £200 - £300<br />

BLOOMSBURY AUCTIONS<br />

113


114<br />

BLOOMSBURY AUCTIONS<br />

Lot 575<br />

575. Sparrman (Anders) a vo ya g e ro u n d t h e wo r l d w i t h<br />

ca p ta i n Ja m e s co o k in h.m.s. re s o l u t i o n, edited by Owen Rutter,<br />

n u m B e r 3 o f 50 s p e c i a l ly-B o u n d c o p i e s from an edition limited to<br />

350, wood-engraved illustrations by Peter Barker-Mill, some<br />

full-page, small modern bookplate on front pastedown, original<br />

pictorial cream morocco, gilt, by Sangorski & Sutcliffe, t.e.g.,<br />

others uncut, one or two small marks, [Cockalorum 162], small<br />

folio, Golden Cockerel Press, 1944. £600 - £800<br />

Lot 576<br />

576. De Chair (Somerset, translator) th e fir s t cru s a d e: The<br />

Deeds of the Franks and other Jerusalemites, n u m B e r 73 o f 100<br />

s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e t r a n s l at o r, from an edition<br />

limited to 500, wood-engraved frontispiece and illustrations by<br />

Clifford Webb, most full-page, small stain to outer margin to pp.8<br />

& 9 (final page of introduction and half-title), otherwise a very<br />

good copy, original pictorial vellum, gilt, by Sangorski & Sutcliffe,<br />

t.e.g., others uncut, board slip-case, [Cockalorum 168], small folio,<br />

Golden Cockerel Press, 1945. £150 - £200<br />

Lot 577<br />

577. Flinders (Matthew) na r r at i v e o f h i s vo ya g e in t h e sc h o o n e r<br />

fr a n c i s: 1798..., edited by Geoffrey Rawson, n u m B e r 63 o f 100<br />

s p e c i a l ly-B o u n d c o p i e s from an edition limited to 750, printed in<br />

green and black on pale grey paper, wood-engraved illustrations<br />

by John Buckland Wright, map, small modern bookplate on<br />

front pastedown, original pictorial dark green morocco, gilt, by<br />

Sangorski & Sutcliffe, t.e.g., others uncut, spine very slightly rubbed<br />

and faded, [Cockalorum 170], small folio, Golden Cockerel Press,<br />

1946. £400 - £600<br />

578. Flinders (Matthew) na r r at i v e o f h i s vo ya g e in t h e sc h o o n e r<br />

fr a n c i s: 1798..., 7 unbound sheets (complete with 104pp. and final<br />

sheet duplicated on verso), printed in green and black on grey<br />

paper, wood-engraved illustrations by John Buckland Wright, map,<br />

very light spotting and browning, lacking small portion to edge of<br />

sheet with title, Golden Cockerel Press, 1946. £100 - £150<br />

Lot 579<br />

579. HOME ho m e r i c hy m n to ap h r o d i t e (th e), translated by<br />

F.L. Lucas, n u m B e r 32 o f 100 s p e c i a l ly-B o u n d c o p i e s, from an<br />

edition limited to 750, wood-engraved frontispiece, pictorial title<br />

and illustrations by Mark Severin, small modern bookplate on<br />

front pastedown, original pictorial red morocco, gilt, by Sangorski<br />

& Sutcliffe, t.e.g., others uncut, cloth slip-case (slightly soiled),<br />

[Cockalorum 177], small folio, Golden Cockerel Press, 1948.<br />

£300 - £500


Lot 580<br />

580. Bannet (Ivor) th e am a z o n s: a no v e l, n u m B e r 31 o f 80<br />

s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e a u t h o r a n d a rt i s t, from<br />

an edition limited to 500, full-page wood-engraved illustrations<br />

by Clifford Webb, small modern bookplate on front pastedown,<br />

original pictorial brown morocco, gilt, by Sangorski & Sutcliffe,<br />

t.e.g., others uncut, cloth slip-case, [Cockalorum 181], 4to, Golden<br />

Cockerel Press, 1948. £150 - £200<br />

Lot 581<br />

581. Musaeus. he r o & le a n d e r, translated by F.L.Lucas, n u m B e r<br />

61 o f 100 s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e t r a n s l at o r a n d<br />

a rt i s t a n d w i t h a n a d d i t i o n a l e n g r av i n g o f ‘le a n d e r dr o w n i n g’,<br />

from an edition limited to 500, copper-engraved frontispiece,<br />

pictorial title and illustrations by John Buckland Wright, most fullpage,<br />

original pictorial vellum, gilt, by Sangorski & Sutcliffe, t.e.g.,<br />

others uncut, cloth slip-case, [Cock-a-Hoop 183], 8vo, Golden<br />

Cockerel Press, 1949. £600 - £800<br />

582. Swinburne (Algernon Charles) pa s i p h a ë: a po e m n u m B e r<br />

35 o f 100 s p e c i a l ly-B o u n d c o p i e s w i t h a n e x t r a e n g r av i n g from<br />

an edition limited to 500, copper-engraved title and plates by John<br />

Buckland Wright, original pictorial purple-stained vellum, gilt, by<br />

Sangorski & Sutcliffe, t.e.g., others uncut, spine faded, cloth slipcase,<br />

1950 § Ovid. The Amores, translated by E.Powys Mathers,<br />

copper-engraved plates by J.E.Laboureur, original half morocco,<br />

spine slightly faded, 1932 § Apuleius (Lucius) The xi. Bookes of<br />

the Golden Asse, 1923 § Longus. Daphnis & Chloe, 1923, limited<br />

editions, the last with small modern bookplate on front pastedown,<br />

the last two original cloth-backed boards, uncut, all a little rubbed,<br />

[Cock-a-Hoop 185 and Chanticleer 80, 15 & 17], 8vo & 4to, all<br />

but the first Waltham St.Lawrence, Golden Cockerel Press (4)<br />

£120 - £160<br />

583. Browne (William) ci r c e a n d ulysses, n u m B e r 29 o f 100<br />

s p e c i a l ly-B o u n d c o p i e s s i g n e d B y t h e a rt i s t a n d w i t h 4 a d d i t i o n a l<br />

e n g r av i n g s, from an edition limited to 300, wood-engraved plates by<br />

Mark Severin, original pictorial green morocco, gilt, by Sangorski<br />

& Sutcliffe, t.e.g., others uncut, spine browned, 1954 § Marston<br />

(John) The Metamorphosis of Pigmalion’s Image, colour woodengraved<br />

plates by Ren Ben Sussan, original buckram-backed<br />

batik boards, 1926 § Earle (John) Micro-cosmographie..., original<br />

red buckram, dust-jacket, 1928 § More (Thomas) ...Utopia, woodengraved<br />

decorative title-border and other decorations by Eric<br />

Gill, original buckram, gilt, red roan label, spine faded, 1929,<br />

limited editions, the first and last with small modern bookplate, all<br />

uncut, some t.e.g., [Cock-a-Hoop 194 and 46, 55, 65], Chanticleer<br />

all but the first Waltham St. Lawrence, Golden Cockerel Press; and<br />

3 others by the press, Browning & Fielding (Chanticleer 26, 73 &<br />

83), 8vo & 4to (7) £200 - £300<br />

584. Xenophon, of Ephesus. th e ep h e s i a n st o ry, translated by<br />

Paul Turner, n u m B e r 17 o f 75 s p e c i a l ly-B o u n d c o p i e s w i t h a n e x t r a<br />

s e t o f p l at e s i n c l u d i n g o n e n o t u s e d in t h e B o o k, from an edition<br />

limited to 300, plates and illustrations by Eric Fraser, original<br />

pictorial green morocco, gilt, t.e.g., additional suite of plates<br />

slightly browned at edges and loose as issued in cloth envelope,<br />

together in cloth slip-case (slightly faded along one edge), 4to,<br />

Golden Cockerel Press, 1957. £150 - £200<br />

Lot 585<br />

585. Ghose (Sudhin N.) fo l k ta l e s a n d fa i ry st o r i e s f r o m in d i a,<br />

n u m B e r 65 o f 100 s p e c i a l ly-B o u n d c o p i e s from an edition limited to<br />

500, printed in brown and black, title-vignette, plates and endpapers<br />

by Shrimati E.Carlile, original pictorial brown morocco, gilt, by<br />

Hiscox, t.e.g., others uncut, cloth slip-case, [Cock-a-Hoop 212],<br />

small folio, Golden Cockerel Press, 1961. £150 - £200<br />

BLOOMSBURY AUCTIONS<br />

115


116<br />

BLOOMSBURY AUCTIONS<br />

Lot 586<br />

Lot 587<br />

586. Prospectuses & specimens.- Kelmscott Press. [we l l at t h e<br />

wo r l d’s en d], pp.9-10 & 47-48 only, one leaf with marginal staining<br />

from previously being tipped inside mount, 1896; A specimen of<br />

Troy type, Chaucer type and 4 woodcuts (including When Adam<br />

Delved and Kelmscott Manor), large sheet folding to 8pp., slightly<br />

browned and soiled at fore-edge, [c.1898]; a prospectus for a reprint<br />

of books including woodcut portrait of William Morris by John<br />

Farleigh, 2pp., small tear to one edge, [c.1900] § Cuala Press. A<br />

Broadside, No.10 Second Year, single sheet folding to 3pp., one of<br />

300 copies, 3 illustrations by Jack Butler Yeats, 2 hand-coloured,<br />

lightly soiled and stained, short tear to foot of fold, Dublin, Cuala<br />

Press, March 1910; A Brief Account of the Cuala Press..., 8pp.,<br />

printed in red and black, illustrations including 2 tipped inside<br />

covers, original wrappers, Dublin, 1971, some with small circular<br />

blind-stamp in corner; and prospectuses, specimen leaves etc. from<br />

the Bremer, Doves, Essex House, Nonesuch and Shakespeare Head<br />

presses, v.s. (a bundle) £200 - £300<br />

587. Prospectuses & specimens.- Golden Cockerel Press.<br />

[ca n t e r B u ry tal e s], pp.119-122 only (one folding sheet), p r i n t e d<br />

o n v e l l u m, margins with wood-engraved illustrations by Eric Gill,<br />

slight vertical crease, [Chanticleer 63], [Waltham St.Lawrence],<br />

[1929]; The Golden Cockerel Press, single sheet folding to 4pp.,<br />

wood-engraved cockerel by Desmond Chute, foxed, [Cock-a-<br />

Hoop I], [?Autumn 1920]; Spring 1921: First List of Publications<br />

from the Golden Cockerel Press, single sheet folding to 4pp.,<br />

wood-engraved cockerel by Chute, slight horizontal crease where<br />

previously folded, [Cock-a-Hoop III], [1921]; A Bibliography of<br />

the Golden Cockerel Press 1.4.21 to 1.6.25, 8pp., printed in black<br />

and turquoise, stapled, slight spotting, [Cock-a-Hoop XIV], 1925;<br />

and a small quantity of catalogues, prospectuses, lists etc. for the<br />

press including prospectuses for the Four Gospels, Twelfth Night,<br />

Glory of Life, Paradise Lost etc., containing wood-engravings by<br />

Eric Gill, Eric Ravilious, Robert Gibbings, Blair Hughes-Stanton,<br />

John Buckland Wright and others, v.s. (a bundle) £750 - £1,000<br />

*** The second mentioned item is t h e first prospectus issued B y<br />

t h e press. It opens thus, “This Press is a co-operative society for the<br />

printing and publishing of books.” An admirable aim but one which<br />

was not to last for long.


Other Properties<br />

588. Angelo (Valenti).- Douglas (Norman) so u t h wi n d, number<br />

206 of 250 copies signed by the author, original cloth, t.e.g., others<br />

uncut, spine slightly faded, slip-case (worn and defective), 1928<br />

§ Book of Psalms (The), one of 1500 copies signed by the artist,<br />

original blind-stamped orange rexine, glacine wrapper (slightly<br />

torn), cloth folder and slip-case, Limited Editions Club, 1960 §<br />

Bury (Richard de) The Philobiblon, translated by A.F.West, limited<br />

edition, printed in red and black, book-label of D.Steven Corey,<br />

original cloth, printed by Peter Beilenson in Mount Vernon, 1945,<br />

all with plates, illustrations or decorations by Valenti Angelo, 8vo<br />

et infra, New York (3) £80 - £120<br />

589. Birmingham School of Printing.- Coleridge (S.T.) th e ri m e<br />

o f t h e an c i e n t ma r i n e r, printed in green and black, illustrations<br />

by J.Trevor Denning, tape marks to endpapers, 1940 § Renan<br />

(Ernest) The Song of Songs as a Drama, printed in red and black,<br />

illustrations by Bernard Sleigh, original patterned-paper boards,<br />

spine chipped, 1937 § Cave (Thomas) John Baskervile: The Printer<br />

1706-1775 His Ancestry, original cloth-backed boards, 1936 §<br />

Knight (Charles) William Caxton: The First English Printer, 1952,<br />

the first and last original cloth, all a little rubbed, Birmingham, all<br />

printed at the Birmingham School of Printing; and c.30 others from<br />

the school, v.s. (c.35) £150 - £200<br />

590. Brown (George Mackay) ed w i n mu i r: a Br i e f me m o i r, one<br />

of 160 copies, West Linton, Castlelaw Press, 1975 § Morgan (Edwin,<br />

translator) Platen: Selected Poems, one of 150 copies, West Linton,<br />

Castle Law, 1978 § Shelley (P.B.) Ode to the West Wind, one of 120<br />

copies signed by the designer/printer, Derek Riley, wood-engraved<br />

illustrations by Riley, original calf-backed marbled boards, Cullen,<br />

Celnius Press, 1976, the first two original cloth-backed boards;<br />

and a small bundle of others, mostly pamphlets by modern British<br />

presses, 4to & 8vo (c.20) £100 - £150<br />

591. Cazotte (Jacques) th e de v i l in lo v e, number 150 of 320<br />

copies, copper-engraved plates by J.E.Laboureur, 1925 § Maurois<br />

(André) Chelsea Way, translated by Hamish Miles, one of 530<br />

copies signed by the author, 1930 § Duséjour (Dionis) The Origin<br />

of the Graces, limited edition, advertisement leaf at beginning,<br />

engraved additional title and plates after Cochin, occasional<br />

spotting or soiling, [c.1880], all original cloth-backed boards, the<br />

last with decorative gilt-patterned boards, the other two with dustjackets,<br />

the first frayed, all rubbed, 8vo (3) £100 - £150<br />

592. Chandler (Bruce) lo v e J o y: ex c e r p t s f r o m a me m o i r, with an<br />

Epilogue by Anthony Lewis, o n e o f 15 c o p i e s w i t h a n a d d i t i o n a l<br />

e t c h i n g and signed by the author/artist and Anthony Lewis, from<br />

an edition limited to 115, etched portrait and plates by Chandler,<br />

additional etching initialled in pencil, loose as issued in original<br />

cloth folder, uncut, original morocco-backed cloth drop-back box,<br />

slightly marked, Boston, Heron Press, 1988. £200 - £300<br />

*** Rev. Elijah Parish Lovejoy was an Abolitionist minister and<br />

printer who was murdered by a mob in Alton, Illinois in 1837 after<br />

printing anti-slavery pamphlets.<br />

Lot 592<br />

593. Chandler (Bruce) lo v e J o y: ex c e r p t s f r o m a me m o i r, with<br />

an Epilogue by Anthony Lewis, n u m B e r 39 o f 100 c o p i e s signed by<br />

the author/artist and Anthony Lewis, etched portrait and plates by<br />

Chandler, original morocco-backed boards, uncut, original cloth<br />

drop-back box, Boston, Heron Press, 1988 § Mayes (Frances)<br />

The Book of Summer, o n e o f 90 c o p i e s signed by the author,<br />

illustrations by Corinne Okada, original marbled cloth, uncut,<br />

slip-case, Woodside, CA, Heyeck Press, 1995 § Payne (David) Left<br />

Alone: Poems, o n e o f 100 c o p i e s signed by the author and artist,<br />

woodcuts by Howard Storm, original wrappers, uncut, Columbus,<br />

OH, Logan Elm Press, 1982 § Antoninus (Brother) Who is She<br />

that Looketh Forth as the Morning?, one of 250 copies signed by<br />

the author, original cloth, Santa Barbara, Capricorn Press, 1972<br />

§ Grover (S.) and James D.Hammond, editors. A Commonplace<br />

Book..., o n e o f 100 c o p i e s, printed in black and colours, samples,<br />

original cloth-backed boards, slightly browned, Aptos, CA, Grace<br />

Hoper Press, 1969, folio (5) £200 - £300<br />

594. co l o p h o n (th e): a Bo o k co l l e c to r s’ qu a rt e r ly, 47 vol.,<br />

printed in black and colours, specimens, plates and illustrations,<br />

some folding, some colour, a few tipped in, original pictorial boards<br />

or cloth, some with glacene wrappers (many torn and defective),<br />

rubbed, New York, 1930-68; and vol.1-4 in 6 of The Dolphin, 4to<br />

(53) £200 - £300<br />

*** a c o m p l e t e s e t o f t h e p e r i o d i c a l; the only item not present<br />

is the related volume The Annual of Book-Making issued by The<br />

Colophon in 1938. Comprises Parts 1-20 (vol.1-5) and Index,<br />

1930-35; New Series, Nos.1-12 (vol.1-3), 1935-38; New Graphic<br />

Series, Nos.1-4, 1939-40; The New Colophon, Nos.1-9 (vol.1-3) in<br />

9, 1948-50; Keller (Dean H.) Index to the Colophon..., Metuchen,<br />

1968.<br />

BLOOMSBURY AUCTIONS<br />

117


118<br />

BLOOMSBURY AUCTIONS<br />

Lot 595<br />

595. Dali (Salvador) hi d d e n fa c e s, n u m B e r 32 o f 100 c o p i e s s i g n e d<br />

B y t h e a u t h o r, accompanying Postface pamphlet loosely inserted,<br />

original vellum-backed marbled boards, slip-case, 8vo, 1973.<br />

£400 - £600<br />

596. Dreiser (Theodore) epitaph: a po e m, number 952 of 700<br />

copies on Japanese Keijyo Kami paper from an edition limited<br />

to 1100 and signed by the author, wood-engraved illustrations by<br />

Robert Fawcett, original cloth, gilt, uncut, spine slightly faded,<br />

slip-case blocked in silver (rubbed and repaired at lower edges),<br />

4to, New York, Heron Press, 1929. £100 - £150<br />

597. Evelyn (John) ac e ta r i a: a di s c o u r s e o f sa l l e t s, number 66<br />

of 300 copies, colour plates, original morocco-backed patterned<br />

boards, green morocco spine label, Dallas, Still Point Press,<br />

1985 § Melville (Herman) The Lightning-Rod Man, n u m B e r 64<br />

o f 85 c o p i e s signed by the artist and designer, wood-engraved<br />

illustrations by Michael McCurdy, original boards, Minneapolis,<br />

Daedalus Press, 1982 § Boccaccio (Giovanni) The Nuns and the<br />

Gardener, art i s t’s pro o f c o p y f r o m a n e d i t i o n l i m i t e d to 70,<br />

wood-engraved illustrations by Wesley W.Bates printed in green,<br />

original boards, paper wrapper, n.p., [Toronto], Aliquando Press,<br />

2002 § Cummings (E.E.) “...viva sweet love”: eleven poems,<br />

n u m B e r 16 o f 25 s p e c i a l ly-B o u n d c o p i e s from an edition limited to<br />

100 and signed by the artist and editor, etching by R.Keith Rendall,<br />

original cloth-backed boards, Portland, ME, Ascensius Press,<br />

1989 § Benét (S.V.) The Devil & Daniel Webster, limited edition,<br />

s i g n e d p r e s e n tat i o n c o p y f r o m t h e a rt i s t to geo r g e & he l e n<br />

ma c y inscribed at foot of title, wood-engraved title-vignette and<br />

illustrations by Fritz Eichenberg printed in grey, original clothbacked<br />

patterned boards, Kingsport, TN, Kingsport Press, 1937,<br />

all uncut; and 15 others from modern American presses, v.s. (20)<br />

£200 - £300<br />

Lot 598<br />

598. Fini (Léonor).- Nerval (Gérard de) au r é l i a, number 148 of<br />

280 copies on Rives, colour etchings by Léonor Fini, 10 full-page,<br />

loose as issued in original wrappers with dolour etching on upper<br />

cover, original cloth drop-back box, rather dusty, small scratch to<br />

lid, 4to, Monaco, Club International de Bibliophilie, 1960.<br />

£300 - £500<br />

Lot 599<br />

599. Forestier (Henri) and others. ve i l l é e s d e Bo u r g o g n e,<br />

number 44 of 800 copies, colour lithograph plates by Jacques<br />

Grange, loose as issued in original wrappers, uncut, original<br />

board folder and slip-case, the latter worn and defective, 4to,<br />

Dijon, 1945. £80 - £120<br />

600. Franklin (Colin) th e as h e n d e n e pr e s s, one of 750 copies,<br />

illustrations, original cloth-backed patterned-paper boards,<br />

Dallas, 1986 § Cavafy (C.P.) A Selection of Poems, translated by<br />

E.Keeley and Philip Sherrard, n u m B e r 45 o f 50 c o p i e s signed by the<br />

artist, from an edition limited to 70, full-page colour illustrations<br />

by Eileen Hogan, original grey morocco-backed ribbed cloth,<br />

Camberwell Press, 1985 § Moore (George) Ulick and Soracha,<br />

limited edition on japon vellum signed by the author, copperengraved<br />

plate by Stephen Gooden, original buckram, uncut, dustjacket<br />

(torn and chipped at head of spine), Nonesuch Press, 1926;<br />

and another, Nonesuch, 4to & 8vo (4) £100 - £150


601. Ganz (Paul) le s dessins d e ha n s ho l B e i n l e Je u n e:<br />

Catalogue Raisonné, text and portfolios 2-8 only (of 8), limitation<br />

leaf in portfolios states only 50 copies on Hollande van Gelder<br />

paper but this an unnumbered set, text in original wrappers, uncut,<br />

slightly frayed at edges, portofolios with mounted plates, many<br />

colour, loose as issued in original vellum-backed decorated board<br />

portfolios, rubbed, 4to & folio, Geneva, 1939; sold not subject to<br />

return £400 - £600<br />

Lot 602<br />

602. Gill (Eric) th e wat c h m a n, for GCP Song of Songs, woodengraving,<br />

numbered 9/12 and signed by the artist in pencil, traces<br />

of tape on verso edges where previously tipped to mount, [P326],<br />

c.170 x 130mm., [1925]. £300 - £400<br />

Lot 603<br />

603. Grabhorn Press.- Magee (D. & D.) Bi B l i o g r a p h y o f t h e<br />

gr a B h o r n pr e s s...1940-1956 [With a Check-List, 1916-1940],<br />

1957 § Harlan (Robert, editor) Bibliography of the Grabhorn Press<br />

1957-1966 & Grabhorn-Hoyem 1966-1973, 1977, each one of 225<br />

copies, printed in red and black, the first also with gold, plates<br />

and specimens, some tipped in, small spots to title of first, original<br />

morocco-backed patterned boards or cloth, spines lettered in gilt,<br />

uncut, folio, San Francisco, Grabhorn Press/Andrew Hoyem (2)<br />

£200 - £300<br />

604. Harrison (Ski) po rt r a i t s o f pr e s s e s: ph o t o g r a p h s, one of<br />

500 copies, original cloth-backed boards, uncut, slip-case, Risbury,<br />

Whittington Press, 1997 § Bishop (Hal) The Wood Engravings of<br />

Frank Martin, one of 360 copies, original cloth-backed patternedpaper<br />

boards, Church Hanborough, Previous Parrot Press, 1998 §<br />

Burrett (Edward) My Wartime Caricatures, o n e o f 100 c o p i e s s i g n d<br />

B y t h e a u t h o r/a rt i s t, original cloth, Esher, Penmiel Press, 1992 §<br />

Ruskin (John) Venice Approached, n u m B e r 47 o f 50 c o p i e s, original<br />

wrappers sewn in Japanese style, uncut, dust-jacket, Hinton<br />

Charterhouse, Old School Press, 1991 § Pardoe (F.E.) In Praise of<br />

John Baskerville, one of 260 copies, wood-engraved illustrations<br />

by Anthony Christmas, original patterned-paper boards, c.55 x<br />

75mm., Wakefield, Fleece Press, 1994, all with illustrations; and<br />

a small quantity of others from a variety of mostly British modern<br />

presses including Alembic, Black Pennell, Cadenza, Golgonooza,<br />

Hayloft, Hermit, Incline, Kit-Cat, Mandeville, Old Stile, Plough,<br />

Priapus, Redlake, Wayzgoose and Workshop presses, the majority<br />

pamphlets or printing ephemera, v.s. (3 boxes) £300 - £400<br />

Lot 605<br />

605. Hockney (David) pa p e r po o l s, number 389 of 1000 copies<br />

signed by the artist, lacking the original signed lithograph,<br />

illustrations, original cloth, slip-case soiled, 4to, 1980.<br />

£100 - £150<br />

606. Housman (A.E.) a sh r o p s h i r e la d, vignettes by Aldren<br />

Watson printed in turquoise, contemporary crushed turquoise<br />

morocco, gilt, by Maurin, spine gilt with two raised bands, t.e.g.,<br />

spine very slightly faded, slip-case (rubbed and stained), Mount<br />

Vernon, NY, Peter Pauper Press, n.d. § Proper Psalms (The) for the<br />

Morning of Christmass Daye..., n u m B e r 3 o f 32 c o p i e s, printed in<br />

Hebrew and English with musical notation in red and black, handcoloured<br />

initials, original wrappers, uncut, preserved in modern<br />

cloth folder with ties, Cleveland, Clerk’s Private Press, 1916; and 6<br />

others, v.s. (8) £100 - £150<br />

BLOOMSBURY AUCTIONS<br />

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120<br />

BLOOMSBURY AUCTIONS<br />

Lot 607<br />

607. Johnson (Arthur, bookbinder).- Chalmers (John P., editor)<br />

a Bo o k B i n d e r’s fl o r i l e g i u m, one of 140 copies, illustrations,<br />

bound in brown goatskin, B y art h u r Jo h n s o n, upper cover with<br />

chequered design of squares filled with onlaid squiggles in natural,<br />

black, red and white goatskin and extending across spine ends<br />

and strip across lower cover, spine titled in onlaid natural and red<br />

goatskin letters, t.e.g., others uncut, signed “A.J. 1990” at foot of<br />

rear turn-in, brown goatskin-backed cloth drop-back box, spine<br />

with raised moulded squiggles and lettered in gilt, 8vo, Austin,<br />

1988. £200 - £300<br />

*** Johnson was one of the contributors to the book.<br />

608. Kelly Winterton Press.- ps a l m s ..., o n e o f 72 c o p i e s, printed<br />

in silver on dark blue paper, original cloth, 1988 § Coleridge (S.T.)<br />

The Devil’s Thoughts, n u m B e r 39 o f 60 c o p i e s, original clothbacked<br />

boards, uncut, 1989 § Vergilius Maro (Publius) Aeneas in<br />

the World of the Dead, o n e o f 100 c o p i e s, printed in red and black,<br />

original cloth, uncut, 1990 § Lohf (K.A.) Moon and Sun, n u m B e r<br />

8 o f 30 c o p i e s w i t h a n a d d i t i o n a l p r i n t a n d s i g n e d B y t h e a u t h o r<br />

a n d a rt i s t, from an edition limited to 100, woodcuts by Antonio<br />

Frasconi, original cloth-backed boards, uncut, additional print<br />

numbered and signed in pencil, loose in wrapper, together in board<br />

slip-case, 1997, all New York, Kelly Winterton Press; and 3 others<br />

from the press, v.s. (7) £100 - £150<br />

609. Limited Editions Club.- Singer (Isaac Bashevis) th e<br />

ma g i c i a n o f lu B l i n, colour lithograph plates by Larry Rivers,<br />

original morocco-backed cloth, t.e.g., 1984; The Gentleman from<br />

Cracow, colour plates by Raphael Soyer, original cloth-backed<br />

boards, glacine wrapper, spine browned, 1979 § Milosz (Czeslaw)<br />

The Captive Mind, colour lithograph frontispiece by Janusz<br />

Kapusta loosely inserted, colour plates, original cloth, 1983 §<br />

Newman (R.G.) and Glen Norman Wiche. Great and Good Books:<br />

A Bibliographical Catalogue of The Limited Editions Club 1929-<br />

1985, one of 500 copies, illustrations, original cloth, Chicago,<br />

1989, all but the last limited editions signed by the authors and<br />

artists, all with slip-cases, all but the last New York, all Limited<br />

Editions Club; and 4 others, LEC, v.s. (8) £200 - £300<br />

Lot 610<br />

610. Limited Editions Club.- Ashbery (John) de s c r i p t i o n o f a<br />

ma s q u e, number 118 of 300 copies signed by the author and artist,<br />

printed in orange and black, colour woodblock plates by Jane<br />

Freilicher, original cloth with russet morocco label on upper cover,<br />

uncut, with prospectus in original cloth drop-back box, morocco<br />

label on spine, folio, Limited Editions Club, 1998. £200 - £300<br />

Lot 611<br />

611. Matisse (Henri) dessins: th è m e s e t va r i at i o n s, précédés de<br />

“Matisse-en-France” par Aragon, number 45 of 920 copies on Vélin<br />

pur fil, from an edition limited to 950, linocut frontispiece and<br />

plates after drawings by Matisse, very slightly browned at edges,<br />

loose as issued in original cloth-backed board portfolio with ties,<br />

very slight fading to upper board, otherwise a verygood copy, 4to,<br />

Paris, Martin Fabiani, 1943. £1,500 - £2,000


Lot 612<br />

612. Matisse (Henri).- Nau (Jean-Antoine) po é s i e s an t i l l a i s e s,<br />

number 176 of 200 copies, lacking pp.17-24, 27-30, 59-62 & 73-<br />

80, 22 lithographed portraits after drawings by Henri Matisse<br />

only (of 22) printed in brown, 22 (of 27) lithographed initials and<br />

numerous ornaments by Matisse printed in blue, loose as issued in<br />

original orange wrappers, uncut, original cloth drop-back box (a<br />

little soiled), folio, Paris, Fernand Mourlot, 1972. £800 - £1,200<br />

*** Matisse drew the portraits to illustrate his friend’s book in the<br />

late 1940s and worked on the production in the early 1950s, but<br />

publication was delayed until many years after his death in 1954.<br />

613. Matisse (Henri).- Duthuit-Matisse (M.) and Claude<br />

Duthuit. he n r i matisse: cata l o g u e ra i s o n n é d e l’oe u v r e<br />

gr av é ..., 2 vol., illustrations, original cloth, dust-jackets a little<br />

soiled and frayed at edges, 4to, Paris, 1983. £200 - £300<br />

614. Nash (Paul) and others. in pr a i s e o f pat t e r n e d pa p e r s: a<br />

co l l e c t i o n o f essays, one of 300 copies, original cloth-backed<br />

patterned-paper boards, uncut, slip-case, Oldham, Incline Press,<br />

1997 § Paucker (Pauline) New Borders: The Working Life of<br />

Elizabeth Friedlander, one of 325 copies signed by the author,<br />

original half cloth, uncut, slip-case, Oldham, Incline Press,<br />

1998 § Stephenson (Jonathan) Rocket Ephemera 1985-94, one<br />

of 80 sets, specimens loosely inserted in original cloth dropback<br />

box, Steventon, Rocket Press, [c.1995] § More Daylight<br />

Jobbery...1986-1990, one of 60 sets, specimens tipped to card<br />

sheets, loose in original cloth drop-back box, Marlborough,<br />

Libanus Press, [c.1991] § Compton Marbling Portfolio of Patterns<br />

(The), one of 150 copies, tipped-in samples of marbled paper, loose<br />

as issued in original half cloth portfolio with ties, Oxford, Alembic<br />

Press, 1992; and a boxed collection of booklets on printing in<br />

Oxford and Leiden, v.s. (6) £200 - £300<br />

615. Nonesuch Press.- Donne (John) lo v e po e m s , limited edition,<br />

frontispiece, title with decorative border in red, original vellumbacked<br />

patterned-paper boards, uncut, small mark to spine,<br />

Nonesuch Press, 1923; and 4 others by the press, 4to & 8vo (5)<br />

£100 - £150<br />

*** The first book produced by the Nonesuch Press.<br />

616. Officina Bodoni.- Shakespeare (William) so n g s f r o m<br />

sh a k e s p e a r e’s pl ay s , n u m B e r 11 o f 310 c o p i e s, number 11 of 300<br />

copies, printed in red and black in Dante Italic type, original green<br />

morocco-backed patterned cloth, t.e.g., others uncut, transparent<br />

wrapper yellowed at spine, cloth slip-case, [Mardersteig 185],<br />

8vo, Verona, Officina Bodoni, 1974. £150 - £200<br />

Lot 617<br />

617. Officina Bodoni.- Gogol (Nikolay) th e ov e r c o at, translated<br />

by Constance Garnett, n u m B e r 17 o f 160 c o p i e s s i g n e d B y t h e<br />

a rt i s t, text in Russian and English, printed in green and black<br />

in Lazursky’s Pushkin Cyrillic and Mardersteig’s Dante types, 6<br />

etched plates by Pietro Annigoni, prospectus loosely inserted,<br />

original vellum-backed boards, gilt, t.e.g., others uncut, very slight<br />

discolouration to edge of upper board adjoining vellum, transparent<br />

wrapper yellowed at spine, cloth slip-case, [Mardersteig 193], 4to,<br />

Verona, Officina Bodoni, 1975. £350 - £450<br />

618. Officina Bodoni.- [Stobaeus (Joannes)] de l p h i c a gr a m m ata :<br />

th e say i n g s o f t h e se v e n sa g e s o f gr e e c e, edited and translated by<br />

Betty Radice, number 20 of 160 copies, text in Greek and English,<br />

prospectus loosely inserted, original vellum-backed patternedpaper<br />

boards, t.e.g., others uncut, transparent wrapper yellowed at<br />

spine, slip-case, 8vo, Officina Bodoni, Verona, 1976. £100 - £150<br />

619. Officina Bodoni.- Mardersteig (Giovanni) th e officina<br />

Bo d o n i: An Account of the Work of a Hand Press, 1923-1977,<br />

edited and translated by Hans Schmoller, limited to 1500 copies,<br />

portrait frontispiece, illustrations, original cloth, spine very slightly<br />

discoloured, slip-case, folio, Verona, Stamperia Valdonega, 1980.<br />

£60 - £80<br />

BLOOMSBURY AUCTIONS<br />

121


122<br />

BLOOMSBURY AUCTIONS<br />

Lot 620<br />

620. Piech (Paul Peter).- Blake (William) ho ly th u r s d ay, number<br />

8 of 225 copies signed by the artist/printer, linocut illustrations by<br />

Paul Peter Piech, light marginal spotting, notes from the printer<br />

loosely inserted, wood-engraved bookplate, original boards with<br />

paper label on upper cover, Bushey Heath, Taurus Press, [1971];<br />

and a small bundle of others from the press, 4to & 8vo (17)<br />

£150 - £200<br />

621. Rampant Lions Press.- Eliot (T.S.) fo u r qu a rt e t s, one of<br />

226 copies, prospectus loosely inserted, wood-engraved bookplate,<br />

original cloth-backed patterned-paper boards, uncut, slip-case,<br />

2006 § In Praise of Letterpress: Ten broadsides..., one of 140 copies,<br />

loose as issued in original wrapper, uncut, original cloth drop-back<br />

box, 2001, Cambridge, Rampant Lions Press; and a small bundle of<br />

others from the press, some pamphlets, v.s. (c.20) £200 - £300<br />

Lot 622<br />

622. Wilson (Adrian) pr i n t i n g f o r the at e r, number 241 of 250<br />

copies, colour woodcut on title, text printed in red and black,<br />

colour woodcut illustrations, many specimens tipped in or loosely<br />

inserted in pocket at end (theatre programmes and ephemera),<br />

pictorial endpapers, original pictorial cloth, uncut, preserved in<br />

original packaging, folio, San Francisco, Adrian Wilson, 1957.<br />

£250 - £350<br />

Lot 623<br />

623. Yaron, artist. th e so n g o f so n g s, number 2 of 51 copies<br />

signed by the artist, linocut plates by Yaron, some printed in<br />

colours, original morocco with inlaid pictorial cloth panels, cloth<br />

slip-case, oblong 4to, [Flying Sugar Press], [1995]. £100 - £150<br />

624. Yellow Barn Press.- Field (Eugene) ou r de B t to mo n k i s h<br />

me n, number 23 of 120 copies, printed in red and black, woodengraved<br />

illustrations by John DePol, prospectus loosely inserted,<br />

1987 § Garland (Hamlin) The Return of a Private, one of 150<br />

copies, colour wood-engraved illustrations by Gaylord Schannilec,<br />

prospectus loosely inserted, 1998 § Walsdorf (Jack) Elbert Hubbard:<br />

William Morris’s Greatest Imitator, n u m B e r 6 o f 34 c o p i e s w i t h a n<br />

o r i g i n a l l e a f f r o m B o t h t h e ke l m s c o t t a n d ro y c r o f t presses,<br />

from an edition limited to 150, plates, original brocade, 1999 §<br />

Pollak (Oliver B.) A Year at the Sorbonne: A Proustian Life, one of<br />

150 copies, wood-engraved illustrations in blue by Sandy Connors,<br />

photographic illustrations, 2002, all but the third with prospectus<br />

loosely inserted and original cloth-backed boards, uncut, the last<br />

with slip-case, Council Bluffs, IA, Yellow Barn Press; and 5 others<br />

by the press, 4to & 8vo (9) £150 - £200<br />

en d o f sa l e


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The following informative notes are intended to assist Buyers,<br />

particularly those inexperienced or new to our salerooms. All sales<br />

are conducted on our printed Conditions of Sale which are readily<br />

available for inspection and normally accompany catalogues. Our<br />

staff will be happy to help you if there is anything you do not fully<br />

understand.<br />

2. Agency.<br />

As auctioneers we usually contract as agents for the seller whose<br />

identity, for reasons of confidentiality, is not normally disclosed.<br />

Accordingly if you buy your primary contract is with the seller.<br />

3. estimates.<br />

Estimates are designed to help buyers gauge what sort of sum<br />

might be involved for the purchase of a particular lot. The lower<br />

estimate may represent the reserve price and certainly will not<br />

be below it. Estimates do not include the Buyer’s Premium or VAT<br />

(where chargeable). Estimates are prepared some time before the<br />

sale and may be altered by announcement before the sale. They are<br />

in no sense definitive.<br />

4. Buyer’s Premium.<br />

The Buyer agrees to pay a buyer’s premiumon the hammer price of<br />

each lot purchased. The buyer’s premium is 22% (26.4% including<br />

VAT) of the hammer price on each lot up to and including<br />

£300,000 plus 12% (14.4% including VAT) for any amount in excess<br />

of £300,000.<br />

5. vAT. (*)<br />

indicates that VAT is payable by the purchaser at the standard rate<br />

(presently 20%) on the hammer price as well as being an element in<br />

the buyer’s premium. This imposition of VAT is likely to be because<br />

the seller is registered for VAT within the European Union and is not<br />

operating the Dealers Margin Scheme or because VAT is due at 20%<br />

on importation into the UK. The double symbol (**) indicates that<br />

the lot has been imported from outside the European Union and<br />

the present position is that these lots are liable to a reduced rate of<br />

VAT (5%) on the gross lot price (i.e. both the hammer price and the<br />

buyer’s premium). Lots which appear without either of the above<br />

symbols indicate that no VAT is payable on the hammer price. This<br />

is because such lots are sold using the Auctioneers’ Margin Scheme<br />

and it should be noted that the VAT included within the Premium is<br />

not recoverable as input tax.<br />

6. Descriptions and Conditions.<br />

Condition reports are provided on our web site or upon request.<br />

The absence of a report does not imply that a lot is without<br />

imperfections. The detail in a report will reflect the estimated<br />

value of the lot, and large numbers of such requests received<br />

shortly before the sale may not receive a response to all lots.<br />

Members of staff are not trained restorers or conservators and,<br />

particularly for higher value lots, you should obtain an opinion<br />

from such a professional. We recommend that you always view<br />

a lot in person.<br />

We are, primarily, agents for the seller. We are dependent on<br />

information provided by the seller and whilst we may inspect lots<br />

and act reasonably in taking a general view about them we are<br />

normally unable to carry out a detailed or any examination of lots<br />

in order to ascertain their condition in the way in which it would be<br />

wise for a buyer to do. Intending buyers have ample opportunity<br />

for inspection of goods and, therefore, accept responsibility for<br />

inspecting and investigating lots in which they may be interested.<br />

Please note carefully the exclusion of liability for the condition of<br />

lots contained in the Conditions of Sale. Neither the seller nor we,<br />

as the auctioneers, accept any responsibility for their condition. In<br />

particular, mechanical objects of any age are not guaranteed to be<br />

in working order. However, in so far as we have examined the goods<br />

and make a representation about their condition, we shall be liable<br />

for any defect which that examination ought to have revealed to<br />

the auctioneer but which would not have been revealed to the<br />

buyer had the buyer examined the goods. Additionally, in specified<br />

circumstances lots misdescribed because they are ‘deliberate<br />

forgeries’ may be returned and repayment made. There is a 3 week<br />

time limit. (The expression ‘deliberate forgery’ is defined in our<br />

Conditions of Sale).<br />

7. electrical goods.<br />

These are sold as ‘antiques’ only and if bought for use must be<br />

checked over for compliance with safety regulations by a qualified<br />

electrician first.<br />

8. export of goods.<br />

Buyers intending to export goods should ascertain (a) whether<br />

an export licence is required and (b) whether there is any specific<br />

prohibition on importing goods of that character because, e.g.<br />

they may contain prohibited materials such as ivory. Ask us if you<br />

need help.<br />

9. Bidding.<br />

Bidders may be required to register before the sale commences and<br />

lots will be invoiced to the name and address on the registration<br />

form. Some form of identification may be required if you are<br />

unknown to us. Please enquire in advance about our arrangements<br />

for telephone bidding.<br />

10. Commission bidding.<br />

Commission bids may be left with the auctioneers indicating the<br />

maximum amount to be bid excluding buyers’ premium. They will be<br />

executed as cheaply as possible having regard to the reserve (if any)<br />

and competing bids. If two buyers submit identical commission bids<br />

the auctioneers may prefer the first bid received. Please enquire in<br />

advance about our arrangements for the leaving of commission bids<br />

by telephone or FAX.


11. Methods of Payment.<br />

Any cheques tendered will need to be cleared before removal of<br />

the goods is permitted. The following methods of payment are<br />

acceptable:<br />

Sterling cheque to be drawn on a UK bank and made payable<br />

to ‘<strong>Bloomsbury</strong> <strong>Auctions</strong>’. It will be necessary to allow at least<br />

five working days for the cheque to clear before collecting your<br />

purchases.<br />

Bank transfer. All transfers must state the relevant sale number,<br />

lot number and your bid / paddle number. If transferring from a<br />

foreign currency, the amount we receive must be the total due in<br />

pounds sterling (after currency conversion and the deduction of<br />

any bank charges). Our bank details can be found on the reverse<br />

of your invoice or in the sale catalogue under ‘Important Notices’<br />

Debit cards drawn on a UK bank. There is no additional charge for<br />

purchases made with these cards. Debit cards drawn on an overseas<br />

bank or deferred debit cards will be subject to a 3% surcharge.<br />

Sterling cash payments of up to £8,000 and debit cards payments<br />

can be made at the Cashier’s Office, either during or after the sale.<br />

12. Collection and storage.<br />

Please note what the Conditions of Sale state about collection<br />

and storage. It is important that goods are paid for and<br />

collected promptly. Any delay may involve the buyer in paying<br />

storage charges.<br />

13. Droit de suite royalty charges.<br />

From 14th February 2006 all UK art market professionals (which<br />

includes, but is not limited to; auctioneers, dealers, galleries, agents<br />

and other intermediaries) are required to collect a royalty payment<br />

for all works of art that have been produced by living artists. This<br />

payment is only calculated on qualifying works of art which are<br />

sold for a hammer price more than the UK sterling equivalent of<br />

EURO 1,000 – the UK sterling equivalent will fluctuate in line with<br />

prevailing exchange rates.<br />

It is entirely the responsibility of the buyer to acquaint himself with<br />

the precise EURO to UK Sterling exchange rate on the day of the<br />

sale in this regard, and the auctioneer accepts no responsibility<br />

whatsoever if the qualifying rate is different to the rate indicated.<br />

All items in this catalogue that are marked with δ are potentially<br />

qualifying items, and the royalty charge will be applied if the<br />

hammer price achieved is more than the UK sterling equivalent of<br />

EURO 1,000.The royalty charge will be added to all relevant buyers’<br />

invoices, and must be paid before items can be cleared. All royalty<br />

charges are passed on to the Design and Artists Copyright Society<br />

(‘DACS’), no handling costs or additional fees with respect to these<br />

charges will be retained by the auctioneers.<br />

The royalty charge that will be applied to qualifying items which<br />

achieve a hammer price of more than the UK sterling equivalent of<br />

EURO 1,000, but less than the UK sterling equivalent of EURO 50,000<br />

is 4%. For qualifying items that sell for more than the UK sterling<br />

equivalent of EURO 50,000 a sliding scale of royalty charges will apply<br />

– for a complete list of the royalty charges and threshold levels, please<br />

see www.dacs.org.uk. There is no VAT payable on this royalty charge.<br />

TeRMS OF COnSiGnMenT FOR SeLLeRS<br />

1. interpretation.<br />

In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the<br />

consignment of goods to us is made by an agent we assume that<br />

the Seller has authorised the consignment and that the consignor<br />

has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc.<br />

refer to the Auctioneers.<br />

2. Commission<br />

Commission is charged to sellers at the following rates:- please<br />

enquire at our salerooms.<br />

3. Removal costs.<br />

Items for sale must be consigned to the sale room by any stated<br />

deadline and at your expense. We may be able to assist you with<br />

this process but any liability incurred to a carrier for haulage charges<br />

is solely your responsibility.<br />

4. Loss and damage of goods.<br />

(a) <strong>Bloomsbury</strong> <strong>Auctions</strong> is not authorised by the FSA to provide<br />

insurance to it’s clients, and does not do so. However <strong>Bloomsbury</strong><br />

<strong>Auctions</strong> for it’s own protection, assumes liability for property<br />

consigned to it at the lower pre-sale estimate until the hammer falls.<br />

To justify accepting liablilty, <strong>Bloomsbury</strong> <strong>Auctions</strong> makes a charge of<br />

1.5% of the hammer price plus VAT, subject to a minmum charge of<br />

£1.50, or if unsold 1.5% of our lower estimate. The liability assumed by<br />

<strong>Bloomsbury</strong> <strong>Auctions</strong> shall be limited to the lower pre-sale estimate<br />

or the hammer price if the lot is sold.<br />

(b) If the owner of the goods consigned instructs us in writng not to take<br />

such action, the goods then remain entirely at the owners risk unless and<br />

until the property in them passes to the Buyer or they are collected by or<br />

on behalf of the owner, and clause 4 (a) is inapplicable le<br />

5. illustrations.<br />

The cost of any illustrations is borne by you. If we consider that the<br />

Lot should be illustrated your permission will be asked first. The<br />

copyright in respect of such illustrations shall be the property of us,<br />

the auctioneers, as is the text of the catalogue.<br />

6. Minimum bids and our discretion.<br />

goods will normally be offered subject to a reserve agreed between<br />

us before the sale in accordance with clause 7. We may sell Lots<br />

below the reserve provided we account to you for the same sale<br />

proceeds as you would have received had the reserve been the<br />

hammer price. If you specifically give us a “discretion” we may accept<br />

a bid of up to 10% below the formal reserve.<br />

7. Reserves.<br />

(a) You are entitled to place prior to the auction a reserve on any lot<br />

consigned, being the minimum hammer price at which that lot may<br />

be sold. Reserves must be reasonable and we may decline to offer<br />

goods which in our opinion would be subject to an unreasonably<br />

high reserve (in which case goods carry the storage and insurance<br />

charges stipulated in these Terms of Consignment).<br />

(b) A reserve once set cannot be changed except with our consent.<br />

(c) Where a reserve has been placed only we may bid on your behalf<br />

and only up to the reserve (if any) and you may in no circumstances<br />

bid personally.


8. electrical items.<br />

These are subject to detailed statutory safety controls. Where such<br />

items are accepted for sale you accept responsibility for the cost of<br />

testing by external contractors. goods not certified as safe by an<br />

electrician (unless antiques) will not be accepted for sale. They must<br />

be removed at your expense on your being notified. We reserve the<br />

right to dispose of unsafe goods as refuse, at your expense.<br />

9. Soft furnishings.<br />

The sale of soft furnishings is strictly regulated by statute law in the<br />

interests of fire safety. goods found to infringe safety regulations will<br />

not be offered and must be removed at your expense. We reserve<br />

the right to dispose of unsafe goods as refuse, at your expense.<br />

The rights of disposal referred to in clause 8 and 9 are subject to the<br />

provisions of The Torts (Interference with goods) Act 1977, Schedule<br />

1, a copy of which is available for inspection on request<br />

10. Descriptions.<br />

Please assist us with accurate information as to the provenance<br />

etc. of goods where this is relevant. There is strict liability for the<br />

accuracy of descriptions under modern consumer legislation and<br />

in some circumstances responsibility lies with sellers if inaccuracies<br />

occur. We will assume that you have approved the catalogue<br />

description of your lots unless informed to the contrary. Where<br />

we are obliged to return the price to the buyer when the lot is a<br />

deliberate forgery under Condition 15 of the Conditions of Sale and<br />

we have accounted to you for the proceeds of sale you agree to<br />

reimburse us the sale proceeds.<br />

11. Unsold and withdrawn items.<br />

If an item is unsold it may with your consent be re-offered at<br />

a future sale. Where in our opinion an item is unsaleable you<br />

must collect such items from the saleroom promptly on being<br />

so informed. Otherwise, storage charges may be incurred. We<br />

reserve the right to charge for storage in these circumstances at a<br />

reasonable daily rate.<br />

12. Withdrawn and bought in items.<br />

These are liable to incur a charge of 15 % plus VAT on being bought<br />

in or withdrawn after being catalogued.<br />

13. Conditions of Sale.<br />

You agree that all goods will be sold on our Conditions of Sale. In<br />

particular you undertake that you have the right to sell the goods<br />

either as owner or agent for the owner. You undertake to compensate<br />

us and any buyer or third party for all losses liabilities and expenses<br />

incurred in respect of and as a result of any breach of this undertaking.<br />

We will also, at our discretion, and as far as practicable, confirm that<br />

an item consigned for sale does not appear on the Art Loss register,<br />

which is administered by an independent third party.<br />

14. Authority to deduct commission and expenses and retain<br />

premium and interest.<br />

(a) You authorise us to deduct commission at the stated rate and<br />

all expenses incurred for your account from the hammer price and<br />

consent to our right to retain beneficially the premium paid by the<br />

buyer in accordance with our Conditions of Sale and any interest<br />

earned on the sale proceeds until the date of settlement.<br />

(b) You authorise us in our discretion to negotiate a sale by private<br />

treaty not later than the close of business 48 hours after the day of<br />

sale in the case of lots unsold at auction, in which case the same<br />

charges will be payable as if such lots had been sold at auction and<br />

so far as appropriate these Terms apply<br />

15. Warehousing.<br />

We disclaim all liability for goods delivered to our saleroom<br />

without sufficient sale instructions and reserve the right to make<br />

minimum warehousing charge of £10 per lot per day. Unsold lots<br />

are subject to the same charges if you do not remove them within<br />

a reasonable time of notification. If not removed within three<br />

weeks we reserve the right to sell them and defray charges from<br />

any net proceeds of sale or at your expense to consign them to<br />

the local authority for disposal.<br />

16. Settlement.<br />

After sale settlement of the net sum due to you normally takes<br />

place within 28 days of the sale (by crossed cheque to the seller)<br />

unless the buyer has not paid for the goods. In this case no<br />

settlement will then be made but we will take your instructions in<br />

the light of our Conditions of Sale. You authorise any sums owed<br />

by you to us on other transactions to be deducted from the sale<br />

proceeds. You must note the liability to reimburse the proceeds<br />

of sale to us as under the circumstances provided for in Condition<br />

10 above. You should therefore bear this potential liability in mind<br />

before parting with the proceeds of sale until the expiry of 28 days<br />

from the date of sale.<br />

COnDiTiOnS OF SALe<br />

<strong>Bloomsbury</strong> <strong>Auctions</strong> carries on business with bidders, buyers and<br />

all those present in the auction room prior to or in connection with<br />

a sale on the following general Conditions and on such other terms,<br />

conditions and notices as may be referred to herein.<br />

1. Definitions.<br />

in these conditions:<br />

(a) “auctioneer” means the firm of <strong>Bloomsbury</strong> <strong>Auctions</strong> or its<br />

authorised auctioneer, as appropriate;<br />

(b) “deliberate forgery” means an imitation made with the intention<br />

of deceiving as to authorship, origin, date, age, period, culture or<br />

source but which is unequivocally described in the catalogue as<br />

being the work of a particular creator and which at the date of the<br />

sale had a value materially less than it would have had if it had been<br />

in accordance with the description;<br />

(c) “hammer price” means the level of bidding reached (at or above<br />

any reserve) when the auctioneer brings down the hammer;<br />

(d) “terms of consignment” means the stipulated terms and rates<br />

of commission on which Dreweatts accepts instructions from sellers<br />

or their agents;<br />

(e) “total amount due” means the hammer price in respect of the<br />

lot sold together with any premium, Value Added Tax chargeable<br />

and any additional charges payable by a defaulting buyer under<br />

these Conditions;<br />

(f ) “sale proceeds” means the net amount due to the seller, being<br />

the hammer price of the lot sold less commission at the stated rate,<br />

Value Added Tax chargeable and any other amounts due to us by<br />

the seller in whatever capacity and however arising;<br />

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.<br />

(h) The singular includes the plural and vice versa as appropriate.


2. Bidding procedures and the Buyer.<br />

(a) Bidders are required to register their particulars before bidding<br />

and to satisfy any security arrangements before entering the auction<br />

room to view or bid;<br />

(b) the maker of the highest bid accepted by the auctioneer<br />

conducting the sale shall be the buyer at the hammer price and<br />

any dispute about a bid shall be settled at the auctioneer’s absolute<br />

discretion by reoffering the Lot during the course of the auction<br />

or otherwise. The auctioneer shall act reasonably in exercising this<br />

discretion.<br />

(c) Bidders shall be deemed to act as principals.<br />

(d) Our right to bid on behalf of the seller is expressly reserved up<br />

to the amount of any reserve and the right to refuse any bid is also<br />

reserved.<br />

3. increments.<br />

Bidding increments shall be at the auctioneer’s sole discretion.<br />

4. The purchase price.<br />

together with a premium thereon of 26.4% which shall include VAT<br />

on the premiumat the rate imposed by law.The buyer will also be<br />

liable for any royalties payable under Droit de Suite as setout under<br />

Information for Buyers above.<br />

5. value Added Tax.<br />

Value Added Tax on the hammer price is imposed by law on all<br />

items affixed with an asterisk or double asterisk. Value Added Tax<br />

is charged at the appropriate rate prevailing by law at the date<br />

of sale and is payable by buyers of relevant Lots. (Please refer to<br />

“Information for Buyers” for a brief explanation of the VAT position).<br />

6. Payment.<br />

(1) Immediately a Lot is sold you will:<br />

(a) give to us, if requested, proof of identity, and<br />

(b) pay to us the total amount due or in such other way as is agreed<br />

by us.<br />

(2) Any payments by you to us may be applied by us towards any<br />

sums owing from you to us on any account whatever without<br />

regard to any directions of you or your agent, whether express or<br />

implied.<br />

(3) Buyers who utilise the services of ATg Live <strong>Auctions</strong> or any<br />

other live internet services are hereby informed that the payment<br />

method details that are provided to ATg Live <strong>Auctions</strong> or any other<br />

live internet services as part of the process of registration will, in the<br />

absence of compliance with paragraph (1) of this clause, be utilised<br />

by us to settle any amounts owing by such buyers to us.<br />

7. Title and collection of purchases.<br />

(1) The ownership of any Lots purchased shall not pass to you until<br />

you have made payment in full to us of the total amount due.<br />

(2) You shall at your own risk and expense take away any lots that<br />

you have purchased and paid for not later than 3 working days<br />

following the day of the auction or upon the clearance of any<br />

cheque used for payment after which you shall be responsible for<br />

any removal, storage and insurance charges.<br />

(3) No purchase can be claimed or removed until it has been paid for.<br />

(4) <strong>Bloomsbury</strong> <strong>Auctions</strong> can accommodate packing and shipping<br />

for certain items. For lots they are unable to provide this service for,<br />

successful buyers must make these arrangements independently,<br />

though the saleroom may be able to suggest specialist<br />

shipping companies who can advise buyers, this advice is not a<br />

recommendation and the saleroom is not liable for any aspect of<br />

the packaging and shipping process. Please note that the cost of<br />

packaging and shipping depends on the size/weight of the item(s)<br />

purchased, insurance requirements, and the shipping destination,<br />

not on the value of the item(s) purchased. Please note that any items<br />

not collected within one week of the sale date may be automatically<br />

removed to commercial storage and subject to a storage charge.<br />

8. Remedies for non-payment or failure to collect purchases.<br />

(1) If any Lot is not paid for in full and taken away in accordance<br />

with these Conditions or if there is any other breach of these<br />

Conditions, we, as agent for the seller and on our own behalf, shall<br />

at our absolute discretion and without prejudice to any other rights<br />

we may have, be entitled to exercise one or more of the following<br />

rights and remedies:<br />

(a) to proceed against you for damages for breach of contract;<br />

(b) to rescind the sale of that Lot and/or any other Lots sold by us<br />

to you;<br />

(c) to resell the Lot (by auction or private treaty) in which case you<br />

shall be responsible for any resulting deficiency in the total amount<br />

due (after crediting any part payment and adding any resale costs).<br />

Any surplus so arising shall belong to the seller;<br />

(d) to remove, store and insure the Lot at your expense and, in the<br />

case of storage, either at our premises or elsewhere;<br />

(e) to charge interest at a rate not exceeding 1.5% per month on the<br />

total amount due to the extent it remains unpaid for more than 3<br />

working days after the sale;<br />

(f ) to retain that or any other Lot sold to you until you pay the total<br />

amount due;<br />

(g) to reject or ignore bids from you or your agent at future auctions<br />

or to impose conditions before any such bids shall be accepted;<br />

(h) to apply any proceeds of sale of other Lots due or in future<br />

becoming due to you towards the settlement of the total amount<br />

due and to exercise a lien (that is a right to retain possession of ) any<br />

of your property in our possession for any purpose until the debt<br />

due is satisfied.<br />

(2) We shall, as agent for the seller and on our own behalf pursue<br />

these rights and remedies only so far as is reasonable to make<br />

appropriate recovery in respect of breach of these conditions<br />

9. Third party liability.<br />

All members of the public on our premises are there at their own<br />

risk and must note the lay-out of the accommodation and security<br />

arrangements. Accordingly neither the auctioneer nor our employees<br />

or agents shall incur liability for death or personal injury (except as<br />

required by law by reason of our negligence) or similarly for the safety<br />

of the property of persons visiting prior to or at a sale.


10. Commission bids.<br />

Whilst prospective buyers are strongly advised to attend the auction<br />

and are always responsible for any decision to bid for a particular<br />

Lot and shall be assumed to have carefully inspected and satisfied<br />

themselves as to its condition we will if so instructed clearly and in<br />

writing execute bids on their behalf. Neither the auctioneer nor our<br />

employees or agents shall be responsible for any failure to do so<br />

save where such failure is unreasonable.<br />

Where two or more commission bids at the same level are recorded<br />

we reserve the right in our absolute discretion to prefer the first bid<br />

so made.<br />

11. Warranty of title and availability.<br />

The seller warrants to the auctioneer and you that the seller is the<br />

true owner of the property consigned or is properly authorised by<br />

the true owner to consign it for sale and is able to transfer good and<br />

marketable title to the property free from any third party claims.<br />

12. Agency.<br />

The auctioneer normally acts as agent only and disclaims any<br />

responsibility for default by sellers or buyers.<br />

13. Terms of sale.<br />

The seller acknowledges that Lots are sold subject to the<br />

stipulations of these Conditions in their entirety and on the Terms<br />

of Consignment as notified to the consignor at the time of the entry<br />

of the Lot.<br />

14. Descriptions and condition.<br />

(1) Whilst we seek to describe lots accurately, it may be impractical<br />

for us to carry out exhaustive due diligence on each lot. Prospective<br />

buyers are given ample opportunities to view and inspect before<br />

any sale and they (and any independent experts on their behalf )<br />

must satisfy themselves as to the accuracy of any description<br />

applied to a lot. Prospective buyers also bid on the understanding<br />

that, inevitably, representations or statements by us as to authorship,<br />

genuineness, origin, date, age, provenance, condition or estimated<br />

selling price involve matters of opinion. We undertake that any such<br />

opinion shall be honestly and reasonably held and accept liability<br />

for opinions given negligently or fraudulently. Subject to the<br />

foregoing neither we the auctioneer nor our employees or agents<br />

nor the seller accept liability for the correctness of such opinions<br />

and all conditions and warranties, whether relating to description,<br />

condition or quality of lots, express, implied or statutory, are hereby<br />

excluded. This Condition is subject to the next following Condition<br />

concerning deliberate forgeries and applies save as provided for in<br />

paragraph 6 “information to buyers”.<br />

(2) Private treaty sales made under these Conditions are deemed to<br />

be sales by auction for purposes of consumer legislation.<br />

15. Forgeries.<br />

Notwithstanding the preceding Condition, any Lot which proves to<br />

be a deliberate forgery (as defined) may bereturned to us by you<br />

within 21 days of the auction provided it is in the same condition<br />

as when bought, and is accompanied by particulars identifying it<br />

from the relevant catalogue description and a written statement<br />

of defects. If we are satisfied from the evidence presented that the<br />

Lot is a deliberate forgery we shall refund the money paid by you<br />

for the Lot including any buyer’s premium provided that (1) if the<br />

catalogue description reflected the accepted view of scholars and<br />

experts as at the date of sale or (2) you personally are not able to<br />

transfer a good and marketable title to us, you shall have no rights<br />

under this condition.<br />

The right of return provided by this Condition is additional to any<br />

right or remedy provided by law or by these Conditions of Sale.<br />

General,<br />

16. We shall have the right at our discretion, to refuse admission to<br />

our premises or attendance at our auctions by any person.<br />

17. (1) Any right to compensation for losses liabilities and<br />

expenses incurred in respect of and as a result of any breach of<br />

these Conditions and any exclusions provided by them shall be<br />

available to the seller and/or the auctioneer as appropriate.<br />

(2). Such rights and exclusions shall extend to and be deemed to<br />

be for the benefit of employees and agents of the seller and/or the<br />

auctioneer who may themselves enforce them.<br />

18. Any notice to any buyer, seller, bidder or viewer may be given by<br />

first class mail, email or Swiftmail in which case it shall be deemed<br />

to have been received by the addressee 48 hours after posting.<br />

19. Special terms may be used in catalogue descriptions of particular<br />

classes of items in which case the descriptions must be interpreted<br />

in accordance with any glossary appearing at the commencement<br />

of the catalogue.<br />

20. Any indulgence extended to bidders buyers or sellers by us<br />

notwithstanding the strict terms of these Conditions or of the<br />

Terms of Consignment shall affect the position at the relevant time<br />

only and in respect of that particular concession only; in all other<br />

respects these Conditions shall be construed as having full force<br />

and effect.<br />

21. English law applies to the interpretation of these Conditions.


AUCTIONS<br />

BLOOMSBURY<br />

MaNuscripts, autOgraph Letters<br />

& epheMera, cONtiNeNtaL & eNgLish<br />

Literature aND MODerN First eDitiONs<br />

chiLDreN’s & iLLustrateD<br />

BOOKs aND private press<br />

Thursday 27th October 2011 Sale No. 35848 | 35851<br />

I authorise <strong>Bloomsbury</strong> <strong>Auctions</strong>, to bid on my behalf up to the maximum<br />

price indicated plus the 22% plus VAT (26.4%) Buyer’s Premium<br />

To aid legibility please fill in your details in BLOCK CAPITALS.<br />

Title Initials Surname<br />

Address<br />

City Postcode<br />

Tel Fax<br />

Mobile Email<br />

Signed<br />

Date<br />

COMMiSSiOn BiDDinG SLiP<br />

+ bids indicate willingness to go up one increment in case of a tie<br />

Lot No. Max. Bid Price (£) Ex. Premium & VAT<br />

please send to:<br />

<strong>Bloomsbury</strong> auctions<br />

<strong>Bloomsbury</strong> House<br />

24 Maddox Street, London W1S 1PP<br />

t +44 (0) 20 7495 9494 f +44 (0) 20 7495 9499<br />

info@bloomsburyauctions.com<br />

www.bloomsburyauctions.com<br />

Please fax to:<br />

+44 (0) 207 495 9499<br />

Whilst every care is taken in carrying out buyers’<br />

instructions, neither <strong>Bloomsbury</strong> <strong>Auctions</strong>, nor their<br />

staff can be held responsible for any errors made.<br />

All successful bids are subject to a 22% plus VAT (26.4%)<br />

of the hammer price up to £300,000, and 12% plus VAT<br />

(14.40%) on the hammer price in excess of £300,000<br />

Payment will be accepted, if you are a successful<br />

bidder, by debit card issued by a UK bank, by bank<br />

transfer, in cash up to £12,000 (subject to relevant<br />

money laundering regulations), or by all major UK<br />

issued credit cards registered to a UK billing address<br />

with the exception of American Express and Diners Club.<br />

A surcharge of 3% is payable on all payments made<br />

by credit card. This surcharge does not apply to debit<br />

card payments. Payment may also be made by Sterling<br />

personal cheques drawn on a UK bank account but<br />

<strong>Bloomsbury</strong> <strong>Auctions</strong> regrets that purchases paid for<br />

by this method can not be collected until your cheque<br />

has cleared.<br />

If you leave an odd bid, the Auctioneer will increase<br />

your bid to the next highest figure.<br />

Bids must be received the day before the sale, in<br />

certain circumstances it may not be possible to<br />

execute bids received on the day of the sale.<br />

Your attention is drawn to our general Conditions of<br />

Sale, available in the catalogue or in the saleroom.<br />

Lot No. Max. Bid Price (£) Ex. Premium & VAT


The Property of a Gentleman<br />

Donnington Priory, Wednesday 2nd November 2011<br />

Please contact:<br />

donnington@dnfa.com<br />

Donnington Priory<br />

Newbury, Berkshire Rg14 2JE<br />

t +44 (0) 1635 553 553<br />

f +44 (0) 1635 553 599<br />

donnington@dnfa.com<br />

www.dnfa.com/donnington<br />

An octagonal topped oak table, in early<br />

19th century style, of large proportions, the<br />

octagonal parquetry top with acanthus leaf<br />

mouldings, on platform base with brass castors,<br />

75.5cm high, 247cm wide overall<br />

Est. £20,000-30,000<br />

Free Live Online Bidding


Sale No. 35848 | 35851<br />

BLOOMSBURY AUCTIONS<br />

<strong>Bloomsbury</strong> House | 24 Maddox Street | London | W1S 1PP<br />

T +44 (0) 20 7495 9494 | info@bloomsburyauctions.com<br />

www.bloomsburyauctions.com

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