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zoroastrianism ancient and modern - Hindu Temple of Greater ...

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306 AVESTA-NEITHER POST-ZOROASTRIAN NOR PRE-ZOROASTRIAN.<br />

tures, it is not at all logical for the writer to say "Avestan works written<br />

long after the death <strong>of</strong> Zarathushtra", or that the Avestan Scriptures are<br />

"post-Zoroastrian in form" <strong>and</strong> “pre-Zoroastrian in substance” <strong>and</strong> such<br />

other nonsense based on speculative bombardment or ‘pyrology’, the<br />

science <strong>of</strong> speaking, opining <strong>and</strong> writing according to the whims <strong>and</strong><br />

fancies <strong>of</strong> the inventor. What purpose does the writer <strong>of</strong> the book<br />

intend to serve by speculating upon speculated ideas <strong>of</strong> other people<br />

like him except that <strong>of</strong> dwindling the community from its right belief<br />

<strong>and</strong> faith <strong>and</strong> practice? To say that the Avestan writings are post-<br />

Zoroastrian in form implies that they were written by some unknown<br />

writers ‘very long after the death <strong>of</strong> the prophet’ <strong>and</strong> to say that the<br />

Avestan texts are pre-Zoroastrian in substance implies that the<br />

teachings in all Avesta are not given by the prophet himself. In short<br />

the writer means to say that all Avesta texts are Zoroastrian neither in<br />

form nor in substance, but are written by some writers as ignorant <strong>of</strong><br />

the Zoroastrian canons as the writer <strong>of</strong> Zoroastrian Theology himself.<br />

Then in the second place the phrase "Avestan writers" betrays the<br />

writer's total ignorance <strong>of</strong> the structure <strong>of</strong> the Avesta Manthra. Avesta<br />

is no ordinary language <strong>of</strong> everyday communication <strong>and</strong> intercourse,<br />

<strong>and</strong> as we have already seen the Avesta Manthra has been composed<br />

on the basic Laws <strong>of</strong> Staota Yacna for its sound-effect <strong>and</strong> word-effect<br />

in prayers <strong>and</strong> rituals. Hence Avesta compositions necessitate a<br />

previous knowledge <strong>of</strong> all the gr<strong>and</strong> laws <strong>of</strong> Staota Yacna or the<br />

Science <strong>of</strong> Attunement in accordance with the colours produced by the<br />

friction <strong>of</strong> the atmosphere made by articulate sounds. We have<br />

therefore to remember that all the Avesta which is at present extant is<br />

but derived from the 21 Nasks given by Zoroaster, <strong>and</strong> it is simply a<br />

presumption on the part <strong>of</strong> the writer <strong>of</strong> Zoroastrian Theology to use<br />

the phrase 'Avestan writers' which implies more than one person as the<br />

original composer <strong>of</strong> the Avesta. Moreover the writer has not given<br />

any one name out <strong>of</strong> these many Avesta writers <strong>of</strong> his imagining.<br />

There is neither internal nor external evidence to indicate the name <strong>of</strong><br />

any one composer <strong>of</strong> the Avesta <strong>and</strong> to prove the theory <strong>of</strong> more than<br />

one writer <strong>of</strong> the Avesta. The holy

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