A Companion to Linear B - The University of Texas at Austin
A Companion to Linear B - The University of Texas at Austin
A Companion to Linear B - The University of Texas at Austin
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72 T.G. PALAIMA §12.1.2.1.6<br />
were ‘<strong>at</strong> Pylos’. He knew th<strong>at</strong> inform<strong>at</strong>ion and would have had no need <strong>to</strong> be<br />
reminded <strong>of</strong> it l<strong>at</strong>er, tablet by tablet (in the set <strong>of</strong> tablets beginning with tablet<br />
Aa 240). On the other hand, he wrote the number ‘1’ after each <strong>of</strong> the<br />
phonetic ideograms for male and female supervisors, because he is very careful<br />
with numbers. Hand 21 on the other hand, in his barley and fig distribution<br />
records (set Ab), sees no need <strong>to</strong> write ‘1’ after the phonetic abbrevi<strong>at</strong>ions<br />
TA and DA respectively for the female and male supervisors within<br />
these work groups. Writing the phonetic logograms TA and DA with no<br />
number ‘1’ following them is his way <strong>of</strong> design<strong>at</strong>ing ‘one’ supervisor <strong>of</strong> each<br />
type. He, and his contemporaries <strong>at</strong> work <strong>at</strong> the Palace <strong>of</strong> Nes<strong>to</strong>r, would not<br />
mistake this usage for an entry where the slots for numbers were left blank<br />
for l<strong>at</strong>er.<br />
This compressed or tachygraphic manner <strong>of</strong> writing down d<strong>at</strong>a only cre<strong>at</strong>es<br />
problems for us as scholars three thousand two hundred years l<strong>at</strong>er because we<br />
are not familiar with the n<strong>at</strong>ural assumptions th<strong>at</strong> the individual scribes would<br />
make and we do not know all the inform<strong>at</strong>ion about the <strong>to</strong>pics <strong>of</strong> their texts<br />
th<strong>at</strong> they knew. This process <strong>of</strong> reconstructing wh<strong>at</strong> the contexts are for individual<br />
texts and how the messages <strong>of</strong> the tablets are <strong>to</strong> be interpreted is another<br />
valuable <strong>of</strong>fshoot <strong>of</strong> the palaeographical study <strong>of</strong> hands. It falls under the general<br />
heading <strong>of</strong> ‘text pragm<strong>at</strong>ics’, a <strong>to</strong>ol used by Mycenologists now with very<br />
good results. 75<br />
§12.1.2.1.6. Emmett L. Bennett, Jr. and the palaeography <strong>of</strong> Knossos, Pylos and<br />
Mycenae<br />
Bennett not only studied the palaeography <strong>of</strong> the Pylos tablets. In the 1950’s<br />
and in<strong>to</strong> the 1960’s, he identified the different scribes who wrote the inscribed<br />
tablets discovered in ‘houses’ <strong>at</strong> the site <strong>of</strong> Mycenae. 76 In producing charts <strong>of</strong><br />
characteristic sign shapes for the first group <strong>of</strong> tablets discovered <strong>at</strong> Mycenae,<br />
he <strong>to</strong>ok care <strong>to</strong> compare those shapes with the styles <strong>of</strong> signs inscribed on<br />
tablets <strong>at</strong> Knossos and Pylos and painted on stirrup jars (Fig. 12.21). His astute<br />
observ<strong>at</strong>ions about palaeographical traditions th<strong>at</strong> could be discerned among<br />
the texts from Knossos, Pylos and Mycenae led <strong>to</strong> his <strong>at</strong>tempt <strong>to</strong> rel<strong>at</strong>e these<br />
d<strong>at</strong>a <strong>to</strong> chronological developments within the script. 77<br />
In Fig. 12.22, we see how Bennett tried <strong>to</strong> trace the evolution <strong>of</strong> the<br />
ideogram for man over time as part <strong>of</strong> a general concern for the his<strong>to</strong>rical<br />
75 HILLER – PANAGL 2001-2002; PALAIMA 2004b; PANAGL 1979.<br />
76 MT I, 440-445; MT II, 89-95; MT III, 68-70.<br />
77 BENNETT 1960a, 80 and 1966a.