The Gospel of Hellas - Research Institute for Waldorf Education
The Gospel of Hellas - Research Institute for Waldorf Education
The Gospel of Hellas - Research Institute for Waldorf Education
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the origin <strong>of</strong> drama<br />
pestilence swept Athens, the Greeks, abandoning their tribal blood-ties, no<br />
longer remained mere members <strong>of</strong> the city-state with its godhead but became<br />
cosmopolitan individuals. At this time, however, when the foundations laid by<br />
the past were shaken and the memory <strong>of</strong> the gods had totally vanished, man in<br />
his loneliness became more than ever aware <strong>of</strong> three great problems: thanatos<br />
(death), moira (destiny) and daimon (conscience and the immortality <strong>of</strong> the<br />
soul). After the three Erinyes had disappeared, these three questions more and<br />
more tormented the soul <strong>of</strong> man.<br />
Moira (destiny) was felt as the problem <strong>of</strong> birth, thanatos as that <strong>of</strong> death,<br />
daimon as that <strong>of</strong> resurrection. Fear and awe <strong>of</strong> death, compassion and love <strong>of</strong><br />
destiny, and the awakening <strong>of</strong> conscience in the man within man—these three<br />
were the noblest fruits <strong>of</strong> the soul’s catharsis which the drama helped to ripen<br />
<strong>for</strong> <strong>Hellas</strong> and which <strong>Hellas</strong> <strong>of</strong>fered to the world.<br />
Among no other people was the drama developed as early as it was in<br />
Greece. At a later period the Hindus produced only dramatized epics; the<br />
Chinese exhibited only various types on the stage; the Arabs, the Persians<br />
and the Hebrews never produced a play. <strong>The</strong> creation <strong>of</strong> the drama is <strong>Hellas</strong>’<br />
own deed. It developed those faculties <strong>of</strong> the soul which the gods lacked; it<br />
concluded the reign <strong>of</strong> the gods and prepared <strong>for</strong> the coming <strong>of</strong> the One Who<br />
was to be the Redeemer <strong>of</strong> all men.<br />
<strong>The</strong> drama <strong>of</strong> <strong>Hellas</strong> was a precursor <strong>of</strong> Christ’s advent. 146 <strong>The</strong>rein lay its<br />
true mission. Be<strong>for</strong>e mankind as a whole could understand the meaning <strong>of</strong> life,<br />
death on Golgotha and resurrection, the Greek tragedy awakened in the hearts<br />
<strong>of</strong> the Hellenes the persentiment <strong>of</strong> a Redeemer; when He came no other<br />
nation on earth understood the message <strong>of</strong> the Resurrected One better and<br />
more quickly than the Athenians to whom Paul preached on the Areopagus,<br />
the very spot where Aeschylus brought the Furies, trans<strong>for</strong>ming them into the<br />
Eumenides, and where, through Euripides, Orestes began to feel the birth <strong>of</strong><br />
conscience.<br />
In this triad <strong>of</strong> awe, compassion and conscience, the curse <strong>of</strong> the Erinyes<br />
became trans<strong>for</strong>med into blessings. <strong>The</strong> full development <strong>of</strong> these three<br />
faculties will ultimately bring to realization in the character <strong>of</strong> man what Christ<br />
made possible <strong>for</strong> him. In the sublimation <strong>of</strong> his soul <strong>for</strong>ces, man is gradually<br />
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