Slips of the Tongue and Pen in Chinese - Sino-Platonic Papers
Slips of the Tongue and Pen in Chinese - Sino-Platonic Papers
Slips of the Tongue and Pen in Chinese - Sino-Platonic Papers
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David Moser, "<strong>Slips</strong> <strong>of</strong> <strong>the</strong> <strong>Tongue</strong> <strong>and</strong> <strong>Pen</strong> <strong>in</strong> Ch<strong>in</strong>ese" S<strong>in</strong>o-<strong>Platonic</strong> <strong>Papers</strong>, no. 22 (March 1991)<br />
a. a a w'angsh'eng ("vigorous, exuberant")<br />
b. 3 ch~ngp'ei ("full, abundant")<br />
Ex4 35. "@ ik I%! z? + 3P $55 hR $. #! % I3 EI?J .IE % 1I-J &<br />
$J & gJm'9<br />
#~gi &g t3 q\U j?ao n'eige gnniang l6i. TZi l&i de shihou z6nmen *s'<strong>in</strong>gd\ong<br />
szngd'ong .' ("We should get that girl to show up. When she gets here we<br />
can get someth<strong>in</strong>g go<strong>in</strong>g." Said by someone try<strong>in</strong>g to encourage a romance<br />
between one <strong>of</strong> his male friends <strong>and</strong> a woman he knew.)<br />
a. & ,g, sEngy6ng ("<strong>in</strong>stigate, <strong>in</strong>cite, abet")<br />
b. 8 $J gGd'0ng ("agitate, arouse, <strong>in</strong>stigate")<br />
The fact that <strong>the</strong> word "dkng" ($J ), mean<strong>in</strong>g "to move", is used <strong>in</strong> many<br />
o<strong>the</strong>r semantically-related comb<strong>in</strong>ations (such as "jid'ong ' (B 3 ), "excite<br />
or agitate", "h5ngd\ongM (@ Z3f 1, "to cause a sensation", <strong>and</strong> "c\ed'on g"(g<br />
"to stir up") helps give <strong>the</strong> utterance greater plausibility.<br />
a),<br />
Ex. 36. ''S g!"<br />
"Z~U d'an.' ("Get out!")<br />
a. A z'iuren ("Get out, leave.")<br />
b. 7% gcnd'an ("Beat it! Scram!")<br />
In <strong>the</strong> previous three examples, <strong>the</strong> two compet<strong>in</strong>g compounds are<br />
spliced ra<strong>the</strong>r neatly toge<strong>the</strong>r, with both <strong>the</strong> segments <strong>and</strong> tones <strong>of</strong> <strong>the</strong> two<br />
uttered syllables left <strong>in</strong>tact. The follow<strong>in</strong>g example is somewhat different:<br />
Ex. 37. "3 - hu'a ."<br />
"~gng yi*hu'a." ("Wait a moment.")<br />
a. $$ - dgng yixih ("wait")<br />
b. - 2 )I dgng yihcir ("wait a moment")<br />
Note that, logically, a blend <strong>of</strong> <strong>the</strong> segments <strong>of</strong> <strong>the</strong> syllables "xi'a' <strong>and</strong> "huir''<br />
could have produced comb<strong>in</strong>ations such as " GUad " or " X i A ", but s<strong>in</strong>ce<br />
<strong>the</strong>se sounds violate <strong>the</strong> phonological constra<strong>in</strong>ts <strong>of</strong> <strong>the</strong> language, <strong>the</strong>y<br />
would never be generated. (Or seldom so. Hockett <strong>in</strong> his 1967 paper<br />
provides some counterexamples to Wells' First Law, <strong>and</strong> argues for <strong>the</strong><br />
blurr<strong>in</strong>ess <strong>of</strong> phonological constra<strong>in</strong>ts.) The previous example is one <strong>of</strong> <strong>the</strong><br />
few Ch<strong>in</strong>ese blends I've been able to collect <strong>in</strong> which a syllable actually<br />
undergoes some sort <strong>of</strong> morphological transformation as a result <strong>of</strong> <strong>the</strong><br />
blend. This state <strong>of</strong> affairs is very common <strong>in</strong> English: