08.04.2013 Views

Amiga Computing - Commodore Is Awesome

Amiga Computing - Commodore Is Awesome

Amiga Computing - Commodore Is Awesome

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Murphy's Law even<br />

affects you when<br />

you work with<br />

video as Gary<br />

Whitely discovers<br />

the cloys are getting longer and spring<br />

N is once again in the air, I thought I'd<br />

o share a few strange, true and strange<br />

w but true things which tend to happen again and<br />

tagain<br />

in video. Maybe you would be as well to<br />

bear some of them in mind while you're dusting off<br />

h<br />

the video camera and edit suite in preparation for<br />

a<br />

the longer days to come, and this year's video<br />

t productions to get under way.<br />

w Let's start with some of the true (and sometimes<br />

isily)<br />

things which can happen during video editing<br />

and n production. It's always infuriating when you<br />

can't t get an edit suite to do what you want, and<br />

even worse if there are bits of kit which look like<br />

e<br />

they might be potential causes for your problem.<br />

But r more often thon not this 'problem' can be quickly<br />

h traced to one simple thing - your edit videotape<br />

a is protected from recording! This means the<br />

protection s tab in the rape is either missing, broken<br />

off, r or in the wrong position, depending on the<br />

Format e of tape you use. What's even worse is when<br />

you've taped over the missing tab hole and the<br />

l<br />

problem is still there, only to Find later that the tope<br />

has<br />

e<br />

come unstuck or got dimpled so the VCR still<br />

thinks a the video-tape is record protectedl I've seen<br />

these s problems happen on numerous occasion, and<br />

often e to people who should have known better.<br />

d STRIPPING<br />

i<br />

An<br />

t<br />

equally silly situation is the basis for one of my<br />

most embarrassing video moments. I'd been asked<br />

to<br />

s<br />

video an important occasion which had to run to<br />

schedule, i and something appeared to have gone<br />

very c wrong with the video equipment Everyone<br />

was y waiting impatiently as I searched frantically for<br />

the g problem. In the midst of stripping down the<br />

rU-matic<br />

recorder, some wag sarcasticaly suggest-<br />

i<br />

ed that taking the lens cop off might help. Moral -<br />

don't panic. Check all the simple things first before<br />

p<br />

tearing the equipment apart And then check them<br />

, (lain because you're already panicking!<br />

Now for something you might think strange (but<br />

which I think is true). Call me insane, but I believe<br />

video equipment can be adversely affected by the<br />

people who use it. Ten years ago Gavin, the guy<br />

who started me out in video, used to stand by our<br />

Just wha t doom<br />

this '5 0 '2<br />

Ame rica n soldie r<br />

have to do with<br />

vide o? - You'd<br />

hotter ma d on—.<br />

AM U<br />

MURPHY'S LAW<br />

AMIGA COMPUTING<br />

MAY 1996<br />

tIPIATIfft<br />

;_)11<br />

-<br />

]<br />

-<br />

31v7<br />

I<br />

-<br />

A<br />

TJ<br />

noticed, over the years, that there are certain<br />

One of the misunderstandings I often come across is that it's possible to edit direct from and to an edit master<br />

and even do things like fades and dissolves, Well, think about it! How can you possibly read, convert, move,<br />

effect, return, convert and re-record video that fast, even if you could replace it into the exact spot it came<br />

from less than a 50th of a second ago. On a moving tape? Forget it! I've been hearing inexperienced editors<br />

asking why they can't do this, but it never goes away. I guess it will eventually change to "Why con I read<br />

Mpeg from my hard disk, change it, and send it back in real time to where it just came from?" Maybe it might<br />

be possible, but only when time and space become the some thing.<br />

li<br />

VCRs and stroke them when they were misbehaving always blowing, their car breaks down for too often.<br />

or refusing to edit cleanly. Invariably, the edit If this sounds like you, maybe you should just try<br />

would immediately be successful. Since then I've being nicer to your machines?<br />

What about those times when you leave a crucial<br />

people who iust don't seem to 'get on' with video piece of kit somewhere, without which you'd be<br />

equipment, no mailer how good they are at using sunk? Strange but true - we've all probably done it.<br />

it, When they're around, video kit seems to break -Let me tell you about o shoot I was working on<br />

down with on almost unnerving regularity, but for where we went for lunch in a pub half way to our<br />

no apparently logical reason. And there are other next location and took the camera in with us For safe<br />

Folks who have a knack of getting the machines keeping. An hour later we were on our way, only to<br />

working again.<br />

discover we'd left the camera in the publ I We<br />

Being nice to your machine is almost crucial. In hadn't gone far and we soon got the camera back,<br />

Fact, serious research carried out by, amongst others,<br />

the US military has proved a more than significant<br />

link between faults in electro-mechanical<br />

but imagine if we hadn't been so lucky. Our shoot<br />

would have been a disaster!<br />

One of the silliest sights I've witnessed is the<br />

equipment and particular individuals. We all know production crew of a major movie almost grinding<br />

people who are 'jinxed' - their light bulbs ore to a halt because their mobile telephones wouldn't<br />

work in our rugged mountainous location. The local<br />

phone boxes almost gave out under the strain.<br />

Perhaps it couldn't be helped, but it made a change<br />

for a film crew's mobiles to be silent!<br />

CONTACT<br />

POINT<br />

Gary Whiteley can be e-rnailed as<br />

drgarlkix.compulink_co_uk<br />

121

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!