Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Murphy's Law even<br />
affects you when<br />
you work with<br />
video as Gary<br />
Whitely discovers<br />
the cloys are getting longer and spring<br />
N is once again in the air, I thought I'd<br />
o share a few strange, true and strange<br />
w but true things which tend to happen again and<br />
tagain<br />
in video. Maybe you would be as well to<br />
bear some of them in mind while you're dusting off<br />
h<br />
the video camera and edit suite in preparation for<br />
a<br />
the longer days to come, and this year's video<br />
t productions to get under way.<br />
w Let's start with some of the true (and sometimes<br />
isily)<br />
things which can happen during video editing<br />
and n production. It's always infuriating when you<br />
can't t get an edit suite to do what you want, and<br />
even worse if there are bits of kit which look like<br />
e<br />
they might be potential causes for your problem.<br />
But r more often thon not this 'problem' can be quickly<br />
h traced to one simple thing - your edit videotape<br />
a is protected from recording! This means the<br />
protection s tab in the rape is either missing, broken<br />
off, r or in the wrong position, depending on the<br />
Format e of tape you use. What's even worse is when<br />
you've taped over the missing tab hole and the<br />
l<br />
problem is still there, only to Find later that the tope<br />
has<br />
e<br />
come unstuck or got dimpled so the VCR still<br />
thinks a the video-tape is record protectedl I've seen<br />
these s problems happen on numerous occasion, and<br />
often e to people who should have known better.<br />
d STRIPPING<br />
i<br />
An<br />
t<br />
equally silly situation is the basis for one of my<br />
most embarrassing video moments. I'd been asked<br />
to<br />
s<br />
video an important occasion which had to run to<br />
schedule, i and something appeared to have gone<br />
very c wrong with the video equipment Everyone<br />
was y waiting impatiently as I searched frantically for<br />
the g problem. In the midst of stripping down the<br />
rU-matic<br />
recorder, some wag sarcasticaly suggest-<br />
i<br />
ed that taking the lens cop off might help. Moral -<br />
don't panic. Check all the simple things first before<br />
p<br />
tearing the equipment apart And then check them<br />
, (lain because you're already panicking!<br />
Now for something you might think strange (but<br />
which I think is true). Call me insane, but I believe<br />
video equipment can be adversely affected by the<br />
people who use it. Ten years ago Gavin, the guy<br />
who started me out in video, used to stand by our<br />
Just wha t doom<br />
this '5 0 '2<br />
Ame rica n soldie r<br />
have to do with<br />
vide o? - You'd<br />
hotter ma d on—.<br />
AM U<br />
MURPHY'S LAW<br />
AMIGA COMPUTING<br />
MAY 1996<br />
tIPIATIfft<br />
;_)11<br />
-<br />
]<br />
-<br />
31v7<br />
I<br />
-<br />
A<br />
TJ<br />
noticed, over the years, that there are certain<br />
One of the misunderstandings I often come across is that it's possible to edit direct from and to an edit master<br />
and even do things like fades and dissolves, Well, think about it! How can you possibly read, convert, move,<br />
effect, return, convert and re-record video that fast, even if you could replace it into the exact spot it came<br />
from less than a 50th of a second ago. On a moving tape? Forget it! I've been hearing inexperienced editors<br />
asking why they can't do this, but it never goes away. I guess it will eventually change to "Why con I read<br />
Mpeg from my hard disk, change it, and send it back in real time to where it just came from?" Maybe it might<br />
be possible, but only when time and space become the some thing.<br />
li<br />
VCRs and stroke them when they were misbehaving always blowing, their car breaks down for too often.<br />
or refusing to edit cleanly. Invariably, the edit If this sounds like you, maybe you should just try<br />
would immediately be successful. Since then I've being nicer to your machines?<br />
What about those times when you leave a crucial<br />
people who iust don't seem to 'get on' with video piece of kit somewhere, without which you'd be<br />
equipment, no mailer how good they are at using sunk? Strange but true - we've all probably done it.<br />
it, When they're around, video kit seems to break -Let me tell you about o shoot I was working on<br />
down with on almost unnerving regularity, but for where we went for lunch in a pub half way to our<br />
no apparently logical reason. And there are other next location and took the camera in with us For safe<br />
Folks who have a knack of getting the machines keeping. An hour later we were on our way, only to<br />
working again.<br />
discover we'd left the camera in the publ I We<br />
Being nice to your machine is almost crucial. In hadn't gone far and we soon got the camera back,<br />
Fact, serious research carried out by, amongst others,<br />
the US military has proved a more than significant<br />
link between faults in electro-mechanical<br />
but imagine if we hadn't been so lucky. Our shoot<br />
would have been a disaster!<br />
One of the silliest sights I've witnessed is the<br />
equipment and particular individuals. We all know production crew of a major movie almost grinding<br />
people who are 'jinxed' - their light bulbs ore to a halt because their mobile telephones wouldn't<br />
work in our rugged mountainous location. The local<br />
phone boxes almost gave out under the strain.<br />
Perhaps it couldn't be helped, but it made a change<br />
for a film crew's mobiles to be silent!<br />
CONTACT<br />
POINT<br />
Gary Whiteley can be e-rnailed as<br />
drgarlkix.compulink_co_uk<br />
121