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the victory of esoterism and the imperial metaphor ⁄ 117<br />

one hand, and the mature esoteric system, on the other. Such a rationale is<br />

useful, for the expression of powerful phrases in Indian culture, the arrangement<br />

of altars, the references to scepters (vajra) are older than Buddhism itself.<br />

Even within the Buddhist sphere, as has already been pointed out, most<br />

Buddhist traditions employ sacred phrases for various purposes, especially in<br />

protection and healing rituals. 10 For their part, many Mahayanists defined<br />

other kinds of phrases as expressive of “supports” (dharani) in the contemplation<br />

or propagation of the Dharma and even defended their use. 11 Yet the employment<br />

of these specific rituals within monastic environments was not set<br />

apart from other avenues, if the available literature is any indication. Until it<br />

matured, such esoteric materials were individual aids, not a unified system.<br />

They were not considered constituents of a self-contained path and did not<br />

contribute a sense of identity within the community, either to set the individual<br />

apart or to bring others into the fold. The ritual secrecy, the transmission<br />

of separate precepts, the intimate connection between master and disciple—<br />

these had not come together in a self-aware manner.<br />

The mature esoteric synthesis that arose then was emblematic of the new<br />

formulation: it insisted on an immutable master-disciple bond, employed royal<br />

acts of consecration, and used elaborate mandalas in which the meditator<br />

was to envision himself as the Buddha in a field of subordinate Buddhas. Proponents<br />

of the system composed a new class of scriptures that taught the transmission<br />

and recitation of secret mantras. Calling themselves “possessors of<br />

mantras or scepters” (mantrin / vajrin), they developed rituals (particularly fire<br />

sacrifice) for the purpose of a codified series of soteriological and nonsoteriological<br />

acts and ultimately institutionalized this material in Buddhist monasteries<br />

where texts were copied, art produced, and rituals performed. In this regard,<br />

the self-description of mature esoteric Buddhism as the way of secret<br />

mantras (guhyamantrayana) is analogous to the Mahayana’s self-description as<br />

the way of the bodhisattva (bodhisattvayana). The nomenclature and ideology<br />

of bodhisattvas (Siddhartha, Maitreya) had been around long before it became<br />

embedded in a different ritualized “way,” with new vows and a new path topography.<br />

In a similar manner, the identification and use of mantras (or dharani<br />

or vidya) had existed for centuries before there arose a new ritualized synthesis<br />

of different factors.<br />

It is only in the second half of the seventh century that the definitive esoteric<br />

system emerges, and we have several verifications of this dating. Literature<br />

designated “proto-tantric” (a term I believe to be somewhat misleading)<br />

was still the exclusive form of Buddhist esoterism through the middle of the

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