PDF file: Drama - Higher - Lovers - Education Scotland
PDF file: Drama - Higher - Lovers - Education Scotland
PDF file: Drama - Higher - Lovers - Education Scotland
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
20<br />
OVERALL DIRECTORIAL INTERPRETATION AND DRAMATIC COMMENTARY<br />
Andy has inherited his role in the world from the previous<br />
generation. He has become the victim of imposed propriety.<br />
• We clearly see that he is not a passionate man. He is pleasantly<br />
surprised when Hannah pounces.<br />
• Right at the start of the play he is unhappy with the way things turned<br />
out in his relationship with Hannah. Their relationship has become a<br />
dysfunctional one; as dysfunctional as Mr and Mrs Wilson’s had been.<br />
• The style of Andy’s narration is direct contrast to the style used by the<br />
Commentators (in Winners). The function of the narration is similar –<br />
to provide lots of biographical information and propel the action of<br />
the play forwards. Andy’s style, however, is informal, intimate and<br />
anecdotal. His narration is a form of theatrical alienation. By using<br />
this device Friel breaks away from the convention of traditional<br />
proscenium arch productions. ‘The fourth wall’ is crossed as Andy<br />
engages in eye contact with the audience and we (the audience) are<br />
therefore aware that we are in the theatre watching a story unfold.<br />
The fact that the story is being told to us in the past tense accentuates<br />
the alienation effect. This alienation effect doesn’t strictly adhere to<br />
the model used, for example, by Bertold Brecht. His actors would<br />
have come out of character to speak to the audience.<br />
• This extract immediately introduces us to Andy’s predicament. He<br />
starts the play isolated, isolated from his wife and mother-in-law. He<br />
is married but not happily so. The failure of Andy and Hannah’s<br />
relationship is not in doubt right from the beginning.<br />
Hannah<br />
• Friel’s notes on Hannah are also quite specific. ‘She is in her late<br />
forties. She works in a local shirt factory, lives alone with her invalid<br />
mother, and until Andy came on the scene had not been out with a<br />
man for over twenty years. And this sudden injection of romance into<br />
a life that seemed to be rigidly and permanently patterned has<br />
transformed a plain spinster into an almost attractive woman. With<br />
Andy she is warm: with her mother she reverts to waspishness.’<br />
• Hannah has had little experience of men. She rarely saw her father as<br />
he worked night shifts. She is uncomfortable with Andy partly because<br />
she doesn’t know how to cope with being alone with him.<br />
• Like Andy, Mag and Joe, she too has suffered from being isolated. She<br />
has dutifully looked after her mother and in the process she has<br />
sacrificed her independence and personal happiness.<br />
• Her choices have been restricted due to the expectations of the<br />
community that she lives in. Her religious upbringing has reinforced<br />
this expectation. Guilt can be debilitating, and we see the effects it<br />
has on Hannah. Until Andy came on the scene she must have been a<br />
very lonely woman.<br />
DRAMA