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PDF file: Drama - Higher - Lovers - Education Scotland

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38<br />

OVERALL DIRECTORIAL INTERPRETATION AND DRAMATIC COMMENTARY<br />

flowers in the middle’. We end the play with the clear affirmation that<br />

the enduring and pervading influence of the Catholic church<br />

continues to have a firm grip on Andy.<br />

• Hope: Andy has his dreams. The cosy picture that he paints of the<br />

accountant and his wife reflects what he wants for himself.<br />

• Imposed divisions: Hannah now sleeps in her mother’s bedroom.<br />

Andy sleeps alone.<br />

Develops characters and relationships<br />

Andy<br />

• Andy reveals that he is a pragmatist rather than a romantic when he<br />

informs us that one of the reasons he married Hannah was to avoid<br />

being sent to Belfast.<br />

• Andy is easily duped by Hannah and her mother. He doesn’t take a<br />

stand against going back to Mrs Wilson’s house after his honeymoon.<br />

• His monologue at the beginning of this Extract consolidates his role<br />

as the outsider.<br />

• His relationship with Hannah has changed. He is now a lonely,<br />

ostracised middle-aged man who would have been happier remaining<br />

a bachelor and living in his own cottage.<br />

• Andy manages to have one chance to get back at his mother-in-law.<br />

He is given the ideal ammunition to use. He lacks the moral fibre to<br />

reveal his devastating news about St Philomena in a sober state. His<br />

glorious drunken attack provides the climax of the play and proves to<br />

be his undoing.<br />

Hannah<br />

• We see Hannah in a state of distress at the beginning of this Extract.<br />

She is worried about her husband. She is given moral support by her<br />

mother and Cissy. ‘Trite words of consolation are being spoken. And<br />

one gets the sense of feminine solidarity and of suffering<br />

womanhood.’<br />

• Once she realises that Andy is drunk she is devastated. In her eyes<br />

Andy has descended to the depths of depravity and his moral decay<br />

has an instant effect.<br />

• She sides with her mother against Andy. She can now justifiably do<br />

this with a clear and righteous conscience.<br />

• Our final stage picture of Hannah is one of an unattractive, cold<br />

woman who has lost any passionate interest in her husband. ‘Her<br />

coldness is withering.’<br />

• We are reminded of her earlier courtship when Andy offered her the<br />

clove rock. Her rejection of his peace offering is symbolic of the<br />

emptiness of their married life.<br />

DRAMA

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