PDF file: Drama - Higher - Lovers - Education Scotland
PDF file: Drama - Higher - Lovers - Education Scotland
PDF file: Drama - Higher - Lovers - Education Scotland
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46<br />
DIRECTORY OF ACTING PIECES<br />
(This helps to explain her awkwardness and diffident relationship with<br />
Andy near the beginning of Losers.) In all this time she has been ‘forced’<br />
to look after her invalid mother. Having met Andy she has grabbed what<br />
is possibly her last chance of romance. She is the one who takes the<br />
initiative in the courting sequences. She is desperate for love and<br />
affection. She is eager to escape her life of loneliness and daily<br />
drudgery. When we first see Hannah she sides with Andy against her<br />
mother. We see her attend her mother ‘with an ungracious vigour and<br />
obvious ill-will’. The actress playing this role has to create a believable<br />
character. This is not a two-dimensional comedy part. Hannah is of<br />
course integral to the comic action. It is the ferocity of her passionate<br />
embraces with Andy, coupled with the comic device of reciting the<br />
poem, that fuels a large chunk of the comedy in Losers. The actress<br />
must also deliver Hannah’s anger and frustration at being forced to look<br />
after her mother. Towards the end of Losers we see that passionate<br />
relationship with Andy has vanished and that ‘her coldness to him is<br />
withering’. Hannah should have an Irish accent. The exchanges between<br />
Andy and Hannah need a careful balance of timing for maximum comic<br />
effect.<br />
Mrs Wilson<br />
A very dominant female character part. She is a heightened caricature.<br />
She has an Irish accent. We start to get an impression of Mrs Wilson<br />
before we even see her. She is manipulative and has managed to have<br />
things her own way until Andy arrives on the scene and threatens her<br />
comfortable position. She uses her ‘illness’ as a weapon against Andy.<br />
The actress has to be able to portray the transparency of Mrs Wilson’s<br />
‘suffering’ as well as her steely determination to continue to have things<br />
her own way. Mrs Wilson uses religion to assert her position and<br />
dominance. She represents Mother Church. Friel paints a negative<br />
picture of Mrs Wilson, as she does with Cissy. ‘Like Cissy, she is a tiny<br />
woman, with a sweet, patient, invalid’s smile’. She is a stereotypical old<br />
widow who is frightened of being left on her own. She is in her early<br />
seventies and bedridden. She is harsh and unfeeling. Like Cissy she<br />
offers no benevolence to Andy and Hannah. This is a very good part<br />
offering humorous opportunities.<br />
Cissy<br />
A highly comic female character part. Cissy is a heightened caricature.<br />
She is a blatantly false character who exudes false piousness. Friel paints<br />
a very negative picture of Cissy. She is the symbolic representation of<br />
the straightlaced society that Andy and Hannah live in. Cissy also<br />
personifies a certain type of religious person who shows no benevolence<br />
towards her fellow men and women, especially in the case of Andy and<br />
DRAMA