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PDF file: Drama - Higher - Lovers - Education Scotland

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46<br />

DIRECTORY OF ACTING PIECES<br />

(This helps to explain her awkwardness and diffident relationship with<br />

Andy near the beginning of Losers.) In all this time she has been ‘forced’<br />

to look after her invalid mother. Having met Andy she has grabbed what<br />

is possibly her last chance of romance. She is the one who takes the<br />

initiative in the courting sequences. She is desperate for love and<br />

affection. She is eager to escape her life of loneliness and daily<br />

drudgery. When we first see Hannah she sides with Andy against her<br />

mother. We see her attend her mother ‘with an ungracious vigour and<br />

obvious ill-will’. The actress playing this role has to create a believable<br />

character. This is not a two-dimensional comedy part. Hannah is of<br />

course integral to the comic action. It is the ferocity of her passionate<br />

embraces with Andy, coupled with the comic device of reciting the<br />

poem, that fuels a large chunk of the comedy in Losers. The actress<br />

must also deliver Hannah’s anger and frustration at being forced to look<br />

after her mother. Towards the end of Losers we see that passionate<br />

relationship with Andy has vanished and that ‘her coldness to him is<br />

withering’. Hannah should have an Irish accent. The exchanges between<br />

Andy and Hannah need a careful balance of timing for maximum comic<br />

effect.<br />

Mrs Wilson<br />

A very dominant female character part. She is a heightened caricature.<br />

She has an Irish accent. We start to get an impression of Mrs Wilson<br />

before we even see her. She is manipulative and has managed to have<br />

things her own way until Andy arrives on the scene and threatens her<br />

comfortable position. She uses her ‘illness’ as a weapon against Andy.<br />

The actress has to be able to portray the transparency of Mrs Wilson’s<br />

‘suffering’ as well as her steely determination to continue to have things<br />

her own way. Mrs Wilson uses religion to assert her position and<br />

dominance. She represents Mother Church. Friel paints a negative<br />

picture of Mrs Wilson, as she does with Cissy. ‘Like Cissy, she is a tiny<br />

woman, with a sweet, patient, invalid’s smile’. She is a stereotypical old<br />

widow who is frightened of being left on her own. She is in her early<br />

seventies and bedridden. She is harsh and unfeeling. Like Cissy she<br />

offers no benevolence to Andy and Hannah. This is a very good part<br />

offering humorous opportunities.<br />

Cissy<br />

A highly comic female character part. Cissy is a heightened caricature.<br />

She is a blatantly false character who exudes false piousness. Friel paints<br />

a very negative picture of Cissy. She is the symbolic representation of<br />

the straightlaced society that Andy and Hannah live in. Cissy also<br />

personifies a certain type of religious person who shows no benevolence<br />

towards her fellow men and women, especially in the case of Andy and<br />

DRAMA

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