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Legendary fictions of the Irish Celts

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OSSIANIC AND OTHER EARLY LEGENDS.<br />

It never entered <strong>the</strong> head <strong>of</strong> <strong>the</strong> glorious author <strong>of</strong> <strong>the</strong><br />

Ihad, or its separate rhapsodies, to publish his work by<br />

subscription, or sell his copyright to <strong>the</strong> Longman, or<br />

<strong>the</strong> Murray, or <strong>the</strong> Macmillan <strong>of</strong> Ephesus or A<strong>the</strong>ns<br />

such literary patrons did not exist in his day. He recited<br />

it in <strong>the</strong> Theatre or <strong>the</strong> Agora, and was well or ill re-<br />

quited. So no <strong>Irish</strong> Bolg an Dana (wallet <strong>of</strong> poems) in<br />

<strong>the</strong> good old times, with a new work ready for issue,<br />

would walk into Luimneach, or Portlairge, or Baile-atha-<br />

cliath,* with his manuscript in his scrip, and make<br />

arrangement for its publication. He betook himself to<br />

<strong>the</strong> hall <strong>of</strong> king or chief, or to tlie fair <strong>of</strong> Tailtean, and<br />

recited his production to an excitable crowd. If <strong>the</strong><br />

subject was a fine-spun treatise in narrative, a la Balzac,<br />

on <strong>the</strong> physiology <strong>of</strong> marriage, or <strong>the</strong> long-enduring woes<br />

<strong>of</strong> a lady not appreciated by her coarsely-moulded<br />

husband, or <strong>the</strong> tortures <strong>of</strong> a man <strong>of</strong> fashion who longs<br />

* Limerick, Waterford, or Dublin.<br />

O 2<br />

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