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Legendary fictions of the Irish Celts

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348 Fictions <strong>of</strong> <strong>the</strong> <strong>Irish</strong> <strong>Celts</strong>.<br />

as with herself, and exclaimed, " May <strong>the</strong>re never more<br />

be a smith or his forge in ! CuUin " Curious readers<br />

will do well during <strong>the</strong> excursion season to call at Cullin,<br />

and ascertain whe<strong>the</strong>r <strong>the</strong> wish has been fulfilled.<br />

If any fair or gentle reader, touched by <strong>the</strong> poetic or<br />

romantic spirit <strong>of</strong> some <strong>of</strong> <strong>the</strong>se saintly legends, desires<br />

to make acquaintance with more <strong>of</strong> <strong>the</strong> same stamp, he<br />

or she wuU save time, trouble, and expense by not buying<br />

or borrowing <strong>the</strong> authorized Roman Catholic work on<br />

<strong>the</strong> subject— " Lives <strong>of</strong> <strong>the</strong> Saints, by <strong>the</strong> Rev. Alban<br />

Butler." They will meet with much biographical, his-<br />

torical, and archaeological information, and <strong>the</strong> principal<br />

events in <strong>the</strong> lives <strong>of</strong> his subjects, but a total absence <strong>of</strong><br />

romantic and a sparing use <strong>of</strong> supernatural events.<br />

We are not to suppose that such legends as we have<br />

given were deliberately fabricated by <strong>the</strong> early biographers<br />

<strong>of</strong> <strong>the</strong> different holy personages and committed to wTiting.<br />

They were <strong>the</strong> result <strong>of</strong> oral tradition, altered and en-<br />

larged by many transmissions, till some scribe or o<strong>the</strong>r<br />

secured <strong>the</strong> eightieth or hundredth version <strong>of</strong> some simple<br />

narrative. A saint's memory falling into <strong>the</strong> hands <strong>of</strong> a<br />

pr<strong>of</strong>essional storj^-teller fared still worse. His imagina-<br />

tion went to work. He cared to a certain extent for <strong>the</strong><br />

reputation <strong>of</strong> his subject ; but he cared, to an extent un'<br />

limited, for <strong>the</strong> impression to be made by his narrative<br />

upon his audience. He consequently borrowed passages<br />

from <strong>the</strong> pagan poems and stories, Christianized <strong>the</strong>m

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