Music is My Whole Life - World Federation of Music Therapy
Music is My Whole Life - World Federation of Music Therapy
Music is My Whole Life - World Federation of Music Therapy
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Horesh, T. (2006) “<strong>Music</strong> <strong>is</strong> <strong>My</strong> <strong>Whole</strong> <strong>Life</strong>” - The many meanings <strong>of</strong> music in addicts’ lives. <strong>Music</strong> <strong>Therapy</strong> Today<br />
(Online) Vol.VII (2) 291-317. available at http://musictherapyworld.net<br />
1. “falling in love” - the first years <strong>of</strong> drug use, during which music and<br />
drugs enhance each other , and their joining enables experiences <strong>of</strong><br />
wholeness, joy and transcendence.<br />
2. the “dark shadow-guide” – when music plays a part in the downhill<br />
path to depression and intense drug abuse.<br />
3. indifference to music - when the addict looses interest in music.<br />
st<br />
1 stage:“falling in love”.<br />
Nahum:<br />
“ Pink Floyd <strong>is</strong> something I would l<strong>is</strong>ten to only when I<br />
was under the influence <strong>of</strong> drugs…to be high, to connect better to<br />
the music”<br />
Yonatan:<br />
“ …the first time I took ecstasy, we were l<strong>is</strong>tening to<br />
some c.d….. it was so connected to the music. <strong>My</strong> attention was<br />
half on the “exta”, and without noticing – half on the music and<br />
my imagination…it was half the drug and half the music. I think<br />
that if I was in the same situation, but without the music, it would<br />
be something totally different…I don’t think I would have<br />
enjoyed it as much…all the psychedelic drugs – they need music.<br />
"<br />
Research on the effects <strong>of</strong> psychedelic drugs on music perception con-<br />
firm Nahum’s and Yonatan’s experiences. Cannab<strong>is</strong>, for example, can act<br />
as a mild psychedelic drug. Joerg Fachner (2002) has found that cannab<strong>is</strong><br />
induces a subjective time expansion, enabling a temporary increased<br />
insight into the “space between the notes”. High frequencies and over-<br />
tones are perceived more consciously. Fachner suggests that perhaps can-<br />
nab<strong>is</strong> acts as a psycho-acoustic enhancer, enabling a intensified and<br />
broadened experience <strong>of</strong> the musical time space.<br />
DeRios (2003) wrote about shamanic rituals using music in combination<br />
with hallucinogenic substances – different, but still similar, to our sub-<br />
ject. She suggests that once the biochemical effects <strong>of</strong> the hallucinogenic<br />
drug alter the user's perception, the music operates as a "jungle gym" for<br />
the person's consciousness during the drug state and provides a series <strong>of</strong><br />
pathways and ban<strong>is</strong>ters through which the drug user negotiates h<strong>is</strong> way.<br />
So it seems that not only does the music enhance the drug experience, it<br />
Results and D<strong>is</strong>cussion<br />
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