Music is My Whole Life - World Federation of Music Therapy
Music is My Whole Life - World Federation of Music Therapy
Music is My Whole Life - World Federation of Music Therapy
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Horesh, T. (2006) “<strong>Music</strong> <strong>is</strong> <strong>My</strong> <strong>Whole</strong> <strong>Life</strong>” - The many meanings <strong>of</strong> music in addicts’ lives. <strong>Music</strong> <strong>Therapy</strong> Today<br />
(Online) Vol.VII (2) 291-317. available at http://musictherapyworld.net<br />
LISTENING TO MUSIC<br />
AS AN ESCAPE - AS A<br />
SUBSTITUTE FOR<br />
COPING WITH REALITY<br />
Almost all my interviewees spoke about l<strong>is</strong>tening to music as a means <strong>of</strong><br />
avoiding thoughts and emotions and coping with difficult situations.<br />
Sasha:” I think I can say that I avoid my thoughts, by l<strong>is</strong>tening to<br />
music…when things are rough, and I want to be alone……..but<br />
then it’s hard to sit all by myself and concentrate on whats going<br />
on in my life, so I put on my music, and that’s it. I run away……I<br />
sort <strong>of</strong> sit by myself, with my music, don’t have to explain anything<br />
to anybody. I got my music. That’s it. “<br />
<strong>Music</strong> fills the void.<br />
HIGH RISK SITUATIONS These are any life situations which may endanger a recovering addict’s<br />
obligation to recovery. All emotional and environmental cues and trig-<br />
gers which bring about memories <strong>of</strong> use or weaken one’s self efficacy,<br />
which may bring about relapse to substance abuse.<br />
Many <strong>of</strong> my clients, Israel<strong>is</strong> <strong>of</strong> middle eastern background, l<strong>is</strong>ten to a<br />
local genre <strong>of</strong> popular music. Th<strong>is</strong> Israeli Mediterranean music <strong>is</strong> a<br />
hybrid genre created in Israel by Jews from Arabic speaking countries.<br />
The music was, in the 1970's, thought to be culturally inferior by the<br />
mainstream, European-orientated culture and media. The music devel-<br />
oped as an "underground" alternative, giving voice to the themes and<br />
musical heritage <strong>of</strong> the lower and working classes. The music <strong>is</strong> essen-<br />
tially either western music overlaid with middle-eastern "colors", and the<br />
Arabic mell<strong>is</strong>matic form <strong>of</strong> singing, or authentic Turk<strong>is</strong>h, Yemenite or<br />
Iraqi music with Hebrew texts (Horowitz 1999).<br />
The strongest connection the addicts have <strong>is</strong> with the sub-genre nick-<br />
named "crying songs". The lyrics and music <strong>of</strong> these songs evoke feel-<br />
ings <strong>of</strong> melancholy and despair. <strong>My</strong> clients relate that in times <strong>of</strong><br />
depression, they are drawn to choose music that mirrors their mood, and<br />
while identifying with the words, and the memories the song evokes,<br />
sinking into feelings <strong>of</strong> self-pity and worthlessness (Horesh, 2006).<br />
Functions <strong>of</strong> music in addiction 310