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Music is My Whole Life - World Federation of Music Therapy

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Horesh, T. (2006) “<strong>Music</strong> <strong>is</strong> <strong>My</strong> <strong>Whole</strong> <strong>Life</strong>” - The many meanings <strong>of</strong> music in addicts’ lives. <strong>Music</strong> <strong>Therapy</strong> Today<br />

(Online) Vol.VII (2) 291-317. available at http://musictherapyworld.net<br />

on the phone and tell him to put a song on…I would l<strong>is</strong>ten to the<br />

song over the phone…”<br />

In Zohar’s case, the music wasn’t a drug substitute – because he had<br />

access to drugs in jail. But, as he said <strong>of</strong> himself: ”it doesn’t always mat-<br />

ter what music – but I need it . <strong>Music</strong> <strong>is</strong> one <strong>of</strong> the obsessions I haven’t<br />

overcome”. It seems that the music fulfilled needs over and beyond what<br />

the drugs could do – perhaps d<strong>is</strong>traction, filling an emotional void, calm-<br />

ing…LikeYelena, he manipulated h<strong>is</strong> way to get what he needed – char-<br />

acter<strong>is</strong>tic behavior <strong>of</strong> addicts<br />

Nahum:”You're asking how music and drugs are connected? Why<br />

you need the music? So as not to be alone. I want to be alone, but<br />

my soul <strong>is</strong> crying out, I can’t understand whats going on with me,<br />

I don’t want to be like th<strong>is</strong>. At first the drugs were for fun, but<br />

then they became a need, a very very deep physical and spiritual<br />

need. An almost total lack <strong>of</strong> ability to function in all parts <strong>of</strong> my<br />

life…but I didn’t want to see it. So...the music comes, doesn’t<br />

matter what you l<strong>is</strong>ten to….it was a very strong dependence”<br />

Lehtonan (2002) suggests that music seems to create a symbolic d<strong>is</strong>tance<br />

between the individual and h<strong>is</strong> traumatic experiences… probably because<br />

<strong>of</strong> music's "ability" to act as a transitional phenomenon, where by l<strong>is</strong>ten-<br />

ing to music one can safely and without angu<strong>is</strong>h work through h<strong>is</strong> feel-<br />

ings. He quotes Racker (1951) who described the qualities <strong>of</strong> music as a<br />

transitional phenomenon. <strong>Music</strong> can protect an individual against<br />

unpleasant feelings and yet, at the same time, give psychic strength to<br />

face and overcome them. <strong>Music</strong> can also be used in frightening and<br />

unpleasant situations, for instance, against silence representing loneli-<br />

ness. <strong>Music</strong> can function like a "mirror" where the l<strong>is</strong>tener sees himself<br />

and h<strong>is</strong> inner, incoherent feelings and experiences – in an integrated state.<br />

As Nahum concludes:” I would sit and really l<strong>is</strong>ten to the music,<br />

and try to see where I was and what I was doing with my life”<br />

1. for drug abuse during service.<br />

Functions <strong>of</strong> music in addiction 309

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