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Music is My Whole Life - World Federation of Music Therapy

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Horesh, T. (2006) “<strong>Music</strong> <strong>is</strong> <strong>My</strong> <strong>Whole</strong> <strong>Life</strong>” - The many meanings <strong>of</strong> music in addicts’ lives. <strong>Music</strong> <strong>Therapy</strong> Today<br />

(Online) Vol.VII (2) 291-317. available at http://musictherapyworld.net<br />

break their relationship with the culture in which the drug was used. The<br />

failure to break the cultural relationship <strong>of</strong>ten precedes relapse.<br />

Some <strong>of</strong> our younger clients cannot perceive their social life without<br />

pubs, clubs and rave parties - all sites where drugs and alcohol are con-<br />

sumed, all `danger zones' for the recovering addict. They cannot imagine<br />

going to a rock concert or party without taking - or drinking - something<br />

that will enhance their enjoyment <strong>of</strong> the music and enable them to feel<br />

part <strong>of</strong> the crowd.<br />

Contemporary psychodynamic theories also recognize that much <strong>of</strong> the<br />

psychological dysfunction d<strong>is</strong>played by addicts <strong>is</strong> the result <strong>of</strong> drug abuse<br />

rather than the cause. It seems that some aspects <strong>of</strong> personality d<strong>is</strong>orders<br />

apparent in addicts' behavior have developed secondarily as a conse-<br />

quence <strong>of</strong> substance abuse, whereas others are primary and stem from the<br />

interaction <strong>of</strong> early developmental wounds and experiences, with biolog-<br />

ical pred<strong>is</strong>position (Kaufman, 1994). The addict <strong>is</strong> a person with an<br />

unstable personality without inner sources to deal with daily pressures.<br />

The drugs enable him to deal with frustration, to d<strong>is</strong>associate from an<br />

oppressive and demanding reality.<br />

Experiences with clients and my step into research<br />

<strong>My</strong> clients relationships with music were a well kept secret – something<br />

they all knew about, d<strong>is</strong>cussed among themselves but rarely brought to<br />

the music therapy groups. The fact <strong>is</strong> that th<strong>is</strong> subject didn’t come up (or<br />

at least I wasn’t aware that it came up) in the first few years <strong>of</strong> working<br />

with addicts. I knew that they l<strong>is</strong>tened to music a lot, in their free time.<br />

<strong>My</strong> impression ( based on hearsay and the sounds coming from their<br />

rooms) was that “they” l<strong>is</strong>tened to a lot a rave music, Russian rock and<br />

popular music, and Israel Mediterranean music, particularly songs whose<br />

Experiences with clients and my step into research<br />

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