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Poema 7 Pablo Neruda, 1924 Inclinado en las tardes tiro mis tristes redes a tus ojos oceánicos. Allí se estira y arde en la más alta hoguera mi soledad que da vueltas los brazos como un náufrago. Hago rojas señales sobre tus ojos ausentes que olean como el mar a la orilla de un faro. Sólo guardas tinieblas, hembra distante y mía, de tu mirada emerge a veces la costa del espanto. Inclinado en las tares echo mis tristes redes a ese mar que sacude tus ojos oceánicos. Los pájaros nocturnos picotean las primeras estrellas que centellan como mi alma cuando te amo. Galopa la noche en su yegua sombría desparramando espigas azules sobre el campo. Mueller 40
7: Leaning into the evenings Mark Eisner, 2004 Leaning into the evenings I throw my sad nets to your ocean eyes. There my loneliness stretches and burns in the tallest bonfire, arms twisting like a drowning man’s . I cast red signals over your absent eyes which lap like the sea at the lighthouse shore. You guard only darkness, my distant female, sometimes the coast of dread emerges from your stare. Leaning into the evenings I toss my sad nets to that sea which stirs your ocean eyes. The night birds peck at the first stars that twinkle like my soul as I love you. Night gallops on her shadowy mare scattering blue wheat stalks over the fields. Mueller 41
Page 1 and 2: Translating Neruda: Femininity and
Page 3 and 4: Mueller 3 work. As John Felstiner o
Page 5 and 6: Mueller 5 foreignizing method as
Page 7 and 8: these translations misrepresent and
Page 9 and 10: Nature and Femininity: Looking at N
Page 11 and 12: stanza, the speaker’s loneliness
Page 13 and 14: a human relationship. In “Entrada
Page 15 and 16: Mueller 15 social justice and equal
Page 17 and 18: Mueller 17 focus on the very real n
Page 19 and 20: Mueller 19 enumerates a number of d
Page 21 and 22: Translation Analyses: Creating Neru
Page 23 and 24: Mueller 23 last hours of the day,
Page 25 and 26: Mueller 25 from the original two, a
Page 27 and 28: Mueller 27 Unlike the situation in
Page 29 and 30: Mueller 29 translators read the ger
Page 31 and 32: Mueller 31 consummation / of the co
Page 33 and 34: Mueller 33 as Neruda often moves fr
Page 35 and 36: Mueller 35 domesticates by creating
Page 37 and 38: Mueller 37 Hagen’s maintains the
Page 39: Appendix Table of Contents Poema 7,
Page 43 and 44: Inclinando en las tardes David Ossm
Page 45 and 46: Entrada a la madera Pablo Neruda, 1
Page 47 and 48: Entrance into wood Angel Flores, 19
Page 49 and 50: Entrance to Wood Donald D. Walsh, 1
Page 51 and 52: Ode to the onion Maria Jacketti, 19
Page 53 and 54: Ode to An onion Carlos Lozano, 1961
Page 55 and 56: Oda a la tormenta Pablo Neruda, 195
Page 57 and 58: Ode to the Storm Nathaniel Tarn, 19
Page 59 and 60: Oceana Pablo Neruda, 1961 I Oceana
Page 61 and 62: Ocean Lady Maria Jacketti, 1996 I O
Page 63 and 64: the empurpled splendor of the murex
Page 65 and 66: Mueller 65 Neruda, Pablo. "Ocean La

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