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VII: Leaning into the Afternoons W. S. Merwin, 1969 Leaning into the afternoons I cast my sad nets towards your oceanic eyes. There in the highest blaze my solitude lengthens and flames, its arms turning like a drowning man’s. I send out red signals across your absent eyes that move like the sea near a lighthouse. You keep only darkness, my distant female, from your regard sometimes the coast of dread emerges. Leaning into the afternoons I fling my sad nets to that sea that beats on your marine eyes. The birds of night peck at the first stars that flash like my soul when I love you. The night gallops on its shadowy mare shedding blue tassels over the land. Mueller 42
Inclinando en las tardes David Ossman and Carlos B. Hagen, 1969 Bending in the evenings I throw my sad nets into your oceanic eyes. There, stretching and glowing in the highest blaze, my loneliness spins in your arms like a castaway. I make red signals over your absent eyes, which sway like the sea at the foot of a lighthouse. You only watch over darknesses, my own distant woman. From your gaze the menacing coast sometimes emerges. Bending in the evenings I cast my sad nets in that sea which pounds in your oceanic eyes. The night-birds peck out the first stars which sparkle like my soul when I love you. The night gallops on its shadowed mare, scattering ripe blue wheat over the fields. Mueller 43
Page 1 and 2: Translating Neruda: Femininity and
Page 3 and 4: Mueller 3 work. As John Felstiner o
Page 5 and 6: Mueller 5 foreignizing method as
Page 7 and 8: these translations misrepresent and
Page 9 and 10: Nature and Femininity: Looking at N
Page 11 and 12: stanza, the speaker’s loneliness
Page 13 and 14: a human relationship. In “Entrada
Page 15 and 16: Mueller 15 social justice and equal
Page 17 and 18: Mueller 17 focus on the very real n
Page 19 and 20: Mueller 19 enumerates a number of d
Page 21 and 22: Translation Analyses: Creating Neru
Page 23 and 24: Mueller 23 last hours of the day,
Page 25 and 26: Mueller 25 from the original two, a
Page 27 and 28: Mueller 27 Unlike the situation in
Page 29 and 30: Mueller 29 translators read the ger
Page 31 and 32: Mueller 31 consummation / of the co
Page 33 and 34: Mueller 33 as Neruda often moves fr
Page 35 and 36: Mueller 35 domesticates by creating
Page 37 and 38: Mueller 37 Hagen’s maintains the
Page 39 and 40: Appendix Table of Contents Poema 7,
Page 41: 7: Leaning into the evenings Mark E
Page 45 and 46: Entrada a la madera Pablo Neruda, 1
Page 47 and 48: Entrance into wood Angel Flores, 19
Page 49 and 50: Entrance to Wood Donald D. Walsh, 1
Page 51 and 52: Ode to the onion Maria Jacketti, 19
Page 53 and 54: Ode to An onion Carlos Lozano, 1961
Page 55 and 56: Oda a la tormenta Pablo Neruda, 195
Page 57 and 58: Ode to the Storm Nathaniel Tarn, 19
Page 59 and 60: Oceana Pablo Neruda, 1961 I Oceana
Page 61 and 62: Ocean Lady Maria Jacketti, 1996 I O
Page 63 and 64: the empurpled splendor of the murex
Page 65 and 66: Mueller 65 Neruda, Pablo. "Ocean La

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