Selected Poems of Joy Harjo - Music Center
Selected Poems of Joy Harjo - Music Center
Selected Poems of Joy Harjo - Music Center
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ASSESS<br />
Explain concepts <strong>of</strong> design for shadow puppets.<br />
Share drawings or “mock ups” (experimental cuttings) and their meanings.<br />
Describe ways in which they used design elements to create the puppet design.<br />
Discuss how shapes and shadows can portray images and express ideas inspired by the poem’s content<br />
Lesson Extension: Add moving parts to articulate puppets<br />
Instructions:<br />
Observe a puppet with one moving part on the screen that requires two control rods.<br />
What do you notice about how the puppet was made?<br />
o Some <strong>of</strong> the puppets have connectors – called brads – that allow them to articulate body part movement.<br />
o Others have taped hinges so that they can first be seen one way and then opened to reveal something else.<br />
Remember, this effect can be created either by making a hinge that opens to “reveal” or by making two puppets that the puppeteer<br />
overlaps and then removes one to reveal the other.<br />
If you are planning a moving part for your puppet, plan for only two control rods.<br />
Why? (One puppeteer will operate the puppet and has only two hands to do so.)<br />
Lesson Extension: Cut interior spaces within puppets and working with color<br />
Instructions:<br />
Let’s practice making some interior (negative) spaces in the puppets to add design possibilities.<br />
Fold the paper slightly and cut, puncturing the paper and then making cuts to add texture.<br />
Add color with tissue paper or thin plastic and/or color with markers.<br />
o Tape the paper or plastic on the back <strong>of</strong> the puppet with care not to tape over the cut out segments. (This requires substantial additional time.)<br />
VOCABULARY Found Poem, design, images, shadow puppet, positive space, negative space, shape, scale, silhouette, rod, wire cutters, puppeteer, screen,<br />
light, “reveal”<br />
Helpful Hints and Success Strategies:<br />
Before the Lesson<br />
Each student knows his/her line from the Found Poem<br />
Each student understands the meaning <strong>of</strong> his/her line from the Found Poem.<br />
After the Lesson –strategies to reinforce and continue learning<br />
Students assess their designs to confirm how their shadow puppet design connects to the meaning <strong>of</strong> the line that they plan to present.<br />
Students assess their designs to confirm that the puppet design is mechanically sound -can be cut and hold together- and that its meaning will be<br />
understood from its shape. Some students may draw a scene such as a landscape rather than specific puppet image. Encourage students to choose which<br />
<strong>of</strong> the scene could become the core puppets and remind students that the puppet movement will share the story. For example – a full sun puppet that can<br />
rise and set in the space may be a stronger puppet design choice than a sunset image that cannot move or change.<br />
<strong>Music</strong> <strong>Center</strong> Anchor Work Model Curriculum Unit: <strong>Selected</strong> <strong>Poems</strong> <strong>of</strong> <strong>Joy</strong> <strong>Harjo</strong>.<br />
©2011 <strong>Music</strong> <strong>Center</strong>: Performing Arts <strong>Center</strong> <strong>of</strong> Los Angeles County. All Rights Reserved.<br />
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