Selected Poems of Joy Harjo - Music Center
Selected Poems of Joy Harjo - Music Center
Selected Poems of Joy Harjo - Music Center
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Puppetry Arts Content Standards, Strands & Benchmarks, Grades 3 - 5<br />
Draft Developed by Beth Peterson in partnership with the<br />
<strong>Music</strong> <strong>Center</strong>: Performing Arts <strong>Center</strong> <strong>of</strong> Los Angeles County<br />
Artistic Perception<br />
Processing, Analyzing, and Responding to Sensory Information through the Language and Skills unique to Puppetry Arts<br />
1.1 Use the vocabulary <strong>of</strong> Puppetry Arts such as character, setting, conflict, audience, motivation, props, stage areas, blocking,<br />
puppeteers, narrator, to describe a puppetry arts experience<br />
1.2 Identify the Who, What, When Where, and Why in a puppetry arts experience<br />
1.3 Identify and describe how the placement <strong>of</strong> layers in the foreground, middle ground and background <strong>of</strong> a puppet theater<br />
give the illusion <strong>of</strong> depth, space and place<br />
1.4 Compare and contrast two works <strong>of</strong> art in two different forms <strong>of</strong> puppetry arts, i.e., -shadow play and Toy Theater<br />
1.5 Identify and describe visual elements <strong>of</strong> design – line, contrast, texture, scale, space, value – that are used effectively in the<br />
creation <strong>of</strong> puppets, images or set<br />
1.6 Identify, describe and explore how elements <strong>of</strong> puppet and mask movement – giving <strong>of</strong> focus, specific movement choices<br />
for characters, orientation <strong>of</strong> puppets to audience among different forms – are used effectively in the creation <strong>of</strong> puppetry<br />
arts scenarios<br />
Creative Expression<br />
Creating, Performing and Participating in Puppet Theatre<br />
2.1 Create unique movements to express character or image within the limitations <strong>of</strong> 2-dimensional puppet forms<br />
(i.e., use vertical, horizontal, and lateral space, use <strong>of</strong> light and shadow etc.)<br />
2.2 Create sketches to explore ideas for puppet, mask and stage design<br />
2.3 In teams, create a moving visual sequence <strong>of</strong> images that explores themes or deepens understanding <strong>of</strong> a song,<br />
poem, study topic, or piece <strong>of</strong> literature<br />
2.4 Participate in cooperative scriptwriting, storyboarding or improvisation with puppets or masks that incorporate the<br />
Five W’s<br />
2.5 Create simple puppet or mask scenarios that share information through a balance <strong>of</strong> spoken words, visual<br />
images, movement and sound<br />
2.6 Through the performance <strong>of</strong> puppet or mask scenarios, demonstrate a basic knowledge <strong>of</strong> blocking and use <strong>of</strong><br />
stage areas<br />
2.7 Explore uses <strong>of</strong> rhythm and movement in the visual design and/or puppet movement in the scenario<br />
2.8 Incorporate design elements <strong>of</strong> scale, use <strong>of</strong> positive and negative space, and interplay <strong>of</strong> light and shadow, to<br />
create shadow puppets and shadow puppet play<br />
2.9 Create a balance <strong>of</strong> movement, stillness, and focus for the puppets to express the meaning <strong>of</strong> the scenario<br />
<strong>Music</strong> <strong>Center</strong> Anchor Work Model Curriculum Unit: <strong>Selected</strong> <strong>Poems</strong> <strong>of</strong> <strong>Joy</strong> <strong>Harjo</strong>.<br />
©2011 <strong>Music</strong> <strong>Center</strong>: Performing Arts <strong>Center</strong> <strong>of</strong> Los Angeles County. All Rights Reserved.<br />
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