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Mysterious Creatures : A Guide to Cryptozoology

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imported, “which,” he wrote, “turned up in a<br />

university in the south.”<br />

Hansen claimed that the iceman was the<br />

property of an anonymous millionaire, who<br />

later withdrew the real specimen from public<br />

view and substituted a model, made from latex<br />

and hair, that went on the carnival route for several<br />

years afterward. His account of where the<br />

original came from varies: Russian seal hunters<br />

(or Japanese whalers) found it floating in Russia’s<br />

Sea of Okhotsk, already en<strong>to</strong>mbed in ice;<br />

Hansen shot it himself, near Whiteface in<br />

northern Minnesota; or he purchased it from an<br />

exporter in Hong Kong.<br />

Possible explanations:<br />

(1) A synthetic fake, manufactured by<br />

Hansen or a Hollywood special-effects<br />

expert he hired. In 1981, it was claimed that<br />

the late Howard Ball, who made models for<br />

Disneyland, had created the original with<br />

his son Kenneth, based on an artist’s<br />

conception of Cro-Magnon man.<br />

In 1973, I worked for two individuals who<br />

were formerly associated with Hansen in the<br />

carnival exhibition business; they <strong>to</strong>ld me<br />

(with a certain amount of calculated<br />

reluctance) that Hansen had a model made<br />

“on his living-room floor.” However, this<br />

information is still hearsay evidence, and<br />

although I had, at the time, established a<br />

limited amount of confidence as a “carney,”<br />

I probably would not have been <strong>to</strong>ld the<br />

truth if Hansen had actually imported a<br />

Wildman from Southeast Asia. My sources,<br />

after all, were in the business of exhibiting a<br />

Brown agouti (Dasyprocta variegata) as a<br />

“giant rat from the sewers of Paris.”<br />

(2) Heuvelmans believed Hansen, who was<br />

a captain in the U.S. Air Force during the<br />

Vietnam War, had shot or at least acquired<br />

a Nguoi Rungin Vietnam in the mid-<br />

1960s and smuggled it in<strong>to</strong> the United<br />

States in a military body bag. The creature<br />

cannot be a normal human of any race or<br />

even a composite produced by assembling<br />

several species. However, Heuvelmans’s<br />

identification of the animal as Neanderthallike<br />

(Homo neanderthalensis) misses the<br />

mark, since there is no characteristic<br />

browridge or sloping forehead; the robust<br />

arms and legs do match, though.<br />

Heuvelmans apparently obtained<br />

pho<strong>to</strong>graphs showing the face before and<br />

after it was thawed out for a short time.<br />

(3) Mark Hall considers the iceman <strong>to</strong> be<br />

closer in form <strong>to</strong> Homo erectus, which he<br />

thinks is represented by the Ksy-Gyik,<br />

Alm as, or Bar-Manu of Central Asia.<br />

Sources: Bernard Heuvelmans, “Note<br />

préliminaire sur un spécimen conservé dans la<br />

glace d’une forme encore inconnue d’hominidé<br />

vivant: Homo pongoides (sp. seu subsp. nov.),”<br />

Bulletin de l’Institut Royal des Sciences Naturelles<br />

de Belgique 45 (February 1969): 1–24; Ivan T.<br />

Sanderson, “The Missing Link,” Argosy, May<br />

1969, pp. 23–31, on line at http://www.<br />

n2.net/prey/bigfoot/articles/argosy2.htm; Ivan<br />

T. Sanderson, “Preliminary Description of the<br />

External Morphology of What Appeared <strong>to</strong> Be<br />

the Fresh Corpse of a Hither<strong>to</strong> Unknown<br />

Form of Living Hominid,” Genus 25 (1969):<br />

249–78 (reprinted in Pursuit, no. 30 [April<br />

1975]: 41–47, and no. 31 [July 1975]: 62–66);<br />

“Bozo, the Iceman,” Pursuit 3 (April 1970):<br />

45–46, and (Oc<strong>to</strong>ber 1970): 89; Frank<br />

Hansen, “I Killed the Ape-Man Creature of<br />

Whiteface,” Saga, July 1970, pp. 8–11, 55–60;<br />

John Napier, Bigfoot (New York: E. P. Dut<strong>to</strong>n,<br />

1972), pp. 92–107; Bernard Heuvelmans and<br />

Boris F. Porshnev, L’homme de Néanderthal est<br />

<strong>to</strong>ujours vivant (Paris: Plon, 1974), pp.<br />

209–467; C. Eugene Emery, “Sasquatch-<br />

Sickle: The Monster, the Model, and the<br />

Myth,” Skeptical Enquirer 6 (Winter<br />

1981–1982): 2–4; Russell Ciochon, John<br />

Olsen, and Jamie James, Other Origins: The<br />

Search for the Giant Ape in Human Prehis<strong>to</strong>ry<br />

(New York: Bantam, 1990), pp. 230–233; Dao<br />

Van Tien, “Wildman in Vietnam,” Tap Chi’<br />

Lâm Nghiêp, 1990, no. 6, pp. 39–40, and no.<br />

7, p. 12, at http://coombs.anu.edu.au/~vern/<br />

wildman/tien.txt; Ian Simmons, “The<br />

Abominable Showman,” Fortean Times, no. 83<br />

(Oc<strong>to</strong>ber-November 1995): 34–37; Mark<br />

Chorvinsky, “The Burbank Bigfoot,” Strange<br />

Magazine, no. 17 (Summer 1996): 9; Mike<br />

Quast, The Sasquatch in Minnesota, 2d ed.<br />

(Moorhead, Minn.: Mike Quast, 1996); Mark<br />

MINNESOTA ICEMAN 339

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