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COSMOS, VOL. II - World eBook Library

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590 <strong>COSMOS</strong>.<br />

advances of chemistry, are so much the more important as<br />

they imparted a knowledge of the heterogeneous character of<br />

matter, and the nature of forces not made manifest by motion,<br />

but which now led to the recognition of the importance of com-<br />

of form assumed<br />

position, no less than to that of the perfectibility<br />

in accordance with the doctrines of Pythagoras and Plato.<br />

Differences of form and of composition are, however, the<br />

elements of all our knowledge of matter, the abstractions<br />

which we believe capable, by means of measurement and<br />

analysis, of enabling us to comprehend the whole universe.<br />

It is difficult, at present, to decide what the Arabian<br />

chemists may have acquired through their acquaintance with<br />

Indian literature (the writings on the Rasayana] ;* from the<br />

ancient technical arts of the Egyptians the ; new alchernistic<br />

precepts of the pseudo-Democritus and the sophist Synesius ;<br />

or even from Chinese sources, through the agency of the<br />

Moguls. According to the recent and very careful investigations<br />

of a celebrated Oriental scholar, M. Remand, the inven-<br />

tion of gunpowder,f and its application to the discharge of<br />

hollow projectiles, must not be ascribed to the Arabs.<br />

Hassan Al-Rammah, who wrote between 1285 and 1295, was<br />

not acquainted with this application; whilst even in the<br />

twelfth century, and therefore nearly two hundred years<br />

*<br />

The chemistry of the Indians, embracing alcliemistic arts, is called<br />

rasdyana (rasa, juice or fluid, also quicksilver; and ayana, course or<br />

process), and forms, according to Wilson, the seventh division of the<br />

dyur- Veda, the "science of life, or of the prolongation of life." (Royle,<br />

Hindoo Medicine, pp. 39-48.) The Indians have been acquainted from<br />

the earliest times (Royle, p. 133) with the application of mordants in<br />

calico or cotton printing, an Egyptian art, which is most clearly described<br />

in Pliny, lib. xxxv. cap. 11, No. 150. The word "chemistry" indicates<br />

for Plutarch (de Iside<br />

literally " Egyptian art," the art of the black land ;<br />

et Osir. cap. 33) knew that the Egyptians called their country Xj//n'a,<br />

from the black earth. The inscription on the Eosetta stone has Chmi.<br />

I find this word, as applied to the analytic art, first in the decrees of<br />

"<br />

Diocletian against the old writings of the Egyptians which treat of<br />

the '<br />

^rffjiia' of gold and silver," (Trepi %?7jUi'a dpyupou /cat %puao{5).<br />

Compare my Examen crit. de Vhist. de la Geographic et de I'Astronomie<br />

nautigue, t. ii. p. 314.<br />

f Reinaud et Fave, du Feu gregeois, des Feux de guerre<br />

et des<br />

origines de lapoudre a canon, t. i. 1845, pp. 89, 97, 201 and 211;<br />

Piobert, Traite d'Artillerie, 1836, p. 25; Beckmann, Technologic,<br />

s. 342.

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