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COSMOS, VOL. II - World eBook Library

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DESCRIPTIONS OP NATURE IN EARLY ITALIAN POETS 419<br />

if inebriated with their sweet fragrance, plunge back into the<br />

stream, whilst others rise around them." It would almost<br />

seem as if this fiction had its origin in the poet's recollection<br />

of that peculiar and rare phosphorescent condition of the<br />

ocean, when luminous points appear to rise from the breaking<br />

waves, and spreading themselves over the surface of the waters,<br />

convert the liquid plain into a moving sea of sparkling stars.<br />

The remarkable conciseness of the style of the Divina Commedia<br />

adds to the depth and earnestness of the impression<br />

which it produces.<br />

In lingering on Italian ground, although avoiding the fri-<br />

gid pastoral romances,<br />

I would here refer after Dante to the<br />

plaintive sonnet in which Petrarch describes the impression<br />

made on his mind by the charming valley of Vaucluse, after<br />

death had robbed him of Laura ; the smaller poems of Boiardo,<br />

the friend of Hercules d'Este ;<br />

of Vittoria Colonna.*<br />

and more recently, the stanzas<br />

I do not make any extracts from 'the Canzones of the Vita Nuova,<br />

because the similitudes and images which they contain do not belong to<br />

the purely natural range of terrestrial phenomena.<br />

*<br />

I would here refer to Boiardo's sonnet, beginning,<br />

Ombrosa selva, che il mio duolo ascolti;<br />

and the fine stanzas of Vittoria Colonna, which begin,<br />

Q.uando miro la terra ornata e bella,<br />

Di mille vaghi ed odorati fiori ....<br />

A fine and very characteristic description of the country<br />

seat of Fracas-<br />

toro on the hill of Incassi (Mons Caphius), near Verona, is given by thia<br />

writer, (who was equally distinguished in medicine, mathematics, and<br />

poetry), in his Naugerius de poetica dialogus. Hieron. Fracastorii<br />

the same<br />

Op. 1591, P. i. pp. 821-326. See also in a didactic poem by<br />

writer, lib. ii. v. 208--219 (Op. p. 636), the pleasing passage on the<br />

culture of the Citrus in Italy. I miss with astonishment any expression<br />

of feeling connected with the aspect of nature in the letters of Petrarch,<br />

either when, in 1315, (three years, therefore, before the death of Laura),<br />

he attempted the ascent of Mont Yentour from Vaucluse, in the eager<br />

hope of beholding from thence a part of his native land; when he<br />

ascended the banks of the Rhine to Cologne or when he visited the<br />

;<br />

Gulf of Baiae. He lived more in the world of his classical remem-<br />

brances of Cicero and the Roman poets, or in the emotions of his<br />

ascetic melancholy, than in the actual scenes by which he was surrounded.<br />

(See Petrarclice. Epist. de rebus familiaribus, lib. iv. 1, v.<br />

8 and 4- pp. 119, 156, and 161, ed. Lugduu. 1601). There is, however,<br />

an exceedingly picturesque description of a great tempest which<br />

he observed near Naples in 1343 (lib. v. 5, p. 165).<br />

2E2

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