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COSMOS, VOL. II - World eBook Library

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420 <strong>COSMOS</strong>.<br />

When classical literature acquired a more generally diffused<br />

vigour by the intercourse suddenly opened with the politically<br />

degenerated Greeks, we meet with the earliest evidence of this<br />

better spirit in the works of Cardinal Bembo, the friend and<br />

counsellor of Raphael, and the patron of art; for in the JEtna<br />

Dialogus, written in the youth of the author, there is a charming<br />

and vivid sketch of the geographical distribution of the<br />

plants growing on the declivities of the mountain, from the<br />

rich corn-fields of Sicily to the snow-covered margin of the<br />

crater. The finished work of his maturer age, the Histories<br />

Venctce, characterises still more picturesquely the climate and<br />

vegetation<br />

of the New Continent.<br />

Everything concurred at this period to fill the imaginations<br />

of men with grand images of the suddenly extended boundaries<br />

of the known world, and of the enlargement of human<br />

powers, which had been of simultaneous occurrence. As, in<br />

antiquity, the Macedonian expeditions to Paropamisus, and the<br />

wooded alluvial valleys of Western Asia awakened impressions<br />

derived from the aspect of a richly adorned exotic<br />

nature, whose images were vividly reflected in the works or<br />

highly gifted writers, even for centuries afterwards ; so, in like<br />

manner, did the discovery of America act in exercising a<br />

second and stronger influence on the western nations than<br />

that of the crusades. The tropical world, with all the luxu-<br />

riance of its vegetation on the plains, with all the gradations<br />

of its varied organisms on the declivities of the Cordilleras,<br />

and with all the reminiscences of northern climates associated<br />

with the inhabited plateaux of Mexico, New Granada, and<br />

Quito, was now first revealed to the eyes of Europeans.<br />

work can succeed in<br />

Fancy, without whose aid no truly great<br />

the hands of man, lent a peculiar charm to the delineations<br />

of nature sketched by Columbus and Vespucci.<br />

The first of<br />

these discoverers is distinguished for his deep and earnest sentiment<br />

of religion, as we find exemplified in his description of<br />

the mild sky of Paria, and of the mass of water of the<br />

Orinoco, which he believed to flow from the eastern paradise ;<br />

while the second is remarkable for the intimate acquaintance<br />

he evinces with the poets of ancient and modern times,<br />

as shown in his description of the Brazilian coast. The religious<br />

sentiment thus early evinced by Columbus became<br />

converted, with increasing years, and under the influence of

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