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Issue 27 - Columbia: A Journal of Literature and Art

Issue 27 - Columbia: A Journal of Literature and Art

Issue 27 - Columbia: A Journal of Literature and Art

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All the Catholics that Earl ever talked to were crawlers.<br />

Mother explained, when I asked her, that a crawler was a man on<br />

his knees on his way down south to a pilgrimage church that he<br />

had to pass through Placedo to get to, a Mexican mostly, making<br />

his way to a black ash Madonna that was rumored to sew up your<br />

wounds, if you dropped a drop <strong>of</strong> the blood from your knees on<br />

the hem <strong>of</strong> her skirt, a h<strong>and</strong>-embroidered robe that was stiff as a<br />

board from how much blood there was on it.<br />

Earl took a bucket <strong>of</strong> water <strong>and</strong> sprinkled the crawler to cool<br />

him, walked by his side for a bit <strong>of</strong> the way, asking questions if the<br />

crawler spoke English, crossing himself if he didn't.<br />

Mother said that was a sight. Earl Bodel <strong>and</strong> a crawler with a<br />

two-by-four cross tied onto his back. She said it looked frcm a<br />

distance like Earl was out walking his dog so if you'd been driving<br />

that interstate road we were on, <strong>and</strong> you'd come across Earl <strong>and</strong> a<br />

crawler, you probably would have taken your foot <strong>of</strong>f the pedal,<br />

taken your sunglasses <strong>of</strong>f <strong>and</strong> turned your head around to see what<br />

the hell what you'd seen really was.<br />

Earl doing his best to get back on his feet was the roadhouse<br />

locked <strong>and</strong> pads tied onto his knees, not for a crawl but for an all<br />

night burning <strong>of</strong> c<strong>and</strong>les he told us were blessed by a Monterrey<br />

Padre <strong>and</strong> sent through the mails, c<strong>and</strong>les with saints painted on<br />

them, bone-thin Sebastions that were run through with arrows,<br />

<strong>and</strong> a brown-skinned Mary with rhinestone tears glued onto her<br />

cheeks that had streamed one evening, had rolled, Earl swore, in a<br />

copious way, down the pale white beeswax stain <strong>of</strong> her skin, a sign,<br />

according to Earl, that God wanted Earl's back open. Right away.<br />

To make people happy.<br />

Next day, Earl took a loan out <strong>and</strong> opened for business.<br />

Mother said a sign like that must have had a little something<br />

to do with the Tomo Tequila, but Eugene said whatever lifted Earl<br />

Bodel from the dumps was okay by him since the lights turned out<br />

when you pulled up in front meant no place to go <strong>and</strong> no one to<br />

go there with but those with a surname the same as your own.<br />

Nights when Earl's wasn't open, our family had to drive back<br />

home <strong>and</strong> make a party out <strong>of</strong> just who we were, my mother Leda<br />

Marie <strong>and</strong> my father Eugene, me, <strong>and</strong> Aunt Martha <strong>and</strong> Lona.<br />

It wasn't much <strong>of</strong> a party. My father, pitching a ball to<br />

himself in the dark, said a "Brother-in-law argund the place<br />

wouldn't cause any pain—some fellow a fellow could talk to while<br />

Mother was talking with Martha <strong>and</strong> Lona, whispering in a swing<br />

on the porch so a husb<strong>and</strong> felt lonely <strong>and</strong> a daughter had to sit<br />

very close if she wanted to hear all the gossip.<br />

You had to scrounge for your gossip in Placedo Junction.<br />

Small things happened. Mother said awful was better than<br />

nothing at all. Third-h<strong>and</strong> got you through an evening, something<br />

someone in some other town you'd never even been to was said<br />

to have done.<br />

The rest <strong>of</strong> Placedo had Lona to gossip about.<br />

Martha said, "What would they do without Lona?"<br />

Mother said not even half <strong>of</strong> those circulating stories had a<br />

basis in fact.<br />

Lona was Baby to Mother <strong>and</strong> Martha. But Eugene said Lona<br />

wasn't getting any younger.<br />

"Come forty or fifty," he said, "that face, on its way between<br />

lovely <strong>and</strong> gone, won't look quite as good in the flame <strong>of</strong> a Zippo.<br />

Over the hill means out <strong>of</strong> the picture, means no one can see you.<br />

Over the hill means you better find yourself some man to hold<br />

onto, a good man, not one <strong>of</strong> those roughnecks you like to laugh<br />

in the low light <strong>of</strong> Earl's with."<br />

Lona said good was a hard thing to find in Placedo.<br />

Eugene had a damned fine idea where to look, he told her. If<br />

she cared to.<br />

"I'll bet he means Earl's," Mother said. "But behind, not in<br />

front <strong>of</strong> the bar."<br />

Lona just laughed. "Leg to leg on a stool at that bar," she said,<br />

"is a small-time thrill that takes a woman's mind <strong>of</strong>f how lonely<br />

her life would have been without someplace like it. But who'd<br />

•want to live there? Earl's is a roadhouse you go to that you can<br />

come back from. Not stay in. If a woman married Earl, she'd<br />

know every inch <strong>of</strong> Earl's ceiling. Then where would she go to<br />

forget it?"<br />

Eugene said Earl Bodel needed someone to help get his spirits<br />

back up, <strong>and</strong> word had it that a woman he knew named Lona was

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