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Issue 27 - Columbia: A Journal of Literature and Art

Issue 27 - Columbia: A Journal of Literature and Art

Issue 27 - Columbia: A Journal of Literature and Art

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NATALIE KUSZ<br />

After Bedtime<br />

At night, with the coal stove stoked<br />

<strong>and</strong> banked to burn low, its tea kettle filled <strong>and</strong> moistening<br />

the air, my mother made the night rounds, visiting<br />

each bed in turn, replacing fallen blankets<br />

<strong>and</strong> pillows, pulling the thumbs from our mouths,<br />

bending in toward our faces<br />

to confirm that each <strong>of</strong> us breathed. Sometimes,<br />

now, in my daughter's dark room, when I cover<br />

her stray foot with the sheets, pick up<br />

the book <strong>and</strong> pen flashlight where she hid them, I know<br />

how our mother must have stood there, desiring<br />

to wake us again on a pretense—some question<br />

about school, a reminder to carry our lunch<br />

or field trip money—anything<br />

to lengthen the day by one more<br />

conversation, spoken at leisure<br />

with the TV <strong>of</strong>f, every err<strong>and</strong> complete, no bubbling dinner<br />

to distract her. She deliberated—I know it—<br />

then left us sleeping, but occasionally—<br />

if she touched <strong>and</strong> then left us<br />

<strong>and</strong> we faded awake for a moment—<br />

we could hear her slow footfalls retreating.<br />

Letter to David, My Father's Best Friend<br />

I am recalling the last homehaircut<br />

he extracted from me: the usual<br />

"I like your way, <strong>and</strong> its cheap," how the whiteblond<br />

arctic sun bore itself rapidly<br />

winter-ward overhead. His iron<br />

chair readied on the boardwalk, the plum vinyl<br />

hero's cape spread waiting in my h<strong>and</strong>s,<br />

he rested on the steps in half-descent, an apologetic<br />

wheeze to his speech. "Almost," he said,<br />

"but first some air," <strong>and</strong> my sister lowered<br />

the oxygen tube down the porchway, settling<br />

the soughing cannula in his nose. Finally<br />

two last stairs, a hunching stride, the chair pads<br />

hissed exhale underneath him. I made it<br />

quick: the shrouding plastic, the furrowing comb, the cautious<br />

humming clippers behind each ear. Shoulders,<br />

nape, he received the full trim, requesting by gesture<br />

the sprouted brows. Around us, <strong>of</strong>f the cape<br />

cut white petals slid earthward. David,<br />

they lay there still this summer, settled<br />

between the boardwalk planks, spilled over-edge<br />

on the gravel. You <strong>and</strong> I walked over them—remember—<br />

those matting curled husks, mementos more surely<br />

than the dead man's shirts we carried away. I<br />

left them—some misplaced<br />

fear <strong>of</strong> morbidity, perhaps, the styrene<br />

dashboard Madonnas I despise. Yet today<br />

your recorded voice speaks <strong>of</strong> snowfall, your first<br />

cold-weather check on Dad's house. My trustworthy friend<br />

I write to send thanks, to mention forgotten<br />

leaf rakes along the drive. And tomorrow<br />

if you travel peering past the house, stop<br />

in a minute: there by the porch steps, a low<br />

bank will have blown; skim it away, palmsful<br />

at a time, lift out an envelope's<br />

load <strong>of</strong> white hair, <strong>and</strong> preserve it<br />

among the garden seeds till I come.

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