Issue 27 - Columbia: A Journal of Literature and Art
Issue 27 - Columbia: A Journal of Literature and Art
Issue 27 - Columbia: A Journal of Literature and Art
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us from behind. It was everywhere at once—filling my ears with<br />
a sound like the static, tearing the words from Roy's mouth so that<br />
I couldn't hear him. I saw his mouth move <strong>and</strong> only knew that<br />
he had spoken.<br />
I wondered why Jenny had run. She had not hesitated when<br />
she saw Roy waving to us, had not even waited for me to follow,<br />
but had run as if she'd been planning nothing but that moment—<br />
or as if she'd never thought <strong>of</strong> it once. She had not even heard<br />
what he said to us when we all reached the door to the house,<br />
panting <strong>and</strong> holding our sides: "Get down in the basement.<br />
There's a bad storm coming."<br />
Lily had started to shake when Roy left to herd Black <strong>and</strong><br />
Brown into the barn, to try to chase the chickens out <strong>of</strong> the tree.<br />
We had sat in the darkness, waiting, no one moving except Lily.<br />
Her h<strong>and</strong>s beat the sides <strong>of</strong> her head <strong>and</strong> tugged at her hair, until<br />
one <strong>of</strong> the mothers had caught them <strong>and</strong> whispered in her ear,<br />
words no one else could hear. What Lily said started like one <strong>of</strong><br />
Faith's songs, like when we all say words together, Roy st<strong>and</strong>ing<br />
inside our circle, his arms held out.<br />
"Ch-ch-ch-ch-ch," Lily said, hugging her knees to her chest.<br />
I watched her in that underwater light, breathing that stuffy air.<br />
Some <strong>of</strong> the other mothers began to whisper. Then Lily sat up<br />
straight. "Jenny," she said, <strong>and</strong> I could tell she was crying. Her<br />
voice faded into the static, into the rain <strong>and</strong> wind we could hear<br />
getting louder, closer. We watched her, waiting for Roy to come<br />
back to us.<br />
Jenny didn't talk to me the day after Roy caught us stealing<br />
food. When I tried to ask her why he'd wanted her to stay, she<br />
pushed past me <strong>and</strong> walked into the kitchen, where the voices <strong>of</strong><br />
the mothers carried over the sounds <strong>of</strong> running water <strong>and</strong><br />
chopping. I didn't follow her in there, among the draped skirts<br />
<strong>and</strong> steam, where any mother who saw you st<strong>and</strong>ing would give<br />
you beans to snap or potatoes to scrub. Jenny was looking for Lily,<br />
I knew, though I also knew that Lily was with Roy. I had seen<br />
them leave the yard that morning in Roy's truck, <strong>and</strong> the truck<br />
was still gone.<br />
Later, I found Jenny in one <strong>of</strong> the bathrooms, crouched in<br />
front <strong>of</strong> the toilet. She-sdidn't look up at me, <strong>and</strong> I watched her<br />
for a minute. Her back shook, <strong>and</strong> she sniffed, choking <strong>and</strong><br />
coughing into her fist as she cried. I wanted to walk toward her,<br />
touch the curve <strong>of</strong> her spine, but I couldn't move. Jenny cleared<br />
her throat <strong>and</strong> spat in the toilet. I shut the door <strong>and</strong> walked away,<br />
holding my breath, hoping she hadn't known I was there.<br />
The mothers told us that outside was dangerous, but Jenny<br />
had told me that it was no different than here, that trouble was<br />
something that happened anywhere people were. Jenny's stories<br />
about outside were like dreams, things I tried to imagine, but<br />
which floated away from me even as I tried to wrap my h<strong>and</strong>s<br />
around them, making them mine. She told me her stories only at<br />
night, when no one could hear but me.<br />
"In Texas, on the highways, there are water fountains at every<br />
rest stop," she said. "I'd stick nay head under <strong>and</strong> my mother would<br />
laugh. We splashed each other until he came out <strong>of</strong> the bathroom.<br />
Then we'd go into the bathroom together. Our faces together in<br />
the mirror. My mother would laugh."<br />
I lay on my back under scratchy blankets, <strong>and</strong> her voice<br />
seemed to come not from her but from the dark space above me—<br />
a pure voice that told its secrets only to me, a whisper that knew<br />
why everything was, a murmur that followed me into sleep, that<br />
still echoed in my ears when I woke.<br />
Jenny told me that she would leave, but I didn't believe her. She<br />
told me she would hide in the car <strong>of</strong> the men who sometimes<br />
came from town, their cameras aimed at our faces as Roy shook<br />
his rake at them <strong>and</strong> shouted, "Private property, private property,<br />
do you know what that is." She told me she would climb on<br />
Brown's back while she stood grazing, <strong>and</strong> ride her away through<br />
the grass. She told me she would dig a tunnel under the fields,<br />
that even if she was ninety-nine she would keep digging until she<br />
reached the outside.<br />
After the night Roy caught us in the pantry, she said it more<br />
<strong>and</strong> more <strong>of</strong>ten until the words stopped meaning anything, until